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Waters of March

From Wikipedia, the free encyclopedia

"Waters of March" (Portuguese: "Águas de março" [ˈaɡwɐʒdʒiˈmaʁsu]) is a Brazilian song composed by Antônio Carlos Jobim (1927–1994) in 1972. Jobim wrote both the Portuguese and English lyrics.[1] The lyrics, originally written in Portuguese, do not tell a story, but rather present a series of images that form a collage; nearly every line starts with "É..." ("It is...").[1] In 2001, "Águas de março" was named as the all-time best Brazilian song in a poll of more than 200 Brazilian journalists, musicians and other artists conducted by Brazil's leading daily newspaper, Folha de S.Paulo.[1] It was also voted by the Brazilian edition of Rolling Stone as the second greatest Brazilian song.[2]

The inspiration for "Águas de março" came from Rio de Janeiro's rainiest month. March is typically marked by sudden storms with heavy rains and strong winds that cause flooding in many places around the city. The lyrics and the music have a constant downward progression much like the water torrent from those rains flowing in the gutters, which typically would carry sticks, stones, bits of glass, and almost everything and anything.

YouTube Encyclopedic

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  • Waters of March - Águas de Março - Stereo - Elis Regina and Tom Jobim - Aguas de Marco -
  • Waters of March - Susannah McCorkle
  • Waters of March - Águas de Março - Tom Jobim
  • Art Garfunkel - Waters of March
  • Waters Of March

Transcription

Lyrics

In both the Portuguese and English versions of the lyrics, "it" is a stick, a stone, a sliver of glass, a scratch, a cliff, a knot in the wood, a fish, a pin, the end of the road, and many other things, although some specific references to Brazilian culture (festa da cumeeira, garrafa de cana), flora (peroba do campo), folklore and fauna (Matita Pereira) were intentionally omitted from the English version, perhaps with the goal of providing a more universal perspective. All these details swirling around the central metaphor of the cascading "waters of March" can give the impression of the passing of daily life and its continual, inevitable progression towards death, just as the rains of March mark the end of a Brazilian summer. Both sets of lyrics speak of "the promise of life," perhaps allowing for other, more life-affirming interpretations, and the English contains the additional phrases "the joy in your heart" and the "promise of spring," a seasonal reference that would be more relevant to most of the English-speaking world.

When writing the English lyrics, Jobim endeavored to avoid words with Latin roots, which resulted in the English version having more verses than the Portuguese. Nevertheless, the English version still contains some words from Latin origin, such as promise, dismay, plan, pain, mountain, distance and mule. Another way in which the English lyrics differ from the Portuguese is that the English version treats March from the perspective of an observer in the northern hemisphere. In this context, the waters are the "waters of defrost" in contrast to the rains referred to in the original Portuguese, marking the end of summer and the beginning of the colder season in the southern hemisphere.

Composer-guitarist Oscar Castro-Neves[3] relates that Jobim told him that writing in this kind of stream of consciousness was his version of therapy and saved him thousands in psychoanalysis bills.[citation needed]

