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The Punch Bowl (1959 film)

From Wikipedia, the free encyclopedia

Maibowle
Directed byGünter Reisch
Written byMarianne Libera, Gerhard Weise
StarringErich Franz
CinematographyOtto Merz
Edited byHildegard Conrad
Music byHelmut Nier
Distributed byProgress Film
Release date
  • 4 December 1959 (1959-12-04)
Running time
90 minutes
CountryEast Germany
LanguageGerman

Maibowle (May Wine; English-language title: The Punch Bowl[1]) is an East German musical comedy film, released in 1959. It was directed by Günter Reisch.

YouTube Encyclopedic

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  • World's largest punchbowl (UCL)
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  • Diner - Trailer (1982)

Transcription

>> So if you could just tell me what the Architectural Punch Bowl is. >> Right, well for the Architectural Punch Bowl Bompas & Parr are flooding buildings with booze and creating, turning them into a punch bowl that's so big you can actually boat across it before dipping your glass in and having a drink. [ Background Music ] >> There are a number of quite tricky issues that you've got to manage. One is buildings aren't meant to be flooded with alcohol. And for this, we have actually engaged in a six month, knowledge transfer partnership with Bartlett School of Architecture, working out how can you do it? So we worked-- worked with Nick Westby there. >> I was brought onto the project as the architect to deal with essentially making a structure which we could assemble in the venue in just two days which is the get in period. The build is going on here at the Bartlett's courtyard where we're using the facilities and we're creating quite a large, large construction. Well, here you see some of the modules that are gonna make up the substructure of the-- of the punch bowl and we've essentially got roughly 25 pieces, that all fit together. >> Bompas & Parr have got a really long history of working with UCL. I was at UCL, Harry was at the Bartlett studying architecture. And UCL, it's just-- there's just so much knowledge and expertise there. That it'd be ridiculous not to tap into it. Yeah, it's a really, really valuable contact for us and we're, you know, proud to be alumni. [ Background Music ] >> There's some interesting historic precedent for this where basically in 1694, a British Admiral, Edward Russell, hosted a party of 6,000 people and he filled up a punch bowl, a vast fountain, in fact, with punch and which was served out by small child rowing back and forth across it. Now, his punch serves 6,000 people, ours can serve 25,000 people. We've got over four tons of punch. The actual punch bowl itself is gonna be 48 metres squared. So it's huge. It's really, really large. [ Music ] [ Background Music ] >> I had a time at the Bartlett to, you know, just test some of the structure. And brilliantly Alex James was able to come on board. We're able to get some shots of him in one of our prototypes. [ Music ] [ Background Music ] >> What was his interest in it then? Was he-- >> How can you-- how can you not be interested? You know, we're flooding a building with alcohol like, you know. And he was-- Alex is obviously a great food person. He's eaten at the best restaurants all over the world. He's got his own cheese farm. So, you know, when he heard that we were doing this, he was-- he was very, very keen to get involved. [ Background Music ] >> The building is not in the best of health and when we first started looking at it as a site for the punch bowl and I started doing some back of the envelope calculations, we realised we're dealing with five-- possibly more tons of liquid that we're putting in plus the weight of the structure and this started to keep some of us awake at night. The next difficulty is actually containing that liquid within the room and making sure that it's not gonna leak. So the tank itself has a series of baffles around the edge to stop any waves that might come off the boat which is floating on it from splashing at the sides of the wall. And a series of membranes both containing the punch and also underneath the structure, make sure that we have a sort of fail safe method of both containing it and containing any leak that we might get. [ Music ] [ Background Music ] >> Here we're going to be making sure people go in clean and they go in safe before they enter the main event, the punch bowl itself. As they walk through butcher flaps, they'll be surrounded by billows of dry ice and overwhelmed by the smell of the punch. A lucky chosen few will be able to boat across the punch on rafts while others can use the remote controlled garnishes and pilot them around while everyone is drinking away with their courvoisuer punch. >> I'm pretty tired now but I'm pretty happy. It's really fantastic to see it all come together. >> With this, we promised a lot, we said, look, we're gonna flood a room with punch. You're going to be able to row over it and you're gonna be able to drink it. I think a lot of people that came along thought that we weren't going to deliver -- we delivered in spades and it's like, oh, my god this is such a good drink. They really liked the cocktail. >> Why do you do what you do? What drives you? >> As much as anything, it's very, very interesting. It's always, you know, a challenge to be surmounted, you know, problems to be overcome and it's great just seeing how people react to it is just-- it's just absolutely marvellous. [ Music ]

Plot

Wilhelm Lehmann is informed that he will receive the Order of the Banner of Labor on his sixty-fifth birthday, for being the best worker in the most successful chemical plant in the country. However, it is soon made clear that all his grown up children have other plans for the day, and none of them can arrive to honor their father and their mother Auguste. But, after a series of comical mistakes that lead to utter pandemonium, all the sons and daughters eventually appear to greet Wilhelm as he is awarded the Order. The whole family drinks the traditional May wine, as they have done in every year.

Cast

Production

The film was commissioned for the tenth anniversary of East Germany's independence,[2] and the decision to begin the project was taken on the 5th Congress of the Socialist Unity Party, at July 1958.[3] It was a musical comedy, one of the pictures which authors Antonin and Mira Liehm considered as an attempt by DEFA to balance the effects its heavily ideological works had on the public.[4] Although it was light-hearted, director Günter Reisch emphasized the happiness experienced by the citizens in the socialist system and the importance of the chemical plants' development - one of them served as the setting for the plot. The director's decision was influenced by the response to his last film, the 1957 Trail in the Night, which was negatively received by the State Film Board due to a scene featuring rock-and-roll music.[5]

Reception

Maibowle had its premiere in East Berlin's Cinema Babylon on 5 October 1959, and its commercial release followed in December 4.[6] The film was well received, and attracted a "fairly large audience".[7] West Germany's Catholic Film Service noted that the picture "had a weak script, but its momentum and cabaret scenes compensate for it." In the same time, the comical character of the eccentric politician Frisch was criticized by the East German Film Board.[3] The Liehms considered it as one of "the two smoothest" among the "poorly crafted, simple minded" East German comedies of the late 1950s, along its 1960 sequel New Year's Eve Punch.[4] Ralf Schenk wrote that the film was an attempt to create comedy combined with "slogans praising the Socialist society and the qualities of chemical ingredients."[8]

References

  1. ^ Maibowle on the DEFA Foundation website.
  2. ^ Maibowle on PROGRESS' website.
  3. ^ a b Frank Burkhard Habel. Das große Lexikon der DEFA-Spielfilme. ISBN 3-89602-349-7. Page 384.
  4. ^ a b Miera Liehm, Antonin J. Liehm . The Most Important Art: Soviet and Eastern European Film After 1945. ISBN 0-520-04128-3. Page 265.
  5. ^ Dagmar Schittly. Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen. ISBN 978-3-86153-262-0. Page 95.
  6. ^ Maibowle on DEFA Sternstunden.
  7. ^ Joshua Feinstein. The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949-1989. ISBN 978-0-8078-5385-6. Page 101.
  8. ^ Ralf Schenk. Das zweite Leben der Filmstadt Babelsberg. DEFA- Spielfilme 1946 - 1992. ISBN 978-3-89487-175-8. Page 114.

External links

This page was last edited on 21 December 2023, at 00:57
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