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Woman in the Nineteenth Century

From Wikipedia, the free encyclopedia

Woman in the Nineteenth Century, 1845

Woman in the Nineteenth Century is a book by American journalist, editor, and women's rights advocate Margaret Fuller. Originally published in July 1843 in The Dial magazine as "The Great Lawsuit. Man versus Men. Woman versus Women", it was later expanded and republished in book form in 1845.

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0CCUS 16 - Women in the 19th Century Hi, I’m John Green; this is CrashCourse U.S. history and today we’re going to talk about wonder women. Mr. Green, Mr. Green, finally we get to the history of the United States as seen through the lens of Marvel comic superheroes. Oh, Me from the Past, you sniveling little idiot. Wonder Woman is from the DC Universe. Also this is the study of history, which means a constant reexamination and redefinition of what it means to be a hero, and in the case of this episode, it’s about taking the first steps towards acknowledging that not all heroes worthy of historical recognition are men. So we’re going to talk about how women transformed pre-Civil War America as they fought to improve prisons, schools, decrease public drunkenness, and end slavery. And while fighting for change and justice for others, American women discovered that the prisoners, children, and slaves they were fighting for weren’t the only people being oppressed and marginalized in the American democracy. Intro So in the colonial era, most American women of European descent lived lives much like those of their European counterparts: They were legally and socially subservient to men and trapped within a patriarchal structure. Lower and working class women were actually more equal to men of their own classes, but only because they were, like, equally poor. As usual, it all comes back to economics. In general, throughout world history, the higher the social class, the greater the restrictions on women—although high class women have traditionally had the lowest mortality rates, which is one of the benefits of you know doors and extra lifeboats and whatnot. So at least you get to enjoy that oppression for many years. As previously noted, American women did participate in the American Revolution, but they were still expected to marry and have kids rather than, like, pursue a career. Under the legal principle of “coverture” actually husbands held authority over the person, property and choices of their wives. Also since women weren’t permitted to own property and property ownership was a precondition for voting, they were totally shut out of the political process. Citizens of the new Republic were therefore definitionally male, but women did still improve their status via the ideology of “Republican Motherhood.” Women were important to the new Republic because they were raising children—ESPECIALLY MALE CHILDREN—who would become the future voters, legislators, and honorary doctors of America. So women couldn’t themselves participate in the political process, but they needed to be educated some because they were going to potty train those who would later participate in the political process. What’s that? There were no potties? Really? Apparently instead of potties they had typhoid. Actually it was a result of not having potties. So even living without rights in a pottyless nation, the Republican Mother idea allowed women access to education, so that they could teach their children. Also women—provided they weren’t slaves--were counted in determining the population of a state for representation purposes, so that was at least an acknowledgement that they were at, like, five fifths human. And then the market revolution had profound effects on American women, too, because as production shifted from homes to factories, it shifted away from women doing the producing. This led to the so-called “cult of domesticity,” which like most cults, I am opposed to. That’s right, Stan, I’m opposed to the Blue Oyster Cult, The Cult, The Cult of Personality by In Living Color, and the three remaining Shakers. Sorry, Shakers. But who are we kidding? You’re not watching. You’re too busy dancing. The cult of domesticity decreed that a woman’s place was in the home, so rather than making stuff, the job of women was to enable their husbands to make stuff, by providing food and a clean living space, but also by providing what our favorite historian Eric Foner called “non-market values like love, friendship, and mutual obligation,” which is the way we talk about puppies these days. And indeed that’s in line with actual story titles from early 19th century American women’s magazines, like “Woman, a Being to Come Home To” and “Woman: Man’s Best Friend.” Oh, it’s time for the Mystery Document? I hope it’s from “Woman --- Man’s Best Friend.” The rules here are simple. I either get the author of the Mystery Document right...oh, hey there, eagle...or I get shocked. Let’s see what we’ve got. “Woman is to win everything by peace and love; by making herself so much respected, esteemed and loved, that to yield to her opinions and to gratify her wishes, will be the free-will offering of the heart. … But the moment woman begins to feel the promptings of ambition, or the thirst for power, her aegis of defense is gone. All the sacred protection of religion, all the generous promptings of chivalry, all the poetry of romantic gallantry, depend upon woman’s retaining her place as dependent and defenseless, and making no claims, and maintaining no right but what are the gifts of honor, rectitude and love.” Well it was definitely a dude and I have no idea which dude, so I’m just going to guess John C. Calhoun because he’s a bad person. No? Well, what can you do? It wasn’t a dude? It was apparently Harriet Beecher Stowe’s sister Catharine who was an education reformer and yet held all of those opinions, so aaaaAAAAH. So I assume Stan brought up Harriet Beecher Stowe’s sister to point out that it wasn’t just men who bought into the Cult of Domesticity. The idea of true equality between men and women was so radical that almost no one embraced it. Like, despite the economic growth associated with the market economy, women’s opportunities for work were very limited. Only very low paying work was available to them and in most states they couldn’t control their own wages if they were married. But, still poor women did find work in factories or as domestic servants or seamstresses. Some middle class women found work in that most disreputable of fields, teaching, but the cult of domesticity held that a respectable middle class woman should stay at home. The truth is, most American women had no chance to work for profit outside their houses, so many women found work outside traditional spheres in reform movements. Okay, let’s go to the Thought Bubble. Reform movements were open to women partly because if women were supposed to be the moral center of the home, they could also claim to be the moral conscience of the nation. Thus it didn’t seem out of the ordinary for women to become active in the movement to build asylums for the mentally ill, for instance, as Dorothea Dix was, or to take the lead in sobering the men of America. Many of the most famous advocates for legally prohibiting the sale of alcohol in the US were women, like Carry Nation attacked bars with a hatchet and not because she’d had a few too many. The somewhat less radical Frances Willard founded the Women’s Christian Temperance Union in 1874, which would be one of the most powerful lobbying groups in the United States by the end of the 19th century. And women gave many temperance lectures featuring horror stories of men who, rather than seeking refuge from the harsh competition of the market economy and the loving embrace of their homes, found solace at the bottom of a glass or at the end of a beer hose. And by the way, yes, there were bars that allowed you to drink