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The Oblong Box (short story)

From Wikipedia, the free encyclopedia

"The Oblong Box"
Short story by Edgar Allan Poe
CountryUnited States
LanguageEnglish
Genre(s)Horror
Short story
Publication
Published inThe Dollar Newspaper
PublisherReprinted in Godey's Magazine and Lady's Book
Media typeNewspaper
Publication dateAugust 28, 1844

"The Oblong Box" is a short story by American writer Edgar Allan Poe, first published in 1844, about a sea voyage and a mysterious box.

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Transcription

The Oblong Box by Edgar Allan Poe Some years ago I engaged passage from Charleston, S. C., to the city of New York, in the fine packet-ship _Independence_, Captain Hardy. We were to sail on the fifteenth of the month (June), weather permitting; and on the fourteenth I went on board to arrange some matters in my stateroom. I found that we were to have a great many passengers, including a more than usual number of ladies. On the list were several of my acquaintances; and among other names I was rejoiced to see that of Mr. Cornelius Wyatt, a young artist, for whom I entertained feelings of warm friendship. He had been, with me, a fellow-student at C—— University, where we were very much together. He had the ordinary temperament of genius, and was a compound of misanthropy, sensibility, and enthusiasm. To these qualities he united the warmest and truest heart which ever beat in a human bosom. I observed that his name was carded upon three staterooms: and upon again referring to the list of passengers I found that he had engaged passage for himself, wife, and two sisters—his own. The staterooms were sufficiently roomy, and each had two berths, one above the other. These berths, to be sure, were so exceedingly narrow as to be insufficient for more than one person; still, I could not comprehend why there were three staterooms for these four persons. I was, just at that epoch, in one of those moody frames of mind which make a man abnormally inquisitive about trifles: and I confess with shame that I busied myself in a variety of ill-bred and preposterous conjectures about this matter of the supernumerary stateroom. It was no business of mine, to be sure; but with none the less pertinacity did I occupy myself in attempts to resolve the enigma. At last I reached a conclusion which wrought in me great wonder why I had not arrived at it before. "It is a servant, of course," I said; "what a fool I am not sooner to have thought of so obvious a solution!" And then I again repaired to the list, but here I saw distinctly that no servant was to come with the party: although, in fact, it had been the original design to bring one, for the words "and servant" had been first written and then overscored. "Oh, extra baggage, to be sure," I now said to myself; "something he wishes not to be put in the hold, something to be kept under his own eye,—ah, I have it! a painting or so, and this is what he has been bargaining about with Nicolino, the Italian Jew." This idea satisfied me and I dismissed my curiosity for the nonce. Wyatt's two sisters I knew very well, and most amiable and clever girls they were. His wife he had newly married, and I had never yet seen her. He had often talked about her in my presence, however, and in his usual style of enthusiasm. He described her as of surpassing beauty, wit, and accomplishment. I was, therefore, quite anxious to make her acquaintance. On the day in which I visited the ship (the fourteenth), Wyatt and party were also to visit it, so the Captain informed me, and I waited on board an hour longer than I had designed in hope of being presented to the bride; but then an apology came. "Mrs. W. was a little indisposed, and would decline coming on board until to-morrow at the hour of sailing." The morrow having arrived, I was going from my hotel to the wharf, when Captain Hardy met me and said that, "owing to circumstances" (a stupid but convenient phrase), "he rather thought the _Independence_ would not sail for a day or two, and that when all was ready he would send up and let me know." This I thought strange, for there was a stiff southerly breeze; but as "the circumstances" were not forthcoming, although I pumped for them with much perseverance, I had nothing to do but to return home and digest my impatience at leisure. I did not receive the expected message from the Captain for nearly a week. It came at length, however, and I immediately went on board. The ship was crowded with passengers, and everything was in the bustle attendant upon making sail. Wyatt's party arrived in about ten minutes after myself. There were the two sisters, the bride, and the artist—the latter in one of his customary fits of moody misanthropy. I was too well used to these, however, to pay them any special attention. He did not even introduce me to his wife; this courtesy devolving, perforce, upon his sister Marian, a very sweet and intelligent girl, who in a few hurried words made us acquainted. Mrs. Wyatt had been closely veiled; and when she raised her veil in acknowledging my bow, I confess that I was very profoundly astonished. I should have been much more