"Valencia" is a pasodoble song composed by José Padilla for the 1924 zarzuela La bien amada[1] and included in the 1926 silent film Valencia, with lyrics translated by Lucien Boyer, Jacques Charles,[2] and Clifford Grey. Recorded by Paul Whiteman & his Orchestra, it became one of the biggest hits of 1926, topping the charts for 11 weeks beginning March 30, 1926.[3]
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Mario Lanza - Valencia
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Paul Whiteman and His Orchestra - Valencia (A Song of Spain) (1926)
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1926 HITS ARCHIVE: Valencia - Ben Selvin (Irving Kaufman, vocal)
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In popular culture
Other popular recordings in 1926 were by Ben Selvin & His Orchestra (vocals by Irving Kaufman), The Revelers, Ross Gorman, and Jesse Crawford.[4] That year Carlos Gardel recorded "Valencia" with different lyrics, as Maestro Padilla frequently worked in Buenos Aires.[5]
Tony Martin recorded the song in 1950, and his cover reached #18 on the U.S. chart.[6] This song was one of tenor Mario Lanza's classic performances since 1954.[7] It also appears in the El último cuplé (1957) soundtrack, sung by Sara Montiel, and in 1994 Sara Montiel would perform this song live during the Valencia Fallas celebrations.[8][9] The song appears on the Spanish The Shadows' EP Los Shadows, released in 1963. In 2008 it was included in Plácido Domingo's Because you're mine.
This march is considered the informal hymn of Valencia. It is especially loved in Valencia, as in March every year during the Fallas in Valencia the Valencia pasodoble is heard during the L'Ofrena de flors (the offering of flowers) to Our Lady of the Forsaken.[10]
Influences on literature
In the novel The Invention of Morel, the Argentinian writer Adolfo Bioy Casares often quotes this song, together with "Tea for Two". The main character is alone, in a wild island, when he starts to hear this unexpected music. In the plot the song stands for the lightheartedness of the high society, that somehow violates the wild space of a lonely island, where the main character is literally "struggling for survival".
One can argue that Bioy Casares chose this song mainly because it was a strong symbol to represent the society of the 1940s.
The saxophonist Pablo in Hermann Hesse's novel Steppenwolf mentions this song as an example of melodies quietly reproduced every night by dreamy people.
References
- ^ "José Padilla". Zarzuela.net.
- ^ "José Padilla, el músico que convirtió Valencia en melodía". Las Provincias. 9 October 2010.(Spanish)
- ^ CD liner notes: Chart-Toppers of the Twenties, 1998 ASV Ltd.
- ^ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954. Wisconsin, USA: Record Research Inc. p. 602. ISBN 0-89820-083-0.
- ^ "El pasodoble 'Valencia', como nunca lo habías oído". www.levante-emv.com. 20 April 2018. Retrieved 2020-09-02.
- ^ David F. Lonergan (2005). Hit Records, 1950-1975. Scarecrow Press. ISBN 0-8108-5129-6.
- ^ Mannering, Derek (2015-02-12). Mario Lanza: Singing to the Gods. Univ. Press of Mississippi. ISBN 978-1-61703-425-1.
- ^ Espín, Manuel (2020-02-11). La España resignada. 1952-1960: La década desconocida (in Spanish). Arzalia Ediciones. ISBN 978-84-17241-59-9.
- ^ Albert, Antonio (1994-03-17). "La gran noche del fuego /". El País (in Spanish). ISSN 1134-6582. Retrieved 2020-09-05.
- ^ Valencia Marzo y Fuego (in Spanish). Carena Editors, S.l. 2006. ISBN 978-84-96419-19-3.
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This page was last edited on 1 January 2024, at 20:41