Versions

1970s

  • The first recording of this song (Portuguese version) appeared on an EP released in May, 1972, named O Tom de Antonio Carlos Jobim e o Tal de João Bosco. This EP was released as a bonus included in the Brazilian periodical O Pasquim and was never reissued again. This type of vinyl record album was known as a "disco do bolso" ("record for your pocket"). At the time, it was considered more of a novelty promotional item for the magazine rather than one of Jobim's seminal works. For that reason, existing copies of this recording are very rare.
  • The second recording was on Elis Regina's album Elis (1972), the first in a series of three consecutive eponymous solo albums.
  • The third recording was on Jobim's seventh album, Jobim (1973, reissued 2000). The album was titled Matita Perê in Brazil, without an additional English version of the song.
  • João Gilberto's recording from João Gilberto (1973) is known for its considerable deviation in rhythm and meter from the original.
  • Italian singer Mina sings it as "La Pioggia di Marzo" ("The Rain of March") on her album Frutta e verdura (1973). Orchestra arranged & conducted by Pino Presti.[4]
  • Georges Moustaki recorded his version of the song as "Les Eaux de Mars" on the album Déclaration (1973).
  • What many reviewers consider to be the definitive recording of the song is the duet sung by Jobim and Elis Regina on the album Elis & Tom (1974).
  • Stan Getz and João Gilberto recorded a version on their joint album The Best of Two Worlds (1976), with Portuguese lyrics sung by Gilberto and English lyrics sung by Miúcha, Gilberto's wife at the time.
  • Sérgio Mendes & Brasil '77 recorded this song on the album Vintage 74 (1974). Jobim played guitar on this track.
  • Art Garfunkel recorded the song on his solo album Breakaway (1975). His recording is similar to the 1973 Jobim recording in inflection, rhythm, and evocation of the song.
  • Jack Parnell recorded the song on his album Braziliana (1977)
  • Mark Murphy recorded this song on the album Stolen Moments (1978).
  • Sérgio Mendes & Brasil '88 recorded this song on the album Brasil '88 (Elektra 6E-134, 1978).

1980s

  • Nara Leão recorded the song in her album "Garota de Ipanema", the first Compact Disc released in Brazil (Philips, 1986).
  • Jobim and Gal Costa recorded a live English version on the album, Rio Revisited (Verve/Polygram, 1989).
  • New Zealand jazz singer Malcolm McNeill recorded an English version in 1982 that was released on Malcolm McNeill (Kiwi-Pacific Records International Ltd., 1985).

1990s

2000s

2010s

2020s

  • South Korean singer/songwriter Sogumm recorded her version of "Waters of March" featuring Keumbee in her album Salt Rain (Prod. By Alfie Hole) (2022).
  • New York based singer John Roseboro recorded a version with Mei Semones released as a single in March 2023

Other uses

The song was adapted for use in a series of advertisements for Coca-Cola. These ended with the then current slogan "Coke Is It".[13] This was also used in a 1994 ad for Ayala Malls in the Philippines.

See also

References

Notes

  1. ^ a b c Nascimento, Elma Lia. "Calling the Tune". Brazzil, September 2001. Retrieved 13 July 2009.
  2. ^ Rocha, Antonio do Amaral (2009). "As 100 Maiores Músicas Brasileiras - "Águas de Março"". Rolling Stone Brasil (in Portuguese). Spring. Archived from the original on 4 March 2016. Retrieved 3 December 2020.
  3. ^ Oscar Castro-Neves (in Portuguese)
  4. ^ Discografia Nazionale della Canzone Italiana
  5. ^ Rosa Passos – O Melhor De Rosa Passos (1997, CD), retrieved 2021-04-04
  6. ^ YouTube (2009).
  7. ^ "Gloria". 10 February 2013.
  8. ^ "'Águas de março' inspira diretor do longa chileno 'Glória'". 25 January 2014.
  9. ^ Manheim, James (2014). "Rio-Paris". AllMusic. Retrieved 31 Dec 2014.
  10. ^ PH, One Music. "FULL LIST of winners at 29th Awit Awards". One Music PH. Retrieved 2020-07-27.
  11. ^ "29th Awit Awards' Best Vocal Arrangement 2016 - Waters of March - YouTube". www.youtube.com. Archived from the original on 2021-12-21. Retrieved 2020-07-27.
  12. ^ available as a video on YouTube https://www.youtube.com/watch?v=KuX2sYFUjbQ&t=6m10s
  13. ^ "1985 Coca-Cola: Waters of March (USA and Brazil with Tom Jobim) commercials" on YouTube

Further reading

  • Charles A. Perrone wrote about the song in his doctoral dissertation (1985), an abridged version of which was published in Brazil as Letras e Letras da MPB (1988). He notes such sources for the song as the folkloric samba-de-matuto and a classic poem of pre-Modernist Brazilian literature.

External links

This page was last edited on 14 June 2024, at 15:36
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