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The Ninth Gate

From Wikipedia, the free encyclopedia

The Ninth Gate
Ninth gate ver3.jpg
Theatrical release poster
Directed byRoman Polanski
Produced byRoman Polanski
Screenplay by
Based onThe Club Dumas
by Arturo Pérez-Reverte
Starring
Music byWojciech Kilar
CinematographyDarius Khondji
Edited byHervé de Luze
Production
company
Distributed by
Release date
  • 25 August 1999 (1999-08-25) (France)
  • 27 August 1999 (1999-08-27) (Spain)
  • 10 March 2000 (2000-03-10) (United States)
Running time
133 minutes[1]
Country
LanguageEnglish
Budget$38 million[3]
Box office$58.4 million[3]

The Ninth Gate is a 1999 mystery thriller film directed, produced, and co-written by Roman Polanski. An international co-production between the United States, Portugal, France, and Spain, the film is loosely based upon Arturo Pérez-Reverte's 1993 novel The Club Dumas. The plot involves the search for a rare and ancient book that purportedly contains a magical secret for summoning the Devil. The premiere showing was at San Sebastián, Spain, on 25 August 1999, a month before the 47th San Sebastian International Film Festival. Though critically and commercially unsuccessful in North America, where reviewers compared it unfavorably with Polanski's supernatural film Rosemary's Baby (1968), The Ninth Gate earned a worldwide gross of $58.4 million against a $38 million budget.

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Transcription

Contents

Plot

Dean Corso (Johnny Depp), a New York City rare book dealer, makes his living conning people into selling him valuable antique books for a low price, and then re-selling them to private collectors. Corso meets with wealthy book collector Boris Balkan (Frank Langella), who has recently acquired a copy of The Nine Gates of the Kingdom of Shadows by 17th-century author Aristide Torchia, one of only three extant copies. The author adapted the book from one written by the Devil himself, and was burned for heresy. "The Nine Gates" purportedly contains the means to summon the Devil and acquire invincibility and immortality. Balkan believes two of the three copies are forgeries. He hires Corso to check all three and acquire the legitimate one by any means necessary.

Balkan's copy was acquired from Andrew Telfer (Willy Holt), who killed himself soon after. Telfer's widow Liana (Lena Olin) seduces Corso, in a failed attempt to get the book back. Meanwhile, Corso leaves the book for safekeeping with bookseller Bernie Rothstein (James Russo), who is then murdered; his corpse is found posed like an engraving in The Nine Gates.

Corso travels to Toledo, Spain. The Ceniza brothers, book restorers who sold Balkan's copy to Telfer originally, show him that three of the nine engravings are signed "LCF", rather than "AT", which aligns with the rumors that Lucifer himself was Aristide Torchia's co-author, and implies Satan designed the three images personally.

Corso travels to Sintra, Portugal, to compare Victor Fargas' (Jack Taylor) copy of the book to Balkan's. To Corso's surprise, he discovers that the signature "LCF" is found in three different engravings, which vary in small but significant details from the "AT" images in the Balkan copy. The next morning, a mysterious young woman (identified only as "the Girl") (Emmanuelle Seigner) who appears to have been shadowing Corso since Balkan hired him, awakens Corso and leads him to Fargas' house. He finds the old man murdered and the "LCF"-signed engravings ripped out of that copy.

In Paris, Corso visits the Baroness Kessler (Barbara Jefford), who owns the third copy. At first, the Baroness refuses to cooperate, but Corso intrigues her with evidence that the engravings differ among the three copies. He explains his idea: each copy contains a different set of three "LCF"-signed engravings, therefore all three copies are required to acquire the complete set of 9 images for the ritual. Corso finds "LCF" on three different engravings in the Baroness's book, confirming his theory.

Kessler is killed, and the Girl rescues Corso from Liana's bodyguard. When Liana steals Balkan's copy from Corso's hotel room, he follows her, and witnesses her using the book in a Satanic ceremony. Balkan suddenly interrupts the ceremony, kills Liana, and leaves with the engraved pages and his own intact copy.

Corso pursues Balkan to a remote castle, depicted in one of the engravings, and finds Balkan preparing the final ritual. After a struggle, Balkan traps Corso in a hole in the floor. Balkan performs his summoning ritual: he arranges the engravings on a makeshift altar, and recites a series of phrases related to each of the nine engravings. Balkan then douses the floor and himself with gasoline and sets it alight, believing himself to be immune to suffering. Balkan's invocation fails, and he screams in pain as the flames engulf him. Corso frees himself, shoots Balkan, takes the engravings, and escapes.

