To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Symphony No. 2 (Glass)

From Wikipedia, the free encyclopedia

Symphony No. 2
by Philip Glass
PeriodContemporary
StylePostmodern, minimalist
FormSymphony
PublisherDunvagen Music Publishers[1]
Duration40 minutes[1]
Premiere
DateOctober 15, 1994 (1994-10-15)
ConductorDennis Russell Davies[1]
PerformersBrooklyn Philharmonic Orchestra

Philip Glass' Symphony No. 2 was commissioned by Brooklyn Academy of Music. It was first performed on October 15, 1994, by the Brooklyn Philharmonic Orchestra, conducted by Dennis Russell Davies.

YouTube Encyclopedic

  • 1/2
    Views:
    3 526
    102 898
  • Philip Glass: Symphony No.2 Live
  • Philip Glass' Cello Concerto - La Jolla Symphony and Chorus

Transcription

Scoring and structure

The work is scored for piccolo, two flutes, two oboes doubling cor anglais, E-flat clarinet, two B-flat clarinets, bass/contrabass clarinet, two bassoons, four horns, three trumpets, three trombones, tuba, four percussionists, timpani, two harps, piano, celesta, and strings.[2] It has three continuous movements with contrasting themes and lasts approximately 40 minutes.

According to James M Keller, "Structural experimentation and orchestral sonorities notwithstanding, the most striking aspect of Glass' Symphony No. 2 may be the ways in which melody and harmony interlock in a polytonal fashion.[3] Glass has commented on his use of polytonality in the work: "The great experiments of polytonality carried out in the 1930s and 40s show that there's still a lot of work to be done in that area. Harmonic language and melodic language can coexist closely or at some calculated distance, and their relationship can be worked out in terms of either coexisting harmonies or ambiguous harmonies. ... I'm more interested in the ambiguous qualities that can result from polytonality — how what you hear depends on how you focus your ear, how a listener's perception of tonality can vary in the fashion of an optical illusion. We're not talking about inventing a new language, but rather inventing new perceptions of existing languages."[4]

See also

References


This page was last edited on 12 March 2023, at 04:31
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.