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T. O'Conor Sloane Jr.

From Wikipedia, the free encyclopedia

Thomas O’Conor Sloane, Jr. (1879–1963) was an American photographer.

Early life and career

Sloane was born in 1879 in Brooklyn, New York but spent much of his adult life in South Orange, New Jersey. Sloane was already photographing by the summer of 1894, when he photographically documented a week-long cruise with his father on a sloop yacht on Long Island Sound. Pictures of this trip survive in an album he compiled that is now at the Mystic Seaport Museum, Mystic, Connecticut.[1]

Sloane was most active as a naturalistic photographer at the turn of the twentieth century, garnering acclaim for his gum bichromate work.[2][3][4][5]

In Sloane's early twenties, he focused primarily on portraiture,[6] becoming a professional sometime thereafter[7] and remaining active until the 1940s, when a diving accident severely impaired his eyesight.[8][9]

Sloane experimented with gum bichromate, platinum, pigment, gaslight and gelatin silver prints and various lenses.[10][11][12]

Sloane was perhaps an unlikely photographer, having graduated from Columbia University in New York City with a degree in electrical engineering like his father, Dr. T. O'Conor Sloane, a noted scientist, prodigious author of scientific books and articles, and the editor of Scientific American and Amazing Stories. Sloane briefly taught electrical engineering and was a research assistant at Columbia, also working independently as an electrical engineer, before becoming a professional photographer.[13][14][15][16]

Photo-Secession movement

Sloane began exhibiting with Alfred Stieglitz's (Portrait of Thomas O'Conor Sloane Jr by Stieglitz, c. early 1900s) cadre of artistic amateur photographers at The Camera Club of New York[17] and in 1902 was an original member of the influential Photo-Secession movement,[18][19][20][21][22] with his work appearing in that year's National Arts Club exhibition.

Sloane maintained a long friendship with fellow Photo-Secessionist and West Redding, Connecticut resident, photographer Edward Steichen.[23][24]

Exhibitions and publications

In addition to exhibitions in New York City, Sloane's photographs were exhibited in Chicago and Philadelphia in 1900, London in 1901 and Turin in 1902.[25][26][27][28][29][30][31][32]

Sloane's photographs appeared in Photo Beacon (June 1900), Camera Notes (October 1900), Photographic Times (November 1900 and January 1904), The American Annual of Photography (1901) and Camera Work, No. 3 (July 1903).[33][34]

An article he wrote, "Photography as a Craft," appeared in the January 1920 edition of The Photo-Miniature.[35]

By 1931 Sloane had relocated to Westport, Connecticut where in 1935 he was commissioned by the Westport Preservation Alliance (WPA) Federal Arts Project to photograph the historic houses of Westport and environs.[36][37][38][39] His photos were black and white using glass plate negatives. A gum print that he created during this time was shown at the Connecticut Tercentenary exhibition in New Haven.[40]

Museums and collections

Sloane's photographic work can be found in art auctions,[41][42][43][44] public and private collections,[45][46] exhibitions,[47] university archives[48] and museums[49][50][51] across the nation, including four pieces in the Hallmark Photographic Collection, now held by The Nelson-Atkins Museum of Art in Kansas City, Missouri;[52] nine pieces in the collection of the Addison Gallery of American Art, in Andover, Massachusetts;[53] [Untitled: man harvesting] (c. 1900) in the collection of the Minneapolis Institute of Art in Minneapolis, Minnesota; New York City Construction Site (c. 1900) in the collection of the Milwaukee Art Museum in Milwaukee, Wisconsin;[54] Tree Study (c. 1905) in the Carnegie Museum of Art in Pittsburgh, Pennsylvania; Landscape with Trees (c. 1905) in the collection of the Saint Louis Art Museum in St. Louis, Missouri;[55] Cloud Study (c. 1910) in the collection of The Metropolitan Museum of Art in New York City, New York;[56] and Thomas Alva Edison (c. 1914) in the collection of the National Portrait Gallery of The Smithsonian in Washington, D.C.[57]

Family

Sloane married Gertrude Gabrielle Larned (October 4, 1878 - January 17, 1954) of Washington, D.C., an author best known for the children's book Fun with Folk Tales: Six Plays in Verse with Music and Songs (E. P. Dutton, 1942).[58] Together they had four children, including T. O'Conor Sloane III, a senior editor at Doubleday. She passed away on January 17, 1954 in Norwalk, Connecticut.[59]

Sloane's brother, John Eyre Sloane, a Columbia graduate and an airplane factory owner, married Thomas Edison's daughter Madeleine.

