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The Front Page (1931 film)

From Wikipedia, the free encyclopedia

The Front Page
Directed byLewis Milestone
Screenplay byBartlett Cormack
Charles Lederer
Based onThe Front Page
by Ben Hecht
Charles MacArthur
Produced byLewis Milestone
Howard Hughes
StarringAdolphe Menjou
Pat O'Brien
Mary Brian
Edward Everett Horton
CinematographyGlen MacWilliams
Edited byW. Duncan Mansfield
Color processBlack and white
Production
company
The Caddo Company
Distributed byUnited Artists
Release date
  • April 4, 1931 (1931-04-04)
Running time
101 minutes
CountryUnited States
LanguageEnglish
Box office$700,000[1]

The Front Page is a 1931 American pre-Code screwball black comedy film directed by Lewis Milestone and starring Adolphe Menjou and Pat O'Brien. Based on the 1928 Broadway play of the same name by Ben Hecht and Charles MacArthur, the film was produced by Howard Hughes, written by Bartlett Cormack and Charles Lederer, and distributed by United Artists. The supporting cast includes Mary Brian, Edward Everett Horton, Walter Catlett, George E. Stone, Mae Clarke, Slim Summerville, and Matt Moore. At the 4th Academy Awards, the film was nominated for Best Picture, Milestone for Best Director, and Menjou for Best Actor.

In 2010, this film was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[2][3][4] The film is in the public domain.[5]

Two versions of the film exist, each made up of different takes, one for the international market and director Lewis Milestone's preferred version for its original U.S. domestic release. Both versions are available on home video.[6]

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  • The Front Page (1931) Comedy, Crime, Drama Full Length Movie
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  • The Front Page (1931) | Full Movie | Adolphe Menjou, Pat O'Brien, Edward Everett Horton
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  • The Front Page (1931) PRE-CODE HOLLYWOOD

Transcription

Plot

The full film

In an unnamed large city with multiple daily newspapers, star reporter Hildebrand "Hildy" Johnson and his Morning Post editor, Walter Burns, hope to cash in on a big story involving an escaped convicted murderer, Earl Williams. Williams is scheduled to go to the gallows at 7 o'clock the following morning for an anarchist-related murder of a black policeman. Esteemed newspaperman Johnson is about to quit the journalism trade and is on his way to marry his sweetheart Peggy Grant and relocate to New York City where an advertising job awaits him. Not surprisingly, his unscrupulous boss Burns does not want him to quit. He wants Johnson to remain on his staff so he can cover the major news story for the Morning Post.

Although he is an avowed anarchist, it is revealed that Williams is likely an innocent man who has been wrongly convicted of the policeman's murder due to rising anti-red sentiments in his city.

Accordingly, Burns will do anything to make sure Johnson works on that angle of the story — including delaying his wedding trip. Hours before Williams' scheduled execution, while being interviewed by an Austrian alienist and reenacting the murder, Williams manages to escape custody with the help of Sheriff Pinky Hartman's gun which the inept lawman had carelessly loaned to the doctor. With the assistance of Johnson and Burns, the newspapermen hide the fleeing Williams in a rolltop desk in a room usually occupied by a bevy of newspaper reporters gathered to cover Williams' execution. Johnson's soon-to-be mother-in-law, Mrs. Grant, sees Johnson and Burns hide Williams in the desk. To silence her, Burns has some of his cronies roughly escort her out of the building.

Sheriff Hartman and the mayor of the city get a missive from the governor. It is a reprieve for Williams. However, Williams' execution would be a political boon for the two men in an upcoming election, so they refuse to accept it. Instead, they send the messenger away with a bribe and the address of a house of ill repute. Johnson's future mother-in-law eventually returns to the press room and Williams is found in the desk. The reporters all rush to call bulletins into their editors, each with widely varying and greatly exaggerated details about how the fugitive Williams was re-arrested.

Johnson and Burns are about to be arrested by Sheriff Hartman for aiding a fleeing criminal and kidnapping Mrs. Grant when the messenger from the governor reappears. Saying he is happily married and his conscience cannot let him accept the bribe, he tells the reporters about the politicians' refusal to accept the governor's pardon for Williams. The politicians quickly agree to drop their charges against the reporters in exchange for them not mentioning their own wrongdoings in the newspapers.

Despite offers of a promotion at the Morning Post from Burns, Johnson says he is retiring from the newspaper business to go on his wedding trip. Burns seems to accept Johnson's career decision gracefully, even giving Johnson his prized gold watch as a thank-you gift for his services as a star reporter for the Morning Post. However, moments after Johnson and Mary depart for the railroad station, Burns arranges for the police to arrest Johnson at the train's first stop on the pretense that Johnson has stolen his watch.

Cast

Preservation

The Front Page was preserved by the Academy Film Archive in 2016.[7]

Adaptations

In addition to this film, the play has been adapted on several other occasions. CBS radio turned it into a one-hour June 28, 1937 episode of Lux Radio Theatre with Walter Winchell and James Gleason,[8] and a half-hour June 22, 1946 episode of Academy Award Theater with O'Brien and Menjou reprising their original roles.[9] NBC radio ran a one-hour May 9, 1948 episode of the Ford Theater starring Ed Begley and Everett Sloane.[10][11]

The story was adapted for Howard Hawks's comedy His Girl Friday (1940), in which Hildy was recast as a woman played by Rosalind Russell, the ex-wife of Walter (Cary Grant), giving the story a romantic spin. There was also a 1974 remake of The Front Page starring Jack Lemmon and Walter Matthau; and another version was made as Switching Channels (1988) with Burt Reynolds, Kathleen Turner and Christopher Reeve.

See also

References

  1. ^ Balio, Tino (2009). United Artists: The Company Built by the Stars. University of Wisconsin Press. ISBN 978-0-299-23004-3. p111
  2. ^ Barnes, Mike (December 28, 2010). "'Empire Strikes Back,' 'Airplane!' Among 25 Movies Named to National Film Registry". The Hollywood Reporter. Retrieved December 20, 2012.
  3. ^ "Hollywood Blockbusters, Independent Films and Shorts Selected for 2010 National Film Registry". Library of Congress. Retrieved October 2, 2020.
  4. ^ "Complete National Film Registry Listing". Library of Congress. Retrieved October 2, 2020.
  5. ^ Ladwig, Samantha (September 5, 2017). "30 Hollywood Classics Streaming for Free in the Public Domain". Vulture.com. Retrieved March 10, 2018. ... with the first being the 1931 Lewis Milestone–directed The Front Page, which also fell into the public domain.
  6. ^ Sragow, Michael (January 11, 2017). "The Front Page: Stop the Presses!". criterion.com. Retrieved June 7, 2019.
  7. ^ "Preserved Projects". Academy Film Archive.
  8. ^ "Lux Radio Theatre (advertisement)". The Pittsburgh Press. June 28, 1937. p. 18. Retrieved April 28, 2021.
  9. ^ "Saturday Selections". Toledo Blade (Ohio). June 22, 1946. p. 4 (Peach Section). Retrieved April 28, 2021.
  10. ^ Terrace, Vincent (1999). Radio Programs, 1924-1984: A Catalog of Over 1800 Shows. Jefferson, NC: McFarland. ISBN 0-7864-0351-9.
  11. ^ "Three New Programs, Including Quiz, Will Be Inaugurated on Columbia Today". Youngstown Vindicator. May 9, 1948. p. C-12. Retrieved May 8, 2021.

External links

This page was last edited on 8 February 2024, at 07:31
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