The Pulitzer Prizes for 1981 were announced on April 13, 1981.[1]
The winner in each category is listed first, in bold, followed by the other finalists.
YouTube Encyclopedic
-
1/3Views:4 6151 421304
-
Jonathan Franzen - Fulbright Student to Germany, 1981
-
episode 5 - Charles Fuller - part 01
-
Jonathan Yardley: 2011 National Book Festival
Transcription
Branden Jacobs-Jenkins, Germany, 2009: So, Jonathan, first I want to say thank you for sitting down with me and with the Fulbright program for this interview, or this conversation, I am really honored to be here, obviously. The first thing I want to ask you is, I know that you spend a lot of time in Germany studying abroad as a junior at Swarthmore, and I guess I was wondering why did you decide to go back and why did you apply for the Fulbright? Jonathan Franzen: I had an interest in being a playwright in those years. My first semester I studied Holfmanstatem and my second semester I studied Karl Krause. I was familiar with Krause from my earlier German studies and we were doing his amazing play, The Last Days of Mankind, and he is so hard. I put the hour per page in that was necessary to understand Krause and at the end, the last week of the class, I delivered a paper that I worked very hard on and the professor said hand it to the American, they know how to work, which felt great to me Branden: You were there before the wall fell, which was a huge moment in German history and I was wondering if you could describe a bit to me what that experience was like? Jonathan: The wall was very much up, they were very tense, that was a very tense year, the Soviets had these SS20 rockets that they were deploying and there was a lot of saber-rattling on Reagan’s side and riots when Reagan came to Berlin. That all happened during my stay. They were rough years. Living at what was then still one of the cruxes of the Cold War made a deep impression on me, shaped my work for at least two novels and something I still want to go back to. It was good to get out of the American bubble and to be in a place where people were talking about guilt and go see movies like Deblionatzite, which was about 60’s radical terrorists in Germany, but that is a movie about how a sense of guilt and outrage over what the Nazi’s had done had poisoned those kids childhoods and had deformed them. To feel that that was still, that there were matters more important than just raising a family or being a consumer, which was kind of the horizon in the world I had grown up in, to go in a place where history really mattered and mattered to individuals. You could see people wrestling, they would talk about it, certainly in the paper, it is a more serious culture. Brande: Can you talk to me a little about your experience as a Fulbrighter in Germany, what was it like for you? Jonathan: I was a scared kid and one of the reasons that I am a writer is that I like to control things and the idea of uttering German sentences that were less than perfect, I knew I could make them perfect if I wrote them. I was really painful for me to speak because I could just hear myself making mistakes, so I became very self-conscious and it was kind of agony. It was the first time I had lived by myself, I had my own squalled one room apartment across the street from Tagel Airport. It was a grim place. I did a couple of things. I really made an effort to reach out to some Americans that I knew there and got to be friends with them. I got out of that place as quickly as I could and roomed for the rest of the year with a Canadian. We had our own adventures. The two professors that I had, in the two classes that I dutifully took, were really good. If a student came to them and had worked hard on something, they didn’t hold it against him that he was an American. Branden: What kind of an impact did your experience in Germany have on your as a writer? Jonathan: I got excited about literature as literature reading the Germans. I began my first novel there and to start my second novel I went back to Europe and did some of the best work on the early part of that. When I was working on Freedom I just never got it going here, and I went over once, spent six weeks in Berlin, got nowhere, went back a year later to the American Academy and wrote the first pages of the book. Branden: Was there a specific experience that you had as a Fulbrigter that was particularly transformative for you? Jonathan: When I think about the most intense experiences I had in Berlin it was probably the family I lived with for six weeks when I first got there. It is a chance you don’t get that often as an adult to be dropped in as if by parachute into another family and to get to watch all of the interactions among those family members and to be sort of implicated, but mostly apart. That was kind of my own position in my own family because I came along so late, I was always watching. The Germen writers, Kafka, Wilhelm and Mann showed me how to understand what I was seeing in my family. I would say the most intense experience was living with that family and staying in touch with them. Branden: Do you feel like the Fulbright has made you a better citizen in some way? Jonathan: A certain credulity about your own country will be lost in a very good way. I would say in some ways that is the most valuable thing of all. To come back and to have some sort of objectivity about your own country, which you can’t get when you go for two weeks in the pretty places in Italy, you can remain 100 percent American when you do that. When you go an live in a student slum in some other country for a year you can’t maintain the bubble, it just can’t be done without going crazy and being sent back. To me, being a good citizen, is having a mature appreciation of your countries strengths and weaknesses, but that is just my opinion of what a good citizen is. Branden: Why do you think that students today should apply for the Fulbright program? Jonathan: The Fulbright program was a great idea when it was conceived and I think it is still a great idea. The idea was, we just had a couple of global wars in the space of three decades and wouldn’t it be nice if people who might grow up to be influential, or are maybe in some cases are influential, had the experience of going and spending a year in a culture very different. The dream, the hope, it was a very good 50’s notion that we could actually understand one another better. I am so personally changed by having spent those three years in Europe that I did when I was young. I can’t help wishing it on anyone else who has any interest in it because it will change you. Opening out and engaging is more valuable than fearfully staying in the bubble. Branden: Thank you so much for you time and thank you for sharing your Fulbright experiences and we look forward to the next book.
