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Kate & Leopold

From Wikipedia, the free encyclopedia

Kate & Leopold
Theatrical release poster
Directed byJames Mangold
Screenplay by
Story bySteven Rogers
Produced byCathy Konrad
Starring
CinematographyStuart Dryburgh
Edited byDavid Brenner
Music byRolfe Kent
Production
company
Konrad Pictures
Distributed byMiramax Films
Release date
  • December 25, 2001 (2001-12-25)
Running time
123 minutes
CountryUnited States
LanguageEnglish
Budget$48 million[1]
Box office$76 million (worldwide)[2]

Kate & Leopold is a 2001 American romantic-comedy fantasy film that tells a story of a physicist by the name of Stuart (Liev Schreiber), who accidentally pulls his great‑great‑grandfather, Leopold (Hugh Jackman), through a time portal from 19th‑century New York to the present, where Leopold and Stuart's ex‑girlfriend, Kate (Meg Ryan), fall in love with each other.

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Transcription

Compared to the whitewater streams that tumble down mountainsides, the meandering rivers of the plains may seem tame and lazy. But mountain streams are corralled by the steep-walled valleys they carve – their courses are literally set in stone. Out on the open plains, those stony walls give way to soft soil, allowing rivers much more freedom to shift their banks and set their own ever-changing courses to the sea: courses that almost never run straight. At least not for long, because all it takes to turn a straight stretch of river into a bendy one is a little disturbance and a lot of time  – and in nature, there’s plenty of both.       Say, for example, that a muskrat  burrows herself a den in one bank of a stream. Her tunnels make for a cozy home,  but they also weaken the bank, which eventually begins to crumble and slump into the stream. Water rushes into the newly-formed hollow, sweeping away loose dirt and making the hollow even hollower, which lets the water rush a little faster and sweep away a little more dirt from the bank...and so on, and so on . As more of the stream’s flow is diverted into the deepening hole on one bank and away from the other side of the channel, the flow there weakens and slows. And since slow-moving water can’t carry the sand-sized particles that fast-moving water can, that dirt drops to the bottom and builds up to make the water there shallower and slower, and then keeps accumulating until the edge of the stream becomes new land on the inside bank.         Meanwhile, the fast-moving water near the outside bank sweeps out of the curve with enough momentum to carry it across the channel and slam it into the other side, where it starts to carve another curve . And then another, and then another, and then another. The wider the stream, the longer it takes the slingshotting current to reach the other side, and the greater the downstream distance to the next curve. In fact, measurements of meandering streams all over the world reveal a strikingly regular pattern : the length of one S-shaped meander tends to be about six times the width of the channel . So little tiny meandering streams tend to look just like miniature versions of their bigger relatives.      As long as nothing gets in the way of a river’s meandering , its curves will continue to grow curvier and curvier until they loop around and bumble into themselves. When that happens, the river follows the straighter path downhill, leaving behind a crescent-shaped remnant called an oxbow lake. Or a billabong. Or a lago en herradura. Or a bras mort ...      We have lots of names for these lakes, since they can occur pretty much anywhere liquid flows – which brings up an interesting question: what do the Martians call them?

Plot

On 28 April 1876, Leopold, His Grace the 3rd Duke of Albany, is a stifled dreamer. He has created a design for a primitive elevator, and has built a small model of this device. His strict Uncle Millard has no patience for what he sees as Leopold's frivolous interest in the sciences and new inventions, having brought him to New York City in order to marry a wealthy American heiress, as the Mountbatten family is heavily indebted.

While sketching the Brooklyn Bridge during a public meeting dedicated to the completion of its Manhattan tower, Leopold notices Stuart Besser taking photographs with an anachronistically small camera. Stuart is an amateur physicist (and great‑great‑grandson of Leopold) from 21st‑century New York who has discovered the existence of gravitational time portals. Later, Leopold catches Stuart in the Duke's study, photographing his schematic diagrams. When Stuart attempts to flee, Leopold follows and tries to save him from falling off the unfinished bridge, only to fall with him into the time portal.

Leopold awakens on a Wednesday morning in the year 2001 in Stuart's apartment at 88 White Street, Manhattan. Stuart explains that the portal they have travelled through has closed, but will reopen on the next Monday, until which time Leopold should stay in Stuart's apartment. As Stuart takes his dog out, he is injured by falling into the empty elevator shaft and, after ranting about his scientific discovery in the hospital, is involuntarily committed to a mental institution. According to Stuart's concept, Leopold's unintentional time travel to the 21st century has caused a widespread "occlusion" of elevators, and may cause the disappearance of Stuart himself if Leopold doesn't go back to 1876 on Monday.

