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From Wikipedia, the free encyclopedia

Screenlife or computer screen film is a form of visual storytelling in which events are shown entirely on a computer, tablet or smartphone screen. It became popular in the 2010s owing to the growing impact of the Internet and mobile devices.

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Self-imposed limitations

According to Timur Bekmambetov, the Russian-Kazakh director and producer, a computer screen film should take place on one specific screen, never move outside of the screen, the camerawork should resemble the behavior of the device's camera, all the action should take place in real time, without any visible transitions and all the sounds should originate from the computer.[1][2][3] There have, however, also been movies that switch between screens and are still categorized as screenlife.

After producing one of the first mainstream feature-length computer screen films, Unfriended, in 2014, Bekmambetov popularized screenlife as a narrative device in film.[4]


Screenlife video displays only a desktop of a computer or smartphone and actions of the main character on this device: viewing files, surfing the Internet, Zoom or Skype calls, texting in messengers. Screenlife movies are most often made using screen recording software and simulate footage taken from real life.

Screenlife is not a genre of film, because screenlife movies can be made in different genres: horror, thriller, comedy, etc. It is mostly regarded as a new storytelling format because the computer or smartphone screen is used in journalism and advertising as a visual source.[5][6][7][8] Screenlife takes elements from the pseudo-documentary and found footage formats (eg. The Blair Witch Project, Paranormal Activity).[9]

The name "screenlife" was coined by Russian director Timur Bekbambetov who has directed and produced several films under this genre.[10][better source needed] The earliest experimentations of a combination of a classic film format and the use of computer screens were made in the 2000s. For example, the horror movie The Collingswood Story shows everything through the web cameras of the main characters. Nonetheless, the 2013 horror film The Den by American director Zachary Donohue is considered to be the first modern feature-length film using computer screens as a medium to depict the events happening in the film.

In 2014, the full-length screenlife film Unfriended was released. It earned $64 million at the box office on a budget of $1 million, and spawned a sequel called Unfriended: Dark Web in 2018.

The most successful screenlife movie is the 2018 thriller Searching, directed by Aneesh Chaganty. The main roles were played by John Cho and Debra Messing. The film received the Alfred P. Sloan Prize at the Sundance Film Festival[11] and collected in world box office over $75 million with a budget of about $700,000[12][13][14] and received a sequel, Missing, in 2023.

Also in 2018, another screenlife film Open Windows by Spanish director Nacho Vigalondo was released.

In 2018, Bekmambetov first was the director of the screenlife film Profile (in all previous projects, he performed as a producer). Profile is a political thriller about the online recruitment of a British journalist by an Islamic terrorist.[15][16] The film received the Audience Choice Award in the Panorama program of the Berlin Film Festival and the SXSW Festival in the United States.[17]

In 2019, the first TV series about the zombie apocalypse called Dead of Night in screenlife format was released. It was available to view on smartphones in the Snapchat application. In 2020, the second season was released.[18][19]

In 2021, the screenlife film R#J premiered at the Sundance Film Festival. It was an experimental romantic drama that adapts the love story of Romeo and Juliet to the modern world. R#J was also presented at the SXSW Film Festival, where it won an Adobe Editing Award.[20]

In March 2021, Timur Bekmambetov's Bazelevs studio was included in the list of the most innovative companies in the world according to the American edition of Fast Company for the use of shooting technologies in the screenlife format.[21]

In 2021, SXSW also presented a vertical miniseries iBible: Swipe Righteous as a modern retelling of Bible stories on a smartphone screen.[22]

In March 2021, the media reported on the filming of the screenlife comedy #fbf with Ashley Judd.[23]

In June 2021, the media reported about the filming of the new Hollywood screenlife thriller Resurrected (directed by Egor Baranov) with Dave Davis (Dybbuk) in the leading role. The action of the film will occur in the near future, in which the Vatican has learned to resurrect people.[24][25]


In the screenlife format, the film set is the desktop of the computer, and the files, folders and screen wallpapers are the decorations. The movement of the cursor is important because the viewer's attention is concentrated on it.[26]

The main difference between the post-production of traditional and screenlife films is the time required for editing. On average, editing screenlife movies takes 6–9 months. The post-production time is compensated for by a shorter production period compared to the traditional cinema (for example, Searching was filmed in 13 days).

Screencasting software is usually used to decorate the device screen, and a GoPro camera is used for shooting. The cast members often need to be the camerapeople to bring life to the film.[27]


Feature films

Short films


  • Transformers: The Premake (2014)
  • Albert Figurt Desktop Horror / a video essay (2016)
  • Future History: 1968 (2018)
  • Chloé Galibert-Lainé Watching the pain of the others (2018)
  • Gabrielle Stemmer Clean with me (After Dark) (2019)
  • The Invention of Chris Marker (2020)
  • iBible: Swipe Righteous (2021)
  • Robert Kocsis Morning routine (2022)

Music videos

Web series

United States


  • Sveta from Another World (Russian: Света с того света (2018)
  • Feat (Russian: Подвиг (2019)
  • Nagiyev on quarantine (Russian: Нагиев на карантине (2020)
  • #SittingAtHome (Russian: #СидЯдома (2020)
  • Madness (Russian: Беезумие (2020)
  • Together (Russian: Все вместе (2020)
  • Safe Connections (Russian: Безопасные связи (2020)
  • Isolation (Russian: Изоляция (2020)
  • Picky Days (Russian: Окаянные дни (2020)
  • #InMaskShow (Russian: #вмаскешоу (2020)
  • Locked (Russian: Взаперти (2020)
  • Alice (Russian: Алиса (2020)
  • Sveta from Another World 2 (Russian: Света с того света 2 (2021)
  • Quarantine Stories (Russian: Истории карантина (2021)


