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The Impossible Astronaut

From Wikipedia, the free encyclopedia

214a – "The Impossible Astronaut"
Doctor Who episode
Cast
Others
Production
Directed byToby Haynes
Written bySteven Moffat
Script editorCaroline Henry
Produced byMarcus Wilson[1]
Executive producer(s)
Music byMurray Gold
Production code2.1
SeriesSeries 6
Running time1st of 2-part story, 45 minutes
First broadcast23 April 2011 (2011-04-23)
Chronology
← Preceded by
"Space" and "Time" (mini episodes)
"A Christmas Carol" (episode)
Followed by →
"Day of the Moon"
List of Doctor Who episodes (2005–present)

"The Impossible Astronaut" is the first episode of the sixth series of the British science fiction television series Doctor Who. The episode was written by show runner Steven Moffat and directed by Toby Haynes. It was first broadcast on 23 April 2011 in the United Kingdom on BBC One, the United States on BBC America and in Canada on Space. It also aired in Australia on ABC1 on 30 April 2011. The episode features alien time traveller the Doctor (Matt Smith) and his companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), and is the first of a two-part story, which concluded with "Day of the Moon" on 30 April.

In the episode, the Doctor, Amy, Rory and the archaeologist River Song (Alex Kingston) are summoned together by a version of the Doctor from 200 years in his future. Trying to understand the enigmatic hints about "Space 1969" the older Doctor mentioned and a man they meet in 2011 called Canton Everett Delaware III (Mark Sheppard in 1969 and William Morgan Sheppard in 2011), they travel to the United States in 1969 and discover a scared girl (Sydney Wade) who is trapped inside a spacesuit. The team deals with the Silence, a religious order of aliens which has members who can make people forget their encounter with them when they look away.

The Silence was created to compete with other past aliens in terms of "scariness," including the Weeping Angels. The episode was partially filmed on location at Lone Rock, Utah, the first time in Doctor Who that principal photography took place in the United States. The episode was seen by 8.86 million viewers in the United Kingdom, and received generally positive reviews from critics. "The Impossible Astronaut" gained an Appreciation Index of 88 – considered excellent. The episode was dedicated to Elisabeth Sladen, known for playing former companion Sarah Jane Smith, who died from cancer on 19 April 2011.

