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Waldorf–Astoria Orchestra

From Wikipedia, the free encyclopedia

Joseph Knecht conductor of the orchestra in 1916
Joseph Knecht conductor of the orchestra in 1916
Waldorf–Astoria Orchestra album with a Cugat caricature.
Waldorf–Astoria Orchestra album with a Cugat caricature.
External audio
audio icon You may listen to Xavier Cugat conducting the Waldorf Astoria Orchestra performing Consuelo Velázquez's rhumba Bésame Mucho in 1945 here on

The Waldorf–Astoria Orchestra was an orchestra that played primarily at the Waldorf Astoria Hotel, both the old and new locations. In addition to providing dinner music at the famous hotel, the orchestra made over 300 recordings[1] and many radio broadcasts. It was established in the 1890s, and was directed by Carlo Curti in early 1900s, Joseph Knecht at least from 1908 to 1925, later by Jack Denny and others, and then Xavier Cugat from approximately 1933 to 1949.

Denny and the Waldorf–Astoria Orchestra appeared in the movie Moonlight and Pretzels in 1933.[2][3][4] Both Denny and Cugat had their own orchestras when they began playing at the Waldorf–Astoria, so the term "Waldorf–Astoria orchestras" might be an appropriate description.


The Waldorf–Astoria hotel was originally built as two separate adjacent hotels, the Waldorf in 1893 and the Astoria in 1897. Both were on the land that is now occupied by the Empire State Building, and the two hotels were connected after construction of the second one. The hotel had its current site on Park Avenue built in 1931. In addition to the normal function of a hotel to house its guests and provide them with amenities, the Waldorf–Astoria had an extensive program of social activities, to include concerts by top artists and an orchestra to provide music for its dinner guests.

An 1898 New York Times article mentions that the Waldorf–Astoria Orchestra played at the Astoria,[5] and a 1901 New York Times Article mentions "Prof. Clappe, leader of the Waldorf–Astoria Orchestra, and the other fifteen performers."[6]

In his autobiography, Nathaniel Shilkret, a member of the orchestra in its early days, provides information about the Orchestra and anecdotal stories about several of its members.[7][8] Shilkret says he was a member of the Orchestra while attending the City College of New York. A search of the college's files shows Shilkret attended classes in the Fall 1904 semester and is listed as an alumnus, Class of ex'1910.[8] This information establishes Knecht as director prior to 1910. Shilkret described the hotel as "almost a conservatory, rather than a hotel engagement. ... There were thirty-five men engaged steadily for the dining rooms. In the Rose Room, Caruso records were played, with our group following the music of the record." Shilkret said that there were nightly concerts from 9 pm to 10 pm, with the Orchestra enlarged to fifty on Sundays, and chamber music from 11 pm to 1 am, with Joseph Knecht as director.

Music historian Howard Pollack says, "This hotel orchestra, comprising a highly trained group of mostly Italian and Jewish musicians, regularly gave serious concerts, including one that [George] Gershwin attended on April 13, 1913, at which [Charles] Hambitzer performed the first movement of Anton Rubinstein's Piano Concerto in D Minor.[9] Pollack says Hambitzer came to New York no later than 1908 and began playing in the string section (Hambitzer played many instruments) of the Waldorf–Astoria Orchestra. In 1916, Nicholas Laucella collaborated as the principal flautist with Joseph Knecht in a performance of his work Introduction and Temple Dance for an appreciative audience in the Grand Ballroom.[10] Later in the early 1930s, the orchestral accordionist John Serry Sr. collaborated in the early years of his career with the orchestra under the direction of Misha Borr at various performance venues within the Waldor- Astoria hotel including: The Starlight Room, The Grand Ballroom and the Waldorf Towers.[11]

A 1919 New York Times article[12] states that, "Joseph Knecht led an 'all-American' program recently by the Waldorf Orchestra, whose twenty-five men have played together for twenty years," but does not indicate whether or not the orchestra played for the Waldorf–Astoria for its entire twenty-year existence. Two New York Times articles note the beginning and ending of the Waldorf–Astoria Orchestra's thirteenth season of Sunday concerts,[13][14] which would imply that the Sunday concert feature of the Orchestra began in 1912. New York Times articles from 1926[15][16] refer to "Knecht's Silvertone Dance Orchestra" and "Knecht's orchestra," without any reference to the Waldorf–Astoria, from which it seems that Knecht's association with the Waldorf–Astoria ended in 1925. A New York Times obituary[17] says that Knecht died on May 30, 1931.


