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From Wikipedia, the free encyclopedia

Young Jessie
Birth name Obediah Donnell Jessie
Also known as Obie Jessie
Born (1936-12-28) December 28, 1936 (age 81)
Lincoln Manor, Dallas, Texas, USA
Genres R&B, soul, jazz
Occupation(s) Singer, songwriter
Years active 1953 - present
Labels Modern, Atco, Capitol, Mercury, Jazz Family
Associated acts The Flairs

Obediah Donnell "Obie" Jessie (born December 28, 1936), is an African American R&B and jazz singer and songwriter. He recorded as Young Jessie in the 1950s and 1960s, and was known for his solo career, work with The Flairs and a brief stint in The Coasters. More recently he has performed and recorded jazz as Obie Jessie.

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Transcription

Ashley fucking Madison exist. How ridiculous is that? That’s a site where married people can go and look for other people that are willing to have affairs. Ashley Madison is bullshit! Okay? It’s bullshit. If you’re in a marriage and you don’t want to do it? Then leave! Don’t put someone through that. Why? Why not just be real? You know when you breakup with someone and you have memories in that city? You don’t want to be in that city because then your heartbreak is just hard to heal the wound when you’re in it. I was depressed. I was sad. And I ended up staying up all night being messed up and heartbroken. You can’t really rest. So, I woke up late and went down for the session and looked like hell. My eyes were puffy. It was just rough, man. It’s so ironic to have people vibing with it and supporting the music from such a dark moment. God has a sense of humor, you know. I was there. I didn’t dip. I was real life rider. Even when bad shit went down I didn’t go nowhere. In retrospect it feels like you shouldn’t be asking someone to change. To be honest with you. If someone was asking you to change something that’s fundamental to your character how would you feel? Would you feel like, “Ok I’m going to conform so you can love me,” or would you feel like, “Go find someone else. There’s gotta be someone out there that’s going to see the beauty in me that you don’t see.” I wish I was a asshole like you so that my skin wouldn’t hurt so bad when you did it to me. And if someone is putting you through it and they’re immune to how much it’s hurting you and they’re immune to how much you’re crying, that’s usually because they’ve never fucking been through it. Or usually because it’s never been done to them. So you want to be the one to teach them, but it’s not our job to be someone else’s karma I will fuck the world! I will fuck their friends. I would put it on Facebook. I would do all of that. If I was a asshole, but I’m not a asshole. When you break up with someone and then they leave your life all you’re really left with is that wound. And if you miss someone enough and all you have is that wound left sometimes you don’t want that wound to close up. I’m the one that’s real. You’re going to lose me and you don’t even realize how much of a rider I am? You don’t realize how honest I am? Bye. You ever had those apologies where someone’s like, “Alright I’m sorry,” and then they want to move on? They might be sincere in wanting to heal the problem and move on, but for the future it’s kind of like putting a Band-Aid on something that’s rotting. You need to understand. And understanding is like putting alcohol on it and making sure. Yeah! Fuck yeah it’s true, man! That helped me get over it too. It was nice to know that so many people were ready to be replacements. I got a lot of messages which is beautiful to get feedback from people, but messages from girls that were like, “I’m going through it and these are the words that I don’t know how to express. I don’t know how to say it.” Man there was this one girl that she hit me and she was like, “I was in the car with my boyfriend and I stayed with him after he cheated and it was a big thing to go through.” And they were driving in the car and this song came on and she goes, “He started crying.” I was like, “Oh man, that’s sweet.” That’s so sweet that that caused empathy in him that I wish I could have evoked in someone else before. You know? And that’s helping her situation and helping her get through it. It’s dope!

Contents

Biography

Jessie's father was a cook but had no musical background. His mother, Malinda (née Harris) was very musical, playing piano and other instruments; she had a brief musical career under the name Plunky Harris.[1] On his mother's side of the family, Jessie was also kin to blues musician Blind Lemon Jefferson.[1]

In 1946, he moved with his family to Los Angeles, where he began studying music, and formed a vocal group, The Debonaires, which also included Richard Berry. The group recorded Jessie's song, "I Had A Love", in 1953, and the single was released under the name of The Hollywood Blue Jays. They then renamed themselves as The Flairs, and won a recording contract with Modern Records. However, in 1954 Jessie signed a solo contract with producers Jerry Leiber and Mike Stoller, and began recording as "Young Jessie". He said: "[The name] came about because I sounded like I was forty, like ancient for a boy of 17. I had this deep baritone voice and the Biharis wanted me to get close to the rock 'n' roll market. I could have called myself Obie Jessie but I didn't want people to think I was old."[2]

In 1955 he wrote and recorded the single "Mary Lou," later covered by Ronnie Hawkins in 1959, Steve Miller Band in 1973, Bob Seger in 1976, Gene Clark in 1977, Frank Zappa in 1983 and The Oblivians in 1997. In 1956, he released "Hit Git And Split", co-written with Buck Ram and recorded in New York City with guitarist Mickey Baker.[2] He also briefly recorded with The Coasters in 1957 (including harmony vocals on "Searchin'" and "Young Blood"), and appeared on records by The Crescendos[3] and Johnny Morisette, as well as being a writer for other artists' recordings, including The Chargers and Jimmy Norman. He released the single "Shuffle In the Gravel"/"Make Believe", again produced by Leiber and Stoller, on the Atco label in 1957.[2]