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Transcription

>> Mario: Hello. Good afternoon everyone. My name is Mario [inaudible]. I'm originally from Mexico and I work in Platforms here as a software engineer. This is part of my 20 percent and today we have a great speaker. Just to give you a little bit of background, a couple of Googlers got together about a year ago and we said, "Why can't we do different at Google to spread role models?" And it was very, very easy we say, "Why don't we invite them to speak at Google and we put them on YouTube." And we created a channel and we have tons of visitors, but today we are really, really honored just not to have a role model, but one of the greatest role models in the Hispanic community. And today we hope you enjoy this talk. You still can go go/nasatalkquestion to ask questions on Dory. We have about 25 offices most of North America, Mexico City, São Paulo, Belo Horizonte, and-and Buenos Aires that are also listening to this talk remotely. So feel free to ask questions. We also have a couple of live questions at the end. The time is very short at the end so feel free to-to go to Dory if you can. And today we have an-an honor to introduce him, but in order to do so I'm going to hand off the mic to two great Googlers, one of them is Tiffany Montague. She runs all of our space related programs. She's going to talk a little bit about that and then Gonzalo Begazo is one of the founders of SEN. He's going to introduce the speaker today. So I hope you really enjoy this talk. [applause] >>Tiffany Montague: Thank you Mario. My name's Tiffany Montague. I manage our Space Initiative. Some of you might know me by my moment title which is the Commander of the Universe. [laughter] I-I used my incredible space powers today to summon actually not one but two astronauts. We have two astronauts here, Yvonne Cagle. [applause] I-I've always known that I wanted to be involved in the space business. In fact prior to Google I was in the space field. I was flying in a high altitude airplane as a flight test engineer at Johnson Space Center. I even applied for astronaut training twice and I didn't make it and I was heartbroken for about a day until I realized that there were two ways into the space community: one, NASA, the government and two, commercial space. And that's partly why Google is involved in-in the Space Initiatives. I've spent the fast, past several years cultivating some space projects that you are probably familiar with: one, our relationship with NASA, two, the Google Lunar X PRIZE. In the past 12 months alone we have launched some amazing products with NASA: Google Moon; Google Mars. And the Google Lunar X PRIZE is well on its way to success. I think it'll be won before 2015 and we have 22 teams, 22 global teams from around the world who are competing in a race to the moon. So why is Google involved in these space projects? Well, we are all technologists, all scientists, all engineers, and most of us are space enthusiasts, right? Yeah. We are also really strong supporters of openness: open source, open Internet. Why not open access to space, right? In the case of Google Lunar X PRIZE it's the largest incentive prize ever offered and the goal is not just technical achievement and the demonstration of lunar capability, it's investing in a future technological work force. And it's demonstrating a new space economy. And in my short conversation with Jose earlier today I learned that he shares those goals. But to do that we need to first remove this mental log jam that exists about the access to space; about whether it's possible to go to space and not be a government. We need to fundamentally change the public's perceptions about space exploration so that they know space should be open and accessible to everyone. And I don't know about you, but when I was a kid I was promised that in the future we would have robots and jet packs and we'd all be vacationing on the moon. Well it's 2010 and I'm ready. [laughter] So, I hope all this happens in our lifetimes, in my lifetime specifically. Otherwise we're gonna need a prize for cryogenics. [laughter] And with that I'll hand it off to my colleague Gonzalo. [applause] >>Gonzalo Begazo: Thank you very much, Tiffany. Hi everyone. My name is Gonzalo Begazo, I'm Director of Accounting and on behalf of Google and the Hispanic Google Network I'm extremely happy to introduce you, Mr. Jose Hernanez. Jose's an engineer and also a NASA astronaut. He was born in California a Mexican descendant and as a child he worked alongside his family and other farm workers in the fields of California moving from one town to another harvesting crops. He did not learn to speak English until he was 12 years old. It was until he was 41 that NASA finally accepted him into the Astronaut Training Program and later assigned him to the crew of the Space Shuttle Mission STS-128. Jose also served as a chief of the materials and processes branch of Johnson Space Center and received recognition for his work at Lawrence Livermore National Laboratory where he co-developed the first full field digital mammography imaging system proven to detect breast cancer at an earlier stage than previous techniques. He also worked in the international arena where he represented Lawrence Livermore and the U.S. Department of Energy in-on Russian nuclear non-prof, non-proliferation issues. He earned a BS in electrical engineering from the University of the Pacific, and MS in electrical and computer engineering from the University of California Santa Barbara and, where he was also awarded an honorary doctor of law degree in 2006. Jose created the Jose Hernandez Reaching for the Stars Foundation in December 2005, a non-profit organization. Having been raised by parents in-in a migrant jet [inaudible] family, Jose believes that all children despite family challenges should have the same educational opportunities he did. Inspired by Dr. Franklin Chang-Diaz who in the 19, in the 1980's became the first Hispanic-American astronaut, Jose now wants children to also become inspired to learn more about math and science. With that please let me introduce you Mr. Jose Hernandez. [applause] >>Jose Hernandez: Thank you, thank you Gonzalo for that kind introduction. And Tiffany I think Lockheed Martin just announced that they have their commercial jet packs. [laughter] They're a little expensive right now, but I think, I think, I think they're developing it pretty good and-and Mario, thank you very much and to the whole Hispanic Googlers Network for extending this invitation; also to my colleague Yvonne Cagle from NASA Ames. She's the one that actually put us in contact and she sent me the original email and of course when they said, "Google," I said, "Hey, I-I'm interesting in seeing what you guys are doing over here." And let me tell 'ya I spent the whole morning here and-and I wanna come work with you guys. [laughter] I mean this is, it's a, it's a neat place. You think NASA's neat, you guys, you guys, have it all man. It-it is neat. I think my colleague Ed Lu already beat me to it though. I think you guys already have your-your quota of one astronaut so whenever he moves on just make sure you guys give me a call, alright? But this is gonna be a little bit like church, okay? [laughter] I-I have, I have, I have a treat for you guys at the very end, but first you gotta listen to the sermon. [laughter] Okay? The treat, the treat at the very end, its gonna be, I have about an 18 minute video that summarizes my mission from last year. It was aboard, on board STS-128 Discovery and it was from August 28th of last year through September 11th. And we went all the way up to the International Space Station, connected with them, and we formed a-a group of seven of us from-from my crew and six from the station, the 13 of us were up in space simultaneously, which was somethin' very incredible. But-but before I do that I-I think I need to tell ya a little bit about myself so that, so that you guys can better appreciate what-what-what you guys are to the community, be, like it or not I think you guys are-are role models to our community. And-and I'm sure the 80/20 that you guys have the ability here a lot of you choose to use that 20 to go out in the community and do some good in terms of influencing our kids to get into science, technology, engineering, and math; get into the STEM fields. And I think that is, that is very important. I think the-the-the, I was listening to-to the White House when they were, they had this event for community colleges and I think it was Joe Biden said some quote that really stuck to me and-and that is the-the-the "countries that out educate us today are gonna out compete us tomorrow." And it's very important that we engage our kids into the STEM fields if were gonna remain competitive on a global basis. And so-so that's sort of the soapbox that I'm gonna get into that you guys are gonna have to put up with for the next 15-20 minutes and then, and then I'll give you guys the treat, alright? As was mentioned I come from a typical migrant farm working family. I'm first generation. I was born here in the States and-and so you would say, "Well, what's a typical migrant farm working family?" And let me, let me paint the scenery for you. It's actually quite simple. My parents came from Michaocan, the state of Michaocan in Mexico. If you, if you balance Mexico on a pin that center of mass there, that's where Michaocan's at. So we're dead center in Mexico. And every year my Dad would-would load up the kids in the car, there was four of us, and I was the youngest one, would load up the kids in the car, Mom as well and we would make a two day trip through Mexico, Northern Mexico all the way up to Southern California. We would reach Ontario near Los Angeles and we would spend about a month and a half there picking strawberries. That's how we would start the season. Then about month and a half later we would drive up to Salinas and then we would pick lechuga which is the lettuce. We would work in the hoe, hoeing with respect to thinning out sugar beets and whatever it was they were planting. And then after that we would then two months later move up to the Stockton area; Stockton, Tracy, Modesto. And we would hang out here the bulk of our time; start working in picking cucumbers, tomatoes, cherries, anything that was in season we picked it. And then after that November would roll around and now we would make what would be a two and half day trip back to Mexico. And we would cool our heels between November and February in Mexico and then that process would begin again and we would do that year after year. So you can see that that is why it took me until I was 12 years old to dominate the English language. I mean while we was being pulled out from different school districts throughout the year and-and so there was very little stability. And-and-and-and so I remember, I remember that-that-that one thing that my parents did different than what a typical migrant farm working family was in spite of their third grade education, was that they put a lot of emphasis in education. They didn't understand it, but they knew it was something good. And so Monday through Friday where ever we were we were in school. And Saturday and Sunday rolled around where ever we were we were working right aside Mom and Dad in the fields trying' to supplement the family income. And-and-and while a lot of kids looked forward to summer vacation, the Hernandez kids kinda hated summer vacation 'cause we knew what that signified -- [laughter] that represented we had to be out there in the fields seven days a week so that was no fun. I-I also remember, I also remember that my parents were very, very smart. I swear they would have made great psychologists 'cause-'cause one of the things that they always did is they did little things that kinda had a lot of strong, a strong message with respect to education. I remember every day when we used to, it almost turned out to be a game, but-but whenever we used to go home after a long day's work, for example if we were picking cucumbers you wear Levis and they get muddy in the morning and then they dry up during the day, the sun bakes 'em. I remember when we used to go home us kids used to play games see who could make their Levis stand up on themselves. [laughter] And we used to kid around that that's the person that worked the hardest that day, but actually it's, I always won 'cause I was always rolling around in the mud 'cause I was the youngest one, right so. But anyway I remember every day my Dad used to, we used to get in the back seat of the car after a long day's work, we were hot, sweaty, dusty, and before he start the car and like I said we used to, we used to make this a game 'cause we said, "He's gonna forget today. He's gonna forget." And before he put the key in the ignition he would look back and say, "How do you guys feel today?" And that was the message all, every day. And of course we would always say, "Well we're tired." And he'd say, "Well good." He says, "Remember this feeling 'cause if you don't go to school so I'm not gonna force you to go to school, but if you don't go to school, get good grades, this is what you're gonna do the rest of your life." And so it was pretty, a pretty powerful message. Also I remember each time we came home from school, each time we came home from school my Mom would always sit us on the kitchen table while she made her homemade tortillas and-and food for us to eat after school, she-she made sure that we finished our homework. And she helped us with our homework up to the third grade. After the third grade since that's all she went to school for I mean she couldn't help us anymore. But it only took me once though I figured out she was smart enough not to, not to help us, but she was smart enough to realize that we, if we, to know if we finished our homework or not. 