Sonnet 83

Sonnet 83

Sonnet 83 in the 1609 Quarto

Q1 Q2 Q3 C	I never saw that you did painting need, And therefore to your fair no painting set; I found, or thought I found, you did exceed The barren tender of a poet’s debt; And therefore have I slept in your report, That you yourself, being extant, well might show How far a modern quill doth come too short, Speaking of worth, what worth in you doth grow. This silence for my sin you did impute, Which shall be most my glory, being dumb; For I impair not beauty, being mute, When others would give life, and bring a tomb. There lives more life in one of your fair eyes Than both your poets can in praise devise.	4 8 12 14
	—William Shakespeare^[1]

Sonnet 83 is one of 154 sonnets published by William Shakespeare in a quarto titled Shakespeare's Sonnets in 1609. It is a part of the Fair Youth group of sonnets, and the sixth sonnet of the Rival Poet group.

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Transcription

Exegesis

The poet says that he has not seen that the young man needed to be described in a flattering way ("painting"), and so he has not attempted it. Line 4 ("I found, or thought I found") suggests that he has been rebuked for being silent, which is also suggested in line 9 ("this silence for my sin you did impute"). "Modern quill" suggests an inadequately ordinary kind of writing, and the whole of line 7 ("How far a modern quill doth come too short") contains a sexual inadequacy pun aimed at the rival poet or poets. The third quatrain is so insistent on the poet's silence ("silence" "dumb" "mute") that it suggests deliberateness. Line 12 suggests that when other poets attempt to bring the young man to life in their descriptions, they in fact do the opposite. ("When others would give life and bring a tomb.")^[2]^[3]^[4]

Structure

Sonnet 83 is an English or Shakespearean sonnet, which has three quatrains, followed by a final rhyming couplet. It follows the rhyme scheme ABBA ABBA CDCD EE and is composed in iambic pentameter, a metre of five feet per line, with two syllables in each foot accented weak/strong. Most of the lines are examples of regular iambic pentameter, including the 7th line:

 ×   /  ×  /  ×   /     ×     /   ×    / 
How far a modern quill doth come too short,

  /  ×    ×   /      ×    /    ×  /   ×     / 
Speaking of worth, what worth in you doth grow. (83.7-8)

/ = ictus, a metrically strong syllabic position. × = nonictus.

It is followed (in line 8) by an initial reversal, a common metrical variation.

The meter calls for line 6's "being" to function as 1 syllable.^[5]

Interpretations

Imelda Staunton, for the 2002 compilation album, When Love Speaks (EMI Classics)

Notes

^ Shakespeare, William. Duncan-Jones, Katherine. Shakespeare’s Sonnets. Bloomsbury Arden 2010. p. 277 ISBN 9781408017975.
^ Shakespeare, William. Duncan-Jones, Katherine. Shakespeare’s Sonnets. Bloomsbury Arden 2010. p. 276-277 ISBN 9781408017975.
^ Booth, Stephen, ed. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. (2000) p. 281
^ Hammond, Gerald. The Reader and the Young Man Sonnets. Barnes & Noble. 1981. p. 106. ISBN 978-1-349-05443-5
^ Booth 2000, p. 282.

References

First edition and facsimile

Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Harcourt. OCLC 234756.
Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC 6028485. — Volume I and Volume II at the Internet Archive

Modern critical editions

Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN 0-300-01959-9. OCLC 2968040.
Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. Arden Shakespeare, third series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951. — 1st edition at the Internet Archive
Evans, G. Blakemore, ed. (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.
Orgel, Stephen, ed. (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets. Cambridge, Massachusetts: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.

William Shakespeare

Plays

Comedies	All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre ✻ The Taming of the Shrew The Tempest Twelfth Night The Two Gentlemen of Verona The Two Noble Kinsmen ✻ The Winter's Tale
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