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Minnie Byron

From Wikipedia, the free encyclopedia

Photo portrait of Minnie Byron in the role of the Princess Fiametta in La mascotte, 1881

Louisa Elizabeth Babb (1861–1901), known professionally as Minnie Byron, was an English mezzo-soprano and actress best known for her character performances of Opéra bouffe in the 1880s. However successful, Byron was not a career performer, using her brief public visibility to secure a more stable and prosperous future for herself and her children, an important footnote in social history or specifically, women's history.

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Transcription

Biography

Byron was born in Woolwich in 1861 to Louisa Frances (née Young) and Henry Babb, a shipwright from Devon.[1][a] It is unknown where or how she had acquired her education,[b] vocal training or acting skills, but at the age of nineteen, Byron made her West End debut at the Globe Theatre (Newcastle Street) in the chorus of Les Mousquetaires in 1880.[4] For the next 5 months, she honed her skills playing minor opéra bouffe roles at The Globe opposite Henry Bracy[c] with no billing, appearing in La Belle Normande in January 1881.[5]

Byron was encouraged to take on more prominent roles at the Globe as understudy to Alice May as Simone and Madame Amadé as Triste, which got her noticed.[6] Contemporary reviews reported that she looked good on stage and acquitted herself well in singing and acting.[7] Byron was quickly talent-spotted by Charles Wyndham and Richard D'Oyly Carte who selected her to tour with H.B. Farnie’s hit production of Olivette.[d] She returned with the production to the Strand Theatre in August 1881, before starting rehearsals in a new English adaptation of Edmond Audran's opéra comique, La mascotte by Robert Reece and H. B. Farnie.

Minnie Byron in 1882.[9]

Byron premiered as the Princess Fiametta in La Mascotte at Brighton in September 1881, previewing the grand West End opening night on October 15th, which was also the opening of the new Comedy Theatre.[10] The production was a hit with audiences,[11] which she took on tour in 1882 with Miss Kate Santley's company.[12]

Byron left Santley's company in May 1882,[13] taking up a residency at the newly opened Royal Avenue Theatre playing Isabel in Les Manteaux Noirs opposite her old friend and mentor, Henry Bracy in a star-studded cast, which included Charles Groves, Florence St. John and Louie Henri.[14] The residency allowed her to explore other genres, playing musical comedietta, one-act musical sketches such as Simpson and Delilah, and Wedded Bliss.[15][16] In 1883, Byron once again played Bathilde in a revival of Olivette, which didn't come easily initially with mixed reviews.[17][18][19] Her contract with the Avenue came to an abrupt end in May 1883, when it was announced "Miss Minnie Byron, of the Avenue, has married Mr. Ferguson from China, and now dwells at a fine old manor house in Sussex."[20][e]

Mrs Adolphus Ferguson

Life in the "manor house" was short lived, as it emerged that Adolphus Ferguson was experiencing financial difficulties,[22] and in February 1884, he was declared bankrupt.[23] Byron remained with her husband through his difficulties, giving birth to their daughter Ruby in early 1884, and their son Alexander late in 1885.[f] In October 1885, a few weeks after Alexander was born, Byron's agent declared her intention to return to the stage following a break of two and a half years.[25] Within a week she was performing in Glasgow, where she remained for the duration of the pantomime season.[26][g] Byron played the principal boy (Ganem) in The Forty Thieves and was soon scooping up bouquets of flowers, once again, thrown at her feet on stage.[27]

In January 1886, still in Glasgow, Byron performed duets with Emily Soldene,[28] but by April, she had returned to London preparing for a new opéra bouffe, creating the role of Jacquette in the Lily of Leoville opposite Henry Bracy and Violet Melnotte.[29][30] The show, though a qualified success playing to full houses, was never planned to run for long, closing in June after 41 performances.[31] In the meantime, Byron had got back with her friends in London, while her husband left for Canada to seek his fortune, never to return.[21]

At the end of the summer of 1886, Byron was offered the part of Zoe in Commodore and Sir Walter Raleigh in Kenilworth to tour in America alongside her friend Violet Cameron.[h] The producer, Lonsdale, agreed but without explanation, changed his mind just before they were due to depart.[35][36] Assured of work on tour in America,[37] Byron missed out on the summer season, appearing in a comedy London Assurance at Crystal Palace in the autumn until the pantomime season, where she appeared as the principal boy (Robin Hood) in Babes in the Wood in Liverpool.[38][39][40] The season ended in January 1887, when Byron began an affaire with a man the same age as her and who was rich.