Journalism awards
- Public Service:
- The Charlotte Observer, for its week-long series, "Brown Lung: A Case of Deadly Neglect", about byssinosis among North Carolina's textile workers, caused by cotton dust exposure.[2][3]
- Independent & Press-Telegram (Long Beach, California), for its report on unnecessary deaths due to inadequate emergency room care in Los Angeles County.[4]
- The Tennessean, for reporting on the national resurgence of the Ku Klux Klan.[5]
- Local General or Spot News Reporting:
- Staff of The Daily News (Longview, Washington), for its coverage of the eruption of Mount St. Helens, including the photographs by Roger A. Werth.[6]
- Staff of The Miami Herald, for coverage of the 1980 Miami riots.[7]
- Staff of the Baltimore News American, for "The Snowball Tragedy", a report about an elderly man accused of killing a teenager for throwing snowballs at his house.[8][9]
- Local Investigative Specialized Reporting:
- Clark Hallas and Robert B. Lowe of The Arizona Daily Star, for their investigation of misuse of funds by University of Arizona football coach Tony Mason and his staff.[10]
- Pamela Zekman, Gene Mustain, Gilbert Jimenez, Norma Sosa, Larry Cose, Patricia Smith, and John Whit of the Chicago Sun-Times, for their series, "The Accident Swindlers", an undercover investigation of lawyers and doctors cheating insurance companies out of excessive payouts for minor car accidents.[11]
- Richard Morin, Carl Hiaasen and Susan Sachs of The Miami Herald, for their series, "Key West: Smugglers' Island", exposing drug trafficking in the island community, aided by corrupt public officials.[12]
- National Reporting:
- John M. Crewdson of The New York Times, for his coverage of illegal aliens and immigration, including over 40 major articles on topics such as migrant smuggling, mistreatment of migrant workers, and corruption among immigration officials.[13]
- Donald Barlett and James B. Steele of The Philadelphia Inquirer, for their 7-part series, "Energy Anarchy", criticizing the government's handling of the energy crisis and showing how oil companies benefited from it.[14][15]
- Jonathan Neumann and Ted Gup of The Washington Post for "Government Out of Control: Contracts", their series on waste and conflicts of interest in federal government contracting.[16]
- Joseph Volz, Richard Edmonds, Bob Herbert, and Alton Slagle of the New York Daily News, for their 7-part series, "The Crippled Giant", exposing the U.S. military's lack of preparedness for war.[17][18]
- International Reporting:
- Shirley Christian of The Miami Herald, for reporting of the Salvadoran Civil War and Guatemalan Civil War.[7]
- Randall Richard of The Providence Journal, for coverage of illegal drug activity in Colombia.
- Richard Ben Cramer of The Philadelphia Inquirer, for coverage of the Afghanistan rebellion.
- Feature Writing:
- Teresa Carpenter of The Village Voice for "Murder on a Day Pass", "Death of a Playmate", and "From Heroism to Madness: The Odyssey of the Man Who Shot Al Lowenstein".[19][20][21]
- (Prize was originally awarded to Janet Cooke of The Washington Post for "Jimmy's World", a story about an eight-year-old heroin addict.[22] The award was returned after it was discovered that the story was a fabrication.[23])
- Douglas J. Swanson of the Dallas Times Herald, for a collection of five stories.[24]
- Madeleine Blais of The Miami Herald, for a collection of stories including "Who's Going to Love Judith Bucknell?", about the murder of a Coconut Grove resident.[25][26]
- Commentary:
- Dave Anderson of The New York Times, for his commentary on sports.
