Swashbuckler (film)

Swashbuckler
Original film poster by John Solie
Directed by	James Goldstone
Written by	Paul Wheeler
Screenplay by	Jeffrey Bloom
Produced by	Elliott Kastner Jennings Lang William S. Gilmore
Starring	Robert Shaw James Earl Jones Peter Boyle Geneviève Bujold Beau Bridges Geoffrey Holder
Cinematography	Philip H. Lathrop
Edited by	Edward A. Biery
Music by	John Addison
Production company	Universal Pictures
Distributed by	Universal Pictures
Release date	July 29, 1976 (1976-07-29)
Running time	101 minutes
Country	United States
Language	English
Budget	$8 million^[1]

Swashbuckler is a 1976 American romantic adventure film. The film is based on the story "The Scarlet Buccaneer", written by Paul Wheeler and adapted for the screen by Jeffrey Bloom. It was directed by James Goldstone and was rated PG.

The film was released in the UK as The Scarlet Buccaneer.

The film is set in 1718 Jamaica. The acting governor of the island has imprisoned the island's primary judge, and persecuted the judge's family. The judge's daughter hires a pirate captain to assassinate the governor on her behalf. In the process, the captain falls in love with her.

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Plot

In Jamaica in 1718, a band of pirates led by Captain "Red" Ned Lynch oppose the greedy acting Governor, the evil Lord Durant. Durant has ruthlessly imprisoned his Lord High Justice (taking over the role himself) and mercilessly evicted the judge's wife and daughter. The daughter, Jane Barnet, attempts to assassinate Durant by paying Lynch to ambush him at the port.

The ambush fails, resulting in Jane and three of Lynch's crew being captured and sentenced to death. The other prisoners, including the judge, are also awaiting execution.

Lynch returns to the island and joins forces with the local inhabitants to overthrow the military forces and return everything Durant has stolen to its rightful owners. In the process Durant is killed by Lynch and all the prisoners are released.

Lynch and Jane eventually fall in love.

Cast

Robert Shaw as Captain "Red" Ned Lynch
James Earl Jones as Nick Debrett
Peter Boyle as Lord Durant
Geneviève Bujold as Jane Barnet
Beau Bridges as Major Folly
Geoffrey Holder as Cudjo Quadrill
Avery Schreiber as Pulaski
Tom Clancy as Mr. Moonbeam
Anjelica Huston as Woman of Dark Visage
Bernard Behrens as Sir James Barnet
Dorothy Tristan as Alice
Mark Baker as Lute player
Kip Niven as Willard Culverwell
Tom Fitzsimmons as Corporal
Louisa Horton as Lady Barnet
Sid Haig as Bald pirate
Robert Ruth as Bearded pirate
Bob Morgan as Peg Legged Pirate (as Robert Morgan)

Production

Pirate films had gone out of fashion with major Hollywood studios since the 1950s, due in part to their high cost. The success of The Three Musketeers (1973) showed that there was still an appetite for swashbucklers, so original producer Eliot Kastner prepared a pirate script where most of the action took place on shore.^[2]

"It was prepared to avoid all the hazards of filming on water and it could have been inexpensively made", said co-producer Jennings Lang. "But we decided that it would be cheating the public to do a pirate movie without boats, that would not be using the basic material."^[2]

The film was shot in Mexico and on the galleon Golden Hinde, a replica of the Golden Hind captained by English privateer, Francis Drake from 1577 to 1580, which had been moored in San Francisco harbor after a five-month journey to California from England.^[3] According to the Special Feature section of the DVD, it was the only pirate movie filmed aboard an actual ship of that era.

