To Gillian on Her 37th Birthday

To Gillian on Her 37th Birthday
Theatrical release poster
Directed by	Michael Pressman
Screenplay by	David E. Kelley
Based on	To Gillian on Her 37th Birthday by Michael Brady
Produced by	Marykay Powell David E. Kelley
Starring	Peter Gallagher Claire Danes Kathy Baker Wendy Crewson Bruce Altman Michelle Pfeiffer
Cinematography	Tim Suhrstedt
Edited by	William Scharf
Music by	James Horner
Production company	Rastar
Distributed by	Triumph Films
Release date	October 18, 1996 (1996-10-18)
Running time	93 minutes
Country	United States
Language	English
Box office	$4.1 million (US)^[1]

To Gillian on Her 37th Birthday is a 1996 American romantic drama film directed by Michael Pressman and adapted by David E. Kelley from the play of the same name by Michael Brady. It stars Peter Gallagher, Michelle Pfeiffer and Claire Danes. The original score was composed by James Horner.

The father and daughter, David and Rachel, are struggling to come to terms with the tragic death of wife and mother, Gillian when they invite her sister and her husband to commiserate the two year anniversary of the dark day.

The film adapted from a play was released in the US on October 25, 1996, and was overall panned by critics.

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Plot

Affected by the death of his wife Gillian (who fell from the mast of their yacht on a family outing on their sailboat on her birthday), David Lewis turns their summer cottage in Nantucket, Massachusetts into a permanent home. He spends most of his time on the beach there, communicating with Gillian's spirit and unwittingly neglecting their daughter Rachel.

On the second anniversary of Gillian's death, David invites her sister Esther Wheeler and her husband Paul to stay for the weekend. She insists on bringing her female friend named Kevin Dollof, whom she hopes David will become romantically interested in. He, however, ignores her and proceeds with the ritualistic celebration of Gillian's birthday.

At the beach house, Paul tries to discourage Esther from meddling in David's affairs. Rachel's friend Cindy tries to encourage her to be more bold with guys.

David goes for a run while Paul tries to confront him about his hermit-like behavior. Rachel talks to Esther about her father's ritual along the beach, spending hours there every day.

As part of the special weekend ritual, they have a formal fancy dinner in the house. There Esther accuses David of holing himself in, neglecting Rachel and his literature professor background. He insists he has taken a sabbatical to write a book, then stomps off to walk on the beach.

There, David talks with Gillian. He talks about everyone's arrival and the pressure they are putting on him to move on. Gillian reminds him that Rachel must always come first. Once she has disappeared again, David comes face-to-face with Rachel and admits both that he talks to her imagined ghost and that he is not really writing a book.

When Rachel comes in, her aunt Esther presses her, but she says there is nothing to worry about. That night, sensing her sleeplessness, Paul discovers Esther has a court appointment on Monday to petition David lose custody for neglect, as Rachel is increasingly withdrawn and her grades have been slipping.

The next day David throws himself into the sand sculpture contest he has been preparing for weeks, determined to beat the child who won the previous year. Cindy has encouraged Rachel to wear a provocative bikini and strut down the beach. They attract most males' on the beach, including Paul. When David sees his daughter being ogled, he hurries to cover Rachel up.

David later calls out to a woman, probably due to heat stroke. Having mistaken her for Gillian, he then collapses. After waking up, David discovers he has won the competition. Rachel is concerned, wishing he would move on.

Paul lets David know about his wife's court date on Monday to try to convince him to better hide his heartache over Gillian, so he races back to confront her. David tells her to get out, then Esther points out that she had thwarted his suicide attempt back in the day.

Rachel goes to a party with Joey, a guy she met on the beach. David goes to the coast to talk with Gillian. Esther sends Kevin to talk to him, and she suggests he is idolizing his dead wife rather than recognising her flaws.