'Cause it only took me one test -- [laughter] to test her out on that and a visit with the belt to-to -- [laughter] Not-not try it again. So I made sure I-I did finish my homework every day. But-but-but things, that's how it was when I was in, was small as-as I remember it. And things actually changed a bit when I was, when I was in about in second grade. I mentioned I'm, I was the youngest in the family and I was in the second grade and November rolled around and it was time to go to Mexico, right? And we, here we were in Stockton and-and my teacher tell, my Dad tells me, "Hey we're gettin' ready to go to Mexico," like he always did every year. "Get three months worth of homework," 'cause when we went to Mexico we self-studied ourselves. We did our own homework since Christmas vacation was around the corner and it wasn't worth it for us to go to school in Mexico, so we took three months worth of homework. And so I said, "Okay that's fine." So I went to school that day and I talked to my teacher Mrs. Yung, a-a young Chinese teacher; she was real tall, well I mean tall for a second grader 'cause she's actually short, but-but to a second grader she looked -- [laughter] she looked tall to me and anyway a beautiful young Chinese teacher and-and I told Mrs. Yung I said, "Mrs. Yung we're gonna to Mexico. Can I have my three months' worth of homework?" And-and then she looked at me and her eyes rolled, she rolled her eyes and of course she had been through this routine with my three other siblings 'cause they'd been through the second grade. So she knew the routine. But this time she said, "You know what? Tell your Dad and Mom that I'm coming home today to visit them." And I said, "Oh, okay." So that day I ran home. We lived about a mile and a half from school. You crossed railroad tracks, packing sheds, and all that and in those days you could walk to school for a mile and a half. I guess these days you'll get arrested for child abuse if you let your kid -- [laughter] your kid walk a mile and a half to school, right? But in those days it was alright. I remember I ran that day as fast as I could and I told my par, my parents I said, "Hey the-the teacher's gonna come today." And of course you get two separate reactions from your parents, right? [laughter] The first reaction is your Dad. First thing he starts doing, he starts taking off his belt -- [laughter] and says, "Alright boy, what'd you do?" [laughter] And I, I tell him, "I didn't do anything. I promise." He said, "You know it's gonna be twice as bad if she tells me what you did -- [laughter] if you don't tell me, right?" [laughter] [laughs] And I said, "I-I promise. I think it has to do with Mexico." And he said, "Okay, you better be right boy." He said, "You better be right." [laughter] I say, "Yeah." And of course the other reaction's completely opposite from the Mom, right? Mom, and if you're Hispanic you would understand this more, I think. But you get that home alone reaction from Mom. "The teacher's coming? We gotta clean the house!" [laughter] "We gotta cook a feast 'cause la maestra is coming." It's, the Hispanics have this big respect for educators and so, and so-so all the bells and whistles come out when they figure that the maestra was coming. And as I remember she came, we ate very good, I-I remember even telling my teacher, Mrs. Yung, I said, "You oughta come more often." [laughter] 'Cause we ate so well that day. And-and-and so, and so, and so she came and after-after dinner and everything in her words and-and I remember she used terms that my parents could understand because I was sort of helped interpret and-and she basically told my parents, she said, "Hey you guys oughta stay in one place. Don't live a nomadic life. Set root in one place so the trees can grow strong." And obviously the trees were the kids; the four kids 'cause she had had all four kids. And she said, "Look your kids, I've had all four of them they're-they're kind of bright and if you give 'em a chance they can be something when they grow up." And my parents to again, to their credit they-they-they actually took that advice. I mean We still went to Mexico that year, but we instead of coming back to Ontario and doing the-the migrant thing, we went straight to Stockton. And we started making Stockton our home. And then our three month trips started shrinking to about three weeks centered around Christmas holidays so we didn't miss a lot of school. And that's when our education started to get traction. And it was, it was also the fact that my parents, my Mom like I said she would have made a great psychologist, I mean she also put the burden on us with respect to gettin' an education 'cause she, she would never say, "Oh you know I hope you guys go to college. I hope you guys are gonna do this." She always said, "When." She sort of set that bit in our brain and she always said it was expected. We didn't know any better even though they only went to the third grade, we knew we had to go to college else our, we were gonna have to answer with our parents, to our parents. So-so-so that's when we started gettin' traction in our education 'cause we started gettin' a little bit more stability. And I-I guess the other thing, the question would-would say is well then how was it that you actually became an astronaut? Or what-what made you become an astronaut? And I think I could point to three events in my life that sort of took me to that, to that, to that point or to this road that I'm now walking on. The first, I think I have to give thanks to my migrant farm working background because I remember as a kid when we used to go work in the fields we used to go in the darkness of night right before dawn, before the sun comes up. You drive out to the fields. So you go out in country away from light pollution and my favorite part of the, of the trip was when we got there I was able to get out, it was dark and I could look up and no light pollution from city lights or anything and you could see the dark sky. And you could see the stars and they were, they almost like in 3D they were so clear. And-and so I just had that attraction to it. Probably didn't hurt the fact that Star Trek was on during that time. [laughter] But-but-but-but really that's what attracted me. And then, and then the next one was when I was about 10 years old. Unfortunately I'm old enough to remember the-the tail end of the Apollo program and I remember Apollo 17 very clear. We, as you guys are know or oh yeah you guys are so young you guys wouldn't know, but-but-but you guys may have read in the history books, how's that? [laughter] When there was an Apollo mission and there was a moon walk they would preempt programming on TV and you would have folks like Walter Cronkite narrate the moon walk. And of course the very last mission Apollo 17, everybody-everybody would stop and watch the mission and-and everybody in the U.S. and the world I imagine. And the Hernandez family was no different. Only difference is the fact that we had an old black and white TV and I'm not sure if you guys have seen pictures of those old black and white TV's, but they're those big consoles like a piece of furniture. They have a screen in the middle and integrated speakers, four little legs and a big honking knob to change the channel. That was our TV. Only difference with ours was that ours was black and white and-and snowy picture. And I remember sometimes you'd lose that horizontal sync, you get that bar in the picture, and so the only way to fix it is you hit it on the side and then it would stop. Now that was our TV. And at that time there wasn't any satellite TV programming, but we did have cable TV, but God forbid we have cable 'cause we couldn't afford it so we have the next best thing. We had what was called rabbit ear antennas to increase reception on top of the TV. And so of course whenever something important came on the family wanted a nice clear picture, right? So guess who they called to adjust the TV? I was, since I was the youngest one, right, I was the official channel changer. And I know, I know now why this happens but 'cause I'm an electrical engineer, but as soon as I grabbed the antennae guess what happened? The picture would improve, right? [laughter] And guess what my Dad would say? "Stay there." [laughter] So-so here I am in a contortionists mode trying to watch-watch TV while tryin' to keep Mom and Dad and my, the rest of my siblings happy and them watching a good, a good picture, right? And-and I also remember, I also remember whenever we needed to change the channel guess who the official channel changer was? It was yours truly, as well. And I remember one day when-when-when I went up for the umpteenth time to change the channel my, I figured I'd say okay I'm gonna say somethin' very subtle to my Dad 'cause you had to understand my Dad. You can't, you can't direct him to do anything or you'll get yourself slapped. But-but I would say I'm gonna do somethin' very political and just kinda say it very subtle as-as he sent me for the twelfth time to change the channel that day. I said, "Hey Dad you know you know they have those new TVs now that have remote control and they're color too." And-and then so I went quickly, I said I'm gonna go quickly and change the channel so he doesn't get mad at me. So I changed it. And then I went back and sat down and then he stood up and he looked at me and he kinda like a little pitiful little shake in his head -- [laughter] He says, "Son", he says, "why do I need a remote control when I have you?" [laughter] And then he said, "You-you want color?" He says, "You want color?" He says, "Use your imagination that way you can put any color you want." [laughter] That's that. So he had a practical answer for that. We kept our TV for the, for the next few years until it finally went out. That's when we got a new one. But-but I remember the images, the images that we saw on TV of the astronauts walking on the moon. I remember seeing them so vividly. It's one-sixth the gravity so when they were walking in their space, in their, in their lunar suits jumping and doing slow motion maneuvers it's, it kinda like captivated me. I sat down in front and watched. Then I would go outside and I would see the moon up there and I would stare at it for a few minutes, come back and watch, watch 'em again on TV. And then I would do that about four or five times. And that's when the-the actual idea for me came to say, "You know that's what I wanna be. I wanna be an astronaut." I'm sure every nine, ten year old kid at that age wanted to be an astronaut too. And that's the other thing I gotta give credit to my parents, is I shared that dream with them and instead of them saying, "Hey you're shootin' too high. Maybe you oughta just think about finishing high school going to college," they actually nurtured that dream. That's why I think they would have made good psychologists 'cause they-they fed that dream, they nurtured it. They said, "Anything's possible in this country," they said. "Just get yourself a good education and work hard. You put those two ingredients together you can do whatever you want." I'm sure knowing-knowing how my Dad is, I'm sure what he was thinking behind in the back of his head he was probably saying, "Poor guy doesn't stand a chance, but let's not burst his bubble." [laughter] But-but no, but they actually, they actually did nurture-nurture that dream and that's-that's when at the same time my education started to gain traction. So the third part, the third event that sort of what I call "sealed the deal" for me to become an astronaut was when I was a senior in high school. And that was when I heard over the radio that some guy named Franklin Chang hyphen Diaz got selected as the first Hispanic astronaut. And I said, "Wow." I said, "Chang," okay I wasn't too crazy about the Chang part but -- [laughter] But the Diaz, I could relate to the Diaz. [laughter] I mean that's like Hernandez. And so I started reading about him. I started reading about him and you know what I found out? I found out that there was many similarities between him and I. He came from a humble background from Costa Rica. He had brown skin like me. He spoke English with an accent like me. Yet he was a U.S. astronaut. And so I kinda got jealous. Jealous in a good way 'cause I said, "You know if he was able to do it, why can't I do it?" And that sort of empowered me. And that goes back to what you guys are here. You guys are also role models in your community. That if folks go out there, young kids go out there and see you, and you see kids like you, you empower them to say, "He looks just like me. He was able to do it. Why can't I do it?" And that, I think that's what's important. And so that's when I made the personal promise to myself to-to get selected and work as an astronaut. And so I went to college, Pacific. You guys heard my-my-my background in my work. I went Pacific, went to graduate school at Santa Barbara, and then started working down the road here at Lawrence Livermore National Lab. I worked here 14 years at Lawrence Livermore Lab. And I started applying to NASA. And-and Tiffany I applied 12 times. Twelve years in a row. So the-the-the other key is perseverance; it's perseverance. 'Cause I applied the first six years, I would just get a thanks, a postcard saying, "We received your application. Don't call us; we'll call you" kind of thing. [laughter] And-and-and-and so I just started building my career, my curriculum and started gettin' work of becoming a pilot, scuba diver, and doing work related to the space industry. And that's, six years into the process I got my first call. And the selection process is, is actually pretty simple; gettin' selected is the tough part, but the process is pretty simple. It-it-it's basically there's over 4,000 people that apply each year and they don't select a class every year. They'll select it every two or four years. And what they do is they review those 4,000 and then after that they'll select about 300 where they'll take a closer look at your application. If you have technical publications they'll ask for 'em so they can read 'em. They'll talk to your boss. After those 300 are reviewed they'll down select to 100. What I call "the 100 lucky ones." Because these 100 whenever there's a selection that year get invited to spend a week at NASA, the Johnson Space Center. And there you spend one week where you go through a series of psychological tests and make sure that you're not crazy and obviously we need some improvement in that process. [laughter] And-and-and also-also they go very detailed medical exams and I mean very detailed and I'm not sure if any, if there's any males over 40 but if-if you are over 40 you know what I'm talking about. [laughter] And then, and then, and then, and then it ends, it ends with a, it ends with a-a series of interviews with a panel of about 12 to 18 people. A lot of 'em sittin' astronauts. And then after that everybody goes home. And then from there about 20 percent get medically disqualified, usually eyesight, somethin' wrong with their ticker, or hearing's not up to standards that they need. And so from those 80, they'll probably select about 40 to do a-a serious medical, I mean a serious security background check; make sure you're paying your taxes, you're a good citizen and all that. From those 40 then they'll select anywhere from 10 to 18 astronauts for that particular class. And that's how the process is. So year six was my first year that I got invited. I was made it to that 100 and to that 80, to that 40, and then guess what? I didn't get selected. So that was in '98, right '98. So I had to wait another two years. I kept applying, kept applying. And then in 2000 again I made it to the 100, 80, 40. This time I didn't tell a lot of people 'cause then I didn't have to explain a lot as to why I didn't get selected. And it was a good thing I didn't because I didn't get selected. [laughter] And so, and so once again it, after eight years of applying and two interviews, I came out empty handed. So I just kept applying. Four years later I was invited before those four years after the eighth year I was invited to come and work at NASA as an engineer. I worked there and then four years later they did another selection round and, which is my twelfth year in the whole process. And that's when I finally got selected. That was 2004. So-so what happens then is-is your class shows up from all over the country; they come from all walks of life. They're researchers, they're engineers, they're doctors, geologists, from the military. And they show up as a class and they start training. So we train, 'cause obviously we're not, we're not qualified to for a space, be assigned to a space mission so we train for two years. Once you finish the training then you get a technical assignment and then you get assigned to a mission. So that's what happened to me. I showed up at 2004; trained for two years; 2006 had a technical assignment; and then in 2008 I got assigned to a mission. And then last year was when the mission was fully realized. And so-so-so the mission that we got selected, that I got selected for was STS-128. The actual, usually it doesn't match up that well, but in this particular case it did match up very well; 128 stands for the hundredth and twenty-eighth mission of the Space Shuttle Fleet. And