To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

UNESCO Intangible Cultural Heritage List in Azerbaijan

From Wikipedia, the free encyclopedia

Helmet. Example of Lahıc copper craft.

UNESCO's list of intangible cultural heritage from Azerbaijan includes 15 examples. 13 of them were included in the "Representative List of the Intangible Cultural Heritage of Humatiy", and 2 (the Chovgan horse-riding game played with the Karabakh horse and the traditional group dances of Nakhchivan – yalli, kochari, tanzera) were included in the "Intangible Cultural Heritage in Need of Urgent Protection". No examples from Azerbaijan were included in the "Register of Good Safeguarding Practices". The Azerbaijani mugham, the first sample from Azerbaijan to be added to the list of intangible cultural heritage of UNESCO, was included in the list in 2008.[1]

The concept of intangible cultural heritage is regulated by the Convention on the Safeguarding of Intangible Cultural Heritage, which was adopted at the 32nd session of UNESCO in Paris in 2003 and entered into force in 2006.[2] The inclusion of new heritage elements in UNESCO's lists of intangible cultural heritage is determined by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage established by the convention.[3] According to UNESCO, intangible cultural heritage includes holidays, festivals, performances, oral traditions, music and handicrafts.[4]

UNESCO intangible cultural heritage samples selected from Azerbaijan are taken in the "Europe and North America" category. 10 of Azerbaijan's heritage examples are unique to Azerbaijan, and 5 are multinational. Countries with shared multi-ethnic heritage patterns are from West, Central and South Asia. Iran, Turkey and Kazakhstan are the countries with the most examples of shared heritage with Azerbaijan.

Some cultural artifacts are exclusive to certain Azerbaijani localities (Nakhchivan , Basqal, Lahic, Goychay, Shaki). Particularly, the Ismailli district is the one with the greatest amount of cultural treasures (Basqal pottery and Lahic copper art).

The first object, Azerbaijani mugham, was included into the list in 2008.[5]

YouTube Encyclopedic

  • 1/4
    Views:
    380
    1 088
    383
    2 226
  • Gobustan UNESCO World Heritage Site
  • The Second Lecture of the 2020 Online Lecture Series by Dr William Logan
  • ADA School student Yagut Mamedova - Cultural Heritage of occupied regions of Azerbaijan.
  • Eric Zerrudo on Philippine Heritage | Project Virkurso Lecture Series

Transcription

List

Representative List of the Intangible Cultural Heritage of Humanity

Name (date) Type Country Description Image Registration
UNESCO National
1 Mugham (2008) performing arts  Azerbaijan Mugham is the classical musical and poetic art of Azerbaijanis.[6] Until the 19th century, mugham art developed in the palaces of feudal lords, and later in literary and musical gatherings.[7][8] The Azerbaijani mugham currently includes of seven primary mughams (Rast, Shur, Segah, Chahargah, Bayaty-Shiraz, Shushtar, Humayun, and Kurd-Ovshari), as well as percussion mughams (Heyraty, Arazbari, Samayi-Shams, Mansuriyya, Mani, Ovshari, Heydari, Kara (Mahur-Hindi, Orta Mahur, Bayaty-Qajar, Dughah). In Azerbaijan, a mugham trio made up of performers of the tar, kamancha, and gaval is typically used to accompany mugham performances.

The tasnif can be done either before or after the mugham. Ghazals make up the majority of the texts for the classifications, while couplets, garayli, bayati, and other syllable-weighted poetry may also be utilized. The classifications cover topics such as love songs, societal issues, and Azerbaijani culture.[9][10]

Related topics: Sufism, religious experience etc.

Biome: mountain, urban places

Risk Factors: rapid socio-cultural changes

00039 FM0300000001
2 Ashiqs of Azerbaijan (2009) 1) traditional crafts
2) performing art
3) oral traditions and forms of expression
Ashik art is a continuation of the minstrels' history and is a synthesis of poetry, narrative, dance, and vocal instrumental music.[11] In the past, ashiks wrote poems in the style of epics, fairy stories, lyrical and satirical songs about love, beautifications, master poems, mukhammas, dubeyt, and dodagdymez while performing in teahouses, caravanserais, and market squares.[12] Ashiq music spread in Ganja (north-west, Tovuz, Gazakh), Karabakh and Nakhchivan regions of the Republic of Azerbaijan, as well as in Salyan, Tabriz, Garadag, Maragha, Khoy and Urmia regions of South Azerbaijan.[13] Tariyel Mammadov mentions the names of 11 Ashiq schools: Goyche, Tovuz, Borchali, Ganja-Shamkir, Shirvan, Karabakh, Garadag, Tabriz, Urmiya, Childir and Darband[disambiguation needed].[14]

Related topics: Nomad, Storytelling etc.

Risk Factors: Migration to cities from villages

00253 FM0100000001
3 Novruz (2009)

(See also: Nowruz in Azerbaijan)
1) traditional crafts
2) performing arts
3) social practices, rituals and celebrations
4) oral traditions and forms of expression
5) knowledge and experiences of nature and the universe
 Azerbaijan (including 11 countries) The Nowruz celebration honors the beginning of a new year and the regeneration of the natural world. Kosa and Kekal are two of the holiday's most well-known heroes. During the celebrations held over the holidays, jugglers demonstrate their skills and various performances are given. People build bonfires in the streets in the nights and leap over them while chanting, "May my struggles and successes be poured into the fire, may it be burnt in the fire."[15] On holidays, they prepare pilaf, shakerbura, baklava, and gogal at home. During the holiday, they also fight eggs and sprout malt. On the table is placed a festive khoncha decorated with candles. Everyone should spend the holiday at home with their family.[16] Before the holiday, Wednesdays named after 4 elements are held.