As Rachel never consumed alcohol, Joey brings her back drunk after having only two drinks. She goes to bed to sleep it off. Rachel dreams that Gillian takes her night cycling, but wakes up screaming as a tractor-trailer almost hits her in the nightmare. She tells her dad she can no longer stay with him there, as he cannot let Gillian go.

The events of the weekend cause Esther and Paul to re-examine their relationship, as Cindy's flirty nature and his innuendo causes friction for the couple. When the teen calls his bluff, he does not try anything. Paul points out to Esther that they are both envious of David's bond with Gillian, as he is still crazy about her twenty years since they met whereas they are more companions.

Seeing the Wheelers, Kevin and Rachel off at the ferry, David says goodbye to his daughter, who doubles back, declaring she will not leave him. David says he will stay one more day to board up the house and leave too, coming to realize that he can be an attentive father to Rachel without betraying Gillian's memory.

Cast

Peter Gallagher as David Lewis
Michelle Pfeiffer as Gillian Lewis
Claire Danes as Rachel Lewis
Laurie Fortier as Cindy Bayles
Wendy Crewson as Kevin Dollof
Bruce Altman as Paul Wheeler
Kathy Baker as Esther Wheeler
Freddie Prinze Jr. as Joey Bost
Rachel Seidman-Lockamy as Megan Weeks
Seth Green as Danny

Production

The film was filmed on location in Nantucket, Massachusetts,^[2] and in and around Wilmington, North Carolina,^[3] although some of the beach scenes were filmed at Long Beach, California, and the sailing accident was filmed at Marina del Rey, California; the obvious differences between the two were noticeable enough to be mentioned by The New York Times reviewer Janet Maslin.^[4]

Reception

The film holds a rating of 14% on Rotten Tomatoes based on 29 reviews, indicating an overwhelmingly negative critical response.^[5]

Emanuel Levy in Variety described the film as "a bargain-basement Ghost, a hybrid of an earnest, inspirational play and a sleek, calculated Lifetime telepic."^[6] In her review for The New York Times, Janet Maslin wrote: "It's not easy for the story's tear-jerking potential to be realized when its characters express their pain as if they were writing greeting cards."^[4] Rita Kempley of The Washington Post wrote that "for all the moonlight and magic, the film scares up little in the way of enchantment."^[7]

Many critics found it difficult to accept the basic premise, that the main character's continued mourning of his deceased wife is so detrimental to those around him. Roger Ebert, in particular, expressed frustration: "The movie cannot see that Esther is a deranged nuisance who should mind her own business, that David is entitled to his grief, that Rachel is happy living on the island, and that if Gillian appears to David, so much the better."^[8] Jack Matthews of the Los Angeles Times wrote: "Despite its apparent parallels to Ghost, Gillian takes an entirely opposite path. Throughout Ghost, we were made to feel desperate for a reunion of Patrick Swayze's roaming spirit with a mourning Demi Moore. In Gillian, the whole purpose is to get David to give up the ghost."^[9] Mick LaSalle of the San Francisco Chronicle thought the film lacked dramatic impetus: "the grieving husband never quite seems crazy enough - and the sister is never angry enough...drama is avoided. Issues are muddy. And everyone stays a nice person... In fact, typical of the film's undramatic choices - it's ungenerous unwillingness to commit to the extreme - the husband knows she [Gillian] is an illusion. So he's not crazy. She's not a ghost. And the sister-in-law, far from evil, is merely concerned. So why are we watching these people?"^[10]

One aspect that garnered unanimous praise was Danes' performance as the troubled daughter. Levy wrote, "Danes proves again that she's one of the most naturally gifted actresses of her generation."^[6] Maslin described her as "especially expressive in the film's later scenes, demonstrating a rare ability to seem fresh and honest when her material quite clearly is not."^[4] Matthews wrote, "Danes is terrific playing an awkward teenager trying to understand her father's problems while feeling the first stirrings of passion in herself."^[9] Kempley wrote of Danes, "the gifted actress steals the show."^[7]