References

  1. ^ "T. O'Conor Sloane, Jr". Retrieved 29 June 2018.
  2. ^ Davis, Keith (1995). An American Century of Photography: From Dry-Plate to Digital [The Hallmark Photographic Collection] (paperback [Abrams cloth] ed.). Kansas City, MO: Hallmark Cards, Inc./Harry N. Abrams, Inc. pp. 44, 69, 407, 422. ISBN 0-87529-701-3. Retrieved 8 December 2020.
  3. ^ "The American Annual of Photography, Volume 15". 1900. Retrieved 29 June 2018.
  4. ^ Mees, Charles Edward Kenneth (1921). "Color Photography". p. 143. Retrieved 29 June 2018.
  5. ^ Tennant, John A.; Lubschez, Ben Jehudah (1918). "The Photo-Miniature, Volume 15, Issues 169 - 180". Retrieved 1 July 2018.
  6. ^ "The American Amateur Photographer, Volume 12". 1900. Retrieved 29 June 2018.
  7. ^ "Art News, Volume 17". 1918. Retrieved 29 June 2018.
  8. ^ Saretzky, Gary (2004). "Nineteenth Century New Jersey Photographers". New Jersey History (Fall/Winter): 31–32. Retrieved 16 October 2020.
  9. ^ Homer, William (2002). Stieglitz and the Photo-Secession, 1902 (Hardcover ed.). New York: Viking Studio. ISBN 978-0670030385. OCLC 50701126. Retrieved 16 October 2020.
  10. ^ Mees, Charles (1919). "The Progress of Photography, 1916 - 1919". The New Photo-Miniature. 15: 396–400. Retrieved 9 October 2020.
  11. ^ Saretzky, Gary (2004). "Nineteenth Century New Jersey Photographers". New Jersey History (Fall/Winter): 12. Retrieved 16 October 2020.
  12. ^ Homer, William (2002). Stieglitz and the Photo-Secession, 1902 (Hardcover ed.). New York: Viking Studio. ISBN 978-0670030385. OCLC 50701126. Retrieved 16 October 2020.
  13. ^ "Columbia University. Office of the President. Annual report (Volume 1903) online". Retrieved 29 June 2018.
  14. ^ "Appendix 1: Statistics Regarding the Teaching and Administrative Staff for the Academic Year 1903-1904". Columbia University in the City of New York: Annual Reports of the President and Treasurer to the Trustees: With Accompanying Documents: For the Year Ending June 30, 1904. Columbia University: 47. 1904. Retrieved 17 December 2020.
  15. ^ "American Institute of Electrical Engineers: Catalogue of Members". Proceedings of the American Institute of Electrical Engineers. IEEE. 26 (12): 9–189. 1907. doi:10.1109/PAIEE.1907.6741914.
  16. ^ Fels, Thomas (1989). O Say Can You See: American Photographs, 1839-1939: One Hundred Years of American Photographs from the George R. Rinhart Collection. Cambridge, MA/London: The Berkshire Museum/The MIT Press. p. 132. ISBN 9780262061209. Retrieved 4 December 2020.
  17. ^ Davis, Keith (1995). An American Century of Photography: From Dry-Plate to Digital [The Hallmark Photographic Collection] (paperback [Abrams cloth] ed.). Kansas City, MO: Hallmark Cards, Inc./Harry N. Abrams, Inc. pp. 44, 69, 407, 422. ISBN 0-87529-701-3. Retrieved 8 December 2020.
  18. ^ Davis, Keith (1995). An American Century of Photography: From Dry-Plate to Digital [The Hallmark Photographic Collection] (paperback [Abrams cloth] ed.). Kansas City, MO: Hallmark Cards, Inc./Harry N. Abrams, Inc. pp. 44, 69, 407, 422. ISBN 0-87529-701-3. Retrieved 8 December 2020.
