16th Fajr International Film Festival

16th Fajr International Film Festival
Fajr International Film Festival
Official poster
Opening film	The Glass Agency
Location	Tehran, Iran
Founded	1983
Awards	Crystal Simorgh
Editor-in-chief	Seifollah Dad
Festival date	1–11 February 1998
Language	Persian, English
17th 15th

The 16th Fajr International Film Festival (Persian: شانزدهمین جشنواره بین‌المللی فیلم فجر) held 1–11 February 1998 in Tehran, Iran.

The Glass Agency (Ebrahim Hatamikia, 1998) was the festival's best film in "Competition of Iranian Cinema" and The Promise (Luc Dardenne and Jean-Pierre Dardenne, 1996) —a Belgian film— was the festival's best film in "Competition of International Cinema".

The Glass Agency won a record-tying nine awards including Best Film, Best Director and Best Screenplay.

YouTube Encyclopedic

1/5
Views:
871
347
348 155
60 280
1 795

Transcription

Selection committee

Majid Nadiri, festival's public relations officer, was announced the selection committee members on 3 January as below:^[1]

Parvaneh Massoumi, actress
Mohammad-Reza Honarmand, director
Manouchehr Asgarinasab [fa], director
Zia Hashemi [fa], producer
Abdollah Esfandiari [fa], producer

Juries

Competition of Iranian Cinema

Ezatollah Entezami, Actor
Kiumars Pourahmad, director
Ahmad-Reza Darvish [fa], director
Fereshteh Taerpour, producer
Majid Majidi, director

Competition of International Cinema^[2]

Abbas Kiarostami, Iranian director
Marco Mueller [it], Italian producer
Jean-Michel Frodon, French film critic
Tadao Sato, Japanese film critic
Sandip Ray, Indian director

Competition of Iranian Cinema

Closing ceremony of the 16th Fajr International Film Festival
Date	11 February 1998
Site	Vahdat Hall
Highlights
Best Film	The Glass Agency
Most awards	The Glass Agency (8)
Most nominations	The Glass Agency (13)^[a]

Awards and nominations of the Competition of Iranian Cinema sections are below:^[3]

Audience Choice

Best Film The Glass Agency – Varahonar and Farabi Cinema Foundation [fa], producers‡

Competition

Best Film The Glass Agency – Varahonar and Farabi Cinema Foundation [fa], producers‡ The Tree of Life [fa] – Mohammadreza Sarhangi [fa] and IRIB TV2, producers†^[b] The Pear Tree – Dariush Mehrjui, Faramarz Farazmand [fa] and Farabi Cinema Foundation [fa], producers The May Lady [fa] – Alireza Raisian [fa] and Jahangir Kosari [fa], producers Birth of A Butterfly [fa] – SimaFilm [fa], producer	Best Director Ebrahim Hatamikia – The Glass Agency‡ Farhad Mehranfar [fa] – The Tree of Life [fa]†^[b] Dariush Mehrjui – The Pear Tree Rakhshan Bani-Etemad – The May Lady [fa] Mojtaba Ra'i [fa] – Birth of A Butterfly [fa]
Best Actor Parviz Parastui – The Glass Agency‡ Amir Payvar [fa] – The Cloud and the Rising Sun [fa]†^[b] Mohammad-Reza Foroutan – Mercedes [fa]	Best Actress [fa] Anis Shakouri – The Tree of Life [fa]‡ Minoo Farshchi [fa] – The May Lady [fa] Niki Karimi – Psycho [fa] Fatemeh Motamed-Arya – Life [fa] Vishka Asayesh – The Sorcerer [fa]
Best Supporting Actor [fa] Reza Kianian – The Glass Agency‡ Habib Rezaei – The Glass Agency†^[b] Jahangir Almasi – The Lost Love [fa]	Best Supporting Actress [fa] Bita Baderan [fa] – The Glass Agency‡ Golab Adineh – The May Lady [fa] Fahimeh Rastkar – Psycho [fa]
Best Screenplay The Glass Agency – Ebrahim Hatamikia‡ Takhti: The World Champion [fa] – Behrouz Afkhami The Tree of Life [fa] – Farhad Mehranfar [fa] Birth of A Butterfly [fa] – Saeid Shapouri	Best Cinematography [fa] Birth of A Butterfly [fa] – Mohammad Davoudi [fa]‡ The Glass Agency – Aziz Saati The May Lady [fa] – Hossein Jafarian The Tree of Life [fa] – Nader Masoumi [fa]
Best Film Editing [fa] The Glass Agency – Hayedeh Safiyari‡ The Pear Tree – Mostafa Kherghepoush [fa] Birth of A Butterfly [fa] – Hassan Hassandoust [fa] Takhti: The World Champion [fa] – Hassan Hassandoust [fa] The Sorcerer [fa] – Mehrzad Minooei [fa] and Mohammadreza Muini [fa]	Best Score [fa] The Glass Agency – Majid Entezami‡ The Cloud and the Rising Sun [fa] – Hossein Alizadeh Birth of A Butterfly [fa] – Kambiz Roshanravan Mercedes [fa] – Babak Bayat
Best Sound Mixing [fa] Birth of A Butterfly [fa] – Mohammad-Reza Delpak‡ The Glass Agency – Mohsen Roshan [fa] The May Lady [fa] – Parviz Abnar The Tree of Life [fa] – Abbas Rastgarpour	Best Sound Recording [fa] The Tree of Life [fa] – Abbas Rastgarpour‡ Mercedes [fa] – Eshagh Khanzadi [fa] A Mother's Love [fa] – Yadollah Najafi [fa]
Best Costume Design [fa] The May Lady [fa] – Amir Esbati [fa]‡ The Glass Agency – Hamidreza Charakchian The Tree of Life [fa] – Soheila Hashemi	Best Makeup [fa] The Sorcerer [fa] – Abdollah Eskandari‡ The Glass Agency – Mehrdad Mirkiani Saghar [fa] – Atefeh Razavi and Mehrdad Shekarabi [fa]
Best Special Effects [fa] The Love Squadron [fa] – Saeed Hajimiri [fa]‡