it was aboard Discovery. I was the flight engineer because and I think it the coolest position because I sit right behind the-the commander and the pilot kind of like in the middle and I have the best seat of the house 'cause it's the panoramic view is what I call it as we take off into space. The Mission Specialist Number One is to my right and then, so that's four of us on the flight deck. And then on the mid-deck you'll-you'll see we'll have three astronauts there. Those are usually our space walkers 'cause they don't have any responsibilities during our ascent or descent of our mission, and so they're just sittin' there as passengers in the mid-deck. And then what you're gonna see is you're gonna see the-the actual launch sequence of our mission. We launched after several scrubs, we launched on August 28th about 11:30 at night; it was a night launch. And you're gonna see how-how the launch goes, the sequence goes. You're gonna see the three engines light up. Inside the way it feels is you-you hear the engines light up, you feel this gentle vibration as you're sittin' there, you've been up there for about three hours so you're ready to go. And-- [laughter] and believe me you're up there for three hours, right? And one of the things I wanna tell you is that you don't wanna screw up because if you launch you know that in eight and a half minutes you're up in space and you can go to the restroom and activate the restroom and go to the restroom up there. Whereas if they scrub, you gotta wait another hour and half be-before they finally extract you so you can go to the restroom. [laughter] So-so you're always crossing your fingers, "I hope we launch. I hope we launch." [laughter] And-and so, and so the way the launch sequence goes is-is-is they light up the three rocket, the three engines, you feel the vibration, and then about two seconds later the two solid rocket boosters light up. The-the noise level goes up in order of magnitude, the vibration is more violent. Just when you think the whole thing is gonna fall to one side and fall over, you feel a push in your back and you're off to the races. You're up, you're up accelerating and those two solid rocket boosters are only, they provide the thrust, the major thrust at the beginning. They're only lit up for two and half minutes. In two and half minutes explosive bolts separate them, parachutes come out on them, and they're recovered in the ocean by a boat that's waitin' for them. The three engines are fed by the-the main tank, the central tank that the big tank. It's actually two little tanks that-that-that has liquid oxygen and liquid hydrogen and they're feeding the three engines and they go on for another six minutes. And then, and-and at that point you're going 17,500 miles an hour; you're up about 280-300 miles up above, and you're going around the world every 90 minutes. And so we were up there 14 days. I, we went, which meant we went around the world 217 times, about 5.7 million miles. I wish we had frequent flies with programs -- [laughter] with the airlines 'cause then there would be, I would be sittin' pretty. But-but-but you'll see us. We rendezvoused with the International Space Station; physically docked to them, docked with them and then, and did our work, and then undocked and came back home. And so we start the video you can see what -- [pause] The first thing you're gonna see is you're gonna see our mission patch. That's the first order of business of any new crew. You gotta have a patch and you gotta design it and of course everybody's last name is on there and there was seven of us. We had three main objectives and I'll explain 'em as we go along. But right now the mission director is giving our commander the go ahead to go and launch. If-if the volume can go up. >>Mission Director:[unintelligible] Mother Nature is cooperating so it looks like [unintelligible] We wish you and your team good luck and Godspeed. [pause] >>unidentified voice: Godspeed, NASA, caption and the crew of Discovery. Thank you everyone who helped [unintelligible]. I'm gonna step up the signs on the International Space Station. >>unidentified voice: [unintelligible] Roger. [unintelligible] >>unidentified voice: Discovery, roger. [unintelligible] >>Jose Hernandez: This is the mid-deck guys; the three of 'em. [unintelligible] That's the three engines lighting up. [sound of Shuttle taking off] And the solid rocket boosters. >>unidentified voice: [unintelligible] five, six, seven [unintelligible] >>unidentified voice: This is Discovery all program. [sound of Shuttle taking off] >>unidentified voice: [unintelligible] Discovery. >>Jose Hernadez: The first four minutes is like an eticket ride in Disneyland. It's actually pretty-pretty neat. The second four and a half minutes the g-forces start building up and-and it feels -- >>unidentified voice: [unintelligible] Alright. >>Jose Hernadez: and it feels like first you have a newborn baby on-on your chest and that baby grows to like a 600 pound gorilla 'cause you-you have trouble breathing. There you see the two solid rocket motors separating. >>unidentified voice: Assist is just kickin' off. >>Jose Hernandez: The-the exhaustion of the three engines continuing on. >>unidentified voice: [unintelligible] Copy, Jose. [pause] >>unidentified voice: There it is. >>Jose Hernandez: It's-it's the exhaust -- >>unidentified voice: [unintelligible] your seat if you want to, do it. >>Jose Hernandez: And right there you saw the explosive bolts for the separation. >>unidentified voice: Alright. Good job. >>unidentified voice: Thanks. [unintelligible] I'm waitin' for the twenty second flood decks. >>Jose Hernandez: Next up you're gonna see is the separation from the external tank. The external tank is not, is not recoverable; it breaks up into pieces as it enters the atmosphere. >>unidentified voice: Started it at 56. I will release it at 16 after. [pause] >>Jose Hernadez: And then in eight and a half minutes we reach MECO, which is called main engine cut off. And there you can see that's me, that's waving there saying, "Hey, I can't believe we reached space here." Let me, being the good engineer and scientist that I am, "Let me do a test here." And first thing I do is I throw somethin' say, "Does this thing float?" [laughter] I said, "I guess we are in space." [laughter] One of our objectives was to take one of our crew mates, Nicole Stott, up to the International Space Station. We were gonna leave her up there for three months and bring back someone who had been up there for three months. The, once we get up there one of the first things we do is we open up the payload bay doors. We do that because the radiators are on the inside portion of the payload bay doors; they provide the cooling to our electronics equipment so it's very important we do that first. And then the folks that were down in the mid-deck; three folks that were down in the mid-deck start cleaning up the mid-deck. They remove and fold the chairs they were on and start making room. There's Danny Olivas, he's from El Paso. And they activate the galley and they activate the restroom, which you see right there. And-and-and then I myself start puttin' together the portable on-board computers. And these are the ones that are gonna help up during the rendezvous with the International Space Station. Our Commander C.J. Sturckow, he's the last one to get out of his pressure suit. While he does that other folks and I'm puttin' the computers together; other folks are puttin' other pieces of equipment together including the psychoergometer. Remember that there's zero-g, you're in micro-g environment so we have to keep our legs muscles strong so we exercise every day; there's a protocol. Every morning we do the same thing we do at home with respect to hygiene. We brush our teeth, we, those of us that need it, we shave. And-and then we look at what our day's assignment is for-for that day. One of, the next day we do what's called an orbital maneuver system burn, OMS burn, that bring us closer to the International Space Station for our rendezvous. There you see Nicole Stott with her binoculars looking at what's gonna be her home for the next three months. That's about 20 miles away as she was looking at it. And of course we get closer and closer. When we get about 600 feet we do a maneuver what's called a flip maneuver where the station folks are taking pictures of our underbelly. This is the perspective of the station crew as they see us approaching the-the International Space Station. We stop; we do the maneuver; they take high resolution pictures and that's to make sure we didn't suffer any damage on our thermal protection system, our belly, during ascent. Once we're cleared for that then they give us the go ahead for Prox Ops, Proximity Operations. And this requires a lot of high level crew resource management as we get in closer and closer into the, onto the International Space Station and basically dock, physically dock with them. >>unidentified voice: Maybe about point oh six. >>unidentified voice: Here comes a [unintelligible] >>unidentified voice: Okay. >>unidentified voice: Get it back -- >>unidentified voice: Yeah. That's okay. Yeah. >>unidentified voice: Good, a firm idea of what it is. >>unidentified voice: Exactly Techs warned us about that. >>unidentified voice: Okay. >>unidentified voice: I think you got it up to about -- >>Jose Hernadez: During docking our commander is the one that's in control. The pilot's giving him cues and I'm down at the computers giving them the-the rates which is the, which is the speed at which we're closing in; the-the distance – >>unidentified voice: Overlap. >>Jose Hernandez: and trajectory. [pause] And you'll see when we finally bump into the Station, you'll see us bump right there. >>unidentified voice: [unintelligible] fired. >>Jose Hernandez: At this point now we're waiting for the latches to latch onto the Station and then we're gonna get some confirming cues, some lights that tell us that capture is confirmed. >>unidentified voice: Alright. >>unidentified voice: Alright. Yeah. [astronauts clapping] >>various voices: Yea!!!! Alright! Good job! >>Jose Hernandez: We're happy that we didn't bounce off of the Station. This allows us to open our-our-our door that has access to the Station. The Station folks do the same thing at their end and there's a little a vestibule that basically serves as the interface between us and the International Space Station. So-so-so now the crew on the other side, Gennady Padelka was the commander, Russian. He rings the door, the-the bell that basically announces the arrival of a new crew. [sound of bell ringing] And so there's six of them there and seven of us. So that's 13 astronauts at once in space representing five countries. So truly a international affair there of-of us working together. You see how happy there, they are of seeing us. And I can tell you that they're happy not because we're such good buds, but these guys have been up there for about three or four months eating a bunch of dehydrated food and they know we've got fresh vegetables and fruit -- [laughter] So-so they're saying, "Oh yeah. What kind of food did you bring?" [laughter] One of the second objectives, the second objective of us was to take out the MPLM, Multi-Purpose Logistics Module which is basically a small portable lib, portable laboratory. It's more like a storage thing than anything where we-we pick it up out of the payload bay door with the robotic arm and then we install it on one of the ports of the Station. And you can see Kevin Ford had the honors of doing that. I had the honors of de-installing it and putting it back into the, onto the Shuttle. And once we do that it allows our colleagues to actually open the door from the inside of this MPLM and it gives us access to inside of it. You can see us wearing goggles and masks because for the first time someone's going in there in a zero-g environment. So there could be metal shavings, dust particulates, and it's not until the filtering system catches all that that we're allowed to go in there without any protection. Once we're allowed to go in there we begin the sequence of-of basically transferring over seven tons of material from that Multi-Purpose Logistics Module onto the International Space Station. And then we transfer about one ton of material back in which includes trash and any equipment that they no longer need on the Station. Nicole here you can see her take a, an experiment that she started on the Shuttle and transfers it to the Station because it's her experiment and she's gonna stay on the Station for the next three months, so all her experiments travel with her as well. And so here we are puttin' that together. Here you see us having a meeting. Really orientation is not an issue 'cause there is no right up or down so we basically meet in any orientation. [laughter] And we're just discussing what we're gonna to be doing the next day. And of course the next day is our first space walk. The first space walk was conducted by Danny Olivas and Nicole Stott. And-and you see Tim Kopra there. He's the one we traded for. He's the one that came home with us. But he and I have the dubious honor of making sure that these guys put on their space suits correctly because if you, if you see if you realize the space suit is the only thing that's gonna be keeping them alive. That's their space ship once they do their space walk. And we gotta make sure that the-the helmets are well sealed, the gloves, the boots are well sealed, the life support system is working properly, the computers are working properly, communications working properly, the cameras, the lights, everything's working before we give 'em the go to go outside. And so we go through all those checks. It's about a three hour process before they're even out the door. And-and so once we're convinced we get out; they depressurize; it allows 'em to open up the outside door and-and out they go. >>unidentified voice: See the interlock thermal cover is open. You can egress the airlock. Remember to avoid that MMOD [unintelligible]. >>unidentified voice: [unintelligible] >>Jose Hernandez: And we do have some cameras outside where, that we control and we see this through cameras. You can see Danny coming out and initiating the space walk. They always go out in pairs of two. You can see those yellow handles; those are the handles that astronauts translate in. And-and they move from-from-from module to module with those handles. One of the things that we do is since we don't have cameras everywhere, we do put cameras on their helmets and that way we can see what they're doing with respect to the work that they're doing. You can see here Danny's taking a picture of himself right now. [laughter] And-and, but-but it's-it's actually good way of us keeping track of what work they're doin'. And then when they have to move long distances or we have to take a lot of equipment with 'em, what we do is we attach 'em to the end of the robotic arm. And Kevin Ford and I were the ones that were operating the arm while they were conducting their space walks. So we would move 'em from place to place. And during that process you would stop and you would see just amazing scenery, but of course you gotta continue working as-as we went. And I mentioned that we, you-you go around the world every 90 minutes; that means you have 45 minutes of daylight; 45 minutes of nighttime. Just because it becomes nighttime we don't stop working. We just ask the astronauts to turn on their helmet lights and as they turn on their helmet lights they can continue working through the night. And-and-and then once daylight