Jessie then moved on to record jazz for the Capitol label, novelty records for Mercury in the early 1960s, and soul ballads for the Vanessa label in 1963, but with little commercial success. He recorded some unreleased material for Jake Porter in the 1960s.[4] He also did an album's worth of songs owned by Harvey Fuqua in the 1970s that never got released.[4] In 1972, he recorded a single as Obe Jessie & The Seeds Of Freedom for Stone Dogg Records.[5]

He also formed a jazz group, the Obie Jessie Combo, which played club dates, and in 1976 became musical director for Esther Phillips. In 1982 he toured in Europe and recorded jazz in Germany, and in 1983 performed at an "R & B Jamboree" in London, where he reportedly "astonished the audience with a charismatic performance."[2] He has also performed with Leon Hughes' group of The Coasters. As Obie Jessie, he later released several jazz albums, including What Happened To Jr. (1995), Here's To Life (2002), and New Atmosphere (2009).[2] He also recorded with Atlanta-based saxophonist Bob Miles, and performed on the song "People The Time Has Come" with lyrics by Nadim Sulaiman Ali(http://www.cduniverse.com/productinfo.asp?pid=6890666).

His younger brother DeWayne Jessie became an actor,[1] and became well known as Otis Day in the film National Lampoon's Animal House. Two of Young Jessie's four children sang in a group called Wizdom in the 1980s.[6]

Discography

Singles

  • "I Smell A Rat" / "Lonesome Desert" (Modern) (January 1954)
  • "Mary Lou" / "Don't Think I Will" (Modern #961) (June 1955)
  • "Nothing Seems Right" / "Do You Love Me" (Modern #963) (November 1955)
  • "Hot Dog (Modern)" (unreleased) (1956) (recorded this before Elvis Presley)
  • "Hit Git And Split" / "It Don't Happen No More" (Modern #1002) (September 1956)
  • "Oochie Coochie" / "Here Comes Henry" (Modern #1010) (December 1956)
  • "Shuffle In The Gravel" / "Make Believe" (Atco #6101, 1957)
  • "Shuffle In The Gravel" / "Make Believe" (UK London HLE #8544, 1958)
  • "Margie" / "That's Enough For Me" (Atlantic #2003) (1958)
  • "Shuffle In The Gravel" / "Make Believe" (Atco #6101) (1958)
  • "Lulu Belle" / "The Wrong Door" (Capitol #4318) (1959)
  • "Teacher, Gimme Back" / "My Country Cousin" (Mercury #71895) (1961)
  • "Be Bop Country Boy" / "Big Chief" (Mercury #71985) (1962)
  • "I’m A Lovin' Man" / "Too Fine For Cryin'2 (Mercury #72104) (1963)
  • "Mary Lou" / "You Were Meant For Me" (Mercury #72146) (1963)
  • "Make Me Feel A Little Good" / "Brown Eyes" (Vanessa) (1963)
  • "Young Jessie’s Bossanova Part 1" / "Part 2" (Bit #7464) (1964)
  • "Who's The Blame" / "Beautiful Day My Brother" (Stone Dogg #801) (1972) (released as Obe Jessie & The Seeds Of Freedom)

Albums

  • Chuck Jackson And Young Jessie (Crown) (1963)
  • R & B Jamboree (Ace) (1983)
  • Hit Git And Split (Ace) (1985)
  • Shuffle In The Gravel (Mr. R&B #1004) (1987) (released in Sweden)
  • Shufflin And Jivin (Ace) (1987)
  • I’m Gone (Ace) (1995)

As Obie Jessie

  • What Happened To Jr. (Solar #72597) (1995)
  • Here’s To Life (Jazz Family #101) (2002)
  • New Atmosphere (Jazz Family ) (2009)

References

  1. ^ a b c Millar, Bill (2004). Let The Good Times Rock. York, England: Music Mentor Books. p. 153. ISBN 0-9519888-8-3.
  2. ^ a b c d e Young Jessie at Black Cat Rockabilly
  3. ^ Steve Propes, & Galen Gart (2001). L.A. R&B Vocal Groups 1945-1965. Milford, NH: Big Nickel Publications. p. 38. ISBN 0-936433-18-3.
  4. ^ a b Millar, Bill (2004). Let The Good Times Rock. York, England: Music Mentor Books. p. 158. ISBN 0-9519888-8-3.
  5. ^ Millar, Bill (1974). The Coasters. London, England: Star Books. p. 178. ISBN 0-352-30020-5.
  6. ^ Millar, Bill (2004). Let The Good Times Rock. York, England: Music Mentor Books. p. 159. ISBN 0-9519888-8-3.

External links

This page was last edited on 5 April 2018, at 02:21
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