Non-nomination Crystal Simorgh

Special Jury Prize The May Lady [fa] – Rakhshan Bani-Etemad‡

Films with multiple nominations and awards

The following 10 films received multiple nominations:

Nominations	Film
13^[a]	The Glass Agency
8	The Tree of Life [fa]
7	Birth of A Butterfly [fa]
7	The May Lady [fa]
3	Mercedes [fa]
	The Sorcerer [fa]
	The Pear Tree
2	Psycho [fa]
	The Cloud and the Rising Sun [fa]
	Takhti: The World Champion [fa]

The following 3 films received multiple awards:

Awards	Film
8	The Glass Agency
2	The Tree of Life [fa]
2	Birth of A Butterfly [fa]

Competition of International Cinema

Crystal Simorgh for Best Film The Promise – Luc Dardenne and Jean-Pierre Dardenne‡ (Belgium)	Crystal Simorgh for Best Director Petr Václav – Marian‡ (Czech Republic and France)
Crystal Simorgh for Best Performance Zhu Xu – The King of Masks‡ (China) (Actor) Golshifteh Farahani – The Pear Tree‡ (Iran) (Actress)	Crystal Simorgh for Best Screenplay Super Citizen Ko – Wan Jen and Ching-Song Liao [zh]‡ (Taiwan)

Non-nomination Crystal Simorgh

Crystal Simorgh of Special Jury Prize The May Lady [fa] – Alireza Raisian [fa] and Jahangir Kosari [fa], producers‡ (Iran)

Additional Honorary Diploma

Best Cinematography: Mahmoud Kalari – The Pear Tree (Iran)
Best Costume Design: Malek-Jahan Khazai [fa] and Mojtaba Ra'i [fa] – Birth of A Butterfly [fa] (Iran)

Non-competitive sections

The festival's other sidebar sections included tributes to Anthony Quinn and Ezzatolah Entezami, retrospectives of the works of three directors —Fred Zinnemann, Krzysztof Kieślowski and Ebrahim Hatamikia— , screening of the selected works for which Ennio Morricone had composed the music, "Festival of Festivals", and special screenings.^[2]

Facing Mirrors

Retrospective of the Fred Zinnemann's career highlights:^[4]

The Men (1950)
High Noon (1952)
Behold a Pale Horse (1964)
A Man for All Seasons (1966)
The Day of the Jackal (1973)
Julia (1977)

Retrospective of the Krzysztof Kieślowski's career highlights:^[4]

Personnel (1975 TV film)
The Calm (1976)
Camera Buff (1979)
Short Working Day (1981)
Dekalog (1988 TV series): 1, 8 and 10 episodes
A Short Film About Killing (1988)

The Green Narrative

Retrospective of the Ebrahim Hatamikia's career highlights:

Identity (1987)
The Scout (1989)
The Immigrant (1990)
Union of the Good [fa] (1992)
From Karkheh to Rhein (1993)
The Green Ashes [fa] (1994)
The Scent of Joseph's Shirt (1996)
Minoo Watchtower (1996)
The Glass Agency (1998)

For All Seasons

Tribute to the Anthony Quinn by screening of 14 films of his career.^[5]

Tribute to the Ezzatolah Entezami by his career highlights:

The Cow (Dariush Mehrjui, 1969)
Hajji Washington (Ali Hatami, 1982)
Kamalolmolk (Ali Hatami, 1985)
The Lodgers (Dariush Mehrjui, 1987)
The Stony Lion [fa] (Masoud Jafari Jozani, 1987)
Grand Cinema (Hassan Hedayat [fa], 1989)
Once Upon a Time, Cinema (Mohsen Makhmalbaf, 1992)
The Quiet Home [fa] (Mehdi Sabbaghzadeh [fa], 1992)
The Angel's Day [fa] (Behrouz Afkhami, 1994)
The Blue-Veiled [fa] (Rakhshan Bani-Etemad, 1995)