shows up again then they can turn off their-their helmet lights and they continue their work. But-but it's certainly a-a long process. It's about seven hours during a space walk. So these guys after-after that's done we let 'em back in and-and what we try to do is we try to extract them out of the space suits for as quickly as we can. They've been in the space suit for three hours for prep and then seven hours out there; that's 10 hours. They haven't eaten anything; they do have a camel bag of water that they drink. And I'm guessing if they did drink it I'm guessing they gotta go to the restroom. So we try to get 'em out of there as, as quickly as we can. And then we clean up the suits and get 'em ready for the next space walk 'cause they conducted a total of three-three space walks. Between three of the astronauts, Nicole, Danny Olivas, and Christer Fuglesang, who's a Swedish astronaut, they did that. Now while they're doing their space walks, other astronauts are doing other things throughout the mission. And one of the things is we're transferring that, those seven tons of material. Here-here you see is a treadmill. Remember Colbert wanted the naming rights of a module? [laughter] Well, guess what? NASA wasn't about to give him a whole module so we did the next best thing. We actually christened that the Colbert Treadmill so -- [laughter] so he got a treadmill named after him. And there's a little sticker in there that actually has his picture on there. But -- [laughter] but-but-but-but yeah we-we did name it after him. We installed it and-and-and for the astronauts to have an additional piece of equipment to exercise. And then we moved in the mat, the stuff that belonged to Tim Kopra into the MPLM because he was gonna come home with us. And then after emptying the-the front contents of the racks we rotate the racks and guess what there's a whole bunch of other equipment on the back side that we have remove. And we have to put things in the right order. There's a big effort in housekeeping on the International Space Station. In other words, whenever they say put this in this compartment, it's gotta be there because if you can't find it, it's like looking for a needle in a haystack. And then we use our feet as hands 'cause obviously we don't walk on in space so we sort of use it in novel ways to transport. Like right there he's transporting food trays from the MPLM to the International Space Station. And then once we make some room, we have some fun. It wouldn't be space if you couldn't have fun. And here Nicole and I are just enjoying the free space. Then I get this bright idea, I see these bungee cords there and I say, "Come here, Nicole." And then I push her and I say, "Let me get this on film." [laughter] Einstein was right; for every action there is an equal and opposite reaction. [laughter] And then we're not supposed to play with-with food, but we got an exception here so that we can make our space eyeball. It's a Lifesaver with water and Nicole, I mean and Tim Kopra takes care of it. [laughter] Okay, no self righteous Mexican would do this to a tortilla: peanut butter on one side and jelly on the other but -- [laughter] but it was Kevin Ford our pilot so we let him, we let him do it, but actually it tasted pretty good. I tasted it. Our-our Commander Marine gets a haircut every three days whether he needs it or not. [laughter] And then you wonder about hygiene. This is how we take showers and stuff; shampoo our hair we just put the shampoo on-on the hair, get a towel, rub it in, and dry it off, and we're good to go. When we take showers we just wet the towel and we do what's called a cowboy shower, just wet ourselves and then there. You need a Ph.D. to see why this thing rotates back and forth like that, but it's pretty interesting. Kevin Ford tried to explain to me I couldn't get it. So I said, "Well do it to me, see if that happens to me." But unfortunately it didn't work out like that. [laughter] But it was fun, though and nevertheless it was fun rotating like that. I said, "Let me film it on camera just so you guys can appreciate that perspective." And if you are wondering, yes I did get dizzy. [laughter] And then here-here I am at the robotics work station. Now I'm de-installing the MPLM and we're gonna install it back into the payload bay. And-and-and then the very last night that all 13 of us are together we have dinner together for the very first time. We usually we had dinner at different times since we were so busy. And of course there's a, it's international food. We had Mexican food, American, Russian food, French food, and it was just a good feast that we had that day. And of course some people like to show off their food eating skills; other people shouldn't show it off. [laughter] The sad thing is he had been up there the longest. [laughter] There you see us toasting, drinking water because it's from our urine processing assembly system. So yes, we do drink our urine and I promise it tastes just like water. [laughter] There you see Nicole Stott saying good bye because this is the, this is the last time we're gonna see her. She stays on the Station side; we stay on the, on-on-on the Discovery side and we close our doors and this allows us to initiate the undocking sequence. And believe it or not this little button is the one that does it all. >>unidentified voice: Looks good. >>Jose Hernadez: It initiates the sequence and then it initiates a process that is slow as molasses on a cold day where you then start separating yourself from the International Space Station. And actually the springs on the docking mechanism once you undo the hooks provide the initial push for us to separate. We try not to fire the jets a lot since we're right next to the Station. We don't want the plumes to contaminate our solar panels. And so we-we just try to minimize, use the small jets and minimize our movement. And like I said it takes about an hour or so too for us to fully come out to a position where we can actually use the normal jets. And-and during that time I'm-I'm-I'm staffing the computers that are giving us all the rendezvous information rates, distances, and trajectory and feeding that information to our-our pilot who is now at the controls of the Shuttle and-and-and watching our separation. In about-about 20 minutes you'll see us be about 20-30 feet away and which is about there and in about 15-20 more minutes we get a couple hundred feet away and we get a full view of the International Space Station. At that point we begin our own circular maneuver around the International Space Station, because now it's our turn to take high resolution pictures of the whole Station. The engineers on the ground are gonna go ahead and-and look at these pictures; make sure there's no micro-meteorite orbital debris hits on any part of the structure of the International Space Station. And that's the circular trajectory the one that I'm feeding to Kevin Ford; make sure that he's, he is indeed flying a circular pattern around. At this point he's-he's pretty much complete and he's happy as a clam 'cause that was a big maneuver for him. This then allows us to put on the-the pressure suits because we're ready to come home now and-and so we fire the jets; the atmospheric captures us and all of a sudden you start feeling gravity. And let me tell you after being 14 days in zero-g, gravity does suck. [laughter] There you see the, the-the fact that we went 25 times the speed of sound. We broke the mock 25 barrier as we come in. The Flight Director giving us last minute instructions. We were waved off of Kennedy Space Center for the second day in a row because of bad weather. So we ended up landing at Edwards Air Force Base. And Eric Boe, one of our fellow astronauts, is the Cap-Com. He's giving us all the winds, the weather, the data, the runway number for us to come in. There we are at about 80-90,000 feet. >>unidentified voice: [unintelligible] >>Jose Hernandez: Pretty soon the, the Shuttle starts behaving like an airplane; the aerodynamic surfaces start taking effect. >>unidentified voice: Kevin, forward and control of the stick at this moment. >>Jose Hernandez: And then for about a period of about 30 seconds our-our pilot takes control, but the main control is our commander, he's the one that actually lands it. >>unidentified voice: Hear a sonic boom. [pause] >>unidentified voice: The late afternoon sunshine gleaming off its thermal protection heat shield. [pause] >>unidentified voice: Three minutes until touchdown. Rich Sturckow has taken back the stick from Kevin Ford. The vortices off the wing's very obvious. Discovery continuing its turn around the heading alignment circle, aligning with runway 22 at Edwards Airforce Base. [pause] >>Jose Hernandez: This is the -- >>unidentified voice: [unintelligible] landing gear >>unidentified voice: [unintelligible]. Thank you Jose. >>Jose Hernandez: This is the perspective of the, of the pilots using the Heads Up Display, HUD display. That's what they're looking at right now. They're making the final turn onto to final and that green line you see there that is the runway. It's highlighted right now, and it's steep. It looks like we're goin' straight into it. At this point you're about 10,000 feet, 300 miles an hour is what it says right there. And you see the runway there. You're coming in at a pretty steep angle. You do what's called a "flare maneuver." >>unidentified voice: Very nice. You did [unintelligible] >>unidentified voice: Yep. >>unidentified voice: [unintelligible] >>Jose Hernandez: You see the speed brakes are out. >>unidentified voice: Speed brakes right at 50. [unintelligible] Slow lag, down to the [unintelligible], 400 [unintelligible] give us -- >>Jose Hernandez: Very important not to forget the gear. [laughter] >>unidentified voice: [unintelligible] >>Jose Hernandez: And you can see how C.J. Sturckow, our commander, lands this. I mean look at the back wheels they just touch at the same time. So he's-he's a good Marine pilot. [pause] Look at that. [pause] He brings the nose down. Once we have a delayed shoot deploy; once the nose gear comes down they deploy the chute to start slowing us down a bit more. This then allows C.J. to put the brake pedals and come to a full stop. When he announces, "Full stop," that's when they stop the stop watch and-and the official end of the mission is recorded at that time. >>unidentified voice: Houston Discovery wheel stop. >>unidentified voice: Copy. Wheels stop. Welcome home, Discovery. Congratulations on an extremely successful mission, stepping up science to a new level on the International Space Station. >>Jose Hernandez: And let me tell you, four hours later after that we were in [Boron] at Domingo's. I was, I had a beer in my hand and -- [laughter] and eating carne asada so it was pretty good. [laughter] It was pretty cool. So-so-so that's how, that's sort of like the summary of a typical mission to the International Space Station is. [applause] And certainly -- [applause] certainly like I said, just to summarize what-what I've talked about is the fact that it-it was nice to be able to realize a dream, but it certainly wasn't something that where I'd say, "Hey I did this myself." I had a lot of help as you could saw from my, the way I spoke about how I became an astronaut. Anecdotally I had help from my parents, my teachers, friends, colleagues, and a little bit of per-perseverance. So 12 times is a lot of times to apply and to want it, but figure if you want it bad enough you keep doing it and-and it certainly did, wasn't hurting my career so it wasn't like I thought I was wasting my time during the application process. So thank you very much. >>Mario: Well thank you. Thank you very much to Jose -- [applause] for being here today. [applause] So we do have a lot of questions from Dory and I'm sure you have questions. To be honest he particularly has to fly fairly soon. So we'll try to keep it short, maybe ask one or two questions from Dory and maybe one or at most two live. So if you want to line up and keep it short. So the first question from someone in Mountainview called John R., he says, "How do you feel about the fact that since the Apollo program ended we've never gone beyond low-low air orbit? Do you think that's sufficient for a national space program or should we press for more manned space exploration, return to more Mars perhaps? >>Jose Hernandez: Yeah, I think I-I think he's right in a sense that-that we've only got three missions left for the Space Shuttle Fleet and then they're gonna get retired. What that does is that frees up resources for us to invest in-in-in technology that's gonna allow us to go beyond lower earth orbit. It does us no good to just go to the moon and cool our heels there. We wanna be able to make sure we can also go all the way to Mars. For that we need advanced propulsion systems; we need radiation protection; and-and we also need to-to learn how to live long duration in a zero-g environment away from the protection of the earth's magnetic field with respect to radiation. So-so-so yeah I think we're heading that direction. >>Mario: So Stacy from Mountainview she says, "I'm a daughter of a proud Kennedy Space Center employee and have seen many Shuttle launches in my lifetime. I'm saddened by the decision to end the Shuttle program. Why don't you tell us the decision and its im, and its impact on Florida as a space coast? >>Jose Hernandez: Yeah, I mean it's the equivalent when we the-the-there's no denial that in ending the space program the Shuttle space program, there's gonna be a shift of talent that's needed within NASA. In other words, the operations side of maintaining the Shuttle, prepping it for a launch, and refurbishing the Shuttle, those tasks aren't gonna be needed. So there is gonna be some-some type of human resources let go with respect to the fact that that's what's not needed now. But at the same time the budget of NASA's actually going up so the work force is not really gonna go down, it's just gonna be a shift of a different type of work force. And-and it's basically the same thing that happened between the-the era of the Apollo and the Space Shuttle Mission. If you see the history during Apollo when we cancelled Apollo there was a big drop in the number of folks needed on the operation side. And then when the Shuttle came back when we brought the Shuttle to life, those people were picked up and-and then you had a real vibrant work force. I mean same thing's gonna happen with retiring the Shuttle. There's gonna be a dip at Kennedy Space Center 'cause they're more primary operations oriented, but when we get the architecture defined and built then the work force is gonna steadily go back up. >>Mario: Yeah Jose, well thank you very much for share all this with us. We are really happy and it was great seriously. We wanna give you this -- >>Jose Hernandez: Oh, thank you very much. >>Mario: gift; token of our appreciation. Thank you very much for being here with Google. >>Jose Hernandez: Thank you. >>Mario: I think those guys are very happy with your messages and just wanna let you know that we got some T-shirts that it's a raffle, right? >>2Gonzalo Begazo: Yeah, so we're gonna email the winners. [unintelligible] Mario: Yeah. >>Jose Hernandez: And just so, just so he make sure he gives out the right amount I think I signed six of 'em alright so -- [laughter] make sure he gives away six. [laughter] >>Gonzalo Begazo: Yeah, yeah. [laughter] We're gonna sell one on EBay. >>Jose Hernandez: Exactly. >>Mario: Well thank you very much; appreciate it; appreciate it. [applause] >>Gonzalo Begazo: Thanks, guys. [applause]