as much beer as you could, from a hose, for a nickel. Today, these establishments are known as frat houses. These temperance lectures would tell of men spending all their hard earned money on drink, leaving wives and children—there were always children—starving and freezing, because in the world of the temperance lecture, it was always winter. Now don’t get me wrong: Prohibition was a disaster, because 1. Freedom, and 2. It’s the only time we had to amend the constitution to be like, “Just kidding about that other amendment,” but it’s worth remembering that back then people drank WAY more than we do now, and also that alcohol is probably a greater public health issue than some recreational drugs that remain illegal. But regardless, the temperance movement made a huge difference in American life because eventually, male and female supporters of temperance realized that women would be a more powerful ally against alcohol if they could vote. Thanks Thought Bubble. So, in 1928, critic Gilbert Seldes wrote that if prohibition had existed in 1800, “the suffragists might have remained for another century a scattered group of intellectual cranks.” And to quote another historian, “the most urgent reasons for women to want to vote in the mid-1800s were alcohol related: They wanted the saloons closed down, or at least regulated. The wanted the right to own property, and to shield their families’ financial security from the profligacy of drunken husbands. They wanted the right to divorce those men, and to have them arrested for wife beating, and to protect children from being terrorized by them. To do all these things they needed to change the laws that consigned married women to the status of chattel. And to change those laws, they needed the vote.” Many women were also important contributors to the anti-slavery movement, although they tended to have more subordinate roles. Like, abolitionist Maria Stewart was the first African American woman to lecture to mixed male and female audiences. Harriet Beecher Stowe wrote the terrible but very import ant Uncle Tom’s Cabin. Sarah and Angelina Grimke, daughters of a South Carolina slaveholder, converted to Quakerism and became outspoken critics of slavery. Sarah Grimke even published the Letters on the Equality of the Sexes in 1838, which is pretty much what the title suggests. By the way, Stan, you could have made Sarah Grimke’s letters the Mystery Document. I would have gotten that. But I want to say one more thing about Harriet Beecher Stowe. There’s a reason we read Uncle Tom’s Cabin in history classes and not in literature ones, but Uncle Tom’s Cabin introduced millions of Americans to the idea that African American people were people. At least in 19th century readers, Uncle Tom’s Cabin humanized slaves to such a degree that it was banned throughout most of the south. So many women involved in the abolitionist movement, when studying slavery, noticed that there was something a little bit familiar. Now, some male abolitionists, notably Frederick Douglass and William Lloyd Garrison became supporters of women’s rights, but ultimately the male leaders of the anti-slavery movement denied women’s demands for equality, believing that any calls for women’s rights would undermine the cause of abolition. And they may have had a point because slavery only existed in parts of the country whereas women existed in all of it. In fact, one of the arguments used by pro-slavery forces was that equality under the law for male slaves might lead to a slippery slope ending with, like, equality for WOMEN. And out of this emerging consciousness of their own subordinate position, the movement for women’s rights was born. The most visible manifestation of it was the issue of woman’s suffrage, raised most eloquently at the Seneca Falls Convention of 1848 where Elizabeth Cady Stanton, Lucretia Mott, Susan B. Anthony and many others wrote and published the Declaration of Sentiments, modeled very closely on the Declaration of Independence. Except, in some ways this declaration was much more radical than the Declaration of Independence because it took on the entire patriarchal structure. Okay, so there are three things I want to quickly point out about the 19th century movement for women’s rights. First, like abolitionism, it was an international movement. Often American feminists travelled abroad to find allies, prefiguring the later transatlantic movement of other advocates for social justice like Florence Kelley and W.E.B DuBois. Secondly, for the most part, like other reform movements, the women’s movement was primarily a middle-class or even upper class effort. Most of the delegates at Seneca Falls, for instance, were from the middle class. There were no representatives of, like, cotton mills, but this didn’t mean that 19th century feminists didn’t acknowledge the needs of working women. Like, Sojourner Truth, probably the most famous black woman abolitionist, spoke eloquently of the plight of working class women, especially slaves, since she’d been one until 1827. And other women recognized that women needed to be able to participate in the market economy to gain some economic freedom. Now, of course all the women who wrote about the moral evils of 19th century America or spoke out or took hatchets to saloons were doing what we would now recognize as work. But they were not being paid. Amelia Bloomer got paid, though, because she recognized that it was impossible for women to easily participate in economic activities because of their crazy clothes. So she popularized a new kind of clothing featuring a loose fitting tunic, trousers, and eponymous undergarments. But then Bloomer and her pants were ridiculed in the press and in the streets, and this brings up the third important thing to remember about the 19th century women’s movement. It faced strong resistance. Patriarchy, like the force, is strong, which is why Luke and Yoda and Darth Vader and Obi-Wan and whoever Samuel Jackson played...all dudes. By the way, why did they train Luke up and not Princess Leia who was cooler and had more to fight for and was less screwed up? Patriarchy. Many women’s rights advocates were fighting to overturn not just laws, but also attitudes. Some of those goals, such as claiming greater control over the right to regulate their own sexual activity and whether or not to have children were twisted by critics to claim that women advocated “free love.” It’s interesting to note that the United States ended slavery more than 50 years before it granted women the right to vote and that although much of the march towards equality between the sexes has been slow and steady, the Equal Rights Amendment, despite being passed by Congress, was never ratified. But by taking leading roles in the reform movements in the 19th century, not just when it came to temperance and slavery, but also prisons and asylums, women were able to enter the public sphere for the first time. And these great women changed the world for better and for worse, just as great men do. And along the way, they made “the woman question” part of the movement for social reform in the United States. And in doing so, American women chipped away at the idea that a woman’s place must be in the home. That might not have been a presidential election or a war, but it is still bringing real change to our real lives on a daily basis. Thanks for watching. I’ll see you next week. Crash Course is produced and directed by Stan Muller. Our script supervisor is Meredith Danko. The associate producer is Danica Johnson. The show is written by my high school history teacher Raoul Meyer, and myself. And our graphics team is Thought Café. If you want to suggest captions for the libertage, please do so in comments where you can also ask questions about today’s video that will be answered by our team of historians. Thanks for watching Crash Course and as we say in my hometown, don’t forget to be awesome...oh, lights! Everything’s fine.

