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The Twelve Chairs

From Wikipedia, the free encyclopedia

The Twelve Chairs
The Twelve Chairs monument.jpg
The monument in Odessa
AuthorIlf and Petrov
Original titleДвенадцать стульев
CountrySoviet Union
LanguageRussian
Publication date
1928

The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewelry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film.

Plot

General view of The Twelve Chairs monument, in Odessa.
General view of The Twelve Chairs monument, in Odessa.

In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewellery was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise.

The "conсessioners" find the chairs, which are to be sold at auction in Moscow. They fail to buy them and learn that the chairs have been split up for resale individually. Roaming all over the Soviet Union in their quest to recover the chairs, they have a series of comic adventures, including living in a students' dormitory with plywood walls, posing as bill painters on a riverboat to earn passage, bamboozling a village chess club with promises of an international tournament, and traveling on foot through the mountains of Georgia. Father Fyodor (who had known of treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanity. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.

They slowly acquire each of the chairs, but no treasure is found. Kisa and Ostap finally discover the location of the last chair. Vorobyaninov murders[a] Ostap to keep all the loot for himself, but discovers that the jewels have already been found and used to build the new public recreation center in which the chair was found, a symbol of the new society. Vorobyaninov also loses his sanity.

Themes

The novel, though short, resonates with all the important events of the time. Numerous side characters, places and institutions are caught in a sharp light, sometimes of satire, sometimes of gentle irony: the operations of a Moscow newspaper, the 3% government bonds, New Economic Policy decadence and so on. The two main characters, among other things, are social types: the déclassé Bender is an individualist foreign to both the old, discredited hierarchy of birthright, epitomized by Vorobyaninov, and the new Communist order. A sort of Reynard the Fox specific to the time and setting, Bender claims to know “four hundred comparatively honest ways of relieving the people of their money,” and he has no future in the Soviet Union.

Legacy

Sequel

Ostap Bender reappears in the book's sequel The Golden Calf, despite his apparent death in Chairs.

Adaptations

The novel has inspired at least twenty adaptations in the Soviet Union and abroad:

  • The first cinematic adaptation of the novel is the joint Polish-Czech film Dvanáct křesel (1933). The original plot was considerably altered, yet many following adaptations were primarily based on this film rather than on the novel itself (e.g., the former marshal of nobility from the novel was replaced in the Polish-Czech film by a barber who then appeared in several later adaptations).
  • In Nazi Germany, the film Thirteen Chairs (1938) is based on the novel. However, the film does not credit the novel's authors.
  • A Brazilian version called Thirteen Chairs (1957), stars comedians Oscarito, Renata Fronzi, and Zé Trindade. In this version, the main character, played by Oscarito, inherits his aunt's mansion, which is soon confiscated, leaving him with only 13 chairs. After selling them, he finds out that his aunt had hidden her fortune in the chairs. He then goes on a quest to get the chairs back.
  • A Syrian TV series entitled Hamam al-Hana (1968) is based on the premise of this novel. It involves three guys looking for the hidden treasure (a stash of money) all over Damascus, with a chair for every episode. In the last episode, they find the right chair, but the treasure turns out to be old paper money which by then had become useless.

See also

Notes

  1. ^ retconned to attempted murder in the sequel

References

  1. ^ Schostakowitsch Werkverzeichnis, sikorski.de. p. 100.
  2. ^ "Остап Бендер", Radio Liberty, transcript of a talk from cycle "Heroes of the Time", host:Петр Вайль, guests: culturologist Мариэтта Чудакова and actors Archil Gomiashvili (Bender – 1971) and Sergey Yursky (Bender – 1993)

External links

  • The Twelve Chairs (full text), RU: Lib.
  • The Twelve Chairs. at the Internet Archive
This page was last edited on 13 June 2021, at 17:21
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