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From Wikipedia, the free encyclopedia

Tanya Ashken
Born
Joan Tanya Handley Ashken

1939 (age 84–85)
London, England
Known forSculptor, silversmith
Notable workAlbatross, Frank Kitts Park, Wellington (1986)
Spouse
(m. 1960; died 2005)

Joan Tanya Handley Drawbridge ONZM (née Ashken; born 1939 in London, England), known as Tanya Ashken, is a New Zealand silversmith and sculptor.[1] She was one of a number of European-trained jewellers who came to New Zealand in the 1960s and transformed contemporary jewellery in that country, including Jens Hoyer Hansen, Kobi Bosshard and Gunter Taemmler.[2]

Ashken attended the Central School of Arts and Crafts in London, where she was awarded a diploma in silversmithing in 1960, and also studied sculpture at the Atelier de Del Debbio in Paris the following year.[3]: 157 [4] She began making jewellery in semi-precious materials in 1962.[1] She does not draw a distinction between her jewellery and her sculpture: “her jewellery is small sculpture that can be worn.”[4]

Ashken married New Zealand artist John Drawbridge (1930–2005) in 1960[5] and emigrated to New Zealand in 1963.[6] In 1966 her work was included in Recent New Zealand Sculpture at the Auckland City Art Gallery.[7]

Ashken's albatross sculpture on the Wellington waterfront from above

In 1967 Ashken was the second artist to be awarded the Frances Hodgkins Fellowship, an opportunity for her to spend a year in Dunedin developing ideas for large sculptures.[3]: 157  After this Ashken attracted a number of major commissions, including Seabird V (1974) for the New Zealand High Commission in Canberra and her best-known work, the water sculpture Albatross (1986) in Frank Kitts Park, Wellington.[3]: 157 [8] This was a first commission for the Wellington Sculpture Trust. Hone Tuwhare wrote a poem to mark the occasion.[9] Ashken said she got the idea for the Albatross sculpture while walking along a beach in Island Bay in 1979 and seeing waves crashing around rocks.[10] She initially submitted Albatross to the Aotea Square Water Sculpture competition and was shortlisted as one of six finalists.[11] In December 1979 the commission was awarded to Terry Stringer's Mountain Fountain.[12]

Art historian Anne Kirker describes Ashken's sculpture as “graceful organic forms articulated by the play of natural light”, and notes the evocation of “weathered stone or the graceful movements of seabirds – familiar components of her Island Bay home in Wellington“.[3]: 158 

In the 2024 King’s Birthday Honours, Ashken was appointed an Officer of the New Zealand Order of Merit, for services to sculpture, silversmithing and jewellery.[13]

YouTube Encyclopedic

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  • Pahīatua's 'Little Poland' - Roadside Stories
  • Fellow Boyd Multerer speaking about why he chose Wellington and New Zealand as his new home