Plot

Prequel

On 22 March 2011, a short scene serving as a prequel for the first episode was released on the programme's website. In the prequel, Richard Nixon receives a phone call from the little girl who keeps calling him in the episode. She begs for the President to look behind him, but he asks how she got that number, which the "spaceman" told her. She tells him it is about monsters, to which he replies "Young lady, there are no monsters in the Oval Office." He then hangs up and leans back. Behind him stands an out-of-focus member of the Silence.[2][3]

Synopsis

Buzz Aldrin during the 1969 Apollo 11 mission. A replica of this suit was created for the episode.

During a break from their travels with the Eleventh Doctor, his companions Amy and Rory are sent envelopes summoning them to Utah at a specific time and location. They arrive to meet River Song (who also received an envelope) and the Doctor, who is nearly 200 years older than he was when he last saw Amy and Rory. He offers them a picnic, and then a trip to "space 1969". During the picnic, a figure emerges from the lake wearing an American astronaut suit and shoots the Doctor multiple times... his body falls. A man called Canton Everett Delaware III arrives with a can of gasoline, telling Amy, Rory, and River that the dead man is the real Doctor. The Doctor's body is burned in a Viking funeral.

Amy, Rory, and River talk at a diner when they discover the fourth envelope was sent to the Doctor, alive and 200 years younger than the one at the lake. The younger Doctor arrives at the diner where his companions tell him about space 1969 and Canton, but refuse to tell him about his death or that the sender is the Doctor himself.

The Doctor and his companions travel back to 8 April 1969, where the younger Canton, a former FBI operative, is briefed by President Richard Nixon about a series of phone calls Nixon received from a young girl asking for help. The Doctor arrives in Washington, DC and convinces Nixon to give him a few minutes to locate the girl.

Based on the phone call and the girl's mention of a "spaceman", he tracks down the Florida intersection where the girl is located. Meanwhile, Amy meets and takes a photograph of one of the leaders of the Silence, a group she also saw by the lake which people forget about any time someone stops looking at them.