Mrs Harold Winterbottom

1887 began with pantomime for Byron but ended in a new genre for her, headlining in Variety as a performer of Burlesque and as a serio-comic.[41][42] 1887 also represented a deepening in her relationship with George Harold Winterbottom, an ambitious young businessman from Manchester who increasingly travelled to London from Manchester, building partnerships and expanding his growing business empire.[43] Byron and Winterbottom were living together at her flat in Kensington and had their first son, George, early in 1889.[44][i] By the end of the year, she was able to return to the stage with her old company at The Avenue, playing the part of Earl Darnley in Robert Brough's revival of the burlesque The Field of the Cloth of Gold, which ran until February 1890.[46][47]

Minnie Byron, engraving from a portrait circa 1891

Byron had her second son with Winterbottom, Oscar, early in 1891.[48][j] They got married as soon as Byron's divorce came through, having a third son, Dudley, in 1892.[51][52] Byron and Winterbottom enjoyed the next ten years together travelling on extended holidays to Europe and especially to the US, where she was presented as "Minnie Byron, the clever and talented English actress, of charming features, handsome figure, winning ways and a host of admirers".[53][54][55][56] In reality, Byron's professional days in the theatre had ceased a few years earlier in 1890 concluding a decade on stage, although she did make rare recital or guest appearances as Mrs Harold Winterbottom.[57][58] By 1898, the couple had found their future home, Horton Hall, which Winterbottom purchased and together, set about adding a new wing,[59] and completely re-furbished the interior.[60][k] Minnie gave birth to a daughter, Betty, in London on March 18, 1901, but died of puerperal fever 10 days later.[61][62]

Legacy

Byron's stage career was much briefer (a decade) than many of her contemporaries like Violet Cameron who were career performers. She used her profession to win respectability (and prosperity) through marriage and like so many women in the 19th century, she died as a consequence of giving birth.

Minnie Byron's stage appearances 1880 - 1890
Show Part Venue Date [l] Perfor-mances [m]
Les mousquetaires Chorus (u/s Simone) Globe Theatre (Newcastle Street) 30 Oct 1880 56
La Belle Normande Chorus (u/s Triste) Globe Theatre (Newcastle St.) 21 Jan 1881 42
Olivette Bathilde On tour 08 Mar 1881 63
Olivette Bathilde Royal Strand Theatre 31 Aug 1881 4
La mascotte Fiametta The Comedy Theatre 20 Sep 1881 42
La mascotte Fiametta On tour 30 Jan 1882 ??
Les Manteaux Noirs Isabelle Avenue Theatre 03 Jun 1882 43
Simpson and Delilah Delilah Avenue Theatre 03 Jun 1882 40+
Wedded Bliss Louise Avenue Theatre 06 Oct 1882 43
Les Manteaux Noirs Isabelle Avenue Theatre 25 Nov 1882 29
Olivette Bathilde Avenue Theatre 13 Jan 1883 62
Music hall Serio-comic Alexandra Theatre, Hanley 08 Sep 1883 4+
The Forty Thieves Ganem (principal boy) The Grand Theatre, Glasgow 12 Dec 1885 62
Duet from Geneviève de Brabant Genevieve Theatre-Royal, Glasgow 14 Jan 1886 1+?
Lily of Léoville Jacquette The Comedy Theater 10 May 1886 63
The Commodore Zoe Theatre Royal, Nottingham 28 Aug 1886 1
London Assurance The Crystal Palace 02 Oct 1886 ??
Babes in the Wood Robin Hood (principal boy) Prince of Wales, Liverpool 12 Oct 1886 76
Field of the Cloth of Gold Darnley Avenue Theatre 01 Dec 1889 42

