Olympian 8, 'For Alcimedon of Aegina', is an ode by the 5th century BC Greek poet Pindar.[1]
Background
Aegina, originally known as Oenone, was said to have derived its new name from a daughter of the river-god Asopus, who was carried off to the island by Zeus and there bare him a son named Aeacus.[1] The island was colonised first by Achaeans, and afterwards by Dorians from Epidaurus.[1]
The victor, Alcimedon, was a Blepsiad of the stock of Aeacus (75).[1] His grandfather was still living (70), but he had lost his father and his uncle (81 f).[1] His brother had been a victor at Nemea (15), and his trainer was the famous Melesias of Athens (53–66).[1]
The ode was probably composed at short notice, and was sung at Olympia, immediately after the victory, during the procession to the great altar of Zeus in the Altis.[1]
Summary
Olympia is invoked as the "queen of truth", by reason of the happy issue of the answer given to the competitor by the diviners at the altar of Zeus (1–11).[1] Such happy issues do not come to all alike, (12–14); the victor's brother has been victorious at Nemea, and the victor himself at Olympia (15–18), thus bringing glory to Aegina, an island famed for its devotion to law and order and commerce, under Dorian rule, since the days of Aeacus (19–30).[2]
Myth of the building of the walls of Troy by Apollo, Poseidon, and Aeacus (31–52).[3]
Praise of the trainer, Melesias of Athens (53–66).[3] The victor's triumph will rejoice the heart of his grandfather (67–73); six victories have already been won by the family (74–76).[3] The message sending news of this victory will reach his father and his uncle in the other world (77–84).[3] May Zeus grant to the family and to the island health and harmony and an untroubled life (84–88).[3]
Aftermath
The victory belongs to 460 BC.[3] In the following year Aegina, the island of the boy-wrestler, Alcimedon, was defeated at sea; and, in 456, disarmed, dismantled, and rendered tributary by Athens, the city of the boy's trainer, Melesias.[3]
References
Sources
Attribution:
- Sandys, John, ed. (1915). The Odes of Pindar, including the Principal Fragments. Loeb Classical Library. New York: The Macmillan Co. pp. 82–93.
This article incorporates text from this source, which is in the public domain.
Further reading
- Gildersleeve, Basil L., ed. (1885). Pindar: The Olympian and Pythian Odes. Harper's Classical Series. New York: Harper & Brothers. pp. 192–200.
- Hill, D. E. (1963). "Pindar, Olympian 8. 37–46". The Classical Review. 13 (1): 2–4.
- Pavlou, Maria (2015). "Aegina, Epinician Poetry, and the Poetics of Conflict". Phoenix. 69 (1/2): 1–23. doi:10.7834/phoenix.69.1-2.0001.
- "Pindar, Olympian 8". Perseus Digital Library.
This page was last edited on 21 May 2024, at 23:14