To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Vic Coppersmith-Heaven

From Wikipedia, the free encyclopedia

Vic Coppersmith-Heaven
Birth nameVictor Smith
BornAugust 1945 (age 78)
England
Occupation(s)Sound engineer, record producer
Years active1961–present

Vic Coppersmith-Heaven (born Victor Smith, August 1945, England)[1] is an English sound engineer and record producer, best known for his production work with the Jam.

Career

Smith worked in the recording studios at Polydor after leaving school in 1961. By 1967, he worked as the engineer on Cat Stevens' album Matthew and Son and on the Rolling Stones' Let It Bleed. Smith then engineered other hits such as "Honky Tonk Women" and Joe Cocker's "With a Little Help from My Friends".[2] In early 1968, he produced the Nashville Teens' recording of "All Along the Watchtower", the earliest cover version of Bob Dylan's song, which was released as a single in the UK and Europe on Decca Records some six months before Jimi Hendrix's hit version.[3][4]

He produced for a number of artists, including Sunforest, who released an album on Nova, Deram Records's short-lived prog rock record label, in 1969. Sunforest was a psych-folk all-female British-American trio. Two of their recordings, "Overture to the Sun" and "Lighthouse Keeper", later emerged in re-recorded form on the soundtrack to Stanley Kubrick's film, A Clockwork Orange. Smith also produced for Tinkerbells Fairydust, as well as Peter Sarstedt's third United Artists album, Every Word You Say (Is Written Down), in 1971.

With Smith at the helm, Gravy Train recorded their fourth album, Staircase to the Day. Dawn Records released it in 1974.[5]

In the mid-1970s, Smith worked at Polydor's old studios in Stratford Place, London, and was pleased to get involved with the Jam's recordings. "I remember that first gig Chris Parry took me to" said Smith. "It was a period of real excitement and although there were only between 15 and 20 people there, it was a great show with amazing spirit and energy".[2] Later when the Jam slimmed their team of two producers down to one, the then-renamed Coppersmith-Heaven had developed the group's sound with harmonised guitars and acoustic textures. The Jam released their third LP, All Mod Cons in November 1978.[6]

The Vapors track, "Turning Japanese", was produced by Coppersmith-Heaven and reached the top three on the UK Singles Chart, at the same time that the Jam's "Going Underground" was at number one.[7] In September 1980, when "Start!" reached number one, it was Coppersmith-Heaven's second production credit on a chart-topping hit single.[8] By the end of 1980, Coppersmith-Heaven's term with the Jam ended. "Funeral Pyre" was their first single to be produced by Pete Wilson instead of Coppersmith-Heaven, and was also unique in giving the writing credits to the band.

In 1987, he was responsible, with producer Nick Glennie-Smith and singer Kenny Young, for the album Transmissions[9] under the group name Gentlemen Without Weapons. Young had been concerned about environmental issues for years and in 1989 he co-founded the rainforest conservation organization, Earth Love Fund, with the same colleagues. The same year, Coppersmith-Heaven worked with Black Sabbath for the second time, producing their album The Eternal Idol. A year later, he produced a single for the Kent-based indie band the Claim, entitled "Wait and See", at ex-Jam drummer Rick Buckler's studio.

Irritant's 2007 single "Voice of the Siren", described by the BBC as a "gargantuan rock classic", was produced by Coppersmith-Heaven. In 2008, Coppersmith-Heaven produced four tracks for The Q's debut EP Issues, which was released as a limited edition vinyl on Time for Action Records on 20 November.[10]

Credits

References

  1. ^ "MR VICTOR COPPERSMITH-HEAVEN director information". Company Check. Retrieved 17 September 2018.
  2. ^ a b Nicholls, Mike (1984). About The Young Idea: The Story of The Jam 1972 – 1982 (1st ed.). London: Proteus Books Ltd. p. 24. ISBN 0-86276-176-X.
  3. ^ "Their Music". The Nashville Teens. Retrieved 10 October 2015.
  4. ^ "Opulent Conceptions: The Nashville Teens - Sun-Dog". Expo67-cavestones.blogspot.co.uk. 21 August 2012. Retrieved 10 October 2015.
  5. ^ [1] Archived 25 March 2009 at the Wayback Machine
  6. ^ "The Jam – The Sound of the Jam". Maniac Music. 29 April 1977. Retrieved 3 December 2013.
  7. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 582. ISBN 1-904994-10-5.
  8. ^ Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 207. ISBN 0-85112-250-7.
  9. ^ "Gentlemen Without Weapons Discography". Discogs.com. Retrieved 3 December 2013.
  10. ^ "The Q | Listen and Stream Free Music, Albums, New Releases, Photos, Videos". Myspace.com. Retrieved 3 December 2013.
  11. ^ "Vic Coppersmith-Heaven | Credits". AllMusic. Retrieved 3 December 2013.
  12. ^ "Vic Smith | Credits". AllMusic. 12 May 1975. Retrieved 3 December 2013.
This page was last edited on 7 August 2022, at 04:31
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.