Outside, the Girl appears and has sex with him by the light of the burning castle, her eyes and face seeming to change as she writhes on top of Corso. She tells him that Balkan failed because the ninth engraving he had used was a forgery. On her suggestion before she disappears, Corso returns to the Ceniza brothers' now vacant shop. By chance, he finds there the authentic ninth engraving. On it, there is a likeness of the Girl riding a multiple headed beast, reminiscent of the Whore of Babylon. With the last engraving in hand, Corso returns to the castle. He completes the ritual and crosses through the Ninth Gate into the light.

Cast

Production

Roman Polanski read the screenplay by Enrique Urbizu, an adaptation of the Spanish novel El Club Dumas (The Club Dumas, 1993), by Arturo Pérez-Reverte. Impressed with the script, Polanski read the novel, liking it because he "saw so many elements that seemed good for a movie. It was suspenseful, funny, and there were a great number of secondary characters that are tremendously cinematic".[4] Pérez-Reverte's novel, El Club Dumas features intertwined plots, so Polanski wrote his own adaptation with his usual partner, John Brownjohn (Tess, Pirates and Bitter Moon). They deleted the novel's literary references and a sub-plot about Corso's investigation of an original manuscript of a chapter of The Three Musketeers and concentrated upon Dean Corso's pursuing the authentic copy of The Nine Gates.[4]

Polanski approached the subject skeptically, saying, "I don't believe in the occult. I don't believe. Period."[5] Yet he enjoyed the genre. "There [are] a great number of clichés of this type in The Ninth Gate, which I tried to turn around a bit. You can make them appear serious on the surface, but you cannot help but laugh at them."[5] The appeal of the film was that it featured "a mystery in which a book is the leading character" and its engravings "are also essential clues".[6]

In reading El Club Dumas, Polanski pictured Johnny Depp as "Dean Corso", who joined the production as early as 1997, when he met Polanski at the Cannes Film Festival, while promoting The Brave.[7] Initially, he did not think Depp right as "Corso", because the character was forty years old (Depp at the time was only 34). He considered an older actor, but Depp persisted; he wanted to work with Roman Polanski.[8]

The film press reported, around the time of the North American release of The Ninth Gate, creative friction between Depp and Polanski. Depp said, "It's the director's job to push, to provoke things out of an actor".[8] Polanski said of Depp, "He decided to play it rather flat, which wasn't how I envisioned it; and I didn't tell him it wasn't how I saw it". Visually, in the neo-noir genre style, rare-book dealer Dean Corso's disheveled grooming derives from Philip Marlowe, Raymond Chandler's quintessential literary private investigator.[5]

Polanski cast Frank Langella as Boris Balkan based upon his performance as Clare Quilty in Lolita (1997). Barbara Jefford was a last-minute replacement for the German actress originally cast as the Baroness Frida Kessler, who fell sick with pneumonia, and after a second actress proved unable to learn the character's dialogue; with only days' notice, Barbara Jefford learned her part, spoken with a German accent.[4] Depp met his long-time partner Vanessa Paradis during the shooting.

Filming

The Ninth Gate was filmed in France, Portugal, and Spain in the summer of 1998. Selected prominent buildings in the film are:

Soundtrack

The Ninth Gate (Original Motion Picture Soundtrack)
Soundtrack album by Wojciech Kilar
Released16 November 1999
RecordedMarch 1999
Studio"Smecky" Studios, Prague
GenreSoundtrack
Length53:58
LabelSilva Screen SSD 1103
ProducerReynold da Silva, Gwen Bethel
Professional ratings
Review scores
SourceRating
Allmusic3/5 stars[10]
Filmtracks4/5 stars[11]

The musical score for The Ninth Gate was composed by Wojciech Kilar, who previously collaborated with Polanski on Death and the Maiden (1994). The film's main theme is loosely based upon Havanaise, for violin and orchestra, by Camille Saint-Saëns;[12] some of the score has a vocalization (specifically, a melodic aria) by Korean soprano Sumi Jo.[13] A soundtrack album was released on 16 November 1999 via Silva Screen label.

Release

Box office

The premiere screening of The Ninth Gate was in San Sebastián, Spain, on 25 August 1999; in North America, it appeared in 1,586 cinemas during the 10 March 2000 weekend, earning a gross income of $6.6 million, and $18.6 million in total. Worldwide, it earned $58.4 million against a $38 million production budget.[3]