Leopold is intrigued by the cynical and ambitious Kate McKay, Stuart's ex-girlfriend who lives downstairs. He says that she produces the impression of a "career woman" and, upon learning that she works in market research, ironically remarks, "Mm. A fine avocation for women, research. Perfect for the feminine mind." (Later on, Kate's boss tells her the same thing, "You skew male. You're like a man. A man who understands women—their desires, their needs. You understand them, but you're not really one of them.") Kate shrugs it off and demands that Leopold take Stuart's dog for a walk. Back at the apartment, he befriends Charlie—Kate's brother and an aspiring actor, who believes him to be an actor as well, steadfast to his character.

On Thursday morning, Kate becomes impressed by Leopold's eloquent exposition of how important the tastiness of food is to the quality of human life. She takes him to an audition for a TV commercial pitching a fat-free butter, Farmer's Bounty, produced by the English company Jansen Foods, which is being taken over by Kate's company, Camden Research Group. After the successful audition, Kate and Leopold stop by a horse-drawn tourist carriage to hail a taxi, at which moment a thief snatches Kate's briefcase and flees into Central Park. Seeing Kate run after the purse-snatcher, Leopold borrows one of the horses and hurries to help her. Riding together with Kate, he drives the thief into an impasse and forces him to drop the briefcase. Bedazzled by the sight of Leopold riding on a white horse to her rescue, Kate begins to admit that his 19th century dukedom may be "for real".

On Friday, Leopold hires a violinist and invites Kate to a rooftop dinner, which ends with a waltz and the first kiss.

On Saturday, they take a stroll about Lower Manhattan and come across Uncle Millard's home at 1 Hanover Square, where Leopold retrieves a metal box with his boyhood treasures, including his mother's ring, from a secret drawer hidden in his room's wall. In the evening, he tries to propose to Kate, but she falls asleep on his lap.

On Sunday, Leopold acts in a Farmer's Bounty commercial, but walks off the set upon finding the diet margarine disgusting. Leopold chastises Kate about integrity, to which she counters that he lacks connection with reality. Realizing that their time together is nearly over, both spend the evening in subdued contemplation.

On Monday morning, Stuart escapes from the asylum and sends Leopold to his own time, which makes the elevators work again. Charlie notices Kate in a photo taken at Leopold's ball on 28 April 1876, and shows the picture to Stuart, who realizes that Kate's future is in the past. That night, when Kate is about to accept her promotion at the Anglo-American merger meeting held, to her surprise, at 1 Hanover Square, Stuart and Charlie tell her that in order to be with Leopold she has to jump off the Brooklyn Bridge within the next 23 minutes. Kate rejects their suggestion as absurd and goes to give her acceptance speech, during which she sees herself, wearing the same evening dress, in one of Stuart's photos. She abruptly ends the speech, and the three of them rush to the bridge.

Having made it through the portal, Kate appears in 1876 and runs to 1 Hanover Square, where the Anglo-American engagement is to take place. Just when Leopold is about to announce his bride of convenience, Kate storms into the ballroom, and he instead announces her name, styled as "Kate McKay, of the McKays of Massapequa". Among the shocked guests, Kate and Leopold reunite with a kiss and dance a bridal waltz. Thus Kate turns out to be Stuart's great‑great‑grandmother.

Cast

Alternative versions

References suggesting that Kate is Stuart's great-great-grandmother were censored from the film just a few days before the theatrical release, according to director James Mangold, due to "2 critics who were horrified by Liev Schreiber's distant relationship to Leo".[3] The previous four-year-long relationship of Stuart and Kate is classified as illegally incestuous in many jurisdictions, because she is his lineal ancestor (see Legality of incest#Table).[4]

The following scenes were excised:

  • References suggesting that Kate has a genetic relationship to Stuart.
  • A scene where Ryan appears in the background of a 19th-century party.
  • A cameo by director James Mangold where he plays a director whose film is being changed to meet the demands of a test screening.[5]

The director's cut, lasting 123 minutes, was released on DVD (Region 4) on 29 January 2003,[6] and on Blu-ray (Region A) on 10 April 2012.[7] The theatrical cut, lasting 118 minutes, exists only on DVD, first released on 11 June 2002.[8]

Music

The soundtrack to Kate & Leopold was released on December 25, 2001.