  19. ^ Saretzky, Gary (2004). "Nineteenth Century New Jersey Photographers". New Jersey History (Fall/Winter): 31–32. Retrieved 16 October 2020.
  20. ^ Homer, William (2002). Stieglitz and the Photo-Secession, 1902 (Hardcover ed.). New York: Viking Studio. ISBN 978-0670030385. OCLC 50701126. Retrieved 16 October 2020.
  21. ^ "Westport Public Schools Digital Collections". Retrieved 29 June 2018.
  22. ^ Stieglitz, Alfred (July 1903). Camera Work, No. 3. New York City. Retrieved 28 September 2020.{{cite book}}: CS1 maint: location missing publisher (link)
  23. ^ Saretzky, Gary (2004). "Nineteenth Century New Jersey Photographers". New Jersey History (Fall/Winter): 31–32. Retrieved 16 October 2020.
  24. ^ Homer, William (2002). Stieglitz and the Photo-Secession, 1902 (Hardcover ed.). New York: Viking Studio. ISBN 978-0670030385. OCLC 50701126. Retrieved 16 October 2020.
  25. ^ Davis, Keith (1995). An American Century of Photography: From Dry-Plate to Digital [The Hallmark Photographic Collection] (paperback [Abrams cloth] ed.). Kansas City, MO: Hallmark Cards, Inc./Harry N. Abrams, Inc. pp. 44, 69, 407, 422. ISBN 0-87529-701-3. Retrieved 8 December 2020.
  26. ^ Mees, Charles (1921). Color Photography: An Authoritative Summary. New York: Tennant and Ward. p. 143. Retrieved 9 October 2020.
  27. ^ Peterson, Christian. "Pictorial Photography at the Minneapolis Institute of Art: Approved Biography for T. O'Conor Sloane Jr". luminous-lint.com. Luminous-Lint. Retrieved 8 October 2020.
  28. ^ "Chicago Photographic Salon of 1900". artic.edu. Art Institute of Chicago. Retrieved 9 October 2020.
  29. ^ The American Amateur Photographer, Volume 12. New York: The American Photo Publishing Co. 1900. p. 568. Retrieved 9 October 2020.
  30. ^ Abel, Juan C.; Cummings, Thomas Harrison; French, Wilfred A.; Beardsley, A. H. (November 1901). "London Salon". Photo Era: The American Journal of Photography. VII (5): 201. Retrieved 16 October 2020.
  31. ^ "Photography at Important Art Exhibitions: Turin Decorative and Fine Arts Exhibition". repository.library.brown.edu. Brown University Library. Retrieved 13 November 2020. T. O'Conor Sloane, Jr., of New Jersey
  32. ^ "Photography at Important Art Exhibitions: Turin Decorative and Fine Arts Exhibition". Camera Work. 1 (1): 60. January 1903. Retrieved 23 May 2023.
  33. ^ Peterson, Christian. "Pictorial Photography at the Minneapolis Institute of Art: Approved Biography for T. O'Conor Sloane Jr". luminous-lint.com. Luminous-Lint. Retrieved 8 October 2020.
  34. ^ Stieglitz, Alfred (July 1903). Camera Work, No. 3. New York City. Retrieved 28 September 2020.{{cite book}}: CS1 maint: location missing publisher (link)
  35. ^ Sloane, Jr., T. O'Conor (January 1920). "Photography as a Craft". The Photo-Miniature. XV (178): 401–431. Retrieved 9 October 2020.
  36. ^ "Westport Public Schools Digital Collections". Retrieved 29 June 2018.
  37. ^ "Sloane Jr., Thomas O'Conor". ctstatelibrary.org. Connecticut State Library. Retrieved 1 October 2020.
  38. ^ "Mixed papers Box 9". norwalkpl.org. Norwalk Public Library. p. 1. Retrieved 9 October 2020.
