To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Tragic Prelude

From Wikipedia, the free encyclopedia

Tragic Prelude
Tragic Prelude, north wall. John Brown in front of and between fighting Union and Confederate soldiers.
ArtistJohn Steuart Curry
Year1942
MediumOil and egg tempera
SubjectHistory of Kansas, John Brown
Dimensions345 cm × 945 cm (136 in × 372 in); 11'4" x 31'
LocationKansas State Capitol, Topeka, Kansas

Tragic Prelude is a mural painted by Kansan John Steuart Curry for the Kansas State Capitol building in Topeka, Kansas. It is located on the east side of the second floor rotunda. On the north wall it depicts the abolitionist John Brown with a Bible in one hand, on which the Greek letters alpha and omega of Revelation 1:8 can be seen. In his other hand he holds a rifle, referred to as the "Beecher's Bibles". He is in front of Union and Confederate soldiers, living and dead, with a tornado and a prairie fire approaching. Emigrants with covered wagons travel from east to west.

The "tragic prelude" is the Bleeding Kansas period of 1854–1860, seen as a prelude to or dress rehearsal for the Civil War, a period of which John Brown was at the center, fighting to prevent Kansas from being made a slave state. The term "tragic prelude" for this period of Kansas history is attributed by Curry to his champion, the newspaper editor William Allen White.

However, the mural has other figures in addition to Brown, as it turns a corner and continues on another wall, making it difficult to photograph in its entirety. The three figures are rarely discussed as part of the work. Chronologically from right to left are the Franciscan missionary Fray Juan de Padilla and the conquistador Coronado, the first Europeans to visit the land that became Kansas, followed by a plainsman, who has just killed a buffalo.

It is by far Curry's most famous work; the only work of his to have a book devoted to it.[1]

YouTube Encyclopedic

  • 1/3
    Views:
    1 572 774
    149 986
    213 820
  • A Shot that Changed the World - The Assassination of Franz Ferdinand I PRELUDE TO WW1 - Part 3/3
  • Why We Fight: Prelude to War (Frank Capra)
  • Ulysses S. Grant: Victor of the American Civil War