Kate & Leopold (Music from the Miramax Motion Picture)
No.TitleArtistLength
1."A Clock in New York"Rolfe Kent1:26
2."I Want Him Resplendent"Rolfe Kent1:25
3."Leopold Chases Stuart to Brooklyn"Rolfe Kent1:54
4."That Was Your Best?"Rolfe Kent1:17
5."Let's Go!"Rolfe Kent3:03
6."Leopold Sees the Completed Bridge"Rolfe Kent0:49
7."You Did So Great (Kate's Theme)"Rolfe Kent1:18
8."Galloping"Rolfe Kent1:21
9."Dearest Kate..."Rolfe Kent2:14
10."Prolixin / Leopold & Charlie Buy Flowers"Rolfe Kent2:20
11."Charlie Wins Patrice, Leopold Wins Kate"Rolfe Kent3:41
12."Secret Drawer"Rolfe Kent2:01
13."Time for Bed"Rolfe Kent2:14
14."Charlie Realizes Leopold Was for Real"Rolfe Kent1:31
15."Kate Goes to the Awards"Rolfe Kent2:24
16."Kate Sees the Pictures - "I Have to Go""Rolfe Kent2:54
17."You Have to Cross the Girder"Rolfe Kent1:51
18."Back in 1876 - Waltz"Rolfe Kent2:12
19."Back Where I Belong"Jula Bell2:49
20."Until..."Sting3:11
Total length:41:55[9]

Reception

Critical response

On Rotten Tomatoes, the film has an approval rating of 52% based on reviews from 133 critics, and an average rating of 5.3/10. The site's consensus is: "Though Hugh Jackman charms, Kate & Leopold is bland and predictable, and the time travel scenario lacks logic."[10] On Metacritic, the film has a weighted average score of 44 based on 27 reviews, indicating "mixed or average reviews".[11] Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F.[12]

Roger Ebert of the Chicago Sun-Times wrote: "Meg Ryan does this sort of thing about as well as it can possibly be done, and after "Sleepless in Seattle" and "You've Got Mail," here is another ingenious plot that teases us with the possibility that true love will fail, while winking that, of course, it will prevail."[13] Peter Travers of Rolling Stone called it "comfort food for bruised romantics."[14]

Lael Loewenstein of Variety wrote: "A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale."[15]

Accolades

Hugh Jackman was nominated in 2001 for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film won the Golden Globe Award for Best Song for the song "Until...", written and performed by Sting.[16] The same song was also nominated for the Academy Award for Best Original Song, and Sting performed the song during the ceremony.[17][18]

References

  1. ^ "Kate and Leopold - Box Office Data". The Numbers. Retrieved 7 August 2011.
  2. ^ Kate & Leopold at Box Office Mojo
  3. ^ Kate & Leopold (2001) This or That Edition, 2017 03 01
  4. ^ Greydanus, Steven D. Kate and Leopold (2001) Decent Films
  5. ^ Kate & Leopold (2001) - Alternate Versions IMDb
  6. ^ Kate & Leopold - Director's Cut Fishpond.com
  7. ^ Kate & Leopold Blu-ray - The Director's Cut Blu-ray.com
  8. ^ Kate & Leopold - Director's Cut Amazon.com
  9. ^ "Kate & Leopold 2001 Soundtrack — TheOST.com all movie soundtracks". Theost.com. Retrieved 21 August 2017.
  10. ^ "Kate & Leopold (2001)". Rotten Tomatoes. Retrieved 2023-06-20.
  11. ^ "Kate & Leopold Reviews". Metacritic. Retrieved 2020-08-08.
  12. ^ "KATE AND LEOPOLD (2001) B+". CinemaScore. Archived from the original on February 6, 2018.
  13. ^ Ebert, Roger (December 25, 2001). "Kate & Leopold movie review & film summary (2001)". Chicago Sun-Times.
  14. ^ Travers, Peter (20 December 2001). "Kate and Leopold". Rolling Stone.
  15. ^ Loewenstein, Lael (17 December 2001). "Kate & Leopold". Variety.
  16. ^ "Kate & Leopold". Golden Globes. Hollywood Foreign Press Association. Retrieved July 9, 2020.
  17. ^ "The 74th Academy Awards | 2002". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved July 9, 2020.
  18. ^ Dove, Steve (February 27, 2017). "Sting Performs 2017 Oscar Nominated Song "The Empty Chair"". Oscars. Retrieved July 9, 2020.

External links

This page was last edited on 20 June 2023, at 08:34
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