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From Wikipedia, the free encyclopedia

Tom Shone is an American film critic and writer. He was the Sunday Times film critic from 1994 to 1999 and has written for Vogue, Slate, the New Yorker, the New York Times and The Guardian.[1]

He is the author of Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer, published in 2004 by Simon & Schuster.[2] The book is an analysis of the Hollywood blockbuster phenomenon driven chiefly by Steven Spielberg and George Lucas in the 1970s, based on interviews with these and other filmmakers. Shone's first novel, In the Rooms was published in the U.K. by Hutchinson on July 2, 2009 and in the U.S. by St Martin's Press in 2011. He also wrote the books Martin Scorsese: A Retrospective[3] and Woody Allen: A retrospective, published in 2014 and 2015.[4]

Shone collaborated with Christopher Nolan for an in-depth look at the filmmaker's work, called The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan (2020).[5] Library Journal wrote in their review that "this is the definitive word on Nolan and a must for film buffs."[6] Neal Gabler called the book "intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter."[5]

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  • Great Gatsby Movie (2013): How Carey Mulligan Prepared for Her Role as Daisy

Transcription

Are you curious about film adaptations of The Great Gatsby? Want some juicy details about Carey Mulligan's preparation for her role in Baz Luhrmann's version of Fitzgerald's novel, which is coming out on May 10th? Need some good ideas to start an essay on film versions of The Great Gatsby? If so, stay tuned. Hey there it's Dr. Bernstein. I'm getting pretty excited about the upcoming release of Luhrmann's version of The Great Gatsby, and honestly that's sort of surprising to me because I'm not usually a big fan of film adaptations of novels. . .and I never quite connected with the 1974 version starring Robert Redford and Mia Farrow, who are excellent actors. In the May 2013 edition of Vogue magazine Tom Stone, the author of the cover story on the film, mentions this: "The Great Gatsby has been filmed five times, and the fact that that may come as news should tell you something." Luhrmann himself, the man behind this new version--who's known for his work on movies like Moulin Rouge and Strictly Ballroom--admits that he even wondered if "Fitzgerald's novel might be as unfilmable as people say." I thought that line and that point about the novel becoming "unfilmable" is interesting because when I read Gatsby and scenes of the parties--these fabulously sumptuous, decadent, over-the-top images come to my mind--they're almost beyond anything that could actually manifest in a film. . .and I think that's part why I never really connected with the 1974 version. It fell flat for me. But Luhrmann's track record makes me think that he's the one who's going to be able to pull it off--visually and in many other ways. Another really interesting part of Testino's article in Vogue is how he takes us behind the scenes in Carey Mulligan's preparation for her role as Daisy. The article opens with Mulligan opening up a biography of Zelda Fitzgerald--Fitzgerald's real-life wife--and quoting this line: She--as in Zelda--"She had no more worries than a puppy would have, or a kitten. . ." Mulligan says, "That's Zelda. That's Daisy." So when she was preparing for this role Mulligan immersed herself not only in the novel and Daisy's characterization there--but in the details associated with the women in Fitzgerald's life. There was Zelda, his wife, but also Ginevra King, who Testino (the author of the article) points out--was a "16-year-old debutante with whom Fitzgerald first fell in love and who gave him the outline for so many of the women in his fiction." So there's a certain cross-over between Fitzgerald's own life and the characters in his works. Princeton University photocopied all of the letters Ginevra wrote to Fitzgerald and Mulligan--who read them all--in order to "soak up her view of the world," and "the way she spoke"--describes how all of this research went into what she calls her "Daisy cocktail." So if you're thinking about writing a paper about film adaptations of The Great Gatsby, you might want consider how Mulligan plays Daisy and how her presentation of Gatsby great love compares to Mia Farrow's in the 1974 version. Or you want to step up your level of analysis--you might even want to take that quote about Zelda having "no more worries than a puppy" and compare it to Daisy's depiction in the book and in the movie. Is that a true statement about her? Why? Why not? Why would an actress go beyond the confines of the novel to find out about other women in Fitzgerald's life? Is this going to help her portray Daisy more accurately? To really get into the heart and soul of her character do you somehow have to move beyond the text itself? Why? Why not? So these are just few things to keep in mind when watching Luhrmann's production of The Great Gatsby and possibly even writing about it. If you haven't already done so, I highly recommend getting your hands on a copy of the May 2013 edition of Vogue, which features Testino's article on the movie and some gorgeous photographs of Mulligan as Daisy. As always, if you like this video, I'd love it if you liked it and subscribed to my channel. Also, make sure you check out the whole Great Gatsby playlist I've created on my channel, which has even more videos about the novel. That's it for now. Take care!

References

  1. ^ Tom Shone [@Tom_Shone] (May 22, 2013). "As of 12pm May 22 I have abjured all allegiance to foreign potentates and princes" (Tweet) – via Twitter.
  2. ^ Nayman, Adam (2005). "Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer". Film Comment. 41 (1): 77.
  3. ^ Gravel, Jean-Philippe (2015). "Panorama de carrière". Ciné-Bulles. 33 (2): 56.
  4. ^ Thompson, Symeon (2016). "Imagining the world". Quadrant. 60 (4): 82–85.
  5. ^ a b "The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan". penguinrandomhouse.com. Retrieved 14 September 2020.
  6. ^ "The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan". Library Journal. Retrieved 14 September 2020.

External links


This page was last edited on 17 February 2023, at 16:12
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