- Howard Rosenberg of the Los Angeles Times, for his television commentary.[27]
- Richard M. Cohen of The Washington Post
- Criticism:
- Jonathan Yardley of Washington Star, for his book reviews.
- Allan Temko of the San Francisco Chronicle, for his architecture criticism.[28]
- Henry Kisor of the Chicago Sun-Times, for his book reviews.[28]
- Editorial Writing:
- No award given
- Jack Burby of the Los Angeles Times
- Kirk Scharfenberg of The Boston Globe
- Morris S. Thompson of The Miami Herald
- Editorial Cartooning:
- Mike Peters of the Dayton Daily News (Ohio)[29]
- Jules Feiffer of The Village Voice
- Paul Szep of The Boston Globe
![](/wikipedia/commons/thumb/d/de/Jim_Craig_holding_flag.jpg/170px-Jim_Craig_holding_flag.jpg)
- Spot News Photography:
- Larry C. Price of the Fort Worth Star-Telegram, for a collection of 10 photographs of the aftermath of the 1980 Liberian coup d'état, including the firing squad execution of 13 former officials.[30][31]
- David Tenenbaum of the Associated Press, for his picture of goalie Jim Craig clutching an American flag after his team won the gold medal in ice hockey at the 1980 Winter Olympics.
- Roger A. Werth of the Longview Daily News (Washington), for his photographs of the eruption of Mount St. Helens.
- Feature Photography:
- Taro M. Yamasaki of the Detroit Free Press, for his photographs of the Jackson State Prison.[32][33]
- Michael C. Hayman of the Flint Journal (Michigan), for his photographs of automobile workers.
- Paul Beaver of the Jackson Clarion-Ledger (Mississippi), for his photographs for the report "Mississippi Delta: Empty Hands in a Fertile Land".[34][35]
Letters, Drama and Music Awards
- Fiction:
- History:
- American Education: The National Experience, 1783-1876 by Lawrence A. Cremin (Harper & Row)
- A Search for Power: The 'Weaker Sex' in Seventeenth Century New England, by Lyle Koehler (Illinois)
- Over Here: The First World War and American Society, by David M. Kennedy (Oxford)
- Biography or Autobiography:
- Peter the Great: His Life and World by Robert K. Massie (Knopf)
- Walt Whitman: A Life, by Justin Kaplan (Simon & Schuster)
- Walter Lippmann and the American Century, by Ronald Steel (Little)
- Poetry:
- The Morning of the Poem by James Schuyler (Farrar, Straus)
- Selected Poems, by Mark Strand (Atheneum)
- The Right Madness on Skye, by Richard Hugo (Norton)
- General Non-Fiction:
- Fin-de-Siècle Vienna: Politics and Culture by Carl E. Schorske (Knopf)
- China Men, by Maxine Hong Kingston (Knopf)
- Goodbye, Darkness: A Memoir of the Pacific War, by William Manchester (Little)
- Southerners: A Journalist's Odyssey, by Marshall Frady (New American Library)
- Drama:
- Music:
- No award given
References
- ^ "Paper wins prize for 'brown lung' series". St. Louis Post-Dispatch. AP. April 14, 1981 – via Newspapers.com.
- ^ Louise Hickman Lione (April 14, 1981). "Observer series wins '81 Pulitzer Prize". The Charlotte Observer – via Newspapers.com. (Part 2 of article)
- ^ "Brown Lung: A Case of Deadly Neglect". The Charlotte Observer. February 1, 1980 – via Newspapers.com.
- ^ "Emergency aid called too slow". Richmond Times-Dispatch. UPI. December 15, 1980 – via Newspapers.com.
- ^ "Ex-Nashvillian Massie wins Pulitzer". The Tennessean. April 14, 1981 – via Newspapers.com.
- ^ "Depth of peak coverage impressed Pulitzer jurors". The Daily News. Longview, WA. April 14, 1981 – via Newspapers.com.
- ^ a b "Herald's Shirley Christian is awarded Pulitzer Prize". The Miami Herald. April 14, 1981 – via Newspapers.com. (Part 2 of article)
- ^ "The staff of the Baltimore News American was a..." UPI. April 13, 1981. Retrieved 2024-02-19.