so, however, had not long experience advised me not to trust, with too implicit a reliance, the enthusiastic descriptions of my friend the artist, when indulging in comments upon the loveliness of woman. When beauty was the theme, I well knew with what facility he soared into the regions of the purely ideal. The truth is, I could not help regarding Mrs. Wyatt as a decidedly plain-looking woman. If not positively ugly, she was not, I think, very far from it. She was dressed, however, in exquisite taste, and then I had no doubt that she had captivated my friend's heart by the more enduring graces of the intellect and soul. She said very few words, and passed at once into her stateroom with Mr. W. My old inquisitiveness now returned. There was no servant, that was a settled point. I looked, therefore, for the extra baggage. After some delay a cart arrived at the wharf with an oblong pine box, which was everything that seemed to be expected. Immediately upon its arrival we made sail, and in a short time were safely over the bar and standing out to sea. The box in question was, as I say, oblong. It was about six feet in length by two and a half in breadth: I observed it attentively and like to be precise. Now, this shape was peculiar; and no sooner had I seen it than I took credit to myself for the accuracy of my guessing. I had reached the conclusion, it will be remembered, that the extra baggage of my friend the artist would prove to be pictures, or at least a picture, for I knew he had been for several weeks in conference with Nicolino; and now here was a box, which, from its shape, could possibly contain nothing in the world but a copy of Leonardo's _Last Supper_; and a copy of this very _Last Supper_, done by Rubini the younger at Florence, I had known for some time to be in the possession of Nicolino. This point, therefore, I considered as sufficiently settled. I chuckled excessively when I thought of my acumen. It was the first time I had ever known Wyatt to keep from me any of his artistical secrets; but here he evidently intended to steal a march upon me and smuggle a fine picture to New York, under my very nose; expecting me to know nothing of the matter. I resolved to quiz him well, now and hereafter. One thing, however, annoyed me not a little. The box did not go into the extra stateroom. It was deposited in Wyatt's own; and there, too, it remained, occupying very nearly the whole of the floor, no doubt to the exceeding discomfort of the artist and his wife; this the more especially as the tar or paint with which it was lettered in sprawling capitals emitted a strong, disagreeable, and, to my fancy, a peculiarly disgusting odour. On the lid were painted the words: "Mrs. Adelaide Curtis, Albany, New York. Charge of Cornelius Wyatt, Esq. This side up. To be handled with care." Now, I was aware that Mrs. Adelaide Curtis of Albany was the artist's wife's mother; but then I looked upon the whole address as a mystification, intended especially for myself. I made up my mind, of course, that the box and contents would never get farther north than the studio of my misanthropic friend in Chambers Street, New York. For the first three or four days we had fine weather, although the wind was dead ahead, having chopped round to the northward immediately upon our losing sight of the coast. The passengers were, consequently, in high spirits and disposed to be social. I must except, however, Wyatt and his sisters, who behaved stiffly, and, I could not help thinking, uncourteously, to the rest of the party. Wyatt's conduct I did not so much regard. He was gloomy, even beyond his usual habit,—in fact, he was morose; but in him I was prepared for eccentricity. For the sisters, however, I could make no excuse. They secluded themselves in their staterooms during the greater part of the passage, and absolutely refused, although I repeatedly urged them, to hold communication with any person on board. Mrs. Wyatt herself was far more agreeable. That is to say, she was chatty; and to be chatty is no slight recommendation at sea. She became excessively intimate with most of the ladies; and, to my profound astonishment, evinced no equivocal disposition to coquet with the men. She amused us all very much. I say "amused," and scarcely know how to explain myself. The truth is, I soon found that Mrs. W. was far oftener laughed at than with. The gentlemen said little about her; but the ladies in a little while pronounced her "a good-hearted thing, rather indifferent-looking, totally uneducated, and decidedly vulgar." The great wonder was, how Wyatt had been entrapped into such a match. Wealth was the general solution, but this I knew to be no solution at all; for Wyatt had told me that she neither brought him a dollar nor had any expectations from any source whatever. "He had married," he said, "for love, and for love only; and his bride was far more than worthy of his love." When I thought of these expressions on the part of my friend, I confess that I felt indescribably puzzled. Could it be possible that he was taking leave of his senses? What else could I think? He, so refined, so intellectual, so fastidious, with so exquisite a perception of the faulty, and