See also


  1. ^ Welle (, Deutsche. "Тимур Бекмамбетов: Люди хотят смотреть фильмы "скринлайф" | DW | 25.02.2018". DW.COM (in Russian). Retrieved 2021-08-12.
  2. ^ "Тимур Бекмамбетов снимет пять screenlife-фильмов для компании Universal". Российская газета (in Russian). 9 June 2020. Retrieved 2021-08-12.
  3. ^ Timur Bekmambetov (22 April 2015). "Rules of the Screenmovie: The Unfriended Manifesto for the Digital Age". MovieMaker.
  4. ^ Bishop, Bryan (2015-04-30). "Beyond Unfriended: inside the wild plan to make desktop movies mainstream". The Verge. Retrieved 2021-08-12.
  5. ^ Булгаков, Александр (2020-03-16). "Скринлайф: честная история создания одного ролика — Маркетинг на". Retrieved 2021-08-12.
  6. ^ Frater, Patrick (2021-06-15). "Screenlife Thriller 'The Pilot' Leads the Way for All Rights Entertainment". Variety. Retrieved 2021-08-12.
  7. ^ "The History of Screenlife Films: 10 Key Movies in An Exciting New Genre". GQ. 2021-06-25. Retrieved 2021-08-12.
  8. ^ Мамедов, Джейхун. ""Иди туда, где трава зеленая". Интервью с Тимуром Бекмамбетовым, предпринимателем" (in Russian). Retrieved 2021-08-12.
  9. ^ "Что такое скринлайф, и как его снять". Retrieved 2021-08-12.
  10. ^ Самитов, Антон (2021-05-12). "Тимур Бекмамбетов о "Сумеречном дозоре": "Это должен быть screenlife-фильм" — Кино и сериалы на DTF". DTF. Retrieved 2021-08-12.
  11. ^ Unlocking a Sundance Success: Why 'Searching' Was the Biggest Acquisition of 2018|IndieWire
  12. ^ Searching (2018), retrieved 2021-08-12
  13. ^ Grater, Tom (2020-02-13). "'Searching' Producer Timur Bekmambetov To Shoot World's First Vertical Format Blockbuster". Deadline. Retrieved 2021-08-12.
  14. ^ "Семейные ценности 2.0: что ищет Бекмамбетов в "Поиске"". Газета.Ru (in Russian). Retrieved 2021-08-12.
  15. ^ D'Alessandro, Anthony (2021-03-23). "Focus Features Acquires Timur Bekmambetov Terrorist Thriller 'Profile'". Deadline. Retrieved 2021-08-12.
  16. ^ "Screenlife-триллер Тимура Бекмамбетова "Профиль" выйдет в мировой прокат". BURO. (in Russian). Retrieved 2021-08-12.
  17. ^ "Биография Тимура Бекмамбетова". РИА Новости (in Russian). 25 June 2021. Retrieved 2021-08-12.
  18. ^ "Тимур Бекмамбетов перескажет библейские сюжеты для смартфонов". Кино-Театр.Ру. 2021-02-11. Retrieved 2021-08-12.
  19. ^ "Бекмамбетов сделал вертикальный зомби-сериал для приложения Snapchat". Российская газета. 16 September 2019. Retrieved 2021-08-12.
  20. ^ "Фильм Бекмамбетова "Ромео и Джульетта" выбран в конкурс "Сандэнса"". РИА Новости (in Russian). 16 December 2020. Retrieved 2021-08-12.
  21. ^ Эванс, Брайан Д. "Экономика блокчейна: стартапы, которые зарабатывают на мощности чужих компьютеров" (in Russian). Retrieved 2021-08-12.
  22. ^ Ramos, Dino-Ray (2021-03-10). "SXSW Swipes Right On Timur Bekmambetov's Smartphone Project 'iBible'; Series To Premiere At Online Fest". Deadline. Retrieved 2021-08-12.
  23. ^ Rubin, Rebecca (2021-04-02). "Ashley Judd to Star in YA Drama '#FBF' (EXCLUSIVE)". Variety. Retrieved 2021-08-12.
  24. ^ "Что такое Screenlife и чем этот формат отличается от классического кино". Retrieved 2021-08-12.
  25. ^ "Screenlife: как искусство вторглось в ваш cмартфон и почему вам это очень понравится". KYKY.ORG (in Russian). Retrieved 2021-08-12.
  26. ^ "Жизнь за экраном. Что такое Screen Life и чем так хорош новый киноязык?". Retrieved 2021-08-12.
  27. ^ Bekmambetov, Timur (2015-04-22). "Rules of the Screenmovie: The Unfriended Manifesto for the Digital Age". MovieMaker Magazine. Retrieved 2021-08-12.
  28. ^ GOBLIN.exe, 2020-01-07
  29. ^ Vesdream, Toni (2021-03-14), 2088 (Short, Thriller, Sci-Fi), Devoted Daydream, retrieved 2021-03-22
  30. ^ Moving On..., retrieved 2023-03-11
This page was last edited on 3 May 2024, at 12:50
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