Early members

Several New York Times articles mention the Waldorf–Astoria Orchestra with various conductors, including Harold Leonard (1926–1927), Meyer Davis (1929–1932), Nat Brandywine (1932), Jack Denny (1932), and Oscar Adler (1933). Meyer Davis's Waldorf–Astoria Orchestra is sometimes described as directed by Bill Artzt, Joe Moss, and Mischa Borr, instead of Davis himself.[20] Denny departed when Xavier Cugat's Orchestra began creating a stir at the Waldorf–Astoria. Cugat never had a contract with the Waldorf–Astoria, but his band reigned supreme there for 16 years. He began with a salary of $500 per week which escalated to $7,000 per week plus a percentage of the door.[2]

A picture of the Waldorf–Astoria Orchestra, dated March 4, 1918 and marked "to Mr. Oscar Tschirky on his 25th anniversary" is signed by each member of the orchestra[citation needed]. Tschirky was the maître d' of the Waldor–Astoria and was very well known. From the signatures on the picture, together with information from Shilkret's autobiography, his payroll for his radio orchestras from 1928 through 1933 and the New York Philharmonic Archives,[21] the orchestra members, and their principal instrument when known, include the following, with question marks indicating the signatures were not clear: Joseph Knecht (director), V. Adamo, F. Cardone?, N. Cassellee?, Leonard D'Amico (violin), Edward Davis, Carl W. Dodge (cello), Joseph Febbraio (horn), R. Fritock, Nicholas Garagusi (violin; Boys' Symphony Orchestra of New York soloist and concertmaster in 1902), Roy R. Haines (trombone), Charles J. Hambitzer (George Gershwin's principal piano teacher), Louison? Heidelberg, Edward Kilenyi (violin), A. Kirchner (bassoon), Peter Le Fina, Frank Longo (piano), Benjamin Posner (violin), D. Reggel, D. Saeirtel, Max Schlossberg (trumpet), Nathaniel Shilkret (clarinet), Harry K. Spedick, Stefano L. Stefan?, F. Tantangelo, Van Praag, George Vaughn (clarinet), O. Walther. Shilkret also cites Dan Marshall as a flute player in the orchestra under Knecht.[7]


External audio
audio icon You may listen to Xavier Cugat conducting the Waldorf Astoria Orchestra performing Alberto Dominguez's bolero Perfidia in 1930 here on

Knecht and Cugat each directed over 150 recordings with the Waldorf–Astoria Orchestra. Denny also made a significant number of recordings, but only about fifteen appeared with the Waldorf–Astoria name.[1]

The first recording by the Orchestra was Maytime Waltz, recorded on December 10, 1917 and issued as Victor 18432. Whitburn[22] lists this recordings being charted as a number 9 hit the following year, and lists three other Waldorf–Astoria Orchestra recordings as being "charted," including Beautiful Ohio, which was listed as charted number one in 1919. The Orchestra made recordings for several different record companies, with the last recording directed by Knecht being made for Edison in November 1925.[1] On Ca. 1921 Columbia records it is credited as "The Waldorf–Astoria Singing Orchestra".

Denny recorded for Victor in 1932, including an experimental LP recording.

Cugat also directed over 150 recordings with the Orchestra between 1937 and 1942, the earlier recordings for Victor and the later ones for Columbia.[1] Whitburn lists twenty-one of the Cugat recordings as "charted."[22]

Radio broadcasts

Eveready Hour 11-4-1924 WEAF The night of the Eveready Hour elections broadcast by WEAF at 18 stations on November 4, 1924. Will Rogers (standing right), Art Gillham, Wendell Hall, Carson Robison, the Eveready Quartet, Graham McNamee, the Waldorf-Astoria Dance Orchestra.
Eveready Hour 11-4-1924 WEAF The night of the Eveready Hour elections broadcast by WEAF at 18 stations on November 4, 1924. Will Rogers (standing right), Art Gillham, Wendell Hall, Carson Robison, the Eveready Quartet, Graham McNamee, the Waldorf-Astoria Dance Orchestra.

The Orchestra was one of the earliest orchestras heard on radio. Broadcasts began on WJZ in Newark, New Jersey and continued throughout the 1920s as the network chain was established.[23]

On February 4, 1923, The Washington Post reported:

The Sunday evening concert of the Waldorf–Astoria orchestra numbers, under the leadership of Joseph Knecht, will continue to be broadcast through the month of February, according to a statement made by WJZ, Newark.[23]

Sies describes details of a spring 1924 broadcast of classical music on Dinner Music from the Rose Room on WEAF (soon to be the flagship station of the NBC network),[24] and the New York Times said that the Rose Room Dinner Music was a favorite program for listeners of WEAF for many years.[17]

The Eveready Hour article includes a picture (see Commons below) which is labeled as including the Waldorf–Astoria Orchestra in a publicity picture for the November 4, 1924 Eveready Hour broadcast. Neither the musicians nor the instrumentation match the 1918 photograph of the orchestra cited above.

