Tri-level sync is an analogue video synchronization pulse primarily used for the locking of high-definition video signals (genlock).
It is preferred in HD environments over black and burst, as timing jitter is reduced due to the nature of its higher frequency. It also benefits from having no DC content, as the pulses are in both polarities.[1]
YouTube Encyclopedic
-
1/3Views:24 49716 64111 121
-
Tri-Level Sync Reference.mov
-
Audio & Video Sync In Video Production: Timecode, Genlock, Wordclock, & Audio Timecode for DSLRs
-
Genlock, Timecode, Wordclock -- What Are They? Do I Need Them? Are They Interchangeable?
Transcription
Synchronization
Modern real-time multi-source HD facilities have many pieces of equipment that all output HD-SDI video. If this baseband video is to be mixed, switched or luma keyed with any other sources, then they will need to be synchronous, i.e. the first pixel of the first line must be transmitted at the same time (within a few microseconds). This then allows the switcher to cut, mix or key these sources together with a minimal amount of delay (~1 HD video line 1/(1125×25) seconds for 50i video). This synchronization is done by supplying each piece of equipment with either a tri-level sync, or black-and-burst input. There are video switchers that do not require synchronous sources, but these operate with a much bigger delay
Waveform
The main pulse definition is as follows: a negative-going pulse of 300 mV lasting 40 sample clocks followed by a positive-going pulse of 300 mV lasting 40 sample clocks. The allowed rise/fall time for each of the transitions is 4 sample clocks. This is with a clock rate of 74.25 MHz.[2]
References
- ^ Tektronix – Timing and Synchronization.
- ^ Digital Video and HDTV: Algorithms and Interfaces – Charles Poynton – 2003 – ISBN 1-55860-792-7.
 | This article about television technology is a stub. You can help Wikipedia by expanding it. |
This page was last edited on 17 April 2022, at 16:52