Once Upon a Time

Tribute the Ennio Morricone by his career highlights:^[4]

A Fistful of Dollars (Sergio Leone, 1964)
The Hawks and the Sparrows (Pier Paolo Pasolini, 1966)
My Name Is Nobody (Tonino Valerii, 1973)
Last Days of Mussolini (Carlo Lizzani, 1974)
Todo modo (Elio Petri, 1976)
The Desert of the Tartars (Valerio Zurlini, 1976)
Casualties of War (Brian De Palma, 1989)
The Escort (Ricky Tognazzi, 1993)
The Long Silence (Margarethe von Trotta, 1993)
A Pure Formality (Giuseppe Tornatore, 1994)

Ceremony information

63 films were requested to participate in the festival which 22 of them were approved for the "Competition of Iranian Cinema" section.^[3] For the first time, FIFF had had opening ceremony that took place on 31 January 1998, at the City Theater in Tehran, Iran. Also for the first time, press conference for each film of the competitive sections was held at the Sahra Cinema [fa].^[6] elimination of the "Debut Films" section is another feature of festival's this edition.^[7]

The "Competition of International Cinema" section in the festival was introduced for the second time. The first time was in 1990.^[2] The section was added in order to FIFF accredit by FIAPF as a competitive international film festival.^[7] Sheila Whitaker mentioned that this was the first time in the festival's history, held an international competition with an international jury, headed by Abbas Kiarostami.^[8] At the closing ceremony, Kiarostami read out a statement in which he made it clear that the jury felt it impossible to give awards to foreign films that could only be screened in Iran with major cuts.^[c]^[8]

The "Iranian Film Market" (IFM) was established and took place during the festival. For example, National Film Development Corporation of India (NFDC), the central agency of Indian cinema, sent a delegation to the IFM and spent ₹83,864 (equivalent to ₹380,000 or US$4,700 in 2023) at this market.^[9]

Critical response

16th FIFF marked by a powerful selection committee that did not allow many commercial films to enter into competition section. An Audience Award also introduced this year. All these made the FIFF regain the credibility it had in the past, i.e. before the politicians not familiar with cinema took charge.^[10] However, impact of the former government's policies still remained.^[11]

Footnotes

Notes

^ ^a ^b The Glass Agency had had two nomination for Best Supporting Actor category.
^ ^a ^b ^c ^d Honorary Diploma winner
^ including all scenes of sexuality, violence and drug-taking

References

^ سینماهای نمایش‌دهنده فیلم‌های جشنواره فجر [Fajr Festival's screening cinemas]. Hamshahri (in Persian). No. 1450. 4 January 1998.
^ ^a ^b ^c Rastin 1998, p. 54.
^ ^a ^b برگزیدگان شانزدهمین جشنواره فیلم فجر [16th Fajr Film Festival winners]. Hamshahri (in Persian). No. 1481. 12 February 1998.
^ ^a ^b ^c یادمان زینه‌مان، کیسلوفسکی و موریکونه در جشنواره فجر [Tributes to Zinnemann, Kieślowski and Morricone at the Fajr Festival]. Hamshahri (in Persian). No. 1462. 18 January 1998.
^ Eldredge, Richard L. (6 January 1998). "Engaging affair". The Atlanta Constitution. p. 2. ProQuest 413644202
^ شانزدهمین جشنواره فیلم فجر، امروز در تهران گشایش می‌یابد [16th Fajr Film Festival opens today in Tehran]. Hamshahri (in Persian). No. 1470. 31 January 1998.
^ ^a ^b Yaʿqubian 1998.
^ ^a ^b Whitaker, Sheila (6 March 1998). "The veil of fears". The Guardian. p. 12. ProQuest 245223887
^ Lok Sabha 1999, p. 93.
^ Rastin 1998, pp. 53–54.
^ Gozāresh 1998, p. 162.

Sources

سنگینی سیاست‌های گذشته بر بال سیمرغ بلورین شانزدهم [High impact of the former policies on the 16th Crystal Simorgh]. Gozāresh (in Persian). 85–86 (85–86): 162–163. March–April 1998. ISSN 1021-450X – via Noormags.
"Fourth Session (Twelfth Lok Sabha)", Lok Sabha Debates (English Version), New Delhi: Lok Sabha Secretariat, vol. 19, no. 19, 15 April 1999
Naficy, Hamid (2012). A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984–2010. Durham: Duke University Press. ISBN 9780822348665.
Rastin, Shadmehr (January–June 1998). "Fajr". Cinemaya. 39–40. ISSN 0970-8782.
Yaʿqubian, Hamid-Reza (February 1998). شانزدهمین جشنواره فیلم فجر: تفاوت‌ها، ویژگی‌ها و نوآوری‌ها [16th Fajr Film Festival: Differences, features and innovations]. Gozāresh (in Persian). 84 (84): 78. ISSN 1021-450X – via Noormags.
Zeydabadi-Nejad, Saeed (2009). The Politics of Iranian Cinema: Film and Society in the Islamic Republic. Abingdon, Oxon: Routledge. ISBN 9780415455374.