Related Topics: Celebrating the New Year, fertility ritual, etc.

01161 DB0102000001
4 Azerbaijani rug (2010) 1) traditional crafts
2)social practices, rituals and celebrations
3) oral traditions and forms of expression
 Azerbaijan Groups of carpets from Azerbaijan include those from Absheron, Ganja, Gazakh, Shirvan, Karabakh, Guba, and Tabriz.[17] The Safavids' rise to power in the 16th century marked the beginning of carpet weaving's unmatched perfection and rise to industrial significance in Azerbaijan.[18][19] The main region for the production of Caucasian carpets was Azerbaijan, and the ideas and weaving prowess of Azerbaijani weavers were felt all throughout the Caucasus.[20]

The intricate geometric designs found in Guba, Shirvan, and Gazakh carpets, which feature animal and human schematic figures positioned along the same axis in the center of polygonal or star-shaped medallions, are their defining feature. Karabakh carpets are distinguished by their numerous flower themes and various plant embellishments.[21] Among the geometric shapes seen in Azerbaijani carpets are the swastika, which goes back to the historical beliefs of polytheism, and the octagonal star surrounded by rhombuses and squares. Later, under the influence of Tabriz culture, elements of the plant world appear in other schools.[22]

Related Topics: Azerbaijani mythology, natural dyes etc.

Bioms: Agroecosystem

00389 SD0100000001
5 The performance of tar and the mastery of its craftship (2012)

(See also: Tar (Azerbaijani instrument))
1) ənənəvi sənətkarlıq
2) ifaçılıq sənətləri
Tar is the main musical instrument of Mugham triads in Azerbaijani folklore orchestras and ensembles, and played an important role in the formation of the cultural identity of Azerbaijanis. Tar has been popular in Azerbaijan since the 18th century.[23] Azerbaijan tar was created in the 19th century by Mirza Sadiq and swiftly gained popularity in Iran, Azerbaijan, Armenia, Georgia, and, after some time, Dagestan, Turkmenistan, Uzbekistan, Tajikistan, and Turkey.[24]

The bowl part of the tar is made of mulberry wood, the handle is made of walnut wood, and the head part is made of pear wood.The art of making tar is frequently passed down to family members who work as apprentices. There are currently numerous such masters in Baku and the country's surrounding areas.[25]

Bioms: pastures, mountains

00671 ST0803000001
6 The traditional art of making and wearing Kelaghayi and its symbolism (2014) 1) traditional crafts

2) social practices, rituals and celebrations 3) knowledge and experiences of nature and the universe

Kalagayi is a square-shaped headdress woven from silk thread belonging to women in Azerbaijan.[26] The art of making kalaghayi, whose origins go back to traditions along the Great Silk Road, is being developed in the city of Shaki and Basgal. This process includes cloth weaving, painting, and decoration using wooden molds. Since the art of making kalagai is passed down within the family, each family has its own characteristics and ornaments. The color of pumpkins has a symbolic meaning and should be appropriate for weddings, funerals, daily activities and participation in events.[27]

Geographical indicators: yalkhi ispirak kelagayi, duvag kelagayi, Heirati kelagayi, 7-colors kelagayi, Abbasali kelagayi[28][29]

Related topics: illustration printing, natural dyes, etc.

Bioms: Agroecosystem, Mountain,

00669 SD0302000001
7 Lahıc copper craft (2015) 1) traditional crafts 2) social practices, rituals and celebrations 3) knowledge and experiences of nature and the universe Lahıc settlement has been famous for coppersmithing, tableware and weapon decoration for a long time.[30] LLahij tableware spread in the Caucasus, Persia and Asia Minor.[31] The development of coppersmithing in Lahij affected the structure of the settlement and the daily life of the residents, and led to the development of about 40 types of crafts and auxiliary fields in the 19th century. At the end of the 19th century, the import of cheap Russian products led to a decrease in the number of copper workshops. However, despite this, the traditions of this type of craftsmanship have survived to this day.[32]

Related Topics: Engraving, Furniture etc.

Bioms:mountain, urban places

00675 ST0702000001
8 Lavash[note 1] preparation and sharing culture (2016) 1) social practices, rituals and celebrations
2) oral traditions and forms of expression
3)knowledge and experiences of nature and the universe
 Azerbaijan (Sharing with 4 countries) Lavash is one of the most common types of bread in Azerbaijan.[33] The word lavash is used in the sense of "thin bread".[34] This type of bread is baked on a tava.[35] When the bride comes home after the wedding in Sabirabad region, the mother-in-law throws lavash on the bride's shoulder: "Blessings come to this house with you, may your feet fall."[36] After mourning in Novkhani, sometimes "kulche", lavash with halva is served.[37] In Erzurum, taking into account the fact that lavash is also prepared in Azerbaijan, the expression "acem bread" (Turkish: acem ekmeği) is used.[34]

Related Topics: nomad, fertility ritual, commemoration of the dead, etc.