Summary

The basis for Fuller's essay is the idea that man will rightfully inherit the earth when he becomes an elevated being, understanding of divine love. There have been periods in time when the world was more awake to this love, but people are sleeping now; however, everyone has the power to become enlightened. Man cannot now find perfection because he is still burdened with selfish desires, but Fuller is optimistic and says that we are on the verge of a new awakening. She claims that in the past man, like Orpheus for Eurydice, has always called out for woman, but soon will come the time when women will call for men, when they will be equals and share divine love.

According to Fuller, America has been hindered from reaching equality because it inherited depravity from Europe, hence its treatment of Native and African Americans. Fuller quotes the ancient Medes on how all people are equal and bound to each other; those who infringe on others' rights are condemned, but the biggest sin is hypocrisy. Man needs to practice divine love as well as feel it. Among those who practice it are the abolitionists because they act on their love of humanity; many women are part of this group.

Fuller then begins to examine men and women in America. She observes that many people think that in marriage, man is the head of the house and woman the heart. Problems with the law derive from the problem of women being viewed as inferiors, equal to children but not men. The truth is that women need expansion and seek to be like men; they need to be taught self-dependence. The idea that equality between men and women would bring divinity to new heights because it would help fulfill the lives of both men and women is reinforced by looking at historical evidence where men and women were equally divine, including Christianity with its male and female saints. Women, Fuller says, need not poetry or power to be happy, which they now have access to, but rather intellectual and religious freedom equal to men's.

