| The Listening Post | |
|---|---|
 Title card | |
| Created by | Al Jazeera English |
| Presented by | Richard Gizbert |
| Country of origin | United Kingdom |
| No. of episodes | 359 |
| Production | |
| Executive producer | Meenakshi Ravi |
| Production location | London |
| Running time | 30 minutes |
| Original release | |
| Network | Al Jazeera English, Al Jazeera America |
| Release | November 2006 – present |
The Listening Post is a current affairs programme with a focus on media analysis and critique. It broadcasts on Al Jazeera English, and is filmed and produced from AJE's hub in London at the Shard.
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Noam Chomsky's Manufacturing Consent revisited | The Listening Post
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Transcription
History
The Listening Post is one of the longest-running programmes on Al Jazeera English. It is a weekly broadcast that analyses current affairs by examining the ways in which stories, issues and events are reported in the media.
The show’s specialism is media analysis and critique and the global breadth of its coverage - with reports ranging from Rupert Murdoch’s hold on media in Australia, the war of media narratives between Russia and the West to the rise of anti-Muslim rhetoric in India.
The show's presenter is Richard Gizbert. Gizbert, a veteran of ABC News. Gizbert conceptualised and pitched the show to the network and was recruited in April 2006, in the run up to the channel’s launch.[1] Stand-in hosts in Gizbert’s absence have been former Al Jazeera news anchor Barbara Serra and the show’s executive producer Meenakshi Ravi.
The Listening Post often has its producers on the air for ‘Feature’ and ‘Radar’ segments. Tariq Nafi, Johanna Hoes, Nic Muirhead, Ahmed Madi , Florence Phillips and Meenakshi Ravi write and present such segments.
Format
The aim of the show is to look at the global media industry - spanning journalism to popular culture - with a critical, analytical eye. "The Listening Post aims to monitor virtually all forms of media, from networks to bloggers, and report on what they do or do not cover."[1] The show is broken into 4 main segments. Each episode presents:
- Two in-depth reports - one in each half of the show: The 'Lead' takes a key story of the week and dissects the media angles around it. This could be a significant media moment, analysis of the media landscape and how the ownership or control of media outlets affects the coverage, the impact of social media, etc. The 'Feature' focuses on trends in the media, stories not necessarily in the headlines but with interesting media components, etc.
- Radar: This segment used to be called 'News Bites' when the show started. It's a short segment separating the two main reports and looks at another media story or event of the week.
- Endnote: This is the closing segment of the show and showcases short videos of satire, commentary or even clips of state run media output that capture the absurdity of how media can be used by power. Sometimes this segment can feature recommendations of places where viewers can find information on certain topics or stories.
The show breaks format a few times a year to present full episodes on specific topics. Previous special episodes have marked a decade since the Arab Spring, and twenty years since 9/11. There have also been special episodes on the challenges facing the BBC, and the expanding Israeli surveillance
Analytical Style
The Listening Post's style is fast-paced and context rich.
The show's journalists take the initiative and responsibility for the analysis. Other broadcasters can seem to step back from responsibility by hosting interviews: this provides many assertions, but little analysis.
The Listening Post differs in that it tends to back up its arguments by evidence of actual media output. These examples illustrate how the press can often be conformist and subservient to those in power. In addition, the show has discussed a recurring journalistic tendency to regurgitate convenient 'factual' detail, without checking either the source of the material - and a possible agenda in offering it - or the methodologies, which can frequently be unscientific and specious.[2][3]
Critique
Aaron Barnhart of The Kansas City Star said: it "might be the best media-critique program in English anywhere."[4]
“So the next time you watch hungry Somalians on TV you might in a perverse way be pushing Africa into China’s arms. That is the power of media. If it wasn’t for the Listening Post, we’d never have never known that.” - News Laundry
Awards
| Award | Year | Category | Episode |
|---|---|---|---|
| The Telly Awards | 2023 | Bronze Winner - Travel/Tourism - Television | The Listening Post - The Listening Post - Destination Damascus |
| Foreign Press Association Awards | 2022 | Travel/Tourism Story of the Year | The Listening Post - Destination Damascus |
| Foreign Press Association Awards | 2021 | Arts & Culture Story of the Year | The Listening Post- Battle for the BBC |
| Promax BDA Awards | Gold Award - Art direction and design: news program promotion package | 2015 |
Selected Episodes
The shows most popular episodes have covered a wide range of geographies,often bringing global focus to underrepresented media stories. Some of the popular episodes and segments are:
- Why Youtube is blowing up in India
- China: Covering the Coronavirus Contagion
- How Turkish TV's Ottoman phenomenon Ertuğrul went global
- The media backstory behind Malaysia's 1MDB corruption case
- Why Russian media is turning on its military
- Why did Pakistan’s Geo TV go dark
- Noam Chomsky's Manufacturing Consent revisited
References
- ^ a b Day, Julia (4 April 2006). "Al-Jazeera International hires Gizbert". The Guardian. Retrieved 13 November 2011.
- ^ Rae, Ali (March 2015). "Telling the other side of the story with Al Jazeera". CfCSC Newsletter. Retrieved 10 July 2019.
- ^ Hendrikx, Bart (28 March 2018). "Media Theorised: reading against the grain". Retrieved 10 July 2019.
- ^ Barnhart, Aaron (1 July 2007). "Al-Jazeera: One channel could make a world of difference". The Kansas City Star. Retrieved 13 November 2011.
External links
This page was last edited on 17 March 2024, at 05:29