Critical response

The Ninth Gate holds a 42 % rating at Rotten Tomatoes and a score of 44/100 on Metacritic. Roger Ebert said the ending was lackluster, "while at the end, I didn't yearn for spectacular special effects, I did wish for spectacular information — something awesome, not just a fade-to-white".[14] In his review for The New York Times, Elvis Mitchell said the movie was "about as scary as a sock-puppet re-enactment of The Blair Witch Project, and not nearly as funny".[15] Entertainment Weekly rated the film "D+", and Lisa Schwarzbaum said it had an "aroma of middle-brow, art-house Euro-rot, a whiff of decay and hauteur in a film not even a star as foxed, and foxy, as Johnny Depp, himself, could save".[16] In the Los Angeles Times, Kenneth Turan said the film was "too laid-back, and unconcerned about the pacing of its story to be satisfying", because "a thriller that's not high-powered, is an intriguing concept, in reality it can hold our attention for only so long".[17] In the Village Voice, J. Hoberman said the film was "barely releasable hokum, stuffed with cheesy blah-blah".[18] European reviews were generally more attentive and praised the film's pace and irony.[19][20]

In Sight and Sound magazine, Phillip Strick said it was "not particularly liked at first outing — partly because Johnny Depp, in fake grey temples, personifies the odious Corso of the book a little too accurately — the film is intricately well-made, deserves a second chance, despite its disintegrations, and, in time, will undoubtedly acquire its own coven of heretical fans".[21]

In Time magazine, Richard Corliss said that The Ninth Gate was Polanski's most accessible effort "since fleeing the U.S. soon after Chinatown".[22]

In the San Francisco Chronicle, Bob Graham said that "Depp is the best reason to see Polanski's satanic thriller" and "Polanski's sly sense of film-noir conventions pokes fun at the genre, while, at the same time, honoring it".[23]

On his website Groucho Reviews, web critic Peter Canavese called the film "an insinuating trip into devilish darkness" and a "sorely underrated occult mystery".[24]

After the release of The Ninth Gate, Artisan sued Polanski for taking more than $1 million from the budget, refunds of France's value-added tax that he did not give to the completion bond company guaranteeing Artisan Entertainment a completed film.[25]

References

  1. ^ "THE NINTH GATE (15)". British Board of Film Classification. 17 January 2000. Retrieved 7 June 2015.
  2. ^ a b "La neuvième porte (FR) [Original title]". LUMIERE. Retrieved 6 May 2018.
  3. ^ a b c "The Ninth Gate". Box Office Mojo. 18 May 2007. Retrieved 18 May 2007.
  4. ^ a b c Hartl, John (5 March 2000). "The Ninth Gate Marks Return for Polanski". Seattle Times.
  5. ^ a b c Howell, Peter (3 March 2000). "Polanski's Demons". Toronto Star.
  6. ^ Arnold, Gary (11 March 2000). "Polanski's Dark Side". Washington Times.
  7. ^ Archerd, Army (10 February 1998). "Polanski opens Gate". Variety.
  8. ^ a b Schaefer, Stephen (10 March 2000). "The Devil and Roman Polanski". Boston Herald.
  9. ^ www.imdb.com Filming locations for The Ninth Gate. Retrieved 18 January 2013.
  10. ^ Phares, Heather. The Ninth Gate at AllMusic
  11. ^ "Filmtracks: The Ninth Gate (Wojciech Kilar)". www.filmtracks.com.
  12. ^ "The Ninth Gate (1999) - Soundtracks". Retrieved May 2013. Check date values in: |accessdate= (help)
  13. ^ Phares, Heather. "The Ninth Gate". allmusic.com. Retrieved 18 May 2007.
  14. ^ Ebert, Roger (10 March 2000). "The Ninth Gate". Chicago Sun-Times. Retrieved 18 May 2007.
  15. ^ Mitchell, Elvis (10 March 2000). "Off to Hell in a Handbasket, Trusty Book in Hand". The New York Times. Retrieved 9 November 2007.
  16. ^ Schwarzbaum, Lisa (17 March 2000). "The Ninth Gate". Entertainment Weekly. Retrieved 9 April 2009.
  17. ^ Turan, Kenneth (10 March 2000). "The Ninth Gate". Los Angeles Times. Archived from the original on 29 September 2009. Retrieved 9 April 2009.
  18. ^ Hoberman, J (14 March 2000). "Missions Impossible". Village Voice. Retrieved 9 April 2009.
  19. ^ "Die neun Pforten".
  20. ^ "Die neun Pforten".
  21. ^ Strick, Philip (September 2000). "The Ninth Gate". Sight and Sound. Archived from the original on 14 February 2006. Retrieved 18 May 2007.
  22. ^ Corliss, Richard (27 March 2000). "The Ninth Gate". Time. Retrieved 9 April 2009.
  23. ^ Graham, Bob (10 March 2000). "Summoning Silliness". San Francisco Chronicle. Retrieved 9 April 2009.
  24. ^ Canavese, Peter. "The Ninth Gate (1999) [*** 1/2]".
  25. ^ Shprintz, Janet (18 July 2000). "Artisan Sues Polanski, Alleges He Took Money". Variety. Retrieved 22 May 2007.

External links

This page was last edited on 17 November 2018, at 20:07
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