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From Wikipedia, the free encyclopedia

Set design model by Marcel Jambon for an 1895 Paris production of Giuseppe Verdi's Otello.
Set design model by Marcel Jambon for an 1895 Paris production of Giuseppe Verdi's Otello.
Set design for New Zealand Opera 2016 production of Mozart's Magic Flute
Set design for New Zealand Opera 2016 production of Mozart's Magic Flute
Scenic design, The 2010 Family Series, by Glenn Davis
Scenic design, The 2010 Family Series, by Glenn Davis
A simple red curtain set design for the Oresteia presented by Stairwell Theater, 2019
A simple red curtain set design for the Oresteia presented by Stairwell Theater, 2019

Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding a B.F.A. or M.F.A. degrees in theater arts. Scenic designers design sets and scenery that aim to support the overall artistic goals of the production. There has been a consideration that scenic design is also production design; however, more accurately, it is a part of the visual production of a film or television.

Scenic designer

The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following:

  • "basic ground plan showing all stationary scenic elements;
  • composite ground plan showing all moving scenic elements, indicating both their onstage and storage positions;
  • section of the stage space incorporating all elements;
  • front elevations of every scenic element, and additional elevations or sections of units as required.

All of these required drawing elements can be easily created from one accurate 3-D CAD model of the set design."[1]

In the process of planning, scenic designers often make models, ranging from very basic to extremely complex models.[2] Models are often made before the final drawings that are delivered to the scene shop for construction.[2]

The starting point for a scenic designer is often the question: "How do we generate creative ideas?" A designer will search for evidence through research to produce conceptual ideas that best support the content and values of the design with visual elements.

It has been argued that the most consuming part of expanding our horizons towards scenic concepts is much more than witnessing creativity and creative people - it begins with us opening our mind to various possibilities.[3] It has been argued that to have an attitude toward learning, seeking, and engaging in creativity, and by willing to be adventurous, inquisitive and curious, the process of scenic design will be greatly benefitted.[4]

The imagination is highly visual.[5] Whether outside or inside, colorful trees or concerts, star lit skies or the architecture of a great building, scenic design is a process of discovery.[3] Discovering what will best clarify and support the setting, environment, atmosphere, ambience, & world that is being created.[3]

Responsibility

Scenic designer Robert Edmond Jones (1887-1954) drawing at a waist high table (c. 1920).
Scenic designer Robert Edmond Jones (1887-1954) drawing at a waist high table (c. 1920).

The scenic designer is responsible for collaborating with the theatre director and other members of the production design team to create an environment for the production and then communicating the details of this environment to the technical director, production manager, charge scenic artist and prop master. Scenic designers are responsible for creating scale models of the scenery, renderings, paint elevations and scale construction drawings as part of their communication with other production staff.

Training

In Europe and Australia,[6] scenic designers take a more holistic approach to theatrical design and will often be responsible not only for scenic design but costume, lighting and sound and are referred to as theatre designers or scenographers or production designers.

Notable set designers

Notable scenic designers, past and present, include: Adolphe Appia, Boris Aronson, Alexandre Benois, Alison Chitty, Antony McDonald, Barry Kay, Caspar Neher, Cyro Del Nero, Aleksandra Ekster, David Gallo, Edward Gordon Craig, Es Devlin, Ezio Frigerio, Christopher Gibbs, Franco Zeffirelli, George Tsypin, Howard Bay, Inigo Jones, Jean-Pierre Ponnelle, Jo Mielziner, John Lee Beatty, Josef Svoboda, Ken Adam, Léon Bakst, Luciano Damiani, Maria Björnson, Ming Cho Lee, Motley, Natalia Goncharova, Nathan Altman, Nicholas Georgiadis, Oliver Smith, Ralph Koltai, Emanuele Luzzati, Neil Patel, Robert Wilson, Russell Patterson, Brian Sidney Bembridge, Santo Loquasto, Sean Kenny, Todd Rosenthal, Robin Wagner, Tony Walton, Louis Daguerre, and Roger Kirk.

See also

Theatre decor by Reginald Gray for The Wood of the Whispering by M. J. Molloy
Theatre decor by Reginald Gray for The Wood of the Whispering by M. J. Molloy

References

  1. ^ "Scenic Designer | Yale Undergraduate Production". up.yalecollege.yale.edu. Retrieved 2021-12-22.
  2. ^ a b Pincus-Roth, Zachary (2008-01-31). "ASK PLAYBILL.COM: Sets". Playbill. Retrieved 2019-10-31.
  3. ^ a b c "Why is scenic design important?". moviecultists.com. Retrieved 2021-12-22.
  4. ^ Centineo, Santi (November 20, 2017). "Images' Hypertrophy in Contemporary Scenic Design. From Imagination to New Media Immanence in Scenic Performance". Proceedings. 1: 860–870.
  5. ^ Pearson, J (2020). "The Visual Imagination". In Anna Abraham (ed.). The Cambridge Handbook of the Imagination (Cambridge Handbooks in Psychology, pp. 175-186). Cambridge: Cambridge University Press.
  6. ^ "Training as a Theatre Designer". Central School of Speech and Drama, University of London article.

Further reading

  • Making the Scene: A History of Stage Design and Technology in Europe and the United States by Oscar G. Brockett, Margaret Mitchell, and Linda Hardberger (Tobin Theatre Arts Fund, distributed by University of Texas Press; 2010) 365 pages; traces the history of scene design since the ancient Greeks.
  • Designing and Painting for the Theater by Lynn Pecktal. (McGraw-Hill, 1995 - Performing Arts - 601 pages) Detailing production design for theater, opera, and ballet, Designing and Drawing for the Theater is a foundational text that provides a professional picture and encyclopedic reference of the design process. Well illustrated with detailed lined drawings and photographs, the book conveys the beauty and craft of scenic and production design.

External links

  • Media related to Scenography at Wikimedia Commons
  • Prague Quadrennial of Performance Design and Space - the largest scenography event in the world - presenting contemporary work in a variety of performance design disciplines and genres - costume, stage, light, sound design, and theatre architecture for dance, opera, drama, site specific, multi-media performances, and performance art, etc., Prague, CZ
  • What is Scenography Article illustrating the differences between US and European theatre design practices.
This page was last edited on 27 April 2022, at 14:12
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