To install click the Add extension button. That's it.
The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.
How to transfigure the Wikipedia
Would you like Wikipedia to always look as professional and up-to-date? We have created a browser extension. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology.
Try it — you can delete it anytime.
Install in 5 seconds
Yep, but later
4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
The songs "Saturday Night in the City of the Dead" and "Dangerous Rhythm", alongside other songs from the album, were written while the band were named Tiger Lily. The former song pre-dated punk music, written over a year before the emergence of punk. The latter, a reggae influenced song, was released as the first Ultravox single in February 1977 to positive reviews.[1] The band's early ambition to combine 1950s and 1960s pop music with the intensity of raw rock music and glam rock developed into writing longer and more intricate songs like "I Want to Be a Machine".[1] The song "My Sex" includes an early use of a synthesizer.[1] Lyrically the album is mainly about the band's environment, living in London in the mid-1970s, with lyricist John Foxx being heavily influenced by the writings of J. G. Ballard.[1] "Life At Rainbow's End (For All The Tax Exiles On Main Street)" pointedly criticises the hugely popular 'dinosaur' bands of the past, namely The Rolling Stones, who released an album called Exile On Main Street in 1972.
Ada Wilson in The Rough Guide to Rock wrote that the album "failed to recapture [Ultravox!'s] on-stage energy".[6] In his retrospective review, Dave Thompson, writing for AllMusic, opined "it was Ultravox! who first showed the kind of dangerous rhythms that keyboards could create. The quintet certainly had their antecedents – Hawkwind, Roxy Music and Kraftwerk to name but a few – but still it was the group's 1977 eponymous debut's grandeur (courtesy of producer Brian Eno), wrapped in the ravaged moods and lyrical themes of collapse and decay that transported '70s rock from the bloated pastures of the past to the futuristic dystopias predicted by punk."[3]
[3]
This page was last edited on 2 April 2024, at 19:15