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The Barbarian and the Geisha

From Wikipedia, the free encyclopedia

The Barbarian and the Geisha
Barbarian Geisha 1958.jpg
Directed byJohn Huston
Screenplay byCharles Grayson
Story byEllis St. Joseph
Produced byEugene Frenke
StarringJohn Wayne
Narrated byEiko Ando
CinematographyCharles G. Clarke
Edited byStuart Gilmore
Music byHugo W. Friedhofer
Color processColor by DeLuxe
Production
company
20th Century Fox
Distributed by20th Century Fox
Release date
  • September 30, 1958 (1958-09-30)
Running time
105 minutes
CountryUnited States
LanguageEnglish
Budget$3,495,000[1]

The Barbarian and the Geisha (working titles The Townsend Harris Story and The Barbarian) is a 1958 American CinemaScope adventure drama film directed by John Huston and starring John Wayne. The film was shot primarily on location in Japan.

Townsend Harris is appointed the first Consul General to Japan. Upon his arrival, Harris discovers that the Japanese thoroughly mistrust all foreigners, despite a two-year-old treaty between Japan and the United States. Harris slowly earns the respect of the local governor and trust of the local townsfolk and is eventually granted an audience with Japan's military dictator, the Shōgun.

Plot

In 1856, Townsend Harris (John Wayne) is sent by President Franklin Pierce to serve as the first U.S. Consul General to Japan, following the treaty written by Commodore Matthew Perry two years before. Accompanied only by his translator-secretary, Huesken (Jaffe), Townsend comes ashore at the town of Shimoda prefecture, as specified in the treaty as the location for an American consulate.

However, the Japanese governor (Sō Yamamura) refuses to accept his credentials, denying him any official status, due to a conflict between interpretations of the treaty terms. While Harris believes that the Consul shall be present whenever either country requires, the Japanese believe the terms to permit a consul only when both countries require. The governor holds to his interpretation, largely because of objections over the threats under which the treaty was forced upon them. Harris is permitted to remain in Shimoda, but only as a private citizen, with no recognition of his official status. He is provided the use of an abandoned home, adjacent to the town cemetery.

The governor explains that, in the two years following Perry's visit, various natural disasters had taken place. Some Japanese believed them to be warnings from the gods to avoid foreign influences. In the weeks that follow, Harris is the target of distrust and hostility, to the extent that Tamura orders townspeople to not even sell him food. Some in Japan wanted the country opened, but many others feared the corruption of foreign influences, and invasion by the barbarians of other lands. For this reason, Harris is not permitted to leave Shimoda, nor to go any closer to the capitol in Edo, 100 miles away.

For his own part, Harris does his best to cooperate with the Governor, even obeying orders to take down the American flag which had been raised to mark the location of the Consulate. His cooperation noted, after several months, Harris is eventually invited to dine with the Governor, a dinner following which Tamura sends a geisha named Okichi (Eiko Ando) to take care of Harris' needs.

The relationship between Harris and Okichi grows closer and more intimate, and she helps him understand Japanese culture.

Harris helps rid the village of a cholera epidemic and out of this comes Harris' opportunity to go to Edo, where he must then convince the Shogunate to open the country, while facing his greatest crisis.

Cast

Production

Director Anthony Mann initially owned the story but he sold the rights to 20th Century Fox after being unable to sign a big star to play the lead.

Exteriors were shot on location in Japan at Kyoto and the Tōdai-ji shrine in Nara. Interiors and additional scenes were completed at Toho Studios in Tokyo and 20th Century Fox Studios, Los Angeles. During filming, Wayne and director John Huston did not get along; in one altercation, Wayne throttled and punched Huston on set.[2][3]

The film was heavily re-edited by 20th Century Fox before release. Director John Huston denounced this version and even wanted to have his name removed from the credits.[4] Huston had wanted to make a particularly Japanese film in terms of photography, pacing, color and narration but according to him only a few edits – representing his vision – were left intact in the theatrical version.

Reception

The film performed disappointingly at the box office. Despite Huston's anger at studio interference, the New York Times Bosley Crowther liked the film's cinematography calling it a "whole picture out of patience and pageantry".[5] Blu-ray.com's Casey Broadwater observed this about the film: "Wayne's restrained and uncomfortable "other-ness" as a gaijin in Japan is essential to the story. With his cowboy swagger and deep commanding drawl, Wayne typifies every Japanese stereotype about brash, take-charge Americans, and Barbarian's specific frisson comes from seeing his character stumped and stymied by a culture that values group-think over individualism".

Historical background

Lithograph of "Shimoda as seen from the American Grave Yard" looking towards the harbor – artist, Wilhelm Heine (1856).
Lithograph of "Shimoda as seen from the American Grave Yard" looking towards the harbor – artist, Wilhelm Heine (1856).

The film is based on American diplomat Townsend Harris and his time in Japan during the final years of the Tokugawa shogunate. President Franklin Pierce named Harris the first Consul General to the Empire of Japan in July 1856. He opened the first U.S. Consulate at the Gyokusen-ji Temple in the city of Shimoda, Shizuoka Prefecture. This consolidated the mission by Commodore Perry who established the first trade agreement between the U.S. and Japan in 1853.[6][7] Harris left Japan in 1861.

In Harris' time, Japan was living through the final years of its period when the country remained in international isolation and adhered to strict customs and regulations intended to promote stability. In 1868, just seven years after Harris' departure, the Meiji Restoration started Japan's emergence as a modernized nation in the early twentieth century through massive industrialization, and enormous reforms to its political and social structure.

The film incorporates the enduring Japanese legend about Harris and a 17-year-old geisha named Okichi (お吉). The story says she was pressured by Japanese authorities into forming a relationship with Harris in order to make the trade meetings go more smoothly. However, after Harris departed Japan to return to America, she was insultingly called the "Barbarian Okichi" and was ostracized by her people; as a result, she began drinking and eventually committed suicide in 1892.[8] According to historians, however, most of the story is simply untrue.[8] Although Okichi was a real person, she was merely one of Harris' housekeepers, and he apparently fired her after only three days of working for him.[8][9]

Home video

The Barbarian and the Geisha was released as a combo Blu-ray and DVD two disc set on May 8, 2012, by 20th Century Fox Home Entertainment.

See also

References

  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p251
  2. ^ John Wayne:American (biography) p.436-437
  3. ^ Emanuel Levy, comment on Barbarian and the Geisha: John Wayne on John Huston
  4. ^ The Innocent Bystander Robinson, David. Sight and Sound; London Vol. 42, Iss. 1,
  5. ^ "The Barbarian and the Geisha (1958)". New York Times. October 3, 1958. Retrieved January 19, 2014.
  6. ^ "Townsend Harris: America's First Consul to Japan" – biography by the Consulate General of Japan in New York Archived 2007-03-12 at the Wayback Machine
  7. ^ Japanese Delegation Visits CCNY July 24 2006 to honor founder Townsend Harris: Visit Coincides With 150th Anniversary of Harris' Appointment as First U.S. Consul to Japan
  8. ^ a b c Kitao, S. Kathleen. "History and Legend in Shimoda, Japan". Faculty of Culture and Information Science, Doshisha University. Retrieved January 19, 2014.
  9. ^ "Pop Meiji romance revives tired legend of poor Okichi". Japan Times. April 4, 2004. Retrieved January 19, 2014.

Bibliography

External links

This page was last edited on 23 May 2021, at 09:00
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