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From Wikipedia, the free encyclopedia

Visperad[pronunciation?] or Visprad is either a particular Zoroastrian religious ceremony or the name given to a passage collection within the greater Avesta compendium of texts.

Overview

The Visperad ceremony "consists of the rituals of the Yasna, virtually unchanged, but with a liturgy extended by twenty-three[a] supplementary sections."[1] These supplementary sections (kardag) are then – from a philological perspective – the passages that make up the Visperad collection. The standard abbreviation for Visperad chapter-verse pointers is Vr., though Vsp. may also appear in older sources.

The name Visperad is a contraction of Avestan vispe ratavo,[b] with an ambiguous meaning. Subject to how ratu is translated,[c] vispe ratavo may be translated as "(prayer to) all patrons"[2] or "all masters"[1] or the older and today less common "all chiefs."[3] or "all lords."

The Visperad ceremony – in medieval Zoroastrian texts referred to as the Jesht-i Visperad,[4] that is, "Worship through praise (Yasht) of all the patrons," – developed[d] as an "extended service" for celebrating the gahambars,[4] the high Zoroastrian festivals that celebrate six season(al) events. As seasonal ("year cycle") festivals, the gahambars are dedicated to the Amesha Spentas, the divinites that are in tradition identified with specific aspects of creation, and through whom Ahura Mazda realized ("with his thought") creation. These "bounteous immortals" (amesha spentas) are the "all patrons" – the vispe ratavo – who apportion the bounty of creation. However, the Visperad ceremony itself is dedicated to Ahura Mazda, the ratūm berezem "high Master."[4]

The Visperad collection has no unity of its own, and is never recited separately from the Yasna. During a recital of the Visperad ceremony, the Visperad sections are not recited en bloc but are instead interleaved into the Yasna recital.[5] The Visperad itself exalts several texts of the Yasna collection, including the Ahuna Vairya and the Airyaman ishya, the Gathas, and the Yasna Haptanghaiti (Visperad 13-16, 18-21, 23-24[6]) Unlike in a regular Yasna recital, the Yasna Haptanghaiti is recited a second time between the 4th and 5th Gatha (the first time between the 1st and 2nd as in a standard Yasna). This second recitation is performed by the assistant priest (the raspi), and is often slower and more melodious.[5] In contrast to barsom bundle of a regular Yasna, which has 21 rods (tae), the one used in a Visperad service has 35 rods.

The Visperad is only performed in the Havan Gah – between sunrise and noon – on the six gahambar days.[4]

Amongst Iranian Zoroastrians, the Visperad ceremony has undergone significant modifications in the 20th century.[7] The ritual – which is traditionally an "inner" one requiring ritual purity – is instead celebrated as an "outer" ritual where ritual purity is not a requirement. Often there is only one priest instead of the two that are traditionally required, and the priests sit at a table with only a lamp or candle representing the fire, so avoiding accusations of "fire worship."[e][8]

Notes

a)^ Subject to translation, there may be either 23 or 24 sections.[9] Karl Friedrich Geldner has 24, Mills has 23.
b)^ vīspe ratavō[10] in the Geldner/Bartholomae transliteration scheme, vīspe ratauuō[2] in the Hoffmann scheme.
c)^ the stem rat- is literally "to (ap)portion," (from base ar- "to get" and "to cause to get, give") with the matter being portioned ranging from time (ratav, a segment of time) to material goods (cf. Kellens'[2] ratu "patron") and justice (ratu then being a "judge," and ratav then being a judicial ruling). For the various meanings of ratav, see Bartholomae 1904, cols. 1498-1504.
d)^ It has been speculated that the Visperad ceremony developed between the 3rd and 7th centuries.[1] Since it is unlikely that the Avestan Visperad texts were actually composed at such a late a date (and yet in time to make it into the Sassanid archetype of the Avesta), they must then be extracts from other texts that have however since been lost.
e)^ "... da man nicht in den Ruch der Feuerverehrung kommen will."[8]

References

  1. ^ a b c Boyce 2001, p. 125.
  2. ^ a b c Kellens 1989, p. 38.
  3. ^ Mills 1886, p. 335,n.1.
  4. ^ a b c d Boyce 1993, p. 795.
  5. ^ a b Stausberg 2004, p. 336.
  6. ^ Stausberg 2002, p. 86.
  7. ^ Stausberg 2004, pp. 336–337.
  8. ^ a b Stausberg 2004, p. 337.
  9. ^ Stausberg 2002, p. 109.
  10. ^ Bartholomae 1904, col. 1467, 1501.

Bibliography

  • Bartholomae, Christian (1904), Altiranisches Wörterbuch, Strassburg: Trübner (fasc., 1979, Berlin: de Gruyter)
  • Boyce, Mary (1993), "Iranian Festivals", in Fischer, W. B.; Gershevitch, Ilya; Yarshster, Ehsan (eds.), Cambridge History of Iran, 3, Cambridge: UP, pp. 792–817
  • Boyce, Mary (2001), Zoroastrians: Their Religious Beliefs and Practices, London: Routledge
  • Kellens, Jean (1989), "Avesta", Encyclopaedia Iranica, 3, London: Routledge & Kegan Paul, pp. 35–44
  • Mills, Lawrence Heyworth, trans., ed. (1887), "Visparad", ZA III: The Yasna, Visparad, Âfrînagân, Gâhs and Miscellaneous Fragments, Sacred Books of the East, vol. 31, Oxford: OUPCS1 maint: extra text: authors list (link)
  • Stausberg, Michael (2002), Die Religion Zarathushtras, 1, Stuttgart: Kohlhammer Verlag
  • Stausberg, Michael (2004), Die Religion Zarathushtras, 3, Stuttgart: Kohlhammer Verlag

External links

  • Geldner's transliteration and Mills' translation of the Visperad at avesta.org
This page was last edited on 11 December 2020, at 21:34
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