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The Counter-Clock Incident

From Wikipedia, the free encyclopedia

"The Counter-Clock Incident"
Star Trek: The Animated Series episode
Episode no.Season 2
Episode 6
Directed byBill Reed
Written byJohn Culver
Production code22023
Original air dateOctober 12, 1974 (1974-10-12)
Episode chronology
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"The Counter-Clock Incident" is the series finale of the American animated science fiction television series Star Trek, the 22nd episode overall. This episode was the sixth and final episode of the second season. It first aired in the NBC Saturday morning lineup on October 12, 1974, and was written by Fred Bronson under the pen name "John Culver". Bronson used a pen name because he was NBC's publicist at the time and was concerned that it would look improper to get a screen credit.[1] Bronson would eventually work on two Next Generation episodes ("Ménage à Troi" and "The Game").

The episode established that the Enterprise's first captain was Robert April.[1]

Set in the 23rd century, the series follows the adventures of Captain James T. Kirk (voiced by William Shatner) and the crew of the Starfleet starship Enterprise. In this episode, the Enterprise is unwillingly pulled by a smaller craft into the heart of a supernova and finds itself in another universe.

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Transcription

When Mae Keane died at the age of 107 in March 2014, reports of her death focused not on her extraordinarily long life, but on the fact she probably should have died nearly nine decades earlier, of radiation poisoning. It’s believed that Keane was the last of the so-called Radium Girls -- a group of several thousand young female factory workers in the early 20th century who for years worked with one of the world’s most radioactive substances -- and suffered the consequences. Nearly a century later, their story is a reminder that it can take us a while to fully grasp the downsides and side effects of new discoveries. And at the turn of the 20th century, radioactive elements were far from being fully understood. Radium was discovered in 1898 by Marie and Pierre Curie. They were interested in the fact that minerals containing the element uranium gave off electromagnetic radiation that could pass through metal. Marie Curie investigated these rays, focusing on the mineral pitchblende, where uranium is often found. She discovered the mineral gave off more radioactivity than could be accounted for by uranium alone. Together, she and her husband succeeded in isolating both element 84, dubbed polonium and element 88 -- radium -- in the pitchblende. The spontaneous release of energy from rocks was as exciting as it was perplexing -- it was considered to be a new force of nature. But little was known about radium’s properties or dangers. It didn’t take long for doctors to find that the application of radium salts to a cancerous tumor would often shrink the tumor. If it’s good for shrinking tumors, must be good for everything, right? So, by the early 1900s, “radium therapy” gave birth to an entire industry of phony cure-all medicines and elixirs. Everything from radium soda to radium toothpaste soon appeared on shelves. Even radium water was a thing. Luckily for consumers, most of these products contained such low levels of radium that they were pretty much harmless. But then someone discovered how to turn radium into glow-in-the-dark paint. Radium itself doesn’t actually glow, but Marie Curie famously described the blue “fairy-like” color she saw while working with the mineral. The effect is caused by the interaction of radium with other chemicals as it decays. As it decays, radium releases particles that ionize nearby materials, creating positively charged ions that pull negatively-charged electrons from other nearby atoms. The glow occurs when the electrons return to their original state, releasing that extra energy as light. In 1902, an inventor named William Hammer -- who would be the first person to suggest using radium as a cancer treatment -- used samples of radium salt given to him by the Curies and mixed it with glue and zinc sulfide to create a luminescent paint. Hammer found a variety of uses for this new luminous material -- which he called Undark -- from toys to gun sights. But the the most popular was for the dials on watches and clocks, so they could be seen in the dark. By the early 1920s, Undark was being used by the U.S. Radium Corporation in New Jersey, where more than 4,000 workers -- mostly young women -- used it to paint tiny, glowing numbers on watch faces. Even though the company’s own chemists made sure to handle radium behind lead shields, the radium painters weren’t given much in the way of protection. In fact, workers were encouraged to use their lips and tongues to shape the tips of their brushes. Soon, the effects of the radium showed up in the health of the workers. Even though very high, but very localized, exposure to radium can kill cancer cells in some cases, ingesting large amounts of it over time exposes the whole body to its damaging effects. And what makes radium particularly dangerous when it’s ingested is that it has chemical properties similar to calcium, so it’s easily absorbed into bones, teeth, and other tissues. As a result, the women soon developed tumors, bone-marrow damage and leukemia. Other workers started losing teeth, suffering from deteriorating jawbones, mouth cancers, sores and anemia. By the late 1920s, the health concerns about radium started to become public. And in 1927, five of the painters sued their employer for damages and medical expenses, and won. But by then, dozens of past and present radium painters had died. That Mae Keane survived is probably due to the fact she found the paint gritty and didn’t like the feel of it in her mouth. To this day, if you run a geiger counter over the graves of many of the women who died nearly 90 years ago, the needle will jump. Near a century after they introduced the world to the dangers of radium first-hand, the radium girls remain radioactive. Thanks for watching this SciShow Dose, brought to you in large part by today’s President of Space, Soliloquy. You can check out his Youtube channel by following the link in the description. If you would like to become a President of Space, or just support SciShow and receive monthly rewards, go to Patreon.com/SciShow

Plot

On stardate 6770.3, the Federation starship Enterprise is transporting very distinguished guests: its first commander, Commodore Robert April (voiced by James Doohan), and his wife, Sarah (voiced by Nichelle Nichols), the first medical officer on the starship equipped with warp drive, who had designed many of the tools in Dr. McCoy's sick bay. Their destination is a diplomatic conference on the planet Babel and his planned retirement ceremony, when it encounters a ship flying at fantastic speeds directly into a supernova.

