Yaeko Mizutani I (1 August 1905 – 1 October 1979) (水谷八重子 in Japanese, or しょだい みずたに やえこ in kana) was "grande dame of the Japanese stage"[1] and in film from the 1920s through the 1970s. Mizutani's daughter is also an actress called Yaeko Mizutani,[2] so the elder Mizutani is sometimes referred to with an "I" after her name.
Early life
Mizutani was born in Kagurazaka, Tokyo,[3] daughter of Toyozo and Tome Matsuno. Her father was a watchmaker who died when Yaeko was a small child. She was raised in the household of her older sister and her brother-in-law, writer Mizutani Chikushi, whose family name she also used. She attended Futaba Girls' High School.
Career
Theatre
Mizutani began acting in plays as a child.[3] She formed an outdoor theatre company with Tomoda Kyosuke as a young woman, and she was active in several experimental and artistic theatre companies in the mid-1920s.[4] There is an audio recording of her performing in 1929, in Shishi ni Kuwareru Onna (The Woman Eaten by a Lion).[5] She formed a theatre company with Masao Inoue in the 1930s,[6] and played Hamlet in 1937.[7] After World War II, she was one of the pillars of shinpa (new school) theatre in Tokyo.[8] She is credited as participating in the first on-stage kiss in Japanese theatre, in 1946.[9]
Film and television
Mizutani also acted in Japanese films, beginning in Shochiku studio films in the 1920s. Her first film was the silent Kantsubaki (Winter Camellia, 1921) with Masao Inoue.[10] Her second film was Otosan (1923), directed by Yasujirô Shimazu. She was dubbed "the Japanese Mary Pickford" on a visit to Hawaii in 1926.[11] She appeared in Shimazu's first sound film, Joriku dai-ippo (First Steps Ashore, 1932).[12] She played the tragic title role in two adaptations of Taii no musume (The Captain's Daughter), in 1929 and 1936.[10]
In 1941 she starred in Hiroshi Shimizu's Utajo Oboegaki (Notes of an Itinerant Performer), playing an actress who becomes a tutor in a tea merchant's household.[13] She often played mother characters in the 1950s, for example in Kojiro Sasaki's Haha (Mother, 1950) and Hahamachigusa (Motherhood, 1951), Kyoshi Saeki's Arashi no naka no haha (Mother in the Storm, 1952), and Seiji Maruyama's Haha to musume (1953). In her last screen performances, Mizutani was a regular cast member on the television program Hyôketsu (Missing, 1962–1966).
Honors
Mizutani's achievements in theatre were recognized with many awards in her later years. She was awarded the Kikuchi Kan Prize in 1957, and the Asahi Culture Prize in 1972.[14] She was named a Person of Cultural Merit in 1971.
Personal life
Mizutani's relationship with fellow actress Nara Miyako was considered a scandal in 1929; Nara was playing the Prince in a production of Cinderella at the time.[15] She married Kanya Morita XIV in 1937. They had a daughter, Yoshishige (Yoshie), born in 1939; the daughter later used the name Yaeko Mizutani.[2] Mizutani died from breast cancer in 1979, at the age of 74, in Tokyo.[1] Journalist Takao Tokuoka commented that "She was invariably attractive, and at the same time expressive, as great actresses always are, of eternal womanhood."[16]
References
- ^ a b "Milestones". Time Magazine. 114 (16). 15 October 1979.
- ^ a b Powell, Brian (16 December 2013). Japan's Modern Theatre: A Century of Change and Continuity. Routledge. p. 159. ISBN 978-1-134-24194-1.
- ^ a b Anderson, Joseph L.; Richie, Donald (5 June 2018). The Japanese Film: Art and Industry - Expanded Edition. Princeton University Press. pp. 404–405. ISBN 978-0-691-18746-4.
- ^ "Old and New Ideas in Orient". North Bay Nugget. 27 September 1933. p. 13. Retrieved 8 November 2022 – via Newspapers.com.
- ^ "Introductory Guides to Historical Recordings - "Listening" Drama". Historical Recordings Collection (Rekion). Retrieved 8 November 2022.
- ^ Powell, Brian (12 November 1990). Kabuki In Modern Japan: Mayama Seika And His Plays. Springer. p. 133. ISBN 978-1-349-20945-3.
- ^ "Performing Arts" Occupied Japan 1945-1952: Gender, Class Race (Maryland Institute for Technology in the Humanities).
- ^ Brandon, James R.; Banham, Martin (28 January 1997). The Cambridge Guide to Asian Theatre. Cambridge University Press. p. 153. ISBN 978-0-521-58822-5.
- ^ Leiter, Samuel L. (17 April 2013). Kabuki at the Crossroads: Years of Crisis, 1952-1965. Martinus Nijhoff Publishers. pp. 56–57. ISBN 978-90-04-25114-4.
- ^ a b Sinobad, Zoran, compiler, Japanese Motion Pictures in the Library of Congress Part 1: Fiction Films 1921-1945 (Library of Congress, June 2022).
- ^ "Japan's 'Pickford' Gives Dances Here". Honolulu Star-Bulletin. 5 July 1926. p. 5. Retrieved 8 November 2022 – via Newspapers.com.
- ^ Sweeney, R. Emet (1 June 2015). "Rep Diary: Early Japanese Talkies". Film Comment. Retrieved 8 November 2022.
- ^ Scanlon, Hayley (10 October 2016). "Notes of an Itinerant Performer (歌女おぼえ書, Hiroshi Shimizu, 1941)". Windows on Worlds. Retrieved 8 November 2022.
- ^ "朝日賞 1971－2000年度 | 朝日新聞社の会社案内". 朝日新聞社インフォメーション (in Japanese). Retrieved 8 November 2022.
- ^ Robertson, Jennifer (1991). "Theatrical Resistance, Theatres of Restraint: The Takarazuka Revue and the "State Theatre" Movement in Japan". Anthropological Quarterly. 64 (4): 171–172. doi:10.2307/3317210. ISSN 0003-5491. JSTOR 3317210.
- ^ Tokuoka, Takao (10 October 1979). "Foreign Affairs: Learning From Japan". The New York Times. ISSN 0362-4331. Retrieved 8 November 2022.
External links
- A 1954 woodblock portrait of Yaeko Mizutani as Madama Butterfly, by Ōta Masamitsu; in the collection of the Portland Art Museum
- Natori Shunsen, "Mizutani Yaeko as Tsubaki-hime in La Traviata" (1931), a woodblock print, at WikiArt
- A photograph of Mizutani and her husband on their wedding day in 1937, in the Densho Digital Repository
- Yaeko Mizutani at IMDb
| International | |
|---|---|
| National | |
| Academics | |
This page was last edited on 12 May 2023, at 17:52