Bioms: Agroecosystem, urban places

01181 ST0901000002
9 The tradition of making and sharing tradition of dolma, an indicator of cultural identity (2017) 1) social practices, rituals and celebrations

2) knowledge and experiences of nature and the universe

 Azerbaijan

There are different types of Azerbaijani dolma according to the material in which the minced meat is wrapped (leaf stuffing, stuffed sorrel, cabbage roll, eggplant stuffing, plantain stuffing), as well as the characteristics of the prepared stuffing (false stuffing, wonderful stuffing, etc.). In Azerbaijan, dolma is divided into two groups: leaves and stuffing. Leaf stuffing is made by wrapping the filling in various vegetable leaves. Grape leaves, as well as mulberry leaves, plantains, pip (peanuts), zikh (sorrel, sorrel), quince, and cabbage leaves are used for this purpose. Stuffed dumplings are made by filling vegetables or fruits with stuffing. Tomato, sweet pepper, eggplant, apple, quince, borage, cucumber, onion, etc. are included in this dish. It refers to the types of stuffing. In addition, the stuffing of the dolman is cucurbita stuffing (made from cucurbita filled with filling), mushroom stuffing (stuffing is made from cheese and crumbled bread), quince stuffing (stuffing is made from meat, quince, chestnut, salt and herbs), cucumber stuffing, potato stuffing, onion stuffing although there are types, they are characteristic of certain regions.[38][39]

Geographical indications: lemon stuffed, dry stuffed, white egg stuffed, olive stuffed, kira stuffed, walnut filling, apple stuffed, fish stuffed, pip stuffed, guba stuffed[28][40]

Related topics: hospitality, gender distribution of work, etc.

Bioms: agroecosystem, mountains, urban places

01188 ST0902040001
10 Kamancha performance art and the mastery of its craftship (2017) 1) traditional crafts

2) performing arts

 Azerbaijan

 Iran

Kamancha is the main element of Azerbaijani classical music and Azerbaijani folk music. The art of playing kamancha plays an important role in social and cultural gatherings. Sosial və mədəni yığıncaqlarda kamança ifa sənəti vacib yer tutur.[41] According to the Encyclopædia Iranica, Azerbaijani musical art was performed in other regions of the Caucasus, especially among Armenians who mastered the mugham system and stringed musical instruments such as tar and kamanchah.[42]

Related topics: epic poetry, hospitality, etc.

Bioms: agroecosystem, urban places

01286 ST0803000002
11 Dede Gorgud heritage, epic culture, tales and music (2018)
tales and music (2018)
1) performing arts

2) social practices, rituals and celebrations 3) oral traditions and forms of expression

 Azerbaijan

 Kazakhstan  Turkey

The Dede Gorgud saga is about the wars "against the infidels" in the Caucasian lands captured by the Oghuz Bahadirs. Although its origin is Central Asia, it was formed in the territory of Azerbaijan, where the Oghuz are densely populated.[43] The last form of the saga was written in the XV century in the territory of modern Azerbaijan.[44] The epic is written in Azerbaijani in the Dresden manuscript and Anatolian Turkish in the Vatican copy.[45] There are fantastic motifs of Azerbaijani fairy tales along the border.[46] The theme of the Dede Gorgud saga has been used in Azerbaijani literature, theater and cinematography.[45]

In 2018, the third copy of the Dede Gorgud epic was written in the dialect of South Azerbaijan, especially Tabriz.[47] It belongs to the XVII-XVIII centuries.[48]

Related Topics: nomad, Mythology of Azerbaijan etc.

Bioms: agroecosystem, mountains

01399 FL0104010003
12 Pomegranate Festival,
traditional pomegranate festival and culture (2020)
1) traditional crafts

2) art performing

3) social practices, rituals and celebrations

4) oral traditions and forms of expression

5) knowledge and experiences of nature and the universe

 Azerbaijan Pomegranate Day is a holiday that celebrates the traditional use and symbolic meaning of the pomegranate product in Goychay district every year in October–November. Pomegranate cultivation is not only a source of inspiration for culinary arts, but also for handicrafts, decorative arts, legends, storytelling and other creative fields. Both the pomegranate and the holiday itself serve a variety of cultural and social functions, from traditional food to poetry. Symbolically, the pomegranate is associated with long-lasting fertility and abundance, and is considered a source of energy. In Azerbaijani legends, pomegranate is a symbol of love and desire.[49]

Pomegranate holiday was celebrated in Moscow on the initiative of cultural autonomy of Moscow Azerbaijanis.[50]

Related Topics: Myths, storytelling etc.

Bioms: agroecosystem, mountain

01511
13 Miniature(2020) 1) traditional crafts

2) knowledge and experiences of nature and the universe

 Azerbaijan (Sharing with 3 countries) In the middle of the 15th century, the "Turkmen" style of the Tabriz miniature school, which was widespread in the territory of the Qara Qoyunlu and later Aq qoyunlu states, appeared. Many miniature examples of this style appeared not only in Tabriz, but also in some medieval cities located in the territory of modern Azerbaijan, in Shamakhi, the capital of the Shirvanshah state (Shamakhi anthology manuscript, 1468, British Museum, London).[51][52][53]

In the Middle Ages, book illustration was a traditional art in Azerbaijan.[54] The famous miniaturists of the 19th century, Avazali Mughani ("Kalila and Dimna", 1809), Mirza Aligulu ("Shahnameh", 1850), Najafgulu Shamakhili ("Yusuf and Zulaikha", 1887) continued this art. The book miniatures of artist Mir Mohsen Nawab have reached our time. The most famous of them are the 5 miniatures he painted in 1864 for "Bahr ul-hazan" ("Sea of Sorrow").[55] Miniature art continued during the Soviet and independence periods.[53][56]

Related topics: dying technology, handwritings etc.

01598 SV0400000001

List of Intangible Cultural Heritage in Need of Urgent Safeguarding

Name (date) Type Country Description Image Registration
UNESCO National
14 Chovgan horse game played with the Karabakh horse (2013) social experiences,
rituals and holidays
 Azerbaijan Chowgan (or chovgan) is a national sport in Azerbaijan.[57] Depicting the fragments of the chovgan game on a bowl found in Orangala indicates that this game existed in Beylagan (Beylagan district) in the 11th century. In Nizami Ganjavi's work "Khosrov and Shirin" and in the epic "Kitabi-Dada Gorgud", a blizzard is found. Starting from 1960, blizzard competitions were held in Azerbaijan first as a demonstration, and then officially.[58]

Related Topics: horse riding games, nomad etc.