so keen an appreciation of the beautiful! To be sure, the lady seemed especially fond of him, particularly so in his absence, when she made herself ridiculous by frequent quotations of what had been said by her "beloved husband, Mr. Wyatt." The word "husband" seemed forever, to use one of her own delicate expressions,—forever "on the tip of her tongue." In the meantime it was observed by all on board that he avoided her in the most pointed manner, and, for the most part, shut himself up alone in his stateroom, where, in fact, he might have been said to live altogether, leaving his wife at full liberty to amuse herself as she thought best in the public society of the main cabin. My conclusion, from what I saw and heard, was that the artist, by some unaccountable freak of fate, or perhaps in some fit of enthusiastic and fanciful passion, had been induced to unite himself with a person altogether beneath him, and that the natural result, entire and speedy disgust, had ensued. I pitied him from the bottom of my heart, but could not, for that reason, quite forgive his incommunicativeness in the matter of the _Last Supper_. For this I resolved to have my revenge. One day he came up on deck, and, taking his arm as had been my wont, I sauntered with him backward and forward. His gloom, however (which I considered quite natural under the circumstances), seemed entirely unabated. He said little, and that moodily, and with evident effort. I ventured a jest or two, and he made a sickening attempt at a smile. Poor fellow! as I thought of his wife I wondered that he could have heart to put on even the semblance of mirth. At last I ventured a home thrust. I determined to commence a series of covert insinuations, or innuendos, about the oblong box, just to let him perceive, gradually, that I was not altogether the butt, or victim, of his little bit of pleasant mystification. My first observation was by way of opening a masked battery. I said something about the "peculiar shape of that box"; and, as I spoke the words I smiled knowingly, winked, and touched him gently with my forefinger in the ribs. The manner in which Wyatt received this harmless pleasantry convinced me at once that he was mad. At first he stared at me as if he found it impossible to comprehend the witticism of my remark; but as its point seemed slowly to make its way into his brain, his eyes, in the same proportion, seemed protruding from their sockets. Then he grew very red, then hideously pale, then, as if highly amused with what I had insinuated, he began a loud and boisterous laugh, which, to my astonishment, he kept up, with gradually increasing vigour, for ten minutes or more. In conclusion, he fell flat and heavily upon the deck. When I ran to uplift him, to all appearance he was dead. I called assistance, and, with much difficulty, we brought him to himself. Upon reviving he spoke incoherently for some time. At length we bled him and put him to bed. The next morning he was quite recovered, so far as regarded his mere bodily health. Of his mind I say nothing, of course. I avoided him during the rest of the passage, by advice of the Captain, who seemed to coincide with me altogether in my views of his insanity, but cautioned me to say nothing on this head to any person on board. Several circumstances occurred immediately after this fit of Wyatt's which contributed to heighten the curiosity with which I was already possessed. Among other things, this: I had been nervous; drank too much strong green tea, and slept ill at night,—in fact, for two nights I could not be properly said to sleep at all. Now, my stateroom opened into the main cabin or dining-room, as did those of all the single men on board. Wyatt's three rooms were in the after-cabin, which was separated from the main one by a slight sliding door, never locked even at night. As we were almost constantly on a wind, and the breeze was not a little stiff, the ship heeled to leeward very considerably; and whenever her starboard side was to leeward the sliding door between the cabins slid open and so remained, nobody taking the trouble to get up and shut it. But my berth was in such a position that when my own stateroom door was open, as well as the sliding door in question (and my own door was always open on account of the heat), I could see into the after-cabin quite distinctly, and just at that portion of it, too, where were situated the staterooms of Mr. Wyatt. Well, during two nights (not consecutive), while I lay awake, I clearly saw Mrs. W., about eleven o'clock upon each night, steal cautiously from the stateroom of Mr. W. and enter the extra room, where she remained until daybreak, when she was called by her husband and went back. That they were virtually separated was clear. They had separate apartments, no doubt in contemplation of a more permanent divorce; and here, after all, I thought, was the mystery of the extra stateroom. There was another circumstance, too, which interested me much. During the two wakeful nights in question, and immediately after the disappearance of Mrs. Wyatt into the extra stateroom, I was attracted by certain singular, cautious, subdued noises in that of her husband. After