Self-portrait (van Dyck, Vienna)

Self-portrait

Artist	Anthony van Dyck
Year	1613–1614
Medium	Oil on canvas
Dimensions	25.8 cm × 19.4 cm (10.2 in × 7.6 in)
Location	Academy of Fine Arts Vienna

The Self-portrait of 1613–1614 is the first surviving self-portrait by the Flemish artist Anthony van Dyck, showing him aged about fifteen. At that date he was still working for Hendrick van Balen but was about to join Peter Paul Rubens's studio.^[1] Self-portraiture was a typical artform in the Northern Renaissance and had already been used by Rubens and Jan van Eyck.

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References

^ Christopher Brown, Van Dyck 1599–1641, Milan, RCS Libri, 1999, ISBN 88-17-86060-3, page 94

Bibliography

Gian Pietro Bellori, Vite de' pittori, scultori e architecti moderni, Torino, Einaudi, 1976.
Didier Bodart, Van Dyck, Prato, Giunti, 1997.
Justus Müller Hofstede, Van Dyck, Milan, Rizzoli/Skira, 2004.
Stefano Zuffi, Il Barocco, Verona, Mondadori, 2004.
Marco Horak, Van Dyck tra i grandi ritrattisti nelle raccolte piacentine, in "Panorama Musei", anno XVI, no. 2, August 2011

External links

Media related to Self-Portrait (Anthony van Dyck - Academy of Fine Arts Vienna) at Wikimedia Commons

v t e Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with Saints (1617–1619) Saint Martin Dividing his Cloak (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Crowning with Thorns (1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620) Samson and Delilah 1620 1630 Susanna and the Elders (c. 1631–1632) Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–1630) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) The Ressurrection (1631–1632) Madonna with Partridges (1632) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–1630 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Theresa Shirley (1622) Robert Shirley (1622) Cardinal Guido Bentivoglio (c. 1623) The Lomellini Family (c. 1625–1627) Gaston, Duke of Orléans (1632 or 1634) Charles I with M. de St Antoine (1633) Equestrian Portrait of Francisco de Moncada (1634) Francisco de Moncada (1634) Thomas Francis, Prince of Carignano (1634) Charles I at the Hunt (c. 1635) Charles I in Three Positions (1635 or 1636) The Three Eldest Children of Charles I (Turin) (1635) The Three Eldest Children of Charles I (Royal Collection) (1636) Equestrian Portrait of Charles I (1637–1638) Triple Portrait of Henrietta Maria (1638) Mary Hill, Lady Killigrew (1638) William Killigrew (1638) Queen Henrietta Maria, as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–1635) Olivia Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	Vienna (1613–1614) New York (1620–1621) Self-Portrait with a Sunflower (1632–1633) Self-portrait with Sir Endymion Porter (1635) London (1640)
Other paintings	A Soldier on Horseback (c. 1616) Mucius Scaevola before Lars Porsenna (c. 1618–1620)
Related	Hendrick van Balen the Elder (master) Peter Paul Rubens (master) Paul de Vos (collaborator) Van Dyke beard

This page was last edited on 8 April 2024, at 01:44

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