Bioms: agroecosystem,mountains

Risk Factors: conflicts, declining youth interest, insufficient financial resources, loss of relevance, material shortages, rapid economic changes, repressive policies, rural-urban migration

00905 FO0101000002
15 Traditional group dances of Nakhchivan – yalli (kocheri, tanzera) (2018) 1) art performing

2) social experiences, rituals and holidays

3) oral traditions and forms of expression

Yalli is an Azerbaijani dance performed as a group.[59] Azerbaijani researcher M.K.Allahverdiyev divides mane dances into two groups. The first group includes nomadic, "qazı-qazı", "çop-çoğu" and second group include "urfanı", "tənzərə", "dönə" .[60]

Nomadic dance reflects elements of pastoral play. In relation to totemism in nomadic choreography, animal movements and habits indicate the archaic nature of the dance.[61]

Since the tanzare dance is simpler in terms of choreography than the nosheri, it is played more often during entertainment (weddings, folk ceremonies). Trumpets and drums accompany the dance.[62][61]

Related topics: games, Mime artist və s.

Bioms: agroecosystem, dry areas, mountains

Risk Factors:conflicts, decline of performers, loss of importance, disuse, decline of repertoire, rural-to-urban migration, theatricalization

01190 FM0401000001
FM0401020006
FM0401020002

Register of Good Safeguarding Practices

No example from Azerbaijan is included in this UNESCO list.

Nominations

Ongoing Nominations

Name (date) Type Country Description Image Registration
UNESCO National
1 Wrestling culture: traditional zoorkhaneh games, sports and wrestling (2022) 1) art performing

2) social experiences, rituals and holidays

 Azerbaijan In the second half of the 18th century, all Azerbaijani khanates had wrestlers whom ordinary people called expensive.[63] The games performed by the wrestlers include hand shows (chest game, picking up certain objects from the ground with teeth, etc.), yekba played with puduk stones, and elements of dancing on a string.[64]

After Iran, Azerbaijan is the second place where violence is spread.[65] In Azerbaijan, zorkhana is a series of complex games ("sino game" or "sword fighting", "mil game", "foot button", "kebbada" or "fiddle", "sangi-stone throwing", "wheel", or "tanduvr", "wrestling" or "wrestling"). One of the oldest zoorkhaneh in Azerbaijan is the XV century Icherisheher zoorkhaneh in Baku.[66] From the 19th century, prisons were built in the cities of Ganja, Shusha, Sheki, Nakhchivan, and Shirvan. Over time, the zorkhana lost its status as a school where military methods were taught, and took on a ceremonial character.[67]

In the national wrestling of Azerbaijan, holding onto the legs and pants is widespread, and the tricks of the stick, hook, mill, and throw are allowed. To warm up for the fight, the wrestlers greet each other and go to opposite sides of the mat with dance steps. At the same time, they make hand movements: one hand first goes up, then down, the other first goes down, then up, and then the movements are reversed. After the referee's whistle, the fight begins and the competitors greet each other in the center of the mat. The battle is carried out to the accompaniment of trumpets and drums.[68]

[69][70] DA0104000004
FO0105000003
FO0105000002
FO0105000005
FO0105000006
FO0105000004
2 Tea culture, a symbol of identity, hospitality and social connection (2022)

(See also: Tea culture in Azerbaijan)
1) social experiences, rituals and holidays

2) 5) knowledge and experiences of nature and the universe

 Azerbaijan

 Turkey

Azerbaijan is considered a traditionally tea-drinking country in the Caucasus.[71] ƏIt is a tradition to bring tea to the table before the main meal. Jam, sugar or sweets are served with the tea.[72] Tea is considered a symbol of hospitality and respect for the guest.[72]

There is always a teahouse in any residence in Azerbaijan. There people discuss the happenings, read newspapers and play backgammon.[73][74]

DB0201000001
3 Oral traditions of Molla Nasraddin anecdots[note 2](2022) 1) performing art

2) social practices, rituals and celebrations

3) oral traditions and forms of expression

 Azerbaijan (sharing with 6b countries) Molla Nasreddin's anecdotes have been known in Azerbaijan for many years and have been written down since the 19th century.[75] "Molla Nəsrəddin" satirical magazine was published by Azerbaijani writers in 1906-1932.[76] According to tradition in Azerbaijan, the person who mentions Molla Nasreddin's name must tell his seven anecdotes, and those who listen to him must continue to do so.[77]
FL0108020001
4 Traditional silk production for sericulture and weaving (2022)

(See also: Silk industry in Azerbaijan)
1) traditional crafts

2) knowledge and experiences of nature and the universe

The silk industry has existed in Azerbaijan since ancient times. Shirvan was the most important center of silk production in Azerbaijan. The population of Shamakhi, Basgal, Ganja, Sheki and Shusha engaged in silk farming.[78][79][80]
DA0104000012
SD0700000001
5 Balaban[note 3] the art of performance and the mastery of its craftship(2023) 1)traditional crafts

2) performing arts

 Azerbaijan  Turkey Balaban is used both in ashiq music and mugham art.[81][82] According to musicologist Gubad Gasimov, a wind musical instrument made of bone, which can be considered the prototype of the modern balaban, was discovered in Mingachevir territory of the 1st century BC.[81] Among the music sent into space by the Voyager 1 ship in 1977, the Azerbaijani mugham performed by the balaban was also included.[83][84]
ST0802000004
6 Art of pearl damascening(2023) 1) traditional crafts

2) knowledge and experiences of nature and the universe

The method of "carving" is used in art of inlay. The inlayt method is used to decorate musical instruments in professions such as saz and tar. Musical instruments such as tar, saz, kamancha, tambourine, drum, dagger receipts, and various household equipment made by Azerbaijani craftsmen are exhibited in local and foreign museums.[85][86][87]
DA0104000054

