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Who Am I This Time? (film)

From Wikipedia, the free encyclopedia

Who Am I This Time?
Genre
  • Comedy
  • Drama
Written byNeal Miller
Story byKurt Vonnegut
Directed byJonathan Demme
StarringChristopher Walken
Susan Sarandon
Music byJohn Cale
Country of originUnited States
Original languageEnglish
Production
ProducerNeal Miller
CinematographyPaul Vombrack
EditorMark Leif
Running time53 minutes
Production companyRubicon Film Productions
Original release
NetworkPBS
ReleaseFebruary 2, 1982 (1982-02-02)

Who Am I This Time? is a 1982 American made-for-television comedy-drama film directed by Jonathan Demme and based on the 1961 short story of the same name by Kurt Vonnegut. It is the fourth episode of the first season of PBS' American Playhouse series which aired on February 2, 1982.

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  • Who Am I This Time? | FULL MOVIE | Christopher Walken, Susan Sarandon | Kurt Vonnegut | Rare PBS
  • Who am I This Time? by Kurt Vonnegut, Jr -- Short Story Film -- 1981
  • Who Am I This Time? (1982) Christopher Walken Susan Sarandon
  • Full Movie - Who Am I This Time 1982 (Christopher Walken, Susan Sarandon) RARE
  • "Who Am I This Time?" [AUDIO PERFORMANCE]

Transcription

Plot

Harry Nash, a hardware store clerk, has achieved a degree of local celebrity due to his powerful performances in community theatre. Yet when not on the stage or in a rehearsal, Harry retreats into an insecure and painfully shy personality. He remains unsocial most of the time. Typically, after a performance of Cyrano de Bergerac, Harry is not equipped to handle being besieged by local fangirls, and he retreats in panic, as is his custom.

Helene Shaw, a telephone company billing expert intending to stay in town for only eight weeks, is persuaded into auditioning for the role of Stella, opposite Harry's Stanley Kowalski in a production of A Streetcar Named Desire. Initially during the audition Helene is stiff and awkward, but when Harry arrives, already immersed in his Stanley Kowalski persona, fireworks result between them as Stanley and Stella during the audition, continuing during rehearsals.

The first night’s performance of Streetcar is sold out, with Harry and Stella in top form and acclaimed by enthusiastic applause. Once again, Harry disappears as soon as the performance ends, before the applause even dies down. Ignoring warnings of Harry's introverted personality, Helene falls in love with Harry's "Stanley" persona. She arranges to stay in town permanently, determined to draw Harry out of his shell. Her attempts to get to know Harry better are thwarted when he continues to immediately disappear after each performance. When Helene succeeds in getting him to share a sandwich and asks him about his family, he replies that he grew up as an orphan, and quickly retreats despite her apology for prying. She mistakes his cluelessness and shyness for rejection.

The awkwardness between them results in a clumsy and uneven performance on the second night of the play, but Helene bounces back in time for closing night, due to an inspiration: her closing-night gift to Harry is a copy of Romeo and Juliet. Stepping into the Romeo role, Harry is able to read the lines and speak of love with confidence. After a series of such recitals—with Harry as Mark Antony, Henry Higgins, and Henry V—Harry proposes to Helene as Ernest Worthing, in character, acting out a scene from Oscar Wilde's The Importance of Being Earnest. Their friends, who witness the “performance,” applaud their engagement. The director informs Helene and Henry that the community is looking forward to their playing the leads in the company’s next production. Harry, who has Helene in his embrace, whispers in Helene’s ear and Helene interprets, “Who are we this time?”

Cast

Production

Music

The film's score was composed by John Cale of The Velvet Underground. Hinckley, Illinois served as stand-in for fictional North Crawford.

Writing

The quotations recited by the actors, from Cyrano de Bergerac to The Importance of Being Earnest, are often paraphrased. In the opening act, Harry Nash delivers the final lines of Cyrano, which were taken not from the well-known translations of the standard texts, but from the film adaptation Cyrano de Bergerac (1950), with translation by Brian Hooker. Edmond Rostand's final two words in the original French version were My panache!, which is usually used in translations.[1]

Hooker's version, which Christopher Walken/Cyrano declaims, changes his final phrase to "My white plume!" Panache means plume; here, the literary reference is to King Henry IV of France, who was famous for wearing a white plume in his helmet and for his war cry: "Follow my white plume!" (French: Ralliez-vous à mon panache blanc!).[2]

Another slight variation occurs in the final lines, when Helene accepts Harry's proposal of marriage and says, "I hope that after we marry, you'll always look at me just like this... especially in front of other people!" In the original play by Oscar Wilde, the line is, "I hope you will always look at me just like that, especially when there are other people present."

In Vonnegut's short story, the character George Johnson is the first-person narrator. He meets Helene while trying to sort out a phone bill and asks her to try out for the local play.

Reception

The film holds a 92% "Fresh" rating on aggregate review site Rotten Tomatoes, based on 354 user ratings.[3]

The New York Times published a review saying that the script was "touchingly adapted" from Vonnegut's story.[4]

Howard Rosenberg of the Los Angeles Times called Who Am I This Time? "a smashing adaptation of a Kurt Vonnegut story."[5] Daily Variety praised Demme, saying he "directed with finesse," and said that producer Neal Miller "coaxes his characters along with becoming humor."[5]

Joe Meyers, host of the debut of the second annual "Short Cuts" series celebrating the art of the short film at the Garden Cinema festival in Norwalk, Connecticut in 2011, described the film as "one of the most charming short films of the modern era."[6]

Time Out (London) called the film "totally delightful" with "a great deal of charm and wit."[7]

Dramatist/reviewer Sheila O'Malley writes that Who Am I This Time? is "one of the best movies about acting, and what it is, and why, that I have ever seen... it is a funny and accurate look at why grown men and women put on costumes and cavort about with fake swords for a paying populace."[8]

Awards and honors

Who Am I This Time? won the "Best Television Production Award" at the Semana Internacional De Cinema de Barcelona, invitational screenings in Russia (ACT I) and Italy (Venice Film Festival), and at the San Francisco International Film Festival.[5]

References

  1. ^ Rostand, Edmond (2008). Cronk, Nicholas (ed.). Cyrano de Bergerac. Oxford: OUP. ISBN 9780199539239.
  2. ^ Campbell, Tim and Patrick Hannigan (September 30, 2012). "Cyrano's Panache". The World's Greatest English Class. Retrieved May 23, 2014.
  3. ^ "Who Am I This Time? (1982)". Rotten Tomatoes. Retrieved May 23, 2014.
  4. ^ Erickson, Hal (2014). "Who Am I This Time? (1982)". Movies & TV Dept. The New York Times. Archived from the original on May 24, 2014. Retrieved May 23, 2014.
  5. ^ a b c Rubicon Productions (c. 2006). "Neal Miller". Rubicon Productions, Ltd. Retrieved May 23, 2014.
  6. ^ Meyers, Joe (October 19, 2011). "Who Am I This Time?: Before Jonathan Demme Got Serious". Hearst/Connecticut News. Retrieved May 23, 2014.
  7. ^ G.A. "Who Am I This Time?". Time Out London. Archived from the original on February 7, 2017. Retrieved May 24, 2014.
  8. ^ O'Malley, Sheila (September 22, 2010). "Who Am I This Time? (1982); Dir. Jonathan Demme". The Sheila Variations. Retrieved May 24, 2014.

External links

This page was last edited on 28 February 2024, at 02:15
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