listening to them for some time with thoughtful attention, I at length succeeded perfectly in translating their import. They were sounds occasioned by the artist in prying open the oblong box by means of a chisel and mallet, the latter being apparently muffled or deadened by some soft woollen or cotton substance in which its head was enveloped. In this manner I fancied I could distinguish the precise moment when he fairly disengaged the lid, also that I could determine when he removed it altogether, and when he deposited it upon the lower berth in his room; this latter point I knew, for example, by certain slight taps which the lid made in striking against the wooden edges of the berth as he endeavoured to lay it down very gently, there being no room for it on the floor. After this there was a dead stillness, and I heard nothing more, upon either occasion, until nearly daybreak; unless, perhaps, I may mention a low sobbing or murmuring sound, so very much suppressed as to be nearly inaudible, if, indeed, the whole of this latter noise were not rather produced by my own imagination. I say it seemed to resemble sobbing or sighing, but, of course, it could not have been either. I rather think it was a ringing in my own ears. Mr. Wyatt, no doubt, according to custom, was merely giving the rein to one of his hobbies, indulging in one of his fits of artistic enthusiasm. He had opened his oblong box in order to feast his eyes on the pictorial treasure within. There was nothing in this, however, to make him sob. I repeat, therefore, that it must have been simply a freak of my own fancy, distempered by good Captain Hardy's green tea. Just before dawn, on each of the two nights of which I speak, I distinctly heard Mr. Wyatt replace the lid upon the oblong box, and force the nails into their old places by means of the muffled mallet. Having done this, he issued from his stateroom, fully dressed, and proceeded to call Mrs. W. from hers. We had been at sea seven days, and were now off Cape Hatteras, when there came a tremendously heavy blow from the southwest. We were, in a measure, prepared for it, however, as the weather had been holding out threats for some time. Everything was made snug, alow and aloft; and, as the wind steadily freshened, we lay to, at length, under spanker and foretopsail, both double-reefed. In this trim we rode safely enough for forty-eight hours, the ship proving herself an excellent sea-boat in many respects, and shipping no water of any consequence. At the end of this period, however, the gale had freshened into a hurricane, and our after-sail split into ribbons, bringing us so much in the trough of the water that we shipped several prodigious seas, one immediately after the other. By this accident we lost three men overboard with the caboose, and nearly the whole of the larboard bulwarks. Scarcely had we recovered our senses before the foretopsail went into shreds, when we got up a storm staysail, and with this did pretty well for some hours, the ship heading the sea much more steadily than before. The gale still held on, however, and we saw no signs of its abating. The rigging was found to be ill-fitted and greatly strained; and on the third day of the blow, about five in the afternoon, our mizzen-mast, in a heavy lurch to windward, went by the board. For an hour or more we tried in vain to get rid of it, on account of the prodigious rolling of the ship; and, before we had succeeded, the carpenter came aft and announced four feet water in the hold. To add to our dilemma, we found the pumps choked and nearly useless. All was now confusion and despair, but an effort was made to lighten the ship by throwing overboard as much of her cargo as could be reached, and by cutting away the two masts that remained. This we at last accomplished, but we were still unable to do anything at the pumps; and, in the meantime, the leak gained on us very fast. At sundown the gale had sensibly diminished in violence, and, as the sea went down with it, we still entertained faint hopes of saving ourselves in the boats. At eight P.M., the clouds broke away to windward, and we had the advantage of a full moon, a piece of good fortune which served wonderfully to cheer our drooping spirits. After incredible labour we succeeded, at length, in getting the long-boat over the side without material accident, and into this we crowded the whole of the crew and most of the passengers. This party made off immediately, and, after undergoing much suffering, finally arrived in safety at Ocracoke Inlet, on the third day after the wreck. Fourteen passengers, with the Captain, remained on board, resolving to trust their fortunes to the jolly-boat at the stern. We lowered it without difficulty, although it was only by a miracle that we prevented it from swamping as it touched the water. It contained, when afloat, the Captain and his wife, Mr. Wyatt and party, a Mexican officer, wife, four children, and myself, with a negro valet. We had no room, of course, for anything except a few positively necessary instruments, some provisions, and the clothes upon our backs. No one had thought of even attempting to save anything more. What must have been the astonishment