The transition of marriage in earlier times as that of convenience into a union of equal souls is discussed in relation to four types of marriage, which Fuller ranks in ascending order. The first type, the household partnership, is merely convenience and mutual dependence. The man provides for the house, the woman tends to it. The second type is mutual idolatry where the man and woman find in the other all perfection to the exclusion of the rest of the world. The intellectual companionship is the next highest form of marriage. In this, man and woman are friends, confidants in thought and feeling with a mutual trust, but rarely love. Above all of these forms is the highest marriage, the religious union. It envelopes the other three to include mutual dependence, idolatry, and respect. The man and woman find themselves as equals on a "pilgrimage towards a common shrine." Fuller also makes brief mention of the life of "old maids", often looked down upon because they are not married, but she says that they have the opportunity for close communion with the divine which married people do not have to that extent.

Fuller then looks at the differences between men and women in order to enforce that women need their intellectual and spiritual resources strengthened. She says that the souls of men and women are the same, even with differences in masculinity and femininity. The differences are not between men and women, though, for both have masculine and feminine energies, but are between individuals: "There is no wholly masculine man, no purely feminine woman."

The conclusion of the essay is that before a true union can occur, each person must be an individual and self-dependent unit. For women to become such individuals, men need to remove their dominating influence, but women also need to claim themselves as self-dependent and remove themselves from man's influence. Fuller ends looking forward and making a call for the woman who will teach women to be individuals.

Composition and publication history

The book was expanded from the essay "The Great Lawsuit", first published in the July 1843 issue of The Dial.

Fuller began writing her essay as she went on a trip to Chicago in 1843, perhaps inspired by a similar essay by Sophia Ripley.[1] "The Great Lawsuit: Man versus Men, Woman versus Women"[2] was originally published in serial form for The Dial, the transcendental journal for which Fuller served as editor.[3] Publisher Horace Greeley was impressed and encouraged Fuller to rewrite it as a full-length book.[1] After completing the expanded version, renamed Woman in the Nineteenth Century, she wrote to a friend: "I had put a good deal of my true self in it, as if, I suppose I went away now, the measure of my footprint would be left on earth."[3] About one-third of the book-length version was new.[4] Greeley assisted in its publication and released it as part of his "Cheerful Books for the People" series in February 1845, selling for 50 cents a copy.[5]

Analysis

There are many transcendentalist ideas expressed in the essay based on Fuller's strong dedication to transcendentalism. One of the main ideas is the cultivation of the individual, which to Fuller included women as well as men. The essay applies the idea of the individual to the enlightenment of all mankind: allowing women as individuals to have greater spiritual and intellectual freedom will advance the enlightenment of both men and women and, therefore, all of mankind.

"The Great Lawsuit" also makes reference to the abolitionist movement. Women's lack of freedom is paralleled to that of the slaves, one that was actively fought against by many people in the North, men as well as women. In doing this, Fuller is calling upon men's compassion for the slave to be applied to women as well, and for women to expand their energy fighting for slaves' freedom to their own.

The essay includes many allusions to other works in literature, history, politics, religion, and philosophy in order to demonstrate to the reader that she was qualified to write the work in an age when women were not allowed a college education. The work reflects her life, for she was very active in politics when women were still expected to devote themselves entirely to their family. Fuller identified with the Polish-Lithuanian heroine Emilia Plater, a woman who raised a regiment during the November Uprising against the Russian Empire.[6]

Criticism and legacy

Margaret Fuller, from the frontispiece to an 1855 edition of Woman in the Nineteenth Century

An 1860 essay collection, Historical Pictures Retouched, by Caroline Healey Dall, called Fuller's Woman in the Nineteenth Century "doubtless the most brilliant, complete, and scholarly statement ever made on the subject".[7] The typically harsh literary critic Edgar Allan Poe wrote of the work as "a book which few women in the country could have written, and no woman in the country would have published, with the exception of Miss Fuller", noting its "independence" and "unmitigated radicalism".[8] Henry David Thoreau thought highly of the book, suggesting that its strength came in part from Fuller's conversational ability. As he called it, it was "rich extempore writing, talking with pen in hand".[9] In the Evening Post, William Cullen Bryant noted "the thoughts it puts forth are so important that we ought to rejoice to know it read by every man and woman in America" despite some "pretty strong" language.[5] Miriam Schneir also includes this text in her anthology Feminism: The Essential Historical Writings, labelling it as one of the essential feminist works.[10]

