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Little Caesar (film)

From Wikipedia, the free encyclopedia

Little Caesar
Little Caesar (1931 film poster - Style A).jpg
Theatrical release poster
Directed byMervyn LeRoy
Written byFrancis Edward Faragoh
Robert N. Lee
Robert Lord (uncredited)
Darryl F. Zanuck (uncredited)
Based onLittle Caesar
by W. R. Burnett
Produced byHal B. Wallis
Darryl F. Zanuck
StarringEdward G. Robinson
Douglas Fairbanks Jr.
Glenda Farrell
CinematographyTony Gaudio
Edited byRay Curtiss
Music byErnö Rapée
Production
company
Distributed byWarner Bros. Pictures
Release date
  • January 9, 1931 (1931-01-09)
Running time
79 minutes
CountryUnited States
LanguageEnglish
Budget$281,000[1]
Box office$752,000[1]

Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons. The storyline was adapted from the novel of the same name by William R. Burnett. Little Caesar was Robinson's breakthrough role and immediately made him a major film star. The film is often listed as one of the first full-fledged gangster films and continues to be well received by critics.

In 2000, Little Caesar was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.[2][3] The Library of Congress maintains a print.[4]

Plot

Small-time criminals Caesar Enrico "Rico" Bandello and his friend Joe Massara move to Chicago to seek their fortunes. Rico joins the gang of Sam Vettori, while Joe wants to be a dancer. Olga becomes his dance partner and girlfriend.

Joe tries to drift away from the gang and its activities, but Rico makes him participate in the robbery of the nightclub where he works. Despite orders from underworld overlord "Big Boy" to all his men to avoid bloodshed, Rico guns down crusading crime commissioner Alvin McClure during the robbery, with Joe as an aghast witness.

Rico accuses Sam of becoming soft and seizes control of his organization. Rival boss "Little Arnie" Lorch tries to have Rico killed, but Rico is only grazed. He and his gunmen pay Little Arnie a visit, after which Arnie hastily departs for Detroit. The Big Boy eventually gives Rico control of all of Chicago's Northside.

Rico becomes concerned that Joe knows too much about him. He warns Joe that he must forget about Olga and join him in a life of crime. Rico threatens to kill both Joe and Olga unless he accedes, but Joe refuses to give in. Olga calls Police Sergeant Flaherty and tells him Joe is ready to talk, just before Rico and his henchman Otero come calling. Rico finds, to his surprise, that he is unable to take his friend's life. When Otero tries to do the job himself, Rico wrestles the gun away from him, though not before Joe is wounded. Hearing the shot, Flaherty and another police officer give chase and injure and capture Otero. With information provided by Olga, Flaherty proceeds to crush Rico's organization.

Desperate and alone, Rico "retreats to the gutter from which he sprang." While hiding in a flophouse, he becomes enraged when he learns that Flaherty has called him a coward in the newspaper. He foolishly telephones the police to announce he is coming for him. The call is traced, and he is gunned down by Flaherty behind a billboard – an advertisement featuring dancers Joe and Olga – and, dying, utters his final words, "Mother of mercy, is this the end of Rico?"

Cast

Douglas Fairbanks Jr. and Glenda Farrell as Joe and Olga
Douglas Fairbanks Jr. and Glenda Farrell as Joe and Olga

Production

Clark Gable was sought out for a role in the film, albeit with conflicting perspectives in memoirs; Jack L. Warner said that LeRoy wanted Gable for the lead role, while LeRoy stated that he wanted Gable for the second lead role, but at any rate Warner turned Gable down. Robinson had already played a gangster in plays such as The Racket and The Widow from Chicago (1930), a First National Pictures production.

Possible gay subtext

Rico confronts Joe.
Rico confronts Joe.

One interpretation of the film's title character is that he is a repressed or closeted gay man.[5][6][7] The evidence cited includes Otero's fawning admiration of Rico, Rico's great affinity for Joe, and Rico's complete lack of interest in romantic relationships with women, as well as his utter contempt for Joe's interest in women.[6] When the film was released, author Burnett apparently drew the same conclusion about the screen version of the character. Having written Rico as explicitly heterosexual in his novel, Burnett wrote a letter of complaint to the film's producers about the conversion of the character to gay in the screen adaptation.[6]

Reception

Alternate theatrical release poster
Alternate theatrical release poster

On review aggregator Rotten Tomatoes, Little Caesar holds an approval rating of 92%, based on 24 reviews, and an average rating of 7.43/10.[8]

Award and honors

Legacy

Together with The Public Enemy (1931) and Scarface (1932), Little Caesar proved to be influential in developing the gangster film genre, establishing many themes and conventions that have been used since then.[10]

The film's box office success also spawned the production of several successful gangster films, many of which were also made by Warner Brothers.[11] It is listed in the film reference book 1001 Movies You Must See Before You Die, which says "Mervyn LeRoy's Little Caesar helped to define the gangster movie while serving as an allegory of production circumstances because it was produced during the Great Depression— Leavening this theme alongside the demands of social conformity during the early 1930s means that LeRoy's screen classic is far more than the simple sum of its parts."[12]

See also

References

  1. ^ a b Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 11 DOI: 10.1080/01439689508604551
  2. ^ "Librarian of Congress Names 25 More Films to National Film Registry". Library of Congress, Washington, D.C. 20540 USA. Retrieved November 23, 2020.
  3. ^ "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress". Library of Congress, Washington, D.C. 20540 USA. Retrieved November 23, 2020.
  4. ^ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.104 c.1978 by The American Film Institute
  5. ^ Doherty, Thomas Patrick. Pre-code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press, 1999. ISBN 0-231-11094-4
  6. ^ a b c LaSalle, Mick. Dangerous Men: Pre-code Hollywood and the Birth of the Modern Man. New York, New York: St. Martin's Press, 2002. ISBN 0-312-28311-3
  7. ^ Peary, Gerald. "Little Caesar Takes over the Screen" (introduction to Little Caesar of the Wisconsin/Warner Brothers Screenplays series). Madison, Wisconsin: University of Wisconsin Press, 1981. ISBN 0-299-08450-7
  8. ^ "Little Caesar (1931) - Rotten Tomatoes". Rotten Tomatoes.com. Fandango Media. Retrieved November 12, 2019.
  9. ^ "AFI's 10 Top 10". American Film Institute. June 17, 2008. Retrieved June 11, 2017.
  10. ^ Agostinelli, Alessandro (2004). Una filosofia del cinema americano. Individualismo e noir [A Philosophy of American cinema. Individualism and noir] (in Italian). Edizioni ETS. p. 124. ISBN 9788846708113.
  11. ^ Encyclopædia Britannica: Entry for "Little Caesar"
  12. ^ Steven Jay Schneider (2013). 1001 Movies You Must See Before You Die. Barron's. p. 77. ISBN 978-0-7641-6613-6.

External links

This page was last edited on 26 July 2021, at 23:45
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