- ^ Eugene L. Meyer (May 23, 1980). "A neighbor goes on trial". The Washington Post. Retrieved 2024-02-19.
- ^ Paul Turner (April 14, 1981). "Star's Lowe, Hallas win Pulitzer Prize". The Arizona Daily Star – via Newspapers.com. (Part 2 of article)
- ^ "The Accident Swindlers". Undercover Reporting. New York University Libraries. Retrieved 2024-02-19.
- ^ Carl Hiaasen (April 1, 1980). "State, federal probe launched in the Keys". The Miami Herald – via Newspapers.com. (Part 2 of article)
- ^ "Sketches of the new Pulitzer winners". The New York Times. April 14, 1981. (subscription required)
- ^ "3 on Inquirer win Headliner Awards". The Philadelphia Inquirer. April 9, 1981 – via Newspapers.com.
- ^ "2 Inquirer writers honored for series". The Philadelphia Inquirer. November 7, 1981 – via Newspapers.com.
- ^ Jonathan Neumann; Ted Gup (June 21, 1980). "The Regulators: A Study in Conflict". The Washington Post. Retrieved 2024-02-24.
- ^ Richard Rosen (April 15, 1981). "Pulitzer jury picked News series for prize". New York Daily News – via Newspapers.com.
- ^ Joseph Volz (November 9, 1980). "Ready for war? Hell, no!". New York Daily News – via Newspapers.com.
- ^ Gail Collins (April 16, 1981). "Pulitzer runner-up becomes a winner". UPI. Retrieved 2024-02-20.
- ^ "National News Council probes Pulitzer snafu". Editor and Publisher. May 16, 1981. p. 13.
- ^ Teresa Carpenter (February 25, 1980). "Murder on a Day Pass". The Village Voice. Retrieved 2024-02-20.
Teresa Carpenter (November 5, 1980). "Death of a Playmate". The Village Voice. Retrieved 2024-02-20.
Teresa Carpenter (May 12, 1980). "From Heroism to Madness: The Odyssey of the Man Who Shot Al Lowenstein". The Village Voice. - ^ Janet Cooke (September 27, 1980). "Jimmy's World". The Washington Post. Retrieved 2024-02-20.
- ^ Mike Sager (June 1, 2016). "The fabulist who changed journalism". Columbia Journalism Review. Retrieved 2024-02-20.
- ^ "Volcano stalkers 'erupt in cheers'". Corpus Christi Times. AP. April 14, 1981 – via Newspapers.com.
- ^ Patrick Riordan (April 16, 1981). "Post reporter returns Pulitzer; story a hoax". The Miami Herald – via Newspapers.com.
- ^ Madeleine Blais (October 12, 1980). "Who's Going To Love Judith Bucknell?". The Miami Herald – via Newspapers.com.
- ^ Heinz-D. Fischer; Erika J. Fischer (2003). Complete Historical Handbook of the Pulitzer Prize System 1917-2000. Walter de Gruyter. p. 160.
- ^ a b Heinz-D. Fischer; Erika J. Fischer (2003). Complete Historical Handbook of the Pulitzer Prize System 1917-2000. Walter de Gruyter. p. 172.
- ^ Hal Lipper (April 25, 1981). "Peters confronts issues with humorous cartoons". Editor & Publisher. pp. 28–29.
- ^ "S-T's Price wins a Pulitzer Prize". Fort Worth Star-Telegram. April 13, 1981 – via Newspapers.com.
- ^ Paul Rowan (April 26, 1980). "Liberian regime threatens foreigners in top positions". Fort Worth Star-Telegram – via Newspapers.com.
- ^ "A prize-winner's photos". Detroit Free Press. April 14, 1981 – via Newspapers.com.
- ^ "Inside Jackson Prison". Taro Yamasaki. Retrieved 2024-02-25.
- ^ "Clarion-Ledger staffer finalist in Pulitzers". The Clarion-Ledger. Jackson, MS. April 14, 1981 – via Newspapers.com.
- ^ "Mississippi Delta: Empty Hands in a Fertile Land". The Clarion-Ledger. Jackson, MS. December 17, 1980 – via Newspapers.com.
- ^ "POSTHUMOUS PULITZER GIVEN WRITER WHO COULDN'T GET NOVEL PUBLISHED". The New York Times. 1981-04-14. ISSN 0362-4331. Retrieved 2023-04-05.
External links
![](/s/i/modif.png)