  39. ^ "T. O'Conor Sloane Jr.: Photography". Creative Places: Arts & Letters in 20th Century Connecticut. Preservation Connecticut. Retrieved 14 December 2022.
  40. ^ "Sloane Jr., Thomas O'Conor". ctstatelibrary.org. Connecticut State Library. Retrieved 1 October 2020.
  41. ^ "T. O'Conor Sloane, Jr Auction Price Results". Retrieved 7 July 2018.
  42. ^ "Thomas O'Conor Sloane Jr". Retrieved 7 July 2018.
  43. ^ "T. O'CONOR SLOANE JR". Retrieved 7 July 2018.
  44. ^ ""Marte-Marie" Early 1900s Gum Bichromate Print by T. O'Conor Sloane Jr". Retrieved 7 July 2018.
  45. ^ "Photographer: T. O'Conor Sloane Jr". Retrieved 7 July 2018.
  46. ^ Fels, Thomas (1989). O Say Can You See: American Photographs, 1839-1939: One Hundred Years of American Photographs from the George R. Rinhart Collection. Cambridge, MA/London: The Berkshire Museum/The MIT Press. p. 92. ISBN 9780262061209. Retrieved 4 December 2020.
  47. ^ ""Cloud Study" Thomas O'Conor Sloane, Jr. (American, 1879–1963)". metmuseum.org. Retrieved 7 July 2018. 'Our Future is in the Air: Photographs from the 1910s' exhibition, November 10, 2010 through April 10, 2011.
  48. ^ Sloane, T. O'Conor. "Inventory of The Catholic University of America Photograph Collection". libraries.catholic.edu. The Catholic University of America, The American Catholic History Research Center and University Archives. Retrieved 3 December 2020. Box 15: Folder 4
  49. ^ Penhall, Michele (2016). Stories from the Camera: Reflections on the Photograph. Albuquerque: University of New Mexico Press. p. 203. ISBN 978-0826355898. Retrieved 16 October 2020.
  50. ^ "Works - The Nelson-Atkins Museum of Art". art.nelson-atkins.org. The Nelson-Atkins Museum of Art. Retrieved 8 October 2020.
  51. ^ "CMOA Collection". collection.cmoa.org. Carnegie Museum of Art, Carnegie Institute. Retrieved 16 October 2020.
  52. ^ "Works: Artist/Maker: Thomas O'Conor Sloane Jr". The Nelson-Atkins Museum of Art. Retrieved 14 December 2022.
  53. ^ "Collection". Addison Gallery of American Art. Phillips Academy. Retrieved 13 December 2022.
  54. ^ Sloane, Thomas O'Conor. "Milwaukee Art Museum: 2011 Annual Report" (PDF). mam.org. Milwaukee Art Museum. p. 27. Retrieved 15 October 2020.
  55. ^ Sloane Jr., Thomas O'Conor. "Landscape with Trees". slam.org. Saint Louis Art Museum. Retrieved 15 October 2020.
  56. ^ ""Cloud Study" Thomas O'Conor Sloane, Jr. (American, 1879–1963)". metmuseum.org. Retrieved 7 July 2018. 'Our Future is in the Air: Photographs from the 1910s' exhibition, November 10, 2010 through April 10, 2011.
  57. ^ Sloane Jr., Thomas O'Conor. "Thomas Alva Edison". npg.si.edu. National Portrait Gallery, Smithsonian Institution. Retrieved 15 October 2020.
  58. ^ Larned, Gertrude. "Fun with Folk Tales: Six Plays in Verse with Music and Songs". AbeBooks. abebooks.com. Retrieved 2 January 2023.
  59. ^ "Gertrude Gabrielle Larned". Ancestry. ancestry.com. Retrieved 2 January 2023.
This page was last edited on 30 November 2023, at 06:51
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