Lamentation over the Dead Christ (van Dyck, 1640)

Lamentation over the Dead Christ

Artist	Anthony van Dyck
Year	c. 1630s
Medium	oil paint, canvas
Dimensions	156 cm (61 in) × 256 cm (101 in)
Location	Bilbao Fine Arts Museum
Accession No.	85/221
Identifiers	RKDimages ID: 240636
[edit on Wikidata]

The Lamentation over the Dead Christ is a 1634-40 painting by the Flemish artist Anthony van Dyck. One of his last treatments of the subject, it is now in the Bilbao Fine Arts Museum, having entered it in 1985.^[1] It was previously in the collection of Henry Pelham-Clinton, 7th Duke of Newcastle, before later passing into the Valdes Izaguirre collection.

YouTube Encyclopedic

1/2
Views:
3 520
305

Transcription

References

^ "Obras comentadas | Museo de Bellas Artes de Bilbao". museobilbao.com. Retrieved 2015-11-25.

v t e Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with Saints (1617–1619) Saint Martin Dividing his Cloak (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Crowning with Thorns (1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620) Samson and Delilah 1620 1630 Susanna and the Elders (c. 1631–1632) Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–1630) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) The Ressurrection (1631–1632) Madonna with Partridges (1632) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–1630 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Theresa Shirley (1622) Robert Shirley (1622) Cardinal Guido Bentivoglio (c. 1623) The Lomellini Family (c. 1625–1627) Gaston, Duke of Orléans (1632 or 1634) Charles I with M. de St Antoine (1633) Equestrian Portrait of Francisco de Moncada (1634) Francisco de Moncada (1634) Thomas Francis, Prince of Carignano (1634) Charles I at the Hunt (c. 1635) Charles I in Three Positions (1635 or 1636) The Three Eldest Children of Charles I (Turin) (1635) The Three Eldest Children of Charles I (Royal Collection) (1636) Equestrian Portrait of Charles I (1637–1638) Triple Portrait of Henrietta Maria (1638) Mary Hill, Lady Killigrew (1638) William Killigrew (1638) Queen Henrietta Maria, as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–1635) Olivia Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	Vienna (1613–1614) New York (1620–1621) Self-Portrait with a Sunflower (1632–1633) Self-portrait with Sir Endymion Porter (1635) London (1640)
Other paintings	A Soldier on Horseback (c. 1616) Mucius Scaevola before Lars Porsenna (c. 1618–1620)
Related	Hendrick van Balen the Elder (master) Peter Paul Rubens (master) Paul de Vos (collaborator) Van Dyke beard

This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it.

This page was last edited on 2 May 2024, at 01:32

From Wikipedia, the free encyclopedia

YouTube Encyclopedic

Transcription

See also

References