Reserved Nominations

Name (date) Type Country Description Image Registration
UNESCO National
7 Cultural Environment of Nij (2012) social practices, rituals and celebrations  Azerbaijan Udins, Azerbaijanis and Lezgis live in Nij.[88] There are three churches (Church of Saint Elisæus, St. Mary Mother Church, Tsilin Church) and a mosque. The Nic Udins have a separate dialect and traditionally celebrate Easter and Kala Akhsibay.[89][90]
[69]
8 Cultural environment of Gyrmyzy Gasaba
(2012)
Gyrmyzy Gasaba is the last remaining shtetl in the world. Juhuri language is spoken here.[91][92] QThe mountain Jewish community of the Red Settlement has traditionally been engaged in agriculture, gardening and carpet making for 300 years. The examples of carpet weaving, which is one of the main indicators of the economic activity of the Mountain Jews, are woven on the basis of wool and belong to the Guba school of carpet weaving.[93][94]

Intangible cultural heritage cooperation

Registered intangible cultural heritage Nominations Sample and total number of nominations
Name of Countries Novruz Lavash Kamancheh Dede Qorkut Miniature (illuminated manuscript) Total number Tea Culture Molla Nasreddin Silk industry in Azerbaijan Balaban Inlay
 Afghanistan Green tickY 1 Green tickY 2
 India Green tickY 1 1
 Iran Green tickY Green tickY Green tickY Green tickY 4 Green tickY 5
 Iraq Green tickY 1 1
 Kazakhstan Green tickY Green tickY Green tickY 3 Green tickY 4
 Kyrgyzstan Green tickY Green tickY 2 Green tickY 3
 Uzbekistan Green tickY Green tickY 2 Green tickY Green tickY 4
 Pakistan Green tickY 1 1
 Tajikistan Green tickY 1 Green tickY Green tickY 3
 Turkey Green tickY Green tickY Green tickY Green tickY 4 Green tickY Green tickY Green tickY Green tickY Green tickY 9
 Turkmenistan Green tickY 1 Green tickY Green tickY 3

Notes

  1. ^ Lavash is the name given to this asset by UNESCO for Azerbaijan. katyrma, jupka, and yufka for other nations.
  2. ^ Molla Nasreddin is the name of this heritage for Azerbaijan nominated by UNESCO. For other countries: Nasreddin Hodja/Molla Ependi/ Apendi/Afendi Kozhanasyr.
  3. ^ In the UNESCO nomination, the name of this heritage for Azerbaijan is balaban. For Turkey, the name of this heritage is mey.