The Enterprise attempts to assist by grabbing the vessel with a tractor beam and locking onto it, but instead both ships are pulled through the supernova and into a negative universe where time flows backwards and "everything works in a counterclockwise fashion."[2] Consequently, everyone aboard the ship begins to grow younger. The young woman piloting the ship, Karla Five (also voiced by Nichols), takes them to her homeworld, Arret (Terra, backwards), and seeks the help of her son, a much older man named Karl Four (also voiced by Doohan).

In a race against time for the increasingly de-aging Enterprise crew, they work out a solution for getting back home. With Captain Kirk and his crew members reduced to children, "April, now a thirty-year-old man, retakes command and must bring the Enterprise to safety before it's too late."[2] The attempt to get back home is successful, and then he and his wife, Sarah, use the transporter to restore themselves and the rest of the crew to their proper ages.

Casting

Actress Majel Barrett, who commonly voiced Nurse Christine Chapel, Communications Officer M'Ress and the Enterprise computer, was given screen credit for this episode but was not part of it.[3]

Novelization

Science fiction author Alan Dean Foster expanded this story under the title Star Trek Log Seven, making it the first third of a full novel. He prefaced the animated story with scenes depicting a young Starfleet officer named Robert April being shown Matt Jefferies' original blueprints for a then-uncompleted Enterprise and being told he was to be given command of the new ship, then following through to the christening of the Enterprise and Captain April giving the order to embark on their first mission.[4]: 3–10 

At the conclusion of the material from the animated episode, Foster adds new story about the Enterprise being sent on a mission to secure a reclusive brother-sister team of scientists who are reported to have a new weapon capable of destroying planets.[4]: 64 ff.  In the process, Kirk runs up against Klingons intent on acquiring the scientists for the Empire and must contend with Captain Kumara, whom he had known back in his Academy days. Foster concluded his story by revealing that the Enterprise's adventure with the Klingons had been a test by an advanced alien race calling themselves "The Wanderers". In fact, all of the inhabitants of the planet on which they had found themselves as well as the brother-sister scientists were actually members of the Wanderers.[4]: 174–179  During this revelation, they discuss the illogical nature of the other universe where a society would begin with all possible knowledge that they would ever have and then de-evolve, or how a person would be "born" as a senile old person in a grave and then die in their mother's womb.[4]: 177 

Reception

Mark A. Altman and Ed Gross commented that the episode's premise "works far better than it has a right to, thanks to its message that the elderly have a lot to teach us and can be productive members of society." They added that the script "features the same wit and intelligence that characterised the animated missions throughout its two-year run."[2]

This episode was noted as case where the fictional Star Trek transporter technology changes the size of the entity being transported, along with "The Terratin Incident" from the same TV series.[5]

TheGamer.com ranked Captain April as the 10th best captain of Star Trek.[6] In 2019, Den of Geek ranked this the 3rd best morality play of the entire Star Trek franchise.[7]

In 2020, ScreenRant said this was "not a bad episode" but that it was "somewhat goofy" and noted an IMDB rating of 7.1 out of 10 at that time.[8]

See also

References

  1. ^ a b Mangels, Andy (Summer 2018). "Star Trek: The Animated Series". RetroFan (1). TwoMorrows Publishing: 35.
  2. ^ a b c Altman, Mark A.; Gross, Ed (1998). TrekNavigator: The Ultimate review guide to the entire Trek saga. Back Bay Books. p. 48.
  3. ^ ""Star Trek" The Counter-Clock Incident (1974) - Full cast and crew". IMDb. n.d. Retrieved September 17, 2013.
  4. ^ a b c d Foster, Alan Dean (June 1976). Star Trek Log Seven (1st ed.). Ballantine Books. ISBN 0-345-24655-1.
  5. ^ Irwin, Walter (March 1, 1991). The Best of Trek. Penguin Group USA. ISBN 978-0-451-45047-0.
  6. ^ "Star Trek: The 15 Best Captains In The Franchise (And The 15 Worst)". TheGamer. October 19, 2018. Retrieved June 8, 2019.
  7. ^ "Star Trek's 12 Best Morality Plays". Den of Geek. Retrieved June 12, 2019. [dead link]
  8. ^ Stephanie Marceau (May 13, 2020). "The Star Trek Finales, Ranked Worst To Best (According To IMDb)". ScreenRant. Retrieved May 4, 2021.

External links

This page was last edited on 27 May 2024, at 13:41
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