The stage gave Byron the visibility to be remembered despite the brevity of her life, providing a testimonial to social history. One of her grand children, Gerald Case, did follow her in becoming an actor. Byron is buried alongside her second husband at Horton, Northamptonshire.[63]

Notes and references

Notes

  1. ^ One of her parents was said to have been “a famous dramatist” but their professional name is unknown.[2]
  2. ^ At the age of 9, she was boarding with her mother's younger sister in Gillingham, Kent who was a housekeeper.[3]
  3. ^ Byron worked with Henry Bracy for the next two years
  4. ^ “...Miss Minnie Byron, a young actress whose vocal powers and attractive style secured the warmest tokens of admiration, Miss Byron has high operatic capabilities, besides possessing to the full the finest spirit of comedy opera.”[8]
  5. ^ Byron had evidently quit the London stage for a more genteel life in the country as the wife of a respectable older man, the lady of Foxhunt Hall in Waldron, East Sussex.[21]
  6. ^ Apart from a brief appearance as a serio-comic at her local theatre in 1883, Byron had had no work on stage.[24]
  7. ^ It is possible that Byron was forced back into work to support her family and may have left her children with her husband at home
  8. ^ Cameron was caught up in a very public affaire with Lonsdale and wanted Byron as her companion for the tour.[32][33] Unfortunately for Lonsdale, Cameron's cuckolded husband, David de Bensaude, followed the troupe out to America, ensuring that the affaire played out on the streets of New York. The American public were much more interested in the unfolding drama off stage than the performances on stage.[34]
  9. ^ Byron had sufficient funds to host an extravagant party on a pleasure boat at the Henley Regatta for old stage friends such as Violet Cameron and Lionel Brough.[45]
  10. ^ Byron was pregnant again; the problem for Winterbottom was that she was still married to Adolphus Ferguson. Towards the end of 1890, Byron moved into Winterbottom's house in Kensington, while Winterbottom travelled to North America, where he remained for up to four months, much longer than was needed to conclude his business alone.[49][50] The following month, a decree nisi was granted by a Canadian court, to "free" Ferguson from his marriage to Byron, citing Winterbottom as the "correspondent" in the divorce proceedings.[51]
  11. ^ It is likely that Minnie had been involved in every part of the project to purchase and refurbish the house
  12. ^ date that Byron first appeared in the production
  13. ^ Minimum number of performances by Byron in the production

