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AllMusic editor Leo Stanley found that The Day "confirms his skill for subtle, inventive songwriting and accessible, polished yet soulful production [...] He is still compelling – his voice is as smooth as silk, and nearly as seductive – but it doesn't quite have the force of personality as his greatest productions. Nevertheless, The Day qualifies as state-of-the-art mid-'90s soul, featuring a handful of terrific songs, and a lot of extremely pleasurable filler."[6] David Browne from Entertainment Weekly wrote that on the album, Babyface "immerses himself in the same hot-tub soul he's applied to everyone from Toni Braxton to Eric Clapton. All the Babyface trademarks — the crisp, unobtrusive percussion, the silky guitars, the harmonies that blanket the melodies like a quilt — are laid out like a three-piece suit. But more so than any previous album he’s made, The Day is chockful of luscious, gently persuasive songs, from doe-eyed testimonials to his devotion to misty childhood reminiscences.[7]
^Springer, Jacqueline (December 1996). "Babyface: The Day"(PDF). Muzik. No. 19. p. 136. Archived from the original(PDF) on April 2, 2022. Retrieved July 16, 2022.