By 1928, the Waldorf–Astoria Orchestra was heard Saturdays in the New York area on WABC and WEAF, in Washington, D.C. on WRC, and it was also heard in Detroit (WWJ), Boston (WEEI) and WCAE (Hartford). The music was usually on at 6pm to provide what was labeled "dinner music," and NBC broadcast it throughout the United States in the 1930s. Minus a brass section, the 1932 orchestra that Jack Denny helmed at the Waldorf–Astoria employed three pianos, clarinets, saxophones, strings and possibly a French horn or oboe.

See also


  1. ^ a b c d Rust, Brian, The American Dance Band Discography 1917—1942, Volume 1, Arlington House, New York, 1975, pp. 374--378, 399--402, and 974—981. ISBN 0870002481
  2. ^ a b "Xavier Cugat: The King of the Rhumba"
  3. ^ Dismuke: Jack Denny
  4. ^ IMDb: Moonlight and Pretzels
  5. ^ "Well Known Artists Contribute to Life's Fresh Air Fund", New York Times, June 21, 1898, p. 7
  6. ^ New York Times, December 4, 1901, p. 1.
  7. ^ a b Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, Nathaniel Shilkret: Sixty Years in the Music Business, Scarecrow Press, Lanham, Maryland, 2005, pp. 26–32. ISBN 0-8108-5128-8
  8. ^ a b Shilkret, Nathaniel, Barbara Shilkret, and Niel Shell, Feast or Famine: Sixty Years in the Music Business, archival edition of Shilkret autobiography, 2001, pp. 36–45 and 364–365 (copies deposited in the New York Public Library for the Performing Arts, The City College of New York Archival Library, The New York Philharmonic Archives, The Victor Archives (SONY)).
  9. ^ Pollack, Howard, George Gershwin: His Life and Work, University of California Press, Berkeley, 2006, p. 26. ISBN 978-0-520-24864-9 (Pollack quotes Shilkret as saying that Hambitzer was "one of the greatest pianists I ever heard. I would say he was a genius.")
  10. ^ Musical America – Composers Applaud Knecht's Directing, Vol. 25, November 18, 1916, p. 29 – Nicola Laucella with the Waldorf-Astoria Orchestra on
  11. ^ "Biography Section", Accordion World, March 1946, Vol. 11, #11, P. 3
  12. ^ "Concerts of the Week", The New York Times, May 11, 1919, p. 51.
  13. ^ "Various Music Events", New York Times, November 24, 1924, p. X7.
  14. ^ [no author cited], Various Music Events , New York Times, April 12, 1925, p. X7.
  15. ^ "Other Features Scheduled for the Radio This Week", New York Times, January 3, 1926, p. XX12.
  16. ^ New York Times, July 7, 1926.
  17. ^ a b [no author cited], The New York Times, June 1, 1931.
  18. ^ Reynold Weidenaar (1995). Magic music from the Telharmonium. Scarecrow Press. pp. 132.
  19. ^ "Joseph Knecht Dies. Led Radio Orchestra. Former Concertmaster of Metropolitan Opera Succumbs to Heart Disease". New York Times. June 1, 1931. Retrieved 2015-01-13. Joseph Knecht, formerly for fourteen years conductor of an orchestra ...
  20. ^ The New York Times 7 May 1957 P. 35
  21. ^ Schweikert, Norman, The Personnel of the New York Philharmonic and Those Organizations Merging With That Organization, 1842–1992: 1. The New York Philharmonic Orchestra, 1842–1928; 2. The New York Symphony Orchestra, 1877–1928 (includes Leopold Damrosch's 1877 orchestra); 3. New/National Symphony Orchestra, 1919–1921; 4. The New York Philharmonic- Symphony Orchestra, 1928–1992, unpublished; copy deposited at the New York Philharmonic Archives.
  22. ^ a b Whitburn, Joel, Pop Memories, 1890–1954, Record Research, Menomonee Falls, Wisconsin, 1986, pp. 116 and 435. ISBN 0-89820-083-0
  23. ^ a b The Washington Post, February 4. 1923.
  24. ^ Sies, Luther F., Encyclopedia of American Radio, 1920--1960, McFarland, Jefferson, North Carolina, 2000, pp. 165 and 614. ISBN 0-7864-0452-3

External links

This page was last edited on 6 February 2021, at 02:25
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