"I just hope the audience doesn't think its too small", said Goldstone during production about the ship. "All those Errol Flynn movies—the captain's table was 17 feet long. There are parts of our ship that aren't even that wide."^[2]

Anjelica Huston was cast for her role over Martine Beswicke and Barbara Steele.^[4] Robert Morgan, a stuntman who lost his leg making How the West Was Won (1963), played a one-legged pirate.^[5] Robert Shaw said during filming:

I'm underplaying this part when all the others are overplaying. I'm trying to be real but I'm also trying to find some sort of contemporary style. It's a mix between 1976 and what we used to call panache. It's as if you were to do Gary Cooper in '76 – I stand apart and alone. In Jaws I was conscious of overplaying. I'm not ashamed of it. I had to bring those American guys up to a certain pitch of energy. But here I'm taking it down and trying to go in the other way. Trying to be real in an unreal situation. I hate all this action, I loathe it. What am I doing running around like this? I'm better off sitting down, playing a scene like I'm talking to you. What I know about life is a fair bit, but it is not contained in sword fights or running up and down the masts of a ship or taking a punch. It's doubly hard because I'm English. English actors are always being asked to play princes or generals or pirate captains. I never get to sit in a booth with a girl and have a conversation.^[2]

Geneveive Bujold made the film under her contract with Universal. She said later she did not regret making the film because "Robert Shaw is a man worth knowing."^[6]

Director James Goldstone stated during filming:

We're not doing a boffo comedy. We are not making fun of ourselves. One of the cardinal rules here is that every actor really believe what he is doing could actually happen... I hope to evoke all those feelings that audiences felt when they first saw Errol Flynn's movies, but at the same time I realise that if you saw an actual Errol Flynn movie today, marvelous as they were, you'd laugh. My job here is to keep the energy up, the motion moving forward, to maintain a level of joy.^[2]

Costume director Burton Miller said:

Instead of researching the period, I took on producer Jennings Lang's challenge for a non-historical approach and started walking along the [Sunset] Strip. I took what groupies and rock stars wear today and took it back 200 years... The film offered more avenues for self expression than anything I'd ever done before. Universal were very generous [with the costume budget].^[7]

Geneviève Bujold said it took two days to shoot her nude swimming scene.^[8]

Release

The working title for the film was Swashbuckler, which was changed during production to The Blarney Cock. "We want to avoid the movie being considered a kid's picture", said Lang. "We wanted a title that is arresting to adults as well as kids. This ship in the movie is called "The Blarney Cock", so we decided to make use of that name as the title."^[2]

Before release, however, Universal had a change of heart about the suggestive nature of the title and it was reverted to Swashbuckler.^[9]

Reception

The film fared poorly at the box office and was described as an "expensive flop".^[10] In Leonard Maltin's annual publication of movie ratings, the film is rated as a "BOMB".^{[citation needed]}

Novelization

Bensen, D. R. (1976). Swashbuckler. New York: Bantam Books. ISBN 0553102451. OCLC 0553102451.

References

^ Kerwin, Robert (July 4, 1976). "A Swashbuckler for All Seasons". Chicago Tribune. p. g4.
^ ^a ^b ^c ^d ^e ^f "A Reel-Life Swashbuckler. Kilday, Gregg". Los Angeles Times. Jan 4, 1976. p. j1.
^ "'Swashbuckler' Opening Set". Los Angeles Times. July 23, 1976. p. f17.
^ Murphy, Mary. (Nov 12, 1975). "Anjelica's Visage Wins Role". Los Angeles Times. p. g11.
^ Murray, Jim. (Feb 17, 1976). "The Pirate Has Heart: Murray's Column". Los Angeles Times. p. d1.
^ "At the Movies: Genevieve Bujold on love, marriage and acting. Flatley, Guy". New York Times. Nov 11, 1977. p. 57.
^ "On Fashion: Pirate Trove of Derring-do Garb". Los Angeles Times. July 23, 1976. p. f4.
^ The News-Dispatch 11 dic 1975, p. 17, p. 17, at Google Books
^ Kirk Honeycutt. (Dec 24, 1978). "What's in a Name? Ask the Research Department: What's in a Name? Ask the Research Department". New York Times. p. D11.
^ Joseph N. Bell (1 May 1979). "In Hollywood the Producer Who Makes it Big: A joy, but a box-office flop Some producers 'snobbish' Hollywood producer". The Christian Science Monitor. p. B14.