References

  1. ^ "Azerbaijan and the 2003 Convention". Archived from the original on 3 October 2017. Retrieved 3 February 2021.
  2. ^ "Meetings on intangible cultural heritage (co-)organized by UNESCO". Archived from the original on 20 July 2022. Retrieved 20 July 2022.
  3. ^ "Functions of the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage". Archived from the original on 15 June 2022. Retrieved 20 July 2022.
  4. ^ "Periodic reporting on the Convention for the Safeguarding of the Intangible Cultural Heritage". Archived from the original on 20 July 2022. Retrieved 20 July 2022.
  5. ^ Azerbaijan – Information related to Intangible Cultural Heritage (in English)
  6. ^ Гуревич П. С. Музыка народов нашей страны. — М.: Знание, 1975. — С. 27. — 143 с.
  7. ^ Карагичева Л. В. Азербайджанская ССР. — М.: Государственное музыкальное издательство, 1956. — С. 37. — 100 с.
  8. ^ Всемирное наследие Содружества Независимых Государств. — М.: Новая Элита, 2013. — С. 480.
  9. ^ "Tasnifs". Archived from the original on 1 July 2020. Retrieved 20 July 2022.
  10. ^ Azerbaijani folk songs and classifications/Azərbaycan xalq mahnı və təsnifləri. Gafar Namazaliyev/ Qafar Namazəliyev, 1985.
  11. ^ C. F. Albright. ʿĀŠEQ (англ.) // Encyclopædia Iranica. — 2011. — Vol. II. — P. 741–742
  12. ^ К. А. Касимов. Народы Азербайджанской Советской Социалистической Республики. Азербайджанцы. Народное творчество / Под редакцией Б. А. Гарданова, А. Н. Гулиева, С. Т. Еремяна, Л. И. Лаврова, Г. А. Нерсесова, Г. С. Читая. — Народы Кавказа: Этнографические очерки: Издательство Академии наук СССР, 1962. — Т. 2. — С. 160. — 684 с.
  13. ^ Jean During. Azerbaijan 2. Musical categories. // Nеw Grоvе Ditiсtiоnаrу оf Мusiс аnd Мusiсiаns / Stanley Sadie, John Tyrrell. — 2. — Oxford University Press, 2001. — 2500 с. — ISBN 0-19-517067-9, 9780195170672.
  14. ^ Mammadov, Tariyel. "Azerbaijani folk-professional music: The art of love. Baku, "Music World"". Archived from the original on 14 January 2022. Retrieved 20 July 2022.
  15. ^ Euronews (23 March 2011). "Novruz in Azerbaijan/Новруз в Азербайджане". Archived from the original on 9 July 2022. Retrieved 20 July 2022.
  16. ^ Rafael Huseynov. Azerbaijani Novruz. — magazine "İRS", 2004. — № 3. — С. 16.
  17. ^ Latif Kerimov. Azerbaijani carpet. Volume III. VI. Tabriz type. A) Tabriz group. B.: "Ganjlik", 1983.
  18. ^ Siawosh AZADI; Latif KERIMOV; Werner ZOLLINGER. Azerbaijani-Caucasian Rugs. — Switzerland Ulmke Collection, 2001. — p. 135. — ISBN 3-925813-10-1 / 9783925813108] English: From the 15th century and especially from the second half of the 16th century, the Afshan, Lachak-turundj, Goelbendlik and other carpet compositions which were developed in southern Azerbaijan were adopted by the weavers in the towns of northern Azerbaijan (Garabagh, Baku, Shirvan). The floral pattern on which these designs were based were soon transformed into geometric patterns which reflected the local technical and artistic preferences. English: According to historical sources, the six Caspian districts of Azerbaijan produced 18,000 rugs and carpet fabrics in 1843. Carpets from Shirvan and Guba were sold in Baku and those from Kazak and Ganja in Tabriz and Istanbul.
  19. ^ Britannica Encyclopedia. Iran. Shah Abbas.English: «The silk trade, over which the government held a monopoly, was a primary source of revenue. Ismāʿīl’s successor, Ṭahmāsp I (reigned 1524–76), encouraged carpet weaving on the scale of a state industry. ʿAbbās I (reigned 1588–1629) established trade contacts directly with Europe, but Iran’s remoteness from Europe, behind the imposing Ottoman screen, made maintaining and promoting these contacts difficult and sporadic.»
  20. ^ Carpets are still made today in Daghestan, Georgia and Armenia, but the real home of Russian Caucasian carpets remains Azerbaijan and the skills and ideas of Azerbaijanian weavers are felt throughout the Caucasus. P. R. J. Ford. The oriental carpet: a history and guide to traditional motifs, patterns, and symbols. Abrams, 1981. ISBN 0-8109-1405-0, 9780810914056, стр. 225.
  21. ^ Joyce C. Ware. The Official Identification and Price Guide to Oriental Rugs. — House of Collectibles: 1992, p. 221. — ISBN 0-87637-882-3, 9780876378823.
  22. ^ Mehdi Zarif. Carpets. Translation from Italian. I. Zamoyskaya. - M: AST, 2006 — стр. 19 — ISBN 5-17-033764-7
  23. ^ Saadet Abdullayeva (Doctor of Art History, Professor). Musical instrument of world sound // İRS : journal. — 2011. — № 1 (49).
  24. ^ F.I. Chelebiev Морфология дастгяха. — S. Petersburg, 2009.
  25. ^ Majnun Kerimov. Tar // Atlas of traditional Azerbaijani music: site.
  26. ^ CLOTHING xxi. Turkic and Kurdish clothing of Azerbaijan — статья из Encyclopædia Iranica. P. A. Andrews And M. Andrews
  27. ^ Traditional art and symbolism of Kelaghayi, making and wearing women’s silk headscarves // Официальный сайт ЮНЕСКО.
  28. ^ a b Analytical review of industry examples, geographical indications and trademarks in Azerbaijan. Intellectual Property Agency of the Republic of Azerbaijan. Baku, 2020
  29. ^ "A list of goods and products that can be given the status of geographical indication has been prepared". marja.az. 24 June 2017. Retrieved 6 April 2022.
