| Universal | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2 September 1996 | |||
| Studio |
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| Genre | Synth-pop, pop rock | |||
| Length | 49:40 | |||
| Label | Virgin | |||
| Producer | Andy McCluskey Matthew Vaughan David Nicholas | |||
| Orchestral Manoeuvres in the Dark chronology | ||||
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| Singles from Universal | ||||
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Universal is the tenth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 September 1996 by Virgin Records. Frontman Andy McCluskey opted for a more organic, acoustic sound on the record, which peaked at number 24 on the UK Albums Chart. It was generally well received by music critics, although the British media's overall resistance to OMD – who had been rendered unfashionable by the prevalence of grunge and indie rock – prompted McCluskey to dissolve the group. Universal was their last album until 2010's History of Modern.
The album spawned the singles "Walking on the Milky Way" (a number 17 hit in the UK) and "Universal".
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Transcription
Background
McCluskey opted for a more organic sound on Universal, while looking to capture an "epic" feel.[1][2] He explained, "I'd abandoned techno/house; it was like an old man dying his hair jet-black: ridiculous. I decided to follow the current trend of getting more acoustic, using real drums and bass." McCluskey had been writing with former Kraftwerk member Karl Bartos, who had also become interested in more organic music.[1] Bartos is credited as a co-writer on "The Moon & the Sun".[3] McCluskey described "The Boy from the Chemist Is Here to See You" as "late OMD, doing late Pulp, doing early Roxy Music" (co-producers Matthew Vaughan and David Nicholas had worked on Pulp's 1995 album, Different Class).[4]
OMD co-founder Paul Humphreys, who had departed the group in 1989, served as co-writer on "Very Close to Far Away" and "If You're Still in Love with Me".[3] The former marked Humphreys' first songwriting collaboration with McCluskey since leaving the band; the latter dated to 1987 and had originally been envisioned as a reggae song. Anne Dudley of Art of Noise arranged "If You're Still in Love with Me" for a 12-piece string section.[2] The album features various session musicians, including Phil Spalding, Chuck Sabo and Carol Kenyon.[4]
McCluskey rented a house in Dublin, and worked within the city at The Factory studio. He also recorded at Townhouse and Metropolis in London, as well as JE Sound in Los Angeles.[4][5]
Alternative titles for the album were Very Close to Far Away and That Was Then, This Is Now. The cover artwork was designed by Area, based on a concept by Peter Saville.[2]
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [6] |
| Chester Chronicle | 9/10[7] |
| Classic Pop | [8] |
| Encyclopedia of Eighties Music | [9] |
| Hinckley Times | 7/10[10] |
| Music Week | [11] |
| NME | 5/10[12] |
| Q | [13] |
| Shields Gazette | 8/10[14] |
| The Sydney Morning Herald | [15] |
Universal met with generally favourable reviews.[4] Music Week gave the record a full five stars and named it their "Album of the Week", writing, "Packed with hits, drunk on pomp, Andy McCluskey has never sounded or written better and the production is a joy."[11] Debbi Voller of Q described the record as "more ethereal than electronic", adding, "Lyrically, this is a collection of songs about lost youth, doomed love and broken dreams – and yet the music is wonderfully uplifting... McCluskey is still a master of melody".[13] NME's Simon Williams noted that Universal finds McCluskey "in reassuringly romping mode", the music "crispy clear, serenely syrupy, occasionally spiritual, frequently lovelorn, cosmically old-fashioned and extremely expensive-sounding". He concluded that "nothing else is anywhere near as slinky as '...Milky Way', but OMD should take heart: they're still miles better than Tears for Sodding Fears."[12]
Retrospectively, Guinness Rockopedia author David Roberts saw Universal as a "partial return to form" following the group's "bland but chart-worthy" output during the early 1990s.[16] Trouser Press wrote that the album "settles into the type of pop OMD has offered since [1985's] Crush" and is "enjoyable enough for what it is".[17] Wyndham Wallace of Classic Pop said the record "ha[s] its moments" but includes some jarring departures in sound, such as baggy and spiritual elements.[8] AllMusic editor Stephen Thomas Erlewine was critical, observing "only a fraction of the sophisticated craft that made its predecessor Liberator enjoyable, and none of the adventurous spirit of [OMD's] '80s records."[6]
By 1996 the British media was reluctant to promote OMD, who had been rendered unfashionable by the prevalence of grunge and indie rock. McCluskey, therefore, elected to dissolve the group.[18][19] He later said, "I could have gone techno, I could have gone hip-hop – nothing I could have done would have actually made Universal sell more."[4] Original keyboardist Paul Humphreys, who did not play on Universal, regarded it as a "really, really good record".[20]
