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The Light in the Dark

From Wikipedia, the free encyclopedia

The Light in the Dark
Title Frame
Directed byClarence Brown
Written by
Produced byHope Hampton (producer)
StarringLon Chaney
Hope Hampton
Cinematography
Production
company
Hope Hampton Productions
Distributed byAssociated First National Pictures
Release date
  • September 3, 1922 (1922-09-03)
Running time
63 minutes (7 reels, 7,600 ft.)
33 minutes (edited version)
CountryUnited States
LanguageSilent (English intertitles)

The Light in the Dark (later re-edited into a shorter version called The Light of Faith) is a 1922 American silent drama film directed by Clarence Brown and stars Lon Chaney and Hope Hampton.[1][2] A still exists showing Lon Chaney in the role of Tony Pantelli.[3] Some scenes (mostly showing the Holy Grail glowing) were filmed in Color.

The original 63-minute feature film was later re-edited into a condensed 33-minute version retitled The Light of Faith, that was circulated to schools and churches in the 1920s. A Rhode Island film distributor specializing in religious subjects acquired the film in the mid-20's and re-edited it to 33 minutes, retitling it THE LIGHT OF FAITH, which emphasized the subplot involving the Holy Grail. Thankfully, state law required that films for schools and churches (the major market for that distributor) be printed on the nonflammable safety stock, so this multi-tinted version exists today. That is the only version that has survived, since the full-length 63-minute version no longer exists. (There is a rumor that the full-length version has been recently found intact, but if it has, it has never been made available on DVD or video.)

Years later, a 70-minute reconstruction was produced by the International Museum of Photography and Film at the George Eastman House.

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Transcription

Plot

Coat check girl Bessie MacGregor (Hope Hampton) is struck by the car of wealthy society woman Mrs. Templeton Orrin (Teresa Maxwell-Conover), who takes Bessie into her home while she recovers. Mrs. Orrin's brother, J. Warburton Ashe (E.K. Lincoln), says he loves Bessie and flirts with her, but when she learns he isn't serious about her, she flees the home, heartbroken.

(* This is where the 33-minute version starts: Bessie rents a room in a boarding house with her last dollar, then tries to find a job. Unable to find work, Bessie collapses from hunger one day in the boarding house in which she is staying. The landlady, Mrs. Flaherty (Dorothy Walters) and another boarder, a cheap hood named Tony Pantelli (Lon Chaney) start to nurse Bessie back to health. Tony is in love with Bessie but hides his affections because he feels she is too good for him. A doctor diagnoses Bessie with a heart problem and tells her to remain in bed as much as possible.

Ashe, realizing he was wrong in his treatment of Bessie, has no idea where she has gone so he heads off on a trip to England to try to forget about her. During a hunting expedition, he finds a mysterious chalice in the ruins of a monastery that the locals believe to be the Holy Grail. Mrs. Orrin urges her brother to return home to find Bessie, and he brings the Holy Grail back to New York with him.

(* This segment is not in the condensed version: Seeing Bessie needs medical care, Tony Pantelli tries to raise money by stealing the chalice and selling it to a pawnshop. The police later recover the chalice in a raid on the pawnbroker's shop. News of the cup's mysterious healing powers, and the way it glows in the dark, reaches the newspapers. The police return it to Ashe, who keeps it in his home on a mantle shelf.

(* The edited version picks up again here: From her sick bed, Bessie reads about Ashe finding the Holy Grail in a newspaper. After Bessie tells Tony the legend of the Holy Grail, he steals the chalice, this time planning to use its magical powers to cure Bessie's heart failure. She touches the glowing cup and makes an instant recovery, but Tony is caught with the goods and put on trial for the theft. During the trial, Bessie and Ashe are reunited, and when Ashe has a religious conversion upon seeing the cup glow in the courtroom, he refuses to press charges against Tony who is released from custody. Tony leaves the courthouse heartbroken, after watching Bessie and Ashe embracing. Tony saved Bessie's life and reunited the two lovers, but at the end of the film, he walks out of the courthouse all alone.

(* The following scene was allegedly in the long version of the film: Later, the pawnbroker, now in Sing Sing prison, confesses that the mysterious glow was from some radium he had placed in the chalice.)

Cast

(Some of these actors might not appear in the 33-minute version)

Publicity Photo
The Light of Faith

Production

The Light in the Dark was filmed in New York City and at the Paragon studio in Fort Lee, New Jersey in December 1921. The world premiere was held at the Strand Theatre in Niagara Falls, NY.[4][5]

Reception

"In introducing the new process of color photography, Associated First National has made doubly secure an offering that from the standpoint of material and treatment promises to give wide satisfaction ... It has a penetrating theme and a symbolic beauty...Lon Chaney has the type of role in which he has proven exceptionally skillful. His is a real sympathetic contribution." ---Moving Picture World[3]

"If its story possessed half the merit of its technical equipment, it might have proved a world-beater. It doesn't, so it isn't ... Mr. Chaney is a somewhat more kindly crook than is his wont, and Mr. Lincoln struggles along in the fat, but unconvincing hero role." ---Variety[3]

"By all means the best picture in which Hope Hampton has ever appeared, The Light in the Dark has A-1 merits as a box-office attraction. Lon Chaney as usual is the crook par excellence and adds another striking portrayal to his gallery of characters." ---Exhibitors Trade Review[6]

"(The film) is better handled by Hope Hampton than anything she has ever done. Lon Chaney, excellent actor that he is, does splendid work as an Italian who in a simple way loves the heroine. His work is very good."---Film Daily[6]

References

Notes

  1. ^ Blake 1998, p. 119.
  2. ^ Anderson 1971, p. 181.
  3. ^ a b c Mirsalis, Jon C. "The Light in the Dark." lonchaney.org, 2008. Retrieved: May 9, 2016.
  4. ^ Blake 1997, p. 111.
  5. ^ "Stardust and The Light in the Dark". Exhibitors Herald. New York City: Exhibitors Herald Company. 13 (26): 84. December 24, 1921. Retrieved October 23, 2023.
  6. ^ a b Blake,Michael F. The Films of Lon Chaney. Vestal, New York: Vestal Press, 1998. ISBN 978-1-5683-3237-6.

Bibliography

  • Anderson, Robert Gordon. Faces, Forms, Films: The Artistry of Lon Chaney. South Brunswick, New Jersey: A. S. Barnes, 1971. ISBN 978-0-4980-7726-5.
  • Blake,Michael F. The Films of Lon Chaney. Vestal, New York: Vestal Press, 1998. ISBN 978-1-5683-3237-6.
  • Blake,Michael F. A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures. Vestal, New York: Vestal Press, 1997. ISBN 978-1-8795-1121-7.

External links

This page was last edited on 18 February 2024, at 07:45
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