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The Boy in the Red Vest

From Wikipedia, the free encyclopedia

The Boy in the Red Vest
ArtistPaul Cézanne
Year1888-1890
Typeoil
MovementPost Impressionism
Dimensions80 cm × 64.5 cm (31 in × 25.4 in)
LocationFoundation E.G. Bührle, Zürich

The Boy in the Red Vest (Le Garçon au gilet rouge), also known as The Boy in the Red Waistcoat,[1] is a painting (Venturi 681) by Paul Cézanne, painted in 1888-1890.[2] It is a fine example of Cézanne's skilled, nuanced, and innovative mature work after 1880.[citation needed]

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  • How we conquered the deadly smallpox virus - Simona Zompi

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10,000 years ago, a deadly virus arose in northeastern Africa. The virus spread through the air, attacking the skin cells, bone marrow, spleen, and lymph nodes of its victims. The unlucky infected developed fevers, vomiting, and rashes. 30% of infected people died during the second week of infection. Survivors bore scars and scabs for the rest of their lives. Smallpox had arrived. In 1350 B.C., the first smallpox epidemics hit during the Egypt-Hittite war. Egyptian prisoners spread smallpox to the Hittites, which killed their king and devastated his civilization. Insidiously, smallpox made its way around the world via Egyptian merchants, then through the Arab world with the Crusades, and all the way to the Americas with the Spanish and Portuguese conquests. Since then, it has killed billions of people with an estimated 300 to 500 million people killed in the 20th century alone. But smallpox is not unbeatable. In fact, the fall of smallpox started long before modern medicine. It began all the way back in 1022 A.D. According to a small book, called "The Correct Treatment of Small Pox," a Buddhist nun living in a famous mountain named O Mei Shan in the southern providence of Sichuan would grind up smallpox scabs and blow the powder into nostrils of healthy people. She did this after noticing that those who managed to survive smallpox never got it again, and her odd treatment worked. The procedure, called variolation, slowly evolved and by the 1700's, doctors were taking material from sores and putting them into healthy people through four or five scratches on the arm. This worked pretty well as inoculated people would not get reinfected, but it wasn't foolproof. Up to three percent of people would still die after being exposed to the puss. It wasn't until English physician Edward Jenner noticed something interesting about dairy maids that we got our modern solution. At age 13, while Jenner was apprentice to a country surgeon and apothecary in Sodbury, near Bristol, he heard a dairy maid say, "I shall never have smallpox, for I have had cowpox. I shall never have an ugly, pockmarked face." Cowpox is a skin disease that resembles smallpox and infects cows. Later on, as a physician, he realized that she was right, women who got cowpox didn't develop the deadly smallpox. Smallpox and cowpox viruses are from the same family. But when a virus infects an unfamiliar host, in this case cowpox infecting a human, it is less virulent, so Jenner decided to test whether the cowpox virus could be used to protect against smallpox. In May 1796, Jenner found a young dairy maid, Sarah Nelmes, who had fresh cowpox lesions on her hand and arm caught from the utters of a cow named Blossom. Using matter from her pustules, he inoculated James Phipps, the eight-year-old son of his gardener. After a few days of fever and discomfort, the boy seemed to recover. Two months later, Jenner inoculated the boy again, this time with matter from a fresh smallpox lesion. No disease developed, and Jenner concluded that protection was complete. His plan had worked. Jenner later used the cowpox virus in several other people and challenged them repeatedly with smallpox, proving that they were immune to the disease. With this procedure, Jenner invented the smallpox vaccination. Unlike variolation, which used actual smallpox virus to try to protect people, vaccination used the far less dangerous cowpox virus. The medical establishment, cautious then as now, deliberated at length over his findings before accepting them. But eventually vaccination was gradually accepted and variolation became prohibited in England in 1840. After large vaccination campaigns throughout the 19th and 20th centuries, the World Health Organization certified smallpox's eradication in 1979. Jenner is forever remembered as the father of immunology, but let's not forget the dairy maid Sarah Nelmes, Blossom the cow, and James Phipps, all heroes in this great adventure of vaccination who helped eradicate smallpox.

History

Cézanne painted four oil portraits of this Italian boy in the red vest (in British English, a waistcoat), all in different poses, which allowed him to study the relationship between the figure and space.[3] The most famous of the four, and the one commonly referred to by this title, is the one which depicts the boy in a melancholic seated pose with his elbow on a table and his head cradled in his hand. It is currently held in Zürich, Switzerland. The other three portraits, of different poses, are in museums in the US.[4]

The Foundation E.G. Bührle, which currently owns the work, notes the painting's picturesqueness, adding that "There is a perfect balance here of high compositional intelligence and spontaneous painterly intuition."[2] In 1895, art critic Gustave Geffroy said it could stand comparison with the finest figure paintings of the Old Masters.[2]

The colors of the painting are rich, dense, and festive. The composition is organized with three main diagonals: the angle of the boy's tilted back and head, the angle of the deep-green curtain behind the boy, and the long angle of the seat and table rising from the lower left. These three angles are countered by the angles of the boy's thighs and arms, creating a tightly articulated structure of intersecting diagonals.[2]

This painting was acquired from Cézanne by art dealer Ambroise Vollard, probably in 1895, and successively acquired by art collectors Marcell Nemes in 1909 and Gottlieb Reber in 1913. Art collector and patron Emil Georg Bührle purchased it from Reber in 1948. Following Bührle's death in 1956, his heirs donated the painting to the Foundation E.G. Bührle in 1960.[5]

In February 2008, the painting was stolen from the Foundation E.G. Bührle in Zurich.[6] It was the museum's most valuable painting and was valued at $91 million.[7] It was recovered in Serbia in April 2012.[4]

Other three paintings

Other oil paintings in the series, painted by the artist under the same title during the same period, are:

See also

References

  1. ^ "Cezanne masterpiece believed recovered by Serbian police". London: Guardian. Reuters. 12 April 2012. Retrieved 12 April 2012.
  2. ^ a b c d Foundation E.G. Bührle: The Boy in the Red Vest (1889/90)
  3. ^ "The Boy in the Red Vest". In: Cézanne. Random House, 2005. p. 130.
  4. ^ a b "Stolen Cezanne found by Serbian police". BBC News. 12 April 2012. Retrieved 13 April 2012.
  5. ^ Paul Cézanne: Le Garçon au gilet rouge, ca. 1888/90. Oil on canvas, 79.5 x 64 cm. Rewald no. 658. Provenance. Foundation E.G. Bührle Collection. Retrieved 17 December 2015.
  6. ^ "Reward for $180m Zurich art heist bandits". Herald Sun. 13 February 2008.
  7. ^ "2 Paintings Stolen From Zurich Museum Didn’t Get Far". New York Times, February 20, 2008

External links

This page was last edited on 10 December 2023, at 17:39
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