Transcription

As any schoolboy or schoolgirl knows, the assassination of Archduke Franz Ferdinand in Sarajevo June 28, 1914 was the match that touched off the conflagration of world war one. This channel, the Great War, follows World War One week by week exactly 100 years later. First, I’d like to talk a little about Franz Ferdinand himself, so here’s a very brief bio, but there are loads of books about him if you want to learn more. first of He was born in 1863, one of Austria’s 70 archdukes- it wasn’t called Austria-Hungary yet. He became very wealthy just before he reached his teens when his cousin died and he was chosen to inherit a vast estate. Another death in 1889 changed his destiny enormously- the suicide of his cousin Crown Prince Rudolf. This left Ferdinand’s father heir to the throne of Austria-Hungary, but he immediately renounced his position, leaving Franz Ferdinand next in line to rule the empire. He was still in this position when he died, by which time emperor Franz Josef was 84 years old and Ferdinand was 50. If you read pretty much any bio, long or short, of Franz Ferdinand, you’ll discover that not a whole lot of people actually liked him. Well, except his wife, the Duchess Sophia. She was a Bohemian aristocrat, but without actual royal blood, so the imperial house made certain that neither Sophia nor any of her children could inherit the throne. This also meant that they weren’t much accepted by the Austrian aristocracy, in spite of his position as the next emperor, and a lot of people went out of their way to treat the Archduke and duchess like crap. One other thing that every bio is sure to mention is Ferdinand’s passion for hunting- he apparently recorded over 250,000 creatures killed in his 50 years on earth. I suppose that’s really neither here nor there, but what IS here AND there are Franz Ferdinand’s beliefs. He was very conservative and... let’s just say “unenlightened” to be polite. He hated the Hungarians, he thought the Slavs were less than humans, and he actually referred to Serbs as “pigs”. He was also very strongly Catholic, which carried with it the anti-Jewish anti-Jesuit baggage of the times. He did love his wife with a great passion, though... and the preservation of the Austrian Empire, and THAT is something we’ll come back to in a few minutes. Before that, let’s meet his assassin; Garvilo Princip. Princip was a member of the Young Bosnians, one of several violent secret societies in the Balkans, and one who decided to kill Franz Ferdinand when he announced his June visit to Bosnia in March 1914. Okay, so in May, Princip and two associates went to Belgrade, Serbia, where they were provided with four pistols and six bombs by the Black Hand, and Princip had some shooting practice in a city park. That’s not especially relevant, I just thought I’d like to point that out. People had shooting practice in city parks back then. So, at the end of May Princip and company took an eight-day journey to Sarajevo, planning to kill the Archduke. It’s important to note that the Austrian authorities and the Archduke himself were aware of the danger of some sort of murder attempt, since these sort of things were pretty commonplace in the empire and especially in the Balkans. Here’s a quote from Ferdinand the day he began his journey to Sarajevo and his car overheated, "Our journey starts with an extremely promising omen. Here our car burns and down there they will throw bombs at us.” So... the evening before they were supposed to arrive in Sarajevo, Franz Ferdinand and Sophia surprised everyone by turning up early, just on impulse, and had a really nice time wandering around the town, which was a pretty exotic place back then, and later that evening came one of the great foreshadowing moments of all time; a member of the Bosnian parliament who had urged Ferdinand and Sophia to cancel the whole trip for reasons of safety, was presented to Sophia, and she said this: female voice over or actor’s voice over image of Sophia: “Things do not always turn out the way you say they will. Wherever we have been, everyone, down to the last Serb, has greeted us with such great friendliness, politeness, and true warmth, that we are very happy with our visit.” So far, so good. Then the guy, who was named Sunaric, answered, “Your Highness, I pray to God that when I have the honor of meeting you again tomorrow night you can repeat those words.” Really. Then they had a big banquet that night, and late the next morning- coincidentally their 14th wedding anniversary- the archducal motorcade left Sarajevo station. No fewer than seven Young Bosnian hitmen were deployed on the town’s bridges, one of which the Archduke had to cross. One of the Young Bosnians threw a bomb at his car, but it bounced off the hood before it exploded, wounding two of the Archduke’s men. The motorcade drove on to the town hall and they listened to a bunch of the usual speeches, and then after that, Franz Ferdinand changed his plans. He decided to visit the men who’d been hurt by the bomb to see if they were okay, so he wanted to go toward the hospital. But there was a lot of confusion over the new route and who’d been told what and who hadn’t, so when the Archduke’s driver turned off the Appel Quay, the general sharing Ferdinand’s car told the driver no, no- back up and continue on Appel Quay... ...so the driver stopped the car, which had no functioning reverse gear, right next to where Gavrilo Princip was standing. So Princip raised his pistol and fired twice from only a few feet away. Sophie died instantly, and Franz Ferdinand’s last words were “Sophie, Sophie, don’t die- stay alive for our children.” He died shortly after. It’s pretty amazing when you think about it that this whole enterprise could have possibly succeeded. It was so incredibly amateurish, and had the Austrian authorities taken any precautions whatsoever... well, I mean, think about it, there are loads of people who think the Black Hand had more to do with it, but you’d think they’d plan a little better, or heck, plan AT ALL. Anyhow, here were the immediate results: word of the assassination spread instantly throughout Europe, and in Bosnia by the end of July more than 5,000 Serbs had been jailed, many of whom were later hanged when the war broke out. Princip was put in prison, being 27 days to young to receive the death penalty under Austrian law. Now, there were one or two European leaders who were seriously worried about the political consequences of the act, but most of Europe reacted by thinking it was more of the same- the usual Balkan business, another Balkan killing. There was very little mourning, even in Vienna, for the unloved Franz Ferdinand, and his funeral service only lasted 15 minutes, but there was one thing that became apparent only years later.... You see, Princip, or the Serbs, or the Black Hand, or whoever you like to say was behind the killing, really really really got the wrong guy. Franz Ferdinand, for all his talk about Serbs being pigs, or Russian autocracy being a good model for the future, for all his backward and outdated beliefs, had strong opinions on two very important things; 1) in contrast to most of the empire, he was absolutely against any war with Russia, and stated repeatedly that he would do anything in his power to prevent it, and 2) since he put the empire above his personal beliefs, and to make the empire work once again, he was sympathetic to the idea of making the bi-partite state of Austria-Hungary into a tri-partite state of Austria, Hungary, and a union of the Slavic peoples as the third part of the empire. So when a Serb killed Franz Ferdinand, it was a killing that was not only against Serbian interests, but since the Austrian Empire used the killing as a justification to invade Serbia, even if it meant war with Russia- Princip killed the one and only person in the empire who was determined and able to prevent that war- Franz Ferdinand. That was number 3 of our Great War Prelude to war Special. Now if you missed the first two episodes you can klick here to watch both episode 1 and episode 2