  30. ^ Miklashevskaya N. M. Wall paintings of Azerbaijan in the 18th–19th centuries. // Architecture of Azerbaijan. Essays. - Baku: Publishing House of the Academy of Sciences of the Azerbaijan SSR, 1952. - P. 471.
  31. ^ Fituni A. History of the last capital of Shirvan. (Historical-ethnographic and archaeological essay.) // News of the Azerbaijan Committee for the Protection of Antiquities, Art and Nature (Azkomstaris). Issue. 3. - Baku, 1927.
  32. ^ Alizade A. Lagich, historical and cultural reserve of Azerbaijan // journal: İRS. - 2005. - No. 4.
  33. ^ "Tastes of Memory: How to Bake an Authentic Armenian Lavash". Smithsonian.
  34. ^ a b A STUDY ON TURNING ERZURUM LAVAS (ACEM) BREAD INTO A TOURISTIC PRODUCT. NESLIHAN CETINKAYA, SALİH YILDIZ. Journal of Current Tourism Studies.
  35. ^ Gadzhiyeva S. Sh. Dagestan Azerbaijanis, 19th — early 20th centuries: a historical and ethnographic study. - M.: Eastern Literature of the Russian Academy of Sciences, 1999. - P. 118. - 358 p.
  36. ^ Kuliyeva N. M. Modern rural family and family life in Azerbaijan / Ed. Doctor of Historical Sciences T. G. Musayeva. - B.: "Elm", 2011. - P. 97. - ISBN 9-8066-1721-1.
  37. ^ Kuliyeva N. M. Modern rural family and family life in Azerbaijan / Ed. Doctor of Historical Sciences T. G. Musayeva. - B.: "Elm", 2011. - P. 122. - ISBN 9-8066-1721-1.
  38. ^ Serdar Oktay and Saide Sadıkoğlu, Gastronomic Cultural Impacts of Russian, Azerbaijani and Iranian Cuisines, International Journal of Gastronomy and Food Science, https://doi.org/10.1016/j.ijgfs.2018.03.003
  39. ^ "Dolma" (in Azerbaijani). Archived from the original on 10 August 2020. Retrieved 13 September 2020.
  40. ^ Information Notice – Public Consultation — Names from Azerbaijan to be protected as Geographical Indications in the European Union
  41. ^ "Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument". unesco.org. UNESCO official site. Retrieved 4 May 2022.
  42. ^ Encyclopedia Iranica. Azerbaijan. Music of Azerbaijan
  43. ^ Meletinsky E. M. Oguz epic "Kitab-i dedem Korkut" // History of World Literature: In 8 volumes / USSR Academy of Sciences; Institute of world literature. them. A. M. Gorky. - M .: Nauka, 1985. - T. III. — S. 588–590.
  44. ^ Yakubovsky A. Yu. ""Kitab-i Korkud" and its significance for the study of Turkmen society in the early Middle Ages" // Book of my grandfather Korkut. - M-L .: Publishing house of the USSR Academy of Sciences, 1962.
  45. ^ a b Kitabi Dede Gorgud = Kitabi-Dədə Gorgud / Compiled, transcription, simplified version and foreword by Farhada Zeynalova and Sameta Alizade. - B.: Writer, 1988. - 265 p. — ISBN 5560002518. (Azerbaijani)
  46. ^ Arif M. Azerbaijan Literature. - M .: Higher school, 1979. - 232 p.
  47. ^ THE NEW COPY OF THE DEDE KORKUT BOOK AND THE PUBLICATIONS ON IT. prof. Dr. Ahmet Bican ERCILASUN
  48. ^ SUBJECT – LINKS – PLACE – TIME – READING ON THE NEW EDITION OF DEDE KORKUT. prof. Dr. Ahmet Bican ERCILASUN
  49. ^ "Nar Bayrami, traditional pomegranate festivity and culture". unesco.org. UNESCO official site. Retrieved 16 December 2016.
  50. ^ Media.Az. "Москва отметила азербайджанский праздник граната/Moscow celebrated Azerbaijani pomegranate holiday" (in Russian). media.az. Retrieved 1 January 2019.
  51. ^ "Популярная художественная энциклопедия." Ed. Field V. M.; M.: Publishing house "Soviet Encyclopedia"", 1986.
  52. ^ Topqapi Palace Museum Islamic Miniatures. Filiz Çağman, Zeren Recognized, 1979.s
  53. ^ a b Efendi R. Azerbaijani art. — B.: East-West, 2007. — 160 с. — ISBN 978-9952-34-116-4.
  54. ^ The Grove Encyclopedia of Islamic Art and Architecture 2009, pp. 241.
  55. ^ XIX əsrin ensiklopedist alimi Mir Möhsün Nəvvab. science.gov.az
  56. ^ Art critic Ziyadkhan Aliyev. "Arif Huseynov. Wisdom of Lines". Baku. Aspolygraph. 2013
  57. ^ David C. King. Cultures of the World. Azerbaijan (неопр.). — Marshall Cavendish, 2006. — С. 108. — ISBN 0761420118.
  58. ^ Chөvkәn / Ed. J. Kuliyeva. - Azerbaijan Soviet Encyclopedia: The main edition of the Azerbaijan Soviet Encyclopedia, 1987. - T. X. - S. 377.
  59. ^ Azerbaijani music / Abasova E. A. // Musical encyclopedia. — M. : Soviet encyclopedia : Soviet composer, 1973–1982. — (Encyclopedias. Dictionary. References: Musical encyclopedia: [in 6 vols.] / gl. ed. Yu. V. Keldysh; 1973–1982).
  60. ^ Аллахвердиев М. К. Обрядовые сцены "яллы" // Издательство Академии наук Азербайджанской ССР. — Б., 1972.
  61. ^ a b Алекперова А. М. Хороводные танцы "яллы" Нахичеванской зоны. — Б., 1994. — 24 с.
  62. ^ Ughur. Dance culture of different nations // People's Front. — 2016. — November 8. — P. 13.
  63. ^ Bagirova M, Mammadov E. From the history of sports in ancient and medieval Azerbaijan // İRS. - Baku, 2015 No. 1 (73). — S. 16−22.
  64. ^ Asgar, Naila (2017), ISLAMIC GEOGRAPHY AND GAMES IN AZERBAIJAN, Baku: AMEA Folklor İnstitutu/ANAS Folk İnstitute
  65. ^ Houchang E. Chehabi (15 August 2006). "ZUR-ḴĀNA". Encyclopædia Iranica. Retrieved 27 February 2022.
  66. ^ Baku’s Old City. Memories of How it Used to Be. By Farid Alakbarli
  67. ^ Proceedings of the International Scientific Conference (2016), FOLK GAMES AND FIELD PERFORMANCES IN ISLAMIC GEOGRAPHY AND AZERBAIJAN, Bakı: AMEA Folklor İnstitutu/ANAS Folk İnstitute
  68. ^ И. Васьянов (2016), Гюлеш - национальная азербайджанская борьба, ussrwrestling.narod.ru
  69. ^ a b "Kazakhstan to Join U.N. Peacekeeping for First Time". The New York Times.
