| Scherzo à la Russe | |
|---|---|
| Choreographer | George Balanchine |
| Music | Igor Stravinsky |
| Premiere | June 21, 1972 New York State Theater |
| Original ballet company | New York City Ballet |
| Design | Karinska Ronald Bates |
| Created for | Karin von Aroldingen Kay Mazzo |
| Genre | neoclassical ballet |
Scherzo à la Russe is a ballet choreographed by George Balanchine to Stravinsky's music of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer after his death, and premiered on June 21, 1972, at the New York State Theater, with the two lead roles originated by Karin von Aroldingen and Kay Mazzo.
Production
Stravinsky and Balanchine collaborated for many years until the former's death in 1971.[1] The latter then decided to have the New York City Ballet hold the week-long Stravinsky Festival to honor the composer.[2]: 286 There were at least 20 premieres,[1] seven of which were choreographed by Balanchine.[3]: 317
One of the ballets made for the festival is set to Scherzo à la Russe, which Stravinsky wrote in 1925, for a film project that was abandoned.[4] The four-minute long ballet is performed by an all-female cast, with two principal dancers and a corps de ballet of sixteen. Karin von Aroldingen and Kay Mazzo originated the two lead roles.[2]: 296 The choreography resembles Russian folk dance. Von Aroldingen described, "You feel like a child or a doll when you do it. The whole thing is a smile. It's over so fast. That surprise short ending – it just stops dead – shows Stravinsky's humor."[2]: 296
The costumes were designed by Karinska, with the dancers in white Russian style dresses and crown-like headdress. The original lighting was designed by Ronald Bates.[2]: 296 The choreography of the ballet was revised in 1982.[5]
Performances
Scherzo à la Russe premiered on June 21, 1972, at the New York State Theater.[3]: 415 [4] In addition to the New York City Ballet, the ballet had also been performed by students of the School of American Ballet.[6]
Critical reception
Following the premiere, New York Times critic Clive Barnes commented that the ballet "is a slight joke but warm one." He added, "Balanchine has taken this easy, almost succulent music, and made, slightly irreverently, the kind of Nursemaids’ Dance that he feels that Fokine should have contributed to Petrushka. It is brief, clever and lightly betwitching."[4]
References
- ^ a b Kisselgoff, Anna (June 17, 1972). "City Ballet Opens Salute To Stravinsky Tomorrow". New York Times.
- ^ a b c d Reynolds, Nancy (1977). Repertory in Review: 40 Years of the New York City Ballet. ISBN 9780803773684.
- ^ a b Taper, Bernard (1987). Balanchine: A Biography. ISBN 9780520060593.
- ^ a b c Barnes, Clive (June 22, 1972). "Dance: More Glimpses of Stravinsky". New York Times.
- ^ Kisselgoff, Anna (June 16, 1993). "Review/Dance; A Cluster of Stravinsky". New York Times.
- ^ Macaulay, Alastair (September 23, 2012). "Even When There's a Him Around, Balanchine Is Still About Her". New York Times.
External links
- Scherzo à la Russe on New York City Ballet's website
- Scherzo à la Russe on George Balanchine Trust's website
This page was last edited on 2 April 2022, at 08:13