of all, then, when, having proceeded a few fathoms from the ship, Mr. Wyatt stood up in the stern-sheets and coolly demanded of Captain Hardy that the boat should be put back for the purpose of taking in his oblong box! "Sit down, Mr. Wyatt," replied the Captain, somewhat sternly; "you will capsize us if you do not sit quite still. Our gunwale is almost in the water now." "The box!" vociferated Mr. Wyatt, still standing, "the box, I say! Captain Hardy, you cannot, you will not refuse me. Its weight will be but a trifle, it is nothing, mere nothing. By the mother who bore you—for the love of Heaven—by your hope of salvation, I implore you to put back for the box!" The Captain for a moment seemed touched by the earnest appeal of the artist, but he regained his stern composure, and merely said: "Mr. Wyatt, you are mad. I cannot listen to you. Sit down, I say, or you will swamp the boat. Stay! hold him, seize him! he is about to spring overboard! There—I knew it—he is over!" As the Captain said this, Mr. Wyatt, in fact, sprang from the boat, and, as we were yet in the lee of the wreck, succeeded, by almost superhuman exertion, in getting hold of a rope which hung from the forechains. In another moment he was on board, and rushing frantically down into the cabin. In the meantime we had been swept astern of the ship, and being quite out of her lee, were at the mercy of the tremendous sea which was still running. We made a determined effort to put back, but our little boat was like a feather in the breath of the tempest. We saw at a glance that the doom of the unfortunate artist was sealed. As our distance from the wreck rapidly increased, the madman (for as such only could we regard him) was seen to emerge from the companionway, up which, by dint of strength that appeared gigantic, he dragged, bodily, the oblong box. While we gazed in the extremity of astonishment, he passed rapidly several turns of a three-inch rope, first around the box and then around his body. In another instant both body and box were in the sea, disappearing suddenly, at once and forever. We lingered awhile sadly upon our oars, with our eyes riveted upon the spot. At length we pulled away. The silence remained unbroken for an hour. Finally I hazarded a remark. "Did you observe, Captain, how suddenly they sank? Was not that an exceedingly singular thing? I confess that I entertained some feeble hope of his final deliverance when I saw him lash himself to the box and commit himself to the sea." "They sank as a matter of course," replied the Captain, "and that like a shot. They will soon rise again, however, but not till the salt melts." "The salt!" I ejaculated. "Hush!" said the Captain, pointing to the wife and sisters of the deceased. "We must talk of these things at some more appropriate time." We suffered much and made a narrow escape; but fortune befriended us, as well as our mates in the long-boat. We landed, in fine, more dead than alive, after four days of intense distress, upon the beach opposite Roanoke Island. We remained here a week, were not ill-treated by the wreckers, and at length obtained a passage to New York. About a month after the loss of the _Independence_, I happened to meet Captain Hardy in Broadway. Our conversation turned, naturally, upon the disaster, and especially upon the sad fate of poor Wyatt. I thus learned the following particulars: The artist had engaged passage for himself, wife, two sisters, and a servant. His wife was indeed, as she had been represented, a most lovely and most accomplished woman. On the morning of the fourteenth of June (the day in which I first visited the ship), the lady suddenly sickened and died. The young husband was frantic with grief, but circumstances imperatively forbade the deferring his voyage to New York. It was necessary to take to her mother the corpse of his adored wife, and, on the other hand, the universal prejudice which would prevent his doing so openly was well known. Nine tenths of the passengers would have abandoned the ship rather than take passage with a dead body. In this dilemma Captain Hardy arranged that the corpse, being first partially embalmed and packed, with a large quantity of salt in a box of suitable dimensions, should be conveyed on board as merchandise. Nothing was to be said of the lady's decease; and, as it was well understood that Mr. Wyatt had engaged passage for his wife, it became necessary that some person should personate her during the voyage. This the deceased lady's maid was easily prevailed on to do. The extra stateroom, originally engaged for this girl during her mistress's life, was now merely retained. In this stateroom the pseudo-wife slept, of course, every night. In the daytime she performed, to the best of her ability, the part of her mistress, whose person, it had been carefully ascertained, was unknown to any of the passengers on board. My own mistake arose, naturally enough, through too careless, too inquisitive, and too impulsive a temperament. But of late it is a rare thing that I sleep soundly at night. There is a countenance which haunts me, turn as I will. There is an hysterical laugh which will forever ring within my ears. End of The Oblong Box