Canton follows the Doctor and the others into the TARDIS as they depart for Florida. When they arrive at the building where the girl is held, they find pieces of a space suit and alien technology. River and Rory explore a vast network of tunnels that have apparently spread across the planet for centuries, unnoticed by the human population but populated by the Silence. Finding Canton unconscious next to a figure in a space suit, Amy tells the Doctor she is pregnant (forced to do so by the Silence she met earlier) before picking up Canton's gun and shooting at the suit. She realises too late that the helmet's visor has opened to reveal the little girl.

Continuity

The TARDIS had been previously turned invisible by damage to its visual stabiliser in the Second Doctor story The Invasion (1968).[4] When Canton first leaves the TARDIS, the Doctor remarks, "Brave heart, Canton," a reference to the Fifth Doctor's recurrent statement to his companion Tegan Jovanka, "Brave heart, Tegan."[4] When Amy asks the younger Doctor to trust her, he asks her to swear to him on something that matters. After some thought, she smiles and says "Fish fingers and custard," referring to events in "The Eleventh Hour," when Amy first meets the Doctor as a little girl.[4]

Production

Writing

Showrunner and episode writer Steven Moffat (pictured) created the Silence to compete with other creatures in the past in terms of "scariness."

The episode was written by Steven Moffat, who took charge of the show in 2010. Moffat wanted the 2011 season to start with a two-part story in an attempt to begin with more gravity and a wider scope in plot,[5] as well as wanting the episodes to be one of the darker ones in the series.[6] "The Impossible Astronaut" / "Day of the Moon" was the first two-part episode to open a series since the 1985 Sixth Doctor story Attack of the Cybermen.[4]

In the Doctor Who Confidential episode following the broadcast of "The Impossible Astronaut," Moffat stated that in his view, it was one of the darker episodes of the series, but still maintained the same level of humour. The inclusion of the Doctor's death felt like a series ender for some of the producers, but was actually there to "kick it off."[5] In writing the death scene of the older version of the Doctor, Moffat wanted to acknowledge to the audience that Time Lords are not invincible, and could still die permanently if killed before regeneration. In creating the Silence, the alien antagonists of the episode, Moffat wanted them to challenge past monsters in terms of "scariness."[5] He felt these creatures are a "much bigger deal."[5] The aliens' design was partially inspired by the figure from the Edvard Munch painting The Scream.[6]

Casting

In October 2010, it was announced that Mark Sheppard, who had appeared in other science fiction series including Battlestar Galactica, Firefly, Supernatural, and Warehouse 13, would make a guest appearance on Doctor Who. Sheppard described playing Canton as a "dream job," and said he wished to appear in another of Moffat's works, including Sherlock.[7][8] Even though Sheppard is an English actor, it was his first appearance in a British-made television show.[9] For the scene depicting the older Canton Delaware, the producers originally planned that Sheppard would appear older using makeup effects. However, Sheppard suggested instead that his father and actor, William Morgan Sheppard, play the role, a suggestion that was accepted.[5]

American actor Stuart Milligan was cast as President Nixon, which he said he found exciting, having played other presidents in the past, including Dwight D. Eisenhower. Prosthetic pieces were applied on Milligan's cheeks, nose, and ears to make him resemble Nixon as much as possible. He also practiced how Nixon would speak, but initially found it difficult since he had to wear fake teeth.[5] Milligan previously appeared in the animated Tenth Doctor special Dreamland as the voice of Colonel Stark.[10] Chukwudi Iwuji, who played Carl, previously appeared in the Seventh Doctor audio drama A Thousand Tiny Wings, where he played Joshua Sembeke.[11]

Filming and effects

Karen Gillan (centre) was reportedly genuinely upset filming the death scene of the older version of the Doctor.
Matt Smith at a filming location in Utah

This pair of episodes marks the first time that Doctor Who has filmed principal photography footage within the United States;[12] the American-produced TV movie of 1996 was filmed in Canada, and some second unit establishing shots of New York and the Statue of Liberty were filmed on Liberty Island for the episode "Daleks in Manhattan", but none of the cast of the episode were involved in the shoot.[13] Filming took place in the state of Utah. For the opening shot for the location, director Toby Haynes wanted it to be epic so that the audience could recognise where the episode was set. Scenes on the roadway were filmed on U.S. Route 163[14] (several miles east of the coordinates listed on the Doctor's invitations). The crew wanted to add as many American icons as they could into those shots, including a Stetson hat, a 1950s Edsel Villager, and a yellow school bus. Moffat, having enjoyed writing episodes featuring River Song, wanted to give her an impressive entrance. Haynes had actress Alex Kingston block the sunlight from the camera angle and blow smoke from her revolver. The scenes involving the picnic and the future-Doctor dying took place on the shore of Lake Powell. The suit worn by the future-Doctor's killer was a fabricated replica of an Apollo space suit. In filming the death scene the filming crew noticed that Karen Gillan was genuinely upset and "was acting her heart out."[5] In filming the "Viking funeral" scene, Haynes wished to film it during the sunset. However, the sun set over the desert, so was instead filmed during sunrise, as the sun rose over the water.[5]

Kingston had to genuinely slap Matt Smith several times in a scene because it was difficult to fake. Kingston recalled that after a few takes, Smith got red cheeked and grew frustrated at having to do the sequence over and over again. The Oval Office set was constructed at Upper Boat Studios in South Wales. Because the production crew had access to several pictures and plans of the real office, they were able to replicate it in almost every detail. The main problem for building the set was the plastering; the crew normally plaster one wall at a time for normal rooms, but because the Oval Office was round, they had to do the entire set at once. The American-style diner scene when the companions reunite with the Doctor in this episode is actually located in Cardiff Bay.[15] The Laurel and Hardy film The Flying Deuces,[4] in which the Doctor intruded, was done by Smith dancing in front of greenscreen.[5]

Broadcast and reception

Pre-broadcast leak

At some point before the broadcast of the episode, it and "Day of the Moon" were released in a press screening, where a number of fans were invited to attend. The production team present asked them not to give away any spoilers. However, following the screening, a fan gave away the entire plot of the two episodes on an internet forum. News of this angered Moffat.[16] In an interview on BBC Radio 5 Live, Moffat stated;

It's heartbreaking in a way because you're trying to tell stories, and stories depend on surprise. Stories depend on shocking people. Stories are the moments that you didn't see coming, that are what live in you and burn in you forever. If you are denied those, it's vandalism. So to have some twit who came to a press launch, write up a story in the worst, most ham-fisted English you can imagine, and put it on the internet, I just hope that guy never watches my show again, because that's a horrific thing to do.

— Steven Moffat[16]

Despite this he added that the majority of Doctor Who fans are "spoiler-phobes," who refused to go online to be spoiled.[16]

Broadcast and ratings

The episode begins with a still-caption tribute to former Doctor Who actress Elisabeth Sladen (pictured) following her death from cancer.

"The Impossible Astronaut" was first broadcast on BBC One in the United Kingdom on 23 April 2011 at 6 pm.[17] It began with a still-caption tribute to actress Elisabeth Sladen, who died from cancer on 19 April 2011. Sladen had previously appeared in the series as companion Sarah Jane Smith, and as the same character on the spin-off series The Sarah Jane Adventures.[18] After the broadcast "The Impossible Astronaut" received preliminary, overnight figures of 6.52 million viewers.[19] Final consolidated ratings for the episode increased to 8.86 million, with a 43.2 per cent audience share.[20] This made the episode the second highest rated programme of the day, behind Britain's Got Talent on ITV1.[19] The episode was the third most watched on BBC One, and sixth overall for the entire week ending 24 April.[21] An additional 300,000 viewed the episode from BBC iPlayer within two days of its original broadcast.[20] It received an Appreciation Index of 88, one of the higher scores for the weekend.[22]

In the United States the episode aired on BBC America on the same day it was released in the United Kingdom,[23] as was the case in Canada for Space.[24] 1.3 million viewers saw "The Impossible Astronaut" on BBC America, making it the highest rated telecast in the history of the channel. It was reportedly up by 71,000 from "The Eleventh Hour".[25] When Live + 7 day DVR ratings were added, the total rose to 1.8 million.[26] In Canada, the episode was seen by 538,000, making it the most watched Who episode for the channel, and its most watched telecast in 2011.[27] It was shown on ABC1 in Australia on 30 April 2011,[28] and was viewed by 860,000 from the five capital cities, matching the ratings from "A Christmas Carol" on Boxing Day 2010.[20]

Audience measurement service Kantar Media reported that "The Impossible Astronaut" is the most recorded television event of all time. Analysis of BARB data revealed that 4.11 million people recorded and viewed the programme within a week of broadcast, accounting for 46% of the episode's total viewers.[29] A total of 1.38 million requests were placed on iPlayer for the month of April, placing it at number one for the month.[30]