Transcription

[Former Polish refugee] We got on the train, and of course we started then our trip to Pahiatua. I don't know how long it took, but it took much much longer than it usually would take, because at almost every station the train would slow down and it would be met by lines upon lines of young children and adults waving flags, waving flowers, giving us sweets, and so forth, and this tremendous feeling of being welcomed - I think it was almost contagious. [Polish refugee (actor's voice)] On the 31st of October 1944, we sailed into Wellington Harbour and saw all the small houses on the slopes. They looked like little doll's houses. Like all the other Polish refugee children, I was very excited. Prime Minister Peter Fraser, who had invited us to New Zealand, came aboard the ship. There were speeches and we were given sweets by kind ladies, and then we were taken in the train to our camp at Pahīatua. [Narrator] The quiet country town of Pahīatua in the northern Wairarapa seems an unlikely place to find a reminder of the horrors of the Second World War. A white sculpture on its outskirts marks the site of 'Little Poland', where Polish children and their adult caregivers found much-needed rest and recovery during the latter part of the war. The memorial on the site of the former Polish Children's Camp was erected by the Polish community in appreciation of the shelter given by the people of New Zealand to the Polish children. In 1940, after the German invasion of Poland, the Soviet Union expelled large numbers of Poles from their homeland to Siberia. Polish refugee: We were always cold and hungry. There were bugs and lice everywhere, and many people died of starvation and disease. [Narrator] The deported Poles were expected to die there, but Hitler's surprise attack in 1941 against his former ally, the Soviet Union, forced Stalin to release the Polish prisoners. Unable to return to Poland where war was raging, they instead formed a Polish army in the Soviet Union. When the Polish army was needed in the Middle East over 40,000 Polish civilians travelled with it to Iran and Iraq, including many orphans. A number of countries offered the Poles shelter, including New Zealand, thanks to the efforts of Countess Maria Wodzicka ("Wodjeeska"), the wife of the Polish Consul in Wellington, and the New Zealand Prime Minister, Peter Fraser, and his wife. By the time over 700 Polish children arrived in Wellington in 1944, most were orphans. Many had seen their parents and siblings die in Soviet camps where starvation, hard labour, disease and the freezing cold took a terrible toll. The children and their 102 guardians arrived in Wellington on the first of November aboard an American battleship. They were taken to the Pahīatua camp where conditions proved to be infinitely better than the camps in Siberia. [Polish refugee] In Pahīatua we got into a routine where we knew we were going to get three square meals a day and anything we wanted. We then started really recuperating. [Narrator] The camp closed in 1952. The children had been taught in Polish during their stay, in the expectation that they would return to Poland after the war. But Poland's post-war communist regime, and the dominance of the Soviet Union in Eastern Europe, made that prospect unattractive to many Polish refugees. As a result, most stayed in New Zealand, where some were joined by relatives. While in the camp, the children had worshipped at a grotto shrine they made with rocks from the Mangatainoka River. But by the early 1970s this had deteriorated. A Polish Children's Memorial Committee called for designs for a new public monument and accepted one proposed by the Wellington sculptor, Tanya Ashken. The monument, which incorporates stones from the original grotto in its base, was built by members of the Polish community in the 1970s. Its simple abstract shape, suggestive of a protective embrace, recalls the shelter the children found in Pahīatua and the contribution they went on to make to New Zealand as adults.

References

  1. ^ a b Cape, Peter (1969). Artists and Craftsmen in New Zealand. Auckland, London: Collins. pp. 89–94.[permanent dead link]
  2. ^ Skinner, Damian (2012). Kobi Bosshard : goldsmith. Albany, Auckland: David Bateman. p. 9. ISBN 978-1869538217.
  3. ^ a b c d Kirker, Anne (1993). New Zealand Women Artists: A Survey of 150 Years (2nd ed.). Tortola, B.V.I.: Craftsman House. ISBN 9768097302.
  4. ^ a b Skinner, Damian; Murray, Kevin (2014). Place and Adornment: A history of contemporary jewellery in Australia and New Zealand. Honolulu: University of Hawai'i. p. 59. ISBN 9781454702771.
  5. ^ Foreman, Lewis (11 August 2005). "John Drawbridge". The Independent. Independent Print Limited. Retrieved 2 December 2014.
  6. ^ Blumhardt, Doreen; Brake, Brian (1981). Craft New Zealand: The art of the craftsman. Auckland: A.H. & A.W. Reed. p. 279. ISBN 0-589-01343-2. Archived from the original on 30 November 2014.
  7. ^ Recent New Zealand Sculpture (PDF). Auckland: Auckland City Art Gallery. 1966. Archived from the original (PDF) on 23 September 2015. Retrieved 22 December 2014.
  8. ^ Harper, Jenny; Lister, Aaron, eds. (2007). Wellington: A City for Sculpture. Victoria University Press. pp. 35–37. ISBN 9780864735706. Retrieved 1 December 2014.
  9. ^ "Tanya Ashken: Albatross". Wellington Sculpture Trust. Archived from the original on 17 September 2014. Retrieved 6 December 2014.
  10. ^ Johnstone, Philip (14 August 1984). "Sculpture for harbourside". The Dominion. Retrieved 16 March 2021 – via Wellington City Council Archives Online website.
  11. ^ Little, Paul (Autumn 1980). "The Aotea Square Water Sculpture". Art New Zealand (15). Archived from the original on 20 January 2023.
  12. ^ "Spectacle for Aotea Square". Auckland Star. 5 December 1979. p. 3.
  13. ^ "King's Birthday Honours 2024: The full list of all recipients". The New Zealand Herald. 3 June 2024. Retrieved 3 June 2024.
This page was last edited on 5 June 2024, at 10:16
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