Plot summary

The Independence sinks near Cape Hatteras (pictured).

The story opens with the unnamed narrator recounting a summer sea voyage from Charleston, South Carolina, to New York City aboard the ship Independence. The narrator learns that his old college friend Cornelius Wyatt is aboard with his wife and two sisters, though he has reserved three state-rooms. After conjecturing the extra room was for a servant or extra baggage, he learns his friend has brought on board an oblong pine box: "It was about six feet in length by two and a half in breadth." The narrator notes its peculiar shape and especially an odd odor coming from it. Even so, he presumes his friend has acquired an especially valuable copy of Leonardo da Vinci's The Last Supper. The narrator has never met Wyatt's wife but heard she is a woman of "surpassing beauty, wit, and accomplishment".

The box, the narrator is surprised to learn, shares the state-room with Wyatt and his wife, while the second room is shared by the two sisters. For several nights, the narrator witnesses his friend's surprisingly unattractive wife leaving the state-room every night around 11 o'clock and going into the third state-room before returning first thing in the morning. While she is gone, the narrator believes he hears his friend opening the box and sobbing, which he attributes to "artistic enthusiasm".

As the Independence passes Cape Hatteras it is caught in a terrible hurricane. Escape from the damaged ship is made via lifeboat, but Wyatt refuses to part with the box. He issues an emotional plea to Captain Hardy but is denied. Wyatt returns to the ship, and ties himself to the box with a rope. "In another instant both body and box were in the sea—disappearing suddenly, at once and forever."

About a month after the incident, the narrator happens to meet the captain. Hardy explains that the box had, in fact, held the corpse of Wyatt's recently deceased young wife. He had intended to return the body to her mother but bringing a corpse on board would have caused panic among the passengers. Captain Hardy had arranged, then, to register the box merely as baggage. As both Wyatt and his wife were already registered as passengers, a maid posed as the wife so as not to arouse suspicion.

Background

In writing "The Oblong Box", Poe recalled his experience while stationed as a soldier at Fort Moultrie many years earlier by setting the ship's embarking point as Charleston, South Carolina to New York.[1] The Charleston area is also referenced in Poe's stories "The Gold-Bug" and "The Balloon-Hoax".[2] Just a few months before the publication of "The Oblong Box", Poe experienced his own sea voyage when he moved to New York via steamboat. His wife, Virginia, had begun showing signs of her illness about two years before in 1842.[3] "The Oblong Box" was in part based on the murder of Samuel Adams by John C. Colt, brother of Sam Colt, a story which dominated the New York press at the time;[4][5][6] John C. Colt disposed of Adams' body by putting it in a crate and filling it with salt.[7] The name of the character Wyatt was likely derived from Professor Thomas Wyatt, an author whose work Poe translated in The Conchologist's First Book.[8]

