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Coming-of-age story

From Wikipedia, the free encyclopedia

In genre studies, a coming-of-age story is a genre of literature, film and videogames that focuses on the growth of a protagonist from youth to adulthood ("coming of age"). Coming-of-age stories tend to emphasize dialogue or internal monologue over action, and are often set in the past. The subjects of coming-of-age stories are typically teenagers.[1] The Bildungsroman is a specific subgenre of coming-of-age story.

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Transcription

Contents

In literature

In film and television

In film, coming of age is a genre of teen films. Coming-of-age films focus on the psychological and moral growth or transition of a protagonist from youth to adulthood. Personal growth and change is an important characteristic of this genre, which relies on dialogue and emotional responses, rather than action. The main character is typically male, around mid-teen and the story is often told in the form of a flashback.[1]

Films in this subgenre include Bambi (1942), The Apu Trilogy (1955–1959), Les 400 Coups (1959), Oliver! (1967), American Graffiti (1973), Breaking Away (1979), The Last American Virgin (1982), Mischief (1985), The Breakfast Club (1985), Fandango (1985), Stand by Me (1986), Empire of the Sun (1987), Stealing Home (1988), Mermaids (1990), Flirting (1991) Dazed and Confused (1993), Girl, Interrupted (1999), Almost Famous (2000), Spirited Away (2001), Y Tu Mamá También (2001), The Motorcycle Diaries (2003), Lakshya (2004), Juno (2007), The Reader (2008), the Harry Potter series (2001–2011), Moonrise Kingdom (2012), The Perks of Being a Wallflower (2012), The Kings of Summer (2013), The Spectacular Now (2013), Boyhood (2014), which was filmed with the same cast over a period of twelve years, Me and Earl and the Dying Girl (2015), Sleeping Giant (2015), The Edge of Seventeen (2016), Moonlight (2016), Spider-Man: Homecoming (2017), It (2017), Call Me by Your Name (2017), Lady Bird (2017), Love, Simon (2018), Eighth Grade (2018), To All the Boys I've Loved Before (2018), Spider-Man: Into the Spider-Verse (2018), and Bumblebee (2018).

Films featuring protagonists in particular age groups, such as pre-teens, are The Sandlot (1993), My Girl (1991), and Now and Then (1995) or high school graduates and college students, in films such as With Honors (1994), American Pie (1999), Can't Hardly Wait (1998), Spider-Man 2 (2004), Superbad (2007), An Education (2009) and 3 Idiots (2009).

Coming-of-age television series include Happy Days (1974-1984),[5] the Degrassi franchise (1979–present), The Wonder Years (1988-1993),[5] Boy Meets World (1993-2000), Daria (1997-2001), Freaks and Geeks (1999-2000), Skins (2007-2013), Glee (2009-2015), Teen Wolf (2011-2017), Steven Universe (2013–present), Over the Garden Wall (2014), Girl Meets World (2014-2017), Skam (2015-2017), Stranger Things (2016–present), 13 Reasons Why (2017–present), One Day at a Time (2017–present), On My Block (2018–present), and SKAM Austin (2018–present) and Sex Education (2019-present)

In video games

In video gaming, whilst this subgenre is not represented as well as other mediums, there are various video games that can be classified as coming-of-age stories such as: Life Is Strange, Life is Strange 2 and Tomb Raider (2013). It should also be mentioned that these types of stories are found more in Japanese computer role-playing games such as the Persona (series).

References

  1. ^ a b Benyahia, Sarah Casey; Gaffney, Freddie; White, John (2006). As Film Studies: The Essential Introduction. Essentials Series. Taylor & Francis. ISBN 0-415-39311-6. Retrieved 5 May 2011.
  2. ^ Joy Palmer, Liora Bresler, David Edward Cooper (2001). Fifty major thinkers on education: from Confucius to Dewey. Routledge. p. 34. ISBN 0-415-23126-4.
  3. ^ a b McWilliams, Ellen (2009). Margaret Atwood and the Female Bildungsroman. Ashgate Publishing, Ltd. p. 14. ISBN 978-0-7546-6027-9. The two early English Bildungsromane already mentioned, Tom Jones and The Life and Opinions of Tristram Shandy, are examples of coming-of-age narratives that predate the generic expectations of the German tradition.
  4. ^ Knausgård, Karl. "On Reading Portrait of the Artist as a Young Man". The New York Times. Retrieved 28 May 2016.
  5. ^ a b Fox, Levi (2002). "The Historical Coming of Age Genre". Were Those the Days? Historical Coming of Age Films in American Culture. American Studies, University of Virginia. Retrieved 5 May 2011.
This page was last edited on 23 March 2019, at 09:08
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