History

Emporia Gazette editor William Allen White began the campaign to get Curry to paint murals for his native Kansas rather than Wisconsin (whose university offered him employment he could not find in Kansas). Other newspapers joined in, and the result was the Kansas Murals Commission. Chaired by Governor Walter Huxman, it was charged with choosing a Kansas artist or artists to create murals for the Capitol, as Missouri artist Thomas Hart Benton had done in the Missouri State Capitol.[1]: 37–39 

Benton's very large mural was on the topic of, and titled, A Social History of Missouri.[2] The Commission decided, not without some controversy, that in contrast with the Missouri Capitol, where Benton was one of several artists, Curry would be the sole artist to create murals for the Kansas Capitol, on the theme of Kansas history.[1]: 37–39  No state money was involved; White led a fundraising campaign that easily succeeded in raising the money to hire Curry.[1]: 39 

Curry painted Tragic Prelude from 1937 to 1942, using egg tempera and oils. It is 11 feet 4 inches (350 cm) tall, and 31 feet (940 cm) long.[3]

Curry's description

Kansas Governor Sam Brownback (left) and U.S. Secretary of Education Arne Duncan, 2012

Curry later described the work as follows:

Centered on the north wall (31′ x 11′6″ [9.4m x 3.5m]) is the gigantic figure of John Brown. In his outstretched left hand the word of God and in the right a “Beecher's Bible." Beside him facing each other are the contending free soil and pro-slavery forces. At their feet, two figures symbolic of the million and a half dead of the North and South. In this group is expressed the fratricidal fury that first flamed on the plains of Kansas, the Tragic Prelude to the last bloody feud of the English-speaking people. Back of this group are the pioneers and their wagons on the endless trek to the West, and back of all the tornado and the raging prairie fire, fitting symbols of the destruction of the coming Civil War.[2]

In a newspaper interview of 1939, he explained that "I wanted to paint him as a fanatic, for John Brown was a fanatic. He had the wild zeal of the extremist, the fanatic for his cause—and we had the Civil War, with its untold misery."[2] Later, he wrote in a letter: "I think he is the prototype of a great many Kansans. Someone described a Kansan as one who went about wreaking good on humanity. This might be the kernel of my conception."[2]

Rejection of Tragic Prelude

The Kansas Legislature rejected the mural and refused to hang it in the Capitol as planned. Curry left Kansas in disgust, abandoning the rest of his Capitol project, and did not sign this or the other completed work, Kansas Pastoral, because he considered the project incomplete. It was hung in the Capitol after his death.[4] His planned first-floor rotunda panels never got beyond preliminary sketches. Much to the displeasure of some Kansans, and reflecting the views of agronomists at his employer, the Agricultural College of the University of Wisconsin, one panel blamed poor farming practices for the erosion and dust storms of the 1930s.[1]: 124 

Archival material

A study for the mural is in the Spencer Museum.[5]

In popular culture

Tragic Prelude appears on an anti-fascist sign, Greensboro, NC, 2017.

The image was used as the album cover of Kansas (1974), the debut album of the rock band Kansas.[6]

Poster recreations and T-shirts were made every year for the annual "Border War" between the University of Kansas and the University of Missouri.[4]

See also

Further reading

  • Coppel, Stephen (July 2008). "John Steuart Curry's Lithograph 'John Brown'". Burlington Magazine. 150 (1264): 471. JSTOR 40479802.
  • Kretsinger-Harries, Anne Catherine (2011). The Contestable John Brown: Abolitionism and the Civil War in U.S. Public Memory. M.A. thesis, Pennsylvania State University.

References

  1. ^ a b c d e Kendall, M. Sue. (1986). Rethinking Regionalism: John Steuart Curry and the Kansas Mural Controversy'. Washington, D.C.: Smithsonian Institution Press. ISBN 0874745683.
  2. ^ a b c d McQuillen, Charles (March 25, 2017). "Cross-Curricular Connect: "Tragic Prelude"". Archived from the original on March 17, 2020. Retrieved March 18, 2020.
  3. ^ "Kansas Prelude". Kansas Memory. Kansas Historical Society. Archived from the original on 2016-09-13. Retrieved 2016-09-05.
  4. ^ a b "The Controversy Surrounding Tragic Prelude". Peoples of Kansas. 17 September 2009. Archived from the original on 29 July 2016. Retrieved 1 August 2020.
  5. ^ "Spencer Museum of Art | Collection – sketch for Tragic Prelude I (John Brown)". collection.spencerart.ku.edu. Archived from the original on 2016-09-15. Retrieved 2016-09-05.
  6. ^ Chantler, Chris (January 2, 2016). "The 10 best album sleeves taken from old paintings". Archived from the original on 2019-05-02. Retrieved 2019-04-10.

External links

This page was last edited on 11 May 2024, at 11:56
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.