Critical reception

The episode was met with generally positive reviews from television critics. Dan Martin of The Guardian reacted positively towards the episode, believing the cast performed better than the previous fifth series. He stated "Steven Moffat has thrown away the rule book and made Doctor Who as, you imagine, he's pictured it should be his whole life. Killing the Doctor leaves the shape of the series mapped out, raises the bar so that no one is safe, and sees Amy, Rory and River facing a terrible dilemma."[31] Martin liked that "Amy's numbed horror ramps things up to a series-finale level on intensity from the off," and then switches "into an Oval Office comedy of manners," and "morphs into gothic horror and finally flings you to the ground with its cinematic cliffhanger."[31] He was also positive towards the American setting, and "our eccentric British foursome bumbling through it," believing the series raised its game with this.[31] With regards to the Silence, Martin believed it was "a standard Moffat psychological trick, but the most refined to date."[31] Martin later rated it the second best episode of the series, though the finale was not included in the list.[32]

Silence creatures as they appear at the Doctor Who Experience

Morgan Jeffery of Digital Spy called the episode "a fantastic launch for the sixth series," adding "the Doctor Who team's US location shooting has certainly paid off, lending these early scenes a grand scale that the series could scarcely have expected to achieve in 2005, let alone in 1963."[33] Commenting on the future-Doctor's death, Jeffery said "seven minutes in, a nation's collective jaw dropped as The Doctor — this show's lead — is mercilessly gunned down. This plot twist is simply stunning, and it's difficult to imagine even casual viewers not sitting up to pay attention at this point."[33] Jeffery also believed that the series regulars were on "top form," adding "the more abrasive aspects of Amy Pond's personality seem to have been toned down this year, and Karen Gillan responds with her best, most sympathetic performance to date. Arthur Darvill also lives up to his recent promotion to full-time companion. His comic timing is simply superb, but he excels too in the episode's darker moments."[33] Jeffery rated the episode five stars out of five.[33]

Gavin Fuller of The Daily Telegraph believed it was "a cracking start to the first part of the 2011 series, with the shocking ending of Amy seemingly shooting a girl making one keen wait for the conclusion next week to see how it all resolves itself," as well as enjoying the concept of the Silence.[34] Rick Marshall of MTV believed that "Steven Moffat and the Doctor Who crew offer up yet another great episode," but also said the "big cliffhanger will likely cause more than a few fans' heads to explode."[35] In addition, Marshall believed the alien antagonists "give the Weeping Angels a run for their money in scare factor."[35] Simon Brew of Den of Geek thought the episode was "a triumphant return for Doctor Who, bubbling with confidence and throwing down story strands that hint at an engrossing series."[36] Brew liked Sheppard's performance as Delaware and Darvill's increasing presence as Rory. Brew also complimented Haynes' work in the United States, saying it was an improvement from "Daleks in Manhattan", which featured British actors attempting to play with American accents.[36] Tom Phillips of Metro said the 1969 US setting was "beautifully used," and enjoyed the "spookiness" of the Silence. However Phillips felt the episode would be "a bit hard to get into" for new viewers.[37] Kevin O'Sullivan of The Sunday Mirror was more negative towards the episode, stating it was "impossible to understand," and for "strictly sci-fi nerds only," adding that Smith "remains a derivative Doctor who brings nothing new to the party."[38]

References

  1. ^ "Matt Smith Video and New Series Overview". London, UK: BBC. 11 April 2011. Archived from the original on 11 May 2011. Retrieved 9 May 2011.
  2. ^ Anders, Charlie Jane (3 April 2011). "Learn why this season of Doctor Who changes everything". Gizmodo. Retrieved 20 December 2022.
  3. ^ "The Prequel to Episode 1". BBC. Retrieved 30 March 2011.
  4. ^ a b c d e "The Fourth Dimension". BBC. Retrieved 28 April 2011.
  5. ^ a b c d e f g h i "Coming to America". Doctor Who Confidential. Series 6. Episode 1. 23 April 2011. BBC. BBC Three.
  6. ^ a b "Doctor Who boss says season start is 'darkest yet'". BBC. 5 April 2011. Retrieved 27 May 2011.
  7. ^ Jeffery, Morgan (18 October 2010). "'Supernatural' star joins 'Doctor Who'". Digital Spy. Retrieved 20 December 2022.
  8. ^ Jeffery, Morgan (9 March 2011). "Mark Sheppard: 'Doctor Who was dream job'". Digital Spy. Retrieved 20 December 2022.
  9. ^ Wagner, Curt (4 April 2011). "Mark Sheppard on 'Doctor Who' Season 6: Huge!". The Baltimore Sun. Tribune Company. Retrieved 20 December 2022.
  10. ^ Jeffery, Morgan (18 November 2010). "'Jonathan Creek' star joins 'Doctor Who'". Digital Spy. Retrieved 20 December 2022.
  11. ^ "130. A Thousand Tiny Wings". Big Finish. Retrieved 7 May 2011.
  12. ^ Wicks, Kevin (10 October 2011). "It's official: Doctor Who to film in the US for the first time". BBC America. Archived from the original on 30 June 2020. Retrieved 30 June 2020.
  13. ^ Davies, Russell T (3 December 2007). "Production Notes: 12 Facts a-Facting!". Doctor Who Magazine (377): 66. Seven hours a-flying! That's how long it took for our director, James Strong, and his team to fly to JFK, for the Official First Ever Doctor Who Shoot in New York!
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  15. ^ "Eddie's Diner". Doctor Who Locations Guide. Retrieved 24 April 2011.
  16. ^ a b c "Doctor Who boss 'hates' fans who spoil show's secrets". BBC. 11 May 2011. Retrieved 16 May 2011.
  17. ^ "The Impossible Astronaut Broadcasts". BBC. Retrieved 24 May 2012.
  18. ^ Foster, Chuck (20 April 2011). "CBBC Elisabeth Sladen tribute programme". Doctor Who News Page. Retrieved 26 April 2011.
  19. ^ a b Millar, Paul (24 April 2011). "New 'Doctor Who' kicks off with 6.5m". Digital Spy. Retrieved 20 December 2022.
  20. ^ a b c "The Impossible Astronaut – Final Ratings". Broadcasters' Audience Research Board. Doctor Who News Page. 1 May 2011. Retrieved 1 May 2011.
  21. ^ "Weekly Top 30 Programmes (select Apr 18 to Apr 24, 2011)". Broadcasters' Audience Research Board. Retrieved 4 May 2011.
  22. ^ "Impossible Astronaut scores AI of 88". Doctor Who News Page. 26 April 2011. Retrieved 3 May 2011.
  23. ^ Hibbard, James (9 March 2011). "'Doctor Who' premiere date, plot details, poster revealed". Entertainment Weekly. Time Inc. Retrieved 20 December 2022.
  24. ^ "Doctor Who Series 6 Premieres April 23 on SPACE". Radio Free Skaro. 28 March 2011. Retrieved 25 April 2011.
  25. ^ Seidman, Robert (25 April 2011). "'Doctor Who' Season Premiere is BBC America's Highest Rated Telecast Ever". TV by the Numbers. Archived from the original on 28 April 2011. Retrieved 26 April 2011.
  26. ^ Gorman, Bill (9 May 2011). ""Doctor Who" Premiere Sees Big Jump in Live + 7 Ratings on BBC America". TV By the Numbers. Archived from the original on 13 May 2011. Retrieved 5 February 2012.
  27. ^ Space (25 April 2011). "DOCTOR WHO Pushes Boundaries of SPACE and Time as Record-Breaking Premiere Delivers 538,000 Viewers". Bell Media. Bell Canada. Retrieved 27 April 2011.
  28. ^ "Doctor Who". ABC Television. Retrieved 24 April 2011.
  29. ^ "Doctor Who viewers go time travelling: 'Astronaut' is the most recorded TV show of all time". Kantar Media. Archived from the original on 1 May 2012. Retrieved 19 May 2011.
  30. ^ Seale, Jack (20 May 2011). "Fans travel through time to watch Doctor Who". Radio Times. Retrieved 12 September 2011.
  31. ^ a b c d Martin, Dan (23 April 2011). "Doctor Who: The Impossible Astronaut – Series 32, episode 1". The Guardian. Retrieved 24 April 2011.
  32. ^ Martin, Dan (30 September 2011). "Doctor Who: which is the best episode of this series?". The Guardian. Retrieved 20 November 2011.
  33. ^ a b c d Jeffery, Morgan (24 April 2011). "'Doctor Who' review: 'The Impossible Astronaut'". Digital Spy. Retrieved 20 December 2022.
  34. ^ Fuller, Gavin (23 April 2011). "Doctor Who, episode 1: The Impossible Astronaut, review". The Daily Telegraph. Retrieved 24 April 2011.
  35. ^ a b Marshall, Rick (23 April 2011). "'Doctor Who' Review: Episode 6.01, 'The Impossible Astronaut'". MTV. Retrieved 20 December 2022.
  36. ^ a b Brew, Simon (23 April 2011). "Doctor Who series 6 episode 1 review: The Impossible Astronaut". Den of Geek. Retrieved 20 December 2022.
  37. ^ Phillips, Tom (21 April 2011). "Doctor Who returns with a shocking twist". Metro. Associated Newspapers. Retrieved 20 December 2022.
  38. ^ O'Sullivan, Kevin (24 April 2011). "Who needs a plot? Dr Who, that's who..." Daily Mirror. Retrieved 20 December 2022.

External links


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