References

  1. ^ HMSO. "Louisa Elizabeth Babb in 1861". No. Greenwich/London/vol 1D/page 661. brightsolid online publishing ltd. England & Wales Births 1837–2006 Greenwich, London, England.
  2. ^ Morton, William; Newton, H.; Chance, Henry (1905). Sixty years' stage service, being a record of the life of Charles Morton, "The father of the halls.". London: Gale and Polden Ltd. p. 155. Retrieved 31 July 2023.
  3. ^ HMSO. "Louisa Elizabeth Babb in 1871". No. Chatham/Gillingham/RG10/907/19/page3. brightsolid online publishing ltd. 1871 England, Wales & Scotland Census - Stafford Street Church Path, Gillingham, Medway, Kent, England.
  4. ^ Anon (30 October 1880). "The Standard - Globe". THE BRITISH LIBRARY BOARD. London Evening Standard. p. 4.
  5. ^ Anon (27 January 1881). "Recent Performances of Opera Bouffe". THE BRITISH LIBRARY BOARD. Pall Mall Gazette. p. 12.
  6. ^ Anon (22 July 1882). "Our Illustrations - Miss Minnie Byron". Illustrated London News Group. Illustrated Sporting and Dramatic News. p. 20.
  7. ^ Anon (20 November 1880). "Our Captious Critic". Illustrated London News Group. Illustrated Sporting and Dramatic News. pp. 237–238.
  8. ^ Anon (12 April 1881). "Comic Opera at the Theatre Royal". The British Library Board. Greenock Advertiser. p. 2.
  9. ^ "Miss Minnie Byron". The Illustrated Sporting and Dramatic News. Vol. XVII, no. 446. 22 July 1882. p. 19 – via THE BRITISH LIBRARY BOARD.
  10. ^ Anon (16 October 1881). "Royal Comedy - Saturday night". The British Library Board. The Referee. p. 3.
  11. ^ Anon (22 October 1881). "The Playgoer". The British Library Board. Penny Illustrated Paper. p. 10.
  12. ^ Anon (18 February 1882). "Miss Minnie Byron". The British Library Board. The Era. p. 5.
  13. ^ Anon (May 1882). The Theatre - Our Omnibus Box. Open Court Publishing Co. p. 312. Retrieved 31 July 2023.
  14. ^ Pacoe, Charles Eyre (1883). Dramatic Notes - A Chronicle of the London Stage 1879-1882. London: David Bogue. p. 81. Retrieved 1 August 2023.
  15. ^ Anon (5 October 1882). "The Standard - Avenue". THE BRITISH LIBRARY BOARD. London Evening Standard. p. 4.
  16. ^ Anon (21 October 1882). "The London Theatres - The Avenue". The British Library Board. The Era. p. 5.
  17. ^ Anon (15 January 1883). "Avenue Theatre". The British Library Board. Morning Post. p. 2.
  18. ^ Nestor (7 February 1883). "Slashes and Puffs". Open Court Publishing Co. Fun. (Vol 37). p. 54. Retrieved 31 July 2023.
  19. ^ Anon (17 March 1883). "Waifs". Open Court Publishing Co. Musical World (Vol 61). p. 54. Retrieved 31 July 2023.
  20. ^ Anon (3 June 1883). "Thesbians". The British Library Board. The Referee. p. 3.
  21. ^ a b Dorey, Susan J (2010). A Winterbottom Family (PDF). Saddleworth Historical Society: Library Registry. p. 162. Retrieved 30 April 2023.
  22. ^ Anon (4 December 1883). "Advertisement". The British Library Board. Sussex Agricultural Express. p. 3.
  23. ^ Cheale, David (15 February 1884). "Bankrupcy". No. E2. HMSO. The London Gazette. p. 823. Retrieved 4 August 2023.
  24. ^ Anon (1 September 1883). "Hanley - Alexandra Music Hall". The British Library Board. The Era. p. 9.
  25. ^ Messrs Blackmore (31 October 1885). "Advertisement - Miss Minnie Byron". The British Library Board. The Era. p. 9.
  26. ^ Messrs Blackmore (7 November 1885). "Advertisement - Miss Minnie Byron". The British Library Board. The Era. p. 2.
  27. ^ Anon (28 December 1885). "The Lorgnette". The British Library Board. Glasgow Evening Post. p. 1.
  28. ^ Anon (15 January 1886). "Madame Soldene's matinee at the Theatre Royal". The British Library Board. Glasgow Evening Post. p. 2.
  29. ^ Anon (24 April 1886). "The Playhouses". The British Library Board. Illustrated London News. p. 2.
  30. ^ Nestor (19 May 1886). "Slashes and Puffs". Open Court Publishing Co. Fun. (Vol 43). p. 222. Retrieved 31 July 2023.
  31. ^ Anon. "Lily of Léoville". The Guide to Musical Theatre. The Guide to Musical Theatre. Retrieved 2 August 2023.
  32. ^ Anon (3 August 1886). "Lord Lonsdale and Miss Violet Cameron - Singular charge of assault". The British Library Board. Birmingham Mail. p. 4.