Publication history

Poe originally offered "The Oblong Box" to Nathaniel Parker Willis for the New Mirror, but Willis suggested it was better suited for the Opal, a gift book edited by Sarah Josepha Hale.[9] It was first published on August 28, 1844, in the Dollar Newspaper in Philadelphia.[10] It was also published in the September 1844 issue of Godey's Magazine and Lady's Book,[10] also edited by Hale.[9] The story was also reprinted in The Broadway Journal, in the Saturday, December 13, 1845, edition.[11]

Analysis

Poe biographer James Hutchisson equates "The Oblong Box" with Poe's series of "tales of ratiocination" or detective fiction stories, a series which includes "The Murders in the Rue Morgue".[12] Scott Peeples compares "The Oblong Box" to this genre as well but notes that it is not strictly a detective story because it did not emphasize the character of the detective and his method.[13] He also notes that the protagonist is "bumbling" because he allows his personal opinions to taint the physical evidence, leading him to incorrect conclusions.[13] In On Poe, scholar J. Gerald Kennedy saw the story as a satire. He wrote, "Though not a major work in the Poe canon, 'The Oblong Box' delivers, through the narrator's grotesque misinterpretations, a clever satiric version of the detective hero."[14]

Adaptations

NBC Short Story aired a dramatic reading of "The Oblong Box" in the 1950s. It is available at archive.org.[15]

A 1969 film directed by Gordon Hessler starring Vincent Price carries the name The Oblong Box.[16] It is a loose adaptation of Poe's story.[17]

The CBS Radio Mystery Theater, which ran from January 1974 to December 1982, did an adaptation of "The Oblong Box" which aired on January 8, 1975. It is available at archive.org.[18]

References

  1. ^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 1992: 35. ISBN 0815410387
  2. ^ Poe, Harry Lee. Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories. New York: Metro Books, 2008: 35. ISBN 978-1435104693
  3. ^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-Ending Remembrance. Harper Perennial, 1991. ISBN 0060923318
  4. ^ Walsh, John (1968). "Poe the detective: the curious circumstances behind The mystery of Marie Roget". Literary Criticism. Rutgers University Press: 2. The Oblong Box" (not a story of crime as Poe told it) is based in part on the murder of the printer Samuel Adams by John C. Colt— which succeeded the death of Mary Rogers as the leading sensational topic for the American press
  5. ^ Vierra, Clifford (1959). "Poe's 'Oblong Box': Factual Origins". Modern Language Notes. 74 (8): 693–695. doi:10.2307/3040388. JSTOR 3040388.
  6. ^ Carley, C.V. (1957). Clarence Gohdes (ed.). "A Source for Poe's Oblong Box". American Literature. Duke University Press. 29: 310.
  7. ^ Lawson 1914, p. 460
  8. ^ "Miscellaneous Notes on Poe". Modern Language Notes. Vol. xxviii. Johns Hopkins University Press. March 1913. p. 67. Retrieved February 16, 2019.
  9. ^ a b Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. Baltimore: The Johns Hopkins University Press, 1998: 417. ISBN 0801857309
  10. ^ a b Sova, Dawn B. Edgar Allan Poe: A to Z. Checkmark Books, 2001. p. 175. ISBN 081604161X
  11. ^ "The Oblong Box" in The Broadway Journal, December 13, 1845. Susan Jaffe Tane Collection. Retrieved 2020-12-01.
  12. ^ Hutchisson, James M. Poe. Jackson: University Press of Mississippi, 2005. ISBN 1578067219
  13. ^ a b Peeples, Scott. Edgar Allan Poe Revisited. New York: Twayne Publishers, 1998: 123. ISBN 0805745726
  14. ^ Budd & Cady 1993, p. 181.
  15. ^ "The Oblong Box radio drama from NBC Short Story". Internet Archive\. Retrieved 22 October 2017.
  16. ^ Senn 2007, pp. 516–18.
  17. ^ Moreland 2017, p. 173.
  18. ^ "The Oblong Box radio drama from CBS Radio Mystery Theater". Internet Archive. Retrieved 22 October 2017.

Sources

External links

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