Track listing
All tracks are written by Andy McCluskey, except where noted
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Universal" | 5:41 | |
| 2. | "Walking on the Milky Way" | McCluskey, Nigel Ipinson, Keith Small | 4:38 |
| 3. | "The Moon & the Sun" | McCluskey, Karl Bartos | 3:37 |
| 4. | "The Black Sea" | McCluskey, Stuart Kershaw | 3:38 |
| 5. | "Very Close to Far Away" | Paul Humphreys, McCluskey | 5:45 |
| 6. | "The Gospel of St Jude" | 2:23 | |
| 7. | "That Was Then" | 4:27 | |
| 8. | "Too Late" | McCluskey, Kershaw | 4:09 |
| 9. | "The Boy from the Chemist Is Here to See You" | 4:41 | |
| 10. | "If You're Still in Love with Me" | Humphreys, McCluskey, Kershaw | 2:51 |
| 11. | "New Head" | McCluskey, Simon Fung | 5:01 |
| 12. | "Victory Waltz" | 2:45 |
Personnel
- Andy McCluskey – vocals, keyboards, production, mix on tracks 8–9
- Matthew Vaughan – keyboards on tracks 1, 4, 8, and 10, guitar on tracks 2, 3, and 5, piano on track 3, bass on track 9, production on tracks 1–7, and tracks 10–12
- Breda Dunne – backing vocals on track 1
- Phil Spalding – bass on tracks 1–3, track 5, and track 7, backing vocals on track 2
- Chuck Sabo – drums and percussion on tracks 1–3, track 5, and tracks 7–9
- Hannah Clive – backing vocals on track 2
- Carol Kenyon – backing vocals on track 5
- Richard Allen Singers – vocals on track 6, courtesy of Smithsonian Folkways Recordings
- Jimmy Taylor – guitar on track 7
- Maggie Keane – backing vocals on track 8
- Anne Dudley – string arrangement for track 10
- David Nicholas – production on tracks 1–7, and tracks 10–12, engineer, mix on tracks 2–10, and 12
- Gregg Jackman – mix on tracks 1, and 11
- Julie Gardner – engineer, assistant engineer
- Neil Tucker – assistant engineer
Charts
| Chart (1996) | Peak position |
|---|---|
| Austrian Albums (Ö3 Austria)[21] | 21 |
| European Albums (Music & Media)[22] | 45 |
| German Albums (Offizielle Top 100)[23] | 39 |
| Scottish Albums (OCC)[24] | 43 |
| Swedish Albums (Sverigetopplistan)[25] | 34 |
| Swiss Albums (Schweizer Hitparade)[26] | 28 |
| UK Albums (OCC)[27] | 24 |
References
- ^ a b Wilson, Lois (30 September 2019). "OMD". Record Collector. Retrieved 1 June 2021.
- ^ a b c "OMD Discography: Universal". Messages. Retrieved 8 June 2021.
- ^ a b Universal liner notes. 1996. Virgin Records.
- ^ a b c d e Page, Barry (6 March 2018). "OMD – On a Ship to Nowhere – Universal Revisited". The Electricity Club. Retrieved 14 January 2022.
- ^ "Universal". OMD. Retrieved 11 January 2022.
- ^ a b AllMusic review
- ^ Underhill, Terry (6 September 1996). "CD Albums". Chester Chronicle (city ed.). p. 81 (Chronicle 3, p. 15).
- ^ a b Wallace, Wyndham (September–October 2021). "OMD: Universal". Classic Pop. No. 71. p. 91.
- ^ Larkin, Colin (1997). The Virgin Encyclopedia of Eighties Music. Virgin Books. p. 350. ISBN 0753501597.
- ^ "New CDs". Hinckley Times. 4 September 1996. p. 5 (of Arts Guide).
- ^ a b "Albums". Music Week. 24 August 1996. p. 23.
- ^ a b Williams, Simon (31 August 1996). "Orchestral Manoeuvres in the Dark: Universal". NME. Archived from the original on 17 August 2000. Retrieved 17 January 2022.
- ^ a b Voller, Debbi (October 1996). "OMD: Universal". Q. p. 170.
- ^ Cameron, Matt (2 September 1996). "Records". Shields Gazette. p. 3 (of The Biz).
- ^ Danielsen, Shane (11 November 1996). "It's All in the Voice". The Sydney Morning Herald. p. 62 (The Guide, p. 13).
- ^ Roberts, David (1998). Guinness Rockopedia. Guinness World Records Limited. pp. 304–305. ISBN 978-0851120720.
- ^ "Orchestral Manoeuvres in the Dark". Trouser Press. Retrieved 9 June 2021.
- ^ "Orchestral Manoeuvres in the Dark". BBC Breakfast. 13 September 2010. BBC One. British Broadcasting Corporation.
- ^ Cárdenas, Patricia (27 August 2019). "Orchestral Manoeuvres in the Dark Pioneered Millennial Pop Music". Miami New Times. Retrieved 25 March 2022.
- ^ "OMD interview - Andy McCluskey and Paul Humphreys (part 4)". FaceCulture. 29 April 2013. Archived from the original on 13 December 2021. Retrieved 1 June 2021.
- ^ "Austriancharts.at – OMD (Orchestral Manoeuvres in the Dark) – Universal" (in German). Hung Medien. Retrieved 5 January 2021.
- ^ "European Top 100 Albums" (PDF). Music & Media. Vol. 13, no. 39. 28 September 1996. p. 21. OCLC 29800226 – via World Radio History.
- ^ "Offiziellecharts.de – OMD (Orchestral Manoeuvres in the Dark) – Universal" (in German). GfK Entertainment Charts. Retrieved 5 January 2021.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 5 January 2021.
- ^ "Swedishcharts.com – OMD (Orchestral Manoeuvres in the Dark) – Universal". Hung Medien. Retrieved 5 January 2021.
- ^ "Swisscharts.com – OMD (Orchestral Manoeuvres in the Dark) – Universal". Hung Medien. Retrieved 5 January 2021.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 5 January 2021.
External links
This page was last edited on 22 June 2023, at 03:00