  33. ^ Foulkes, Richard (2004). "Cameron, Violet (1862–1919)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/62581. (Subscription or UK public library membership required.)
  34. ^ Anon (9 October 1886). "Miss Violet Cameron and Lord Lonsdale in New York". The British Library Board. Pall Mall Gazette. p. 15.
  35. ^ Anon (7 August 1886). "Advertisement: Miss Minnie Byron". The British Library Board. The Era. p. 2.
  36. ^ Beta (19 May 1887). "Theatrical gossip". The British Library Board. Western Times. p. 4.
  37. ^ Anon (20 May 1887). "Music and Drama". Nottinghamshire Guardian. p. 11.
  38. ^ Anon (14 October 1886). "Advertisement". The British Library Board. The Sportsman. p. 1.
  39. ^ Anon (13 December 1886). "Theatrical Memes". The British Library Board. Birmingham Mail. p. 1.
  40. ^ Anon (28 December 1886). "Prince of Wales - "The Babes in the Wood"". The British Library Board. Liverpool Mercury. p. 1.
  41. ^ Anon (18 February 1888). "Royal Holborn - Always A Grand Company". The British Library Board. London and Provincial Entr'acte. p. 2.
  42. ^ Anon (20 February 1888). "Empire". The British Library Board. St James's Gazette. p. 2.
  43. ^ Tomlinson, William; Masters, Richard (1996). Bookcloth 1823–1980. Stockport, Cheshire: Dorothy Tomlinson. pp. 1–143. ISBN 0952773600.
  44. ^ HMSO. "George Harold Ferguson in 1889". No. Kensington/vol 1A/page 174. bright solid online publishing ltd. England & Wales Births 1837–2006 Kensington, London, England.
  45. ^ Anon (5 July 1889). "Henley Regatta". The British Library Board. London and China Express. p. 7.
  46. ^ Anon (29 December 1889). "Avenue". The British Library Board. The People. p. 6.
  47. ^ Anon (1 February 1890). The Theatre - Our Play-Box. Open Court Publishing Co. p. 110. Retrieved 31 July 2023.
  48. ^ HMSO. "Oscar Dunstan Winterbottom in 1891". No. Kensington/vol 1A/page 166. bright solid online publishing ltd. England & Wales Births 1837–2006 Kensington, London, England.
  49. ^ Anon (3 December 1890). "Britannic Passenger list". No. Liverpool – New York. Passenger Lists Leaving UK 1890–1960. White Star Line.
  50. ^ Tomlinson & Masters (1996), Op. Cit., p78
  51. ^ a b Anon (28 November 1891). "Put Asunder". Internet Archive. Internet Archive. The Victoria Daily Colonist. p. 5. Retrieved 5 August 2023.
  52. ^ HMSO. "Dudley Dickson Winterbottom in 1892". No. Kensington/vol 1A/page 159. bright solid online publishing ltd. England & Wales Births 1837–2006 Kensington, London, England.
  53. ^ Anon (25 February 1893). "Minnie Byron, English Actress (with Portrait)". Internet Archive. Internet Archive. The National Police Gazette. p. 5. Retrieved 5 August 2023.
  54. ^ Anon (11 May 1892). "Majestic Passenger list". No. Liverpool – New York. Passenger Lists Leaving UK 1890–1960. White Star Line.
  55. ^ Anon (22 August 1894). "Majestic Passenger list". No. Liverpool – New York. Passenger Lists Leaving UK 1890–1960. White Star Line.
  56. ^ Anon (7 October 1896). "Majestic Passenger list". No. Liverpool – New York. Passenger Lists Leaving UK 1890–1960. White Star Line.
  57. ^ Anon (1 July 1899). "Yesterday's Concerts". The British Library Board. London Evening Standard. p. 5.
  58. ^ Anon (9 December 1899). "The Theatre". The British Library Board. Manchester Evening News. p. 6.
  59. ^ Anon (9 December 1932). "Northamptonshire Houses – 32". THE BRITISH LIBRARY BOARD. Northampton Mercury. p. 10.
  60. ^ Williams, Maureen (2019). Horton Hall (Gone, but not forgotten). Hackleton: Maureen Williams in association with Hackleton Village Hall. pp. 11–14.
  61. ^ Anon (22 March 1901). "Births, marriages and deaths". THE BRITISH LIBRARY BOARD. Globe. p. 7.
  62. ^ HMSO (29 May 1901). "England & Wales Government Probate Death Index 1858–2019". No. Lancashire England. HMSO. HMSO.
  63. ^ Anon (23 November 1934). "Casket Borne on Farm Wagon – Horton Funeral of Mr. G.H. Winterbottom". THE BRITISH LIBRARY BOARD. Northampton Mercury. p. 5.
This page was last edited on 9 April 2024, at 03:29
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