The influential editor Rufus Wilmot Griswold, believing Fuller went against his notion of feminine modesty, referred to Woman in the Nineteenth Century as "an eloquent expression of her discontent at having been created female".[11] American author Nathaniel Hawthorne, previously a supporter of Fuller, was critical of her after Woman of the Nineteenth Century was published. The same was true of his wife, Sophia Hawthorne, who had attended some of her "Conversations" in Boston. Of Woman in the Nineteenth Century, she wrote:

The impression it left was disagreeable. I did not like the tone of it—& did not agree with her at all about the change in woman's outward circumstances... Neither do I believe in such a character of man as she gives. It is altogether too ignoble... I think Margaret speaks of many things that should not be spoken of.[12]

Woman in the Nineteenth Century, which has become one of the major documents in American feminism,[13] is considered the first of its kind in the United States.[3] Scholars have suggested Woman in the Nineteenth Century was the first major women's rights work since Mary Wollstonecraft's A Vindication of the Rights of Woman (1792),[14] beginning with a comparison between the two women made by George Eliot in her 1855 essay "Margaret Fuller and Mary Wollstonecraft".[15] Even so, Fuller's work is considered mainly literary today because oratory was more valued in the politics of her time. Oratory relied strictly on masculine conventions and women's writing was generally sentimental literature. Sandra M. Gustafson writes in her article, "Choosing a Medium: Margaret Fuller and the Forms of Sentiment",[16] that Fuller's greatest achievement with "The Great Lawsuit" and Woman in the Nineteenth Century is the assertion of the feminine through a female form, sentimentalism, rather than through a masculine form as some female orators used.

References

  1. ^ a b Risjord, Norman K. Representative Americans: The Romantics. Lanham, MD: Rowman & Littlefield, 2001: 114. ISBN 0-7425-2083-8
  2. ^ Von Mehren, Joan. Minerva and the Muse: A Life of Margaret Fuller. Amherst: University of Massachusetts Press, 1994: 192. ISBN 1-55849-015-9
  3. ^ a b c Slater, Abby. In Search of Margaret Fuller. New York: Delacorte Press, 1978: 89. ISBN 0-440-03944-4
  4. ^ Dickenson, Donna. Margaret Fuller: Writing a Woman's Life. New York: St. Martin's Press, 1993: 129. ISBN 0-312-09145-1
  5. ^ a b Risjord, Norman K. Representative Americans: The Romantics. Lanham, MD: Rowman & Littlefield, 2001: 115. ISBN 0-7425-2083-8
  6. ^ Dickenson, Donna (1993). Margaret Fuller: Writing a Woman's Life. New York: St. Martin's Press. p. 187. ISBN 0-312-09145-1.
  7. ^ Gura, Philip F. American Transcendentalism: A History. New York: Hill and Wang, 2007: 284–285. ISBN 0-8090-3477-8
  8. ^ Von Mehren, Joan. Minerva and the Muse: A Life of Margaret Fuller. Amherst: University of Massachusetts Press, 1994: 225. ISBN 1-55849-015-9
  9. ^ Dickenson, Donna. Margaret Fuller: Writing a Woman's Life. New York: St. Martin's Press, 1993: 41. ISBN 0-312-09145-1
  10. ^ Schneir, Miriam (1972). Feminism: The Essential Historical Writings. Vintage Books.
  11. ^ Bayless, Joy. Rufus Wilmot Griswold: Poe's Literary Executor. Nashville: Vanderbilt University Press, 1943: 121.
  12. ^ Miller, Edwin Haviland. Salem Is My Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991: 235. ISBN 0-87745-332-2
  13. ^ Von Mehren, Joan. Minerva and the Muse: A Life of Margaret Fuller. Amherst: University of Massachusetts Press, 1994: 166. ISBN 1-55849-015-9
  14. ^ Slater, Abby. In Search of Margaret Fuller. New York: Delacorte Press, 1978: 89–90. ISBN 0-440-03944-4
  15. ^ Dickenson, Donna. Margaret Fuller: Writing a Woman's Life. New York: St. Martin's Press, 1993: 46. ISBN 0-312-09145-1
  16. ^ Gustafson, Sandra M. (1995). "Choosing a Medium: Margaret Fuller and the Forms of Sentiment". American Quarterly. 47 (1): 34–65. doi:10.2307/2713324. ISSN 0003-0678. JSTOR 2713324.

External links

Further reading

Primary works

Secondary works

This page was last edited on 21 September 2023, at 20:23
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