  70. ^ "Submitting States and priorities for the 2022 cycle". ich.unesco.org. Retrieved 13 May 2021.
  71. ^ В.П. Кобычев. Изменение материальной культуры народов Кавказа за годы Советской власти / под ред. В. К Гарданова. — Хозяйство и материальная культура народов Кавказа в XIX–XX вв: материалы к "Кавказскому историко-этнографическому атласу": Наука; Глав. ред. восточной литературы, 1971. — Т. 1. — С. 26/V.P. Kobychev. Changes in the material culture of the peoples of the Caucasus during the years of Soviet power / ed. V. K. Gardanova. — Economy and material culture of the peoples of the Caucasus in the 19th–20th centuries: materials for the "Caucasian Historical and Ethnographic Atlas": Science; Head. ed. Eastern Literature, 1971. - T. 1. - S. 26.
  72. ^ a b Азербайджанская кухня. Шербеты. Чай. Сладости. Печенья. — DirectMEDIA. — ISBN 9785998937460./Azerbaijani cuisine. Sherbets. Tea. Sweets. Cookies. — DirectMEDIA. — ISBN 9785998937460.
  73. ^ Рустам Гаджиев. Отчаянные азербайджанцы // Коммерсант-Власть : журнал. — 2000. — № 35.|Rustam Hajiyev. Desperate Azerbaijanis // Kommersant-Vlast: magazine. - 2000. - No. 35.
  74. ^ Altstadt, Audrey L., The Azerbaijani Turks: power and identity under Russian rule, Hoover Press, 1992, 331.
  75. ^ Oktan, Tarana (Eylül 2012). "Azerbaycan'da Nasrettin Hoca Algısı". Eski Yeni, 43. Eskişehir Valiliği Yayınları. ss. 40–44. ISSN 1309-1956./Oktan, Tarana (September 2012). "The Perception of Nasreddin Hodja in Azerbaijan". Eski Yeni, 43. Eskişehir Governorship Publications. pages. 40–44. ISSN 1309-1956.
  76. ^ ^ Adıgüzel, Sedat (Bahar 2007). "Tiflis Edebî Muhitinde Molla Nasreddin Dergisi ve Dergide Tartışılan Konular". Bilig, 41. Ankara: Ahmet Yesevi Üniversitesi. ss. 1–21. ISSN 1301-0549.
  77. ^ Cenikoğlu, Gökhan Tarıman (2014). "Türk Dünyasında Nasreddin Hoca Fıkraları". Türk Dünyası Bilgeler Zirvesi: Gönül Sultanları Buluşması Bildirileri. Eskişehir: Eskişehir 2013 Türk Dünyası Kültür Başkenti Ajansı. ss. 241–255./Cenikoglu, Gokhan Tarıman (2014). "Nasreddin Hodja Jokes in the Turkish World". Turkic World Sages Summit: Proceedings of the Sultans of Hearts Meeting. Eskişehir: Eskişehir 2013 Turkish World Capital of Culture Agency. pages 241–255.
  78. ^ "Sheki: Azerbaijan's Silk Road city of caravans and khans". CNN Travel. 31 July 2018. Retrieved 8 September 2018.
  79. ^ "Silk roads: Azerbaijan". unesco.org.
  80. ^ "Azerbaijan in the Silk Road Economic Belt: A Chinese Perspective". www.ciis.org.cn. Retrieved 8 September 2018.
  81. ^ a b Касимов К.А. Народы Азербайджанской Советской Социалистической Республики. Азербайджанцы. Народное творчество // Народы мира. Этнографические очерки. Народы Кавказа. Том 2 / Под общ. ред. С.П. Толстова. — М.: Издательство Академии наук СССР, 1962. — С. 158–159. — 685 с./Kasimov K.A. Peoples of the Azerbaijan Soviet Socialist Republic. Azerbaijanis. Folk art // Peoples of the world. Ethnographic essays. Peoples of the Caucasus. Volume 2 / Under the general. ed. S.P. Tolstov. - M .: Publishing house of the Academy of Sciences of the USSR, 1962. - pages 158–159. — 685 p.
  82. ^ Абдуллаева С. А. Народный музыкальный инструментарий Азербайджана. — Б.: Элм, 2000. — С. 486./Abdullayeva S.A. Folk musical instruments of Azerbaijan. - B .: L M, 2000. - page 486.
  83. ^ Anne Kressler. Azerbaijani Music Selected for Voyager Spacecraft (eng.) // Azerbaijan International. — Summer 1994 (2.2). — P. 24–25.
  84. ^ Natalie Angier. The Canon: The Beautiful Basics of Science. — Faber & Faber, 2009. — p. 408.
  85. ^ Azərbaycan qeyri-maddi mədəni irs nümunələrinin dövlət reyestri. "Sədəfvurma peşəsi" (in Azerbaijani). Azərbaycan Mədəniyyət Nazirliyi.
  86. ^ İbrahimov F. Bakıda metalişləmə tarixi (IX–XVII əsrlər). Bakı: "Elm", 1995, 88 s
  87. ^ Mustаfаyеv А.N. Аzərbаycаndа sənətkаrlıq (tаrixi-еtnоqrаfik tədqiqаt). Bаkı: "Аltаy", 1999, 305 s.
  88. ^ John M. Clifton, Deborah A. Clifton, Peter Kirk, and Roar Ljøkjell. The Sociolinguistic Situation of the Udi in Azerbaijan. — 2005.
  89. ^ Панчевидзе В. Н., Джейранишвили Е. Ф. — Удинский язык//Языки народов СССР. Т.4, Иберийско-кавказские языки М., 1967.
  90. ^ Sevinj Murvatqizi (12 January 2013). "Qəbələnin Nic kəndindəki udinlər "Pasxa" və "Kala Axsibay"ı bayram ediblər/Udins in Nic village of Gabala celebrated "Easter" and "Kala Akhsibay"". 525ci qazet. Retrieved 18 March 2018.
  91. ^ "Eating with the Mountain Jews of Azerbaijan". Food52.com. 10 January 2017. Retrieved 12 April 2017.
  92. ^ "Jewish shtetl in Azerbaijan survives amid Muslim majority". The Times of Israel. Retrieved 12 April 2017.
  93. ^ "Ковроплетение — древнейший вид декоративно-прикладного искусства". Archived from the original on 5 March 2016. Retrieved 26 August 2017.
  94. ^ "Азербайджанских ковры: Ширван, Куба, Баку, Карабах, Гянджа, Казах, Ардебиль, Тебриз". www.heriz.ru (in Russian). Retrieved 31 March 2021.

{{|en|The art music of Azerbaijan is connected with the Irano-Arabo-Turkish art of the maqām, of which the great theoreticians were notably Ṣafī-al-dīn Ormavī (d. 693/1294) and ʿAbd-al-Qāder b. Ḡaybī Marāḡī (d. 838/1435), who were originally from Urmia and Marāḡa in Azerbaijan.}}

This page was last edited on 6 October 2023, at 15:26
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.