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Saskia Olde Wolbers

From Wikipedia, the free encyclopedia

Saskia Olde Wolbers
Born1971
Breda, The Netherlands
Notable work
Pareidolia, Deadline, Trailer

Saskia Olde Wolbers (born 1971) is a Dutch video artist who lives and works in London.

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Transcription

Contents

Background

Since the mid-1990s, Saskia Olde Wolbers has been developing fictional documentaries often loosely based on factual events. Her intricate videos are driven by a combination of otherworldly imagery – meticulously handmade model sets – and the apparent inner monologue of the voiceover in the audio book-like soundtrack. The films are shot underwater, miniature sets dipped in paint to create unstable imagery that abstractly illustrates the narrator's thought process.[1] In her most recent works, the music soundtrack has been composed by Daniel Pemberton.

She has exhibited widely since 1998.[2] Solo shows include: A Shot In The Dark at Vienna Secession, 2011; Goetz Collection, 2010; Mori Art Museum Tokyo, 2008; The Falling Eye at The Stedelijk Museum Amsterdam, 2006; and Tate Britain, London, 2003. In 2014 she created an audio installation at 87 Hackford Road, Brixton, London, the house in which Vincent van Gogh lodged briefly in 1873-74.[3]

Author and curator Phillip Monk describes in his book The Saskia Olde Wolbers Files,[4] "Olde Wolbers not only joins fictional and documentary elements in her scripts, she links them to series of images, themselves fabricated and quite fantastic in their nature."

In 2008, Olde Wolbers lectured for the Penny Stamps Distinguished Speaker Series.

Saskia Olde Wolbers is represented by Maureen Paley, London. She is a lecturer at Goldsmiths University.

Awards and prizes

Olde Wolbers has won the Baloise Prize (2003) and the Beck's Futures Prize (2004).[5]

Exhibitions

Selected solo exhibitions

Selected Group exhibitions

Videography

  • 2011 Pareidolia
  • 2007 Deadline
  • 2005 Trailer
  • 2003 Interloper
  • 2002 Placebo
  • 2000 Kilowatt Dynasty
  • 1999 Day-Glo
  • 1998 Cosmos
  • 1997 Octet
  • 1996 The Mary Hay Room

Further reading

  • 2011 Saskia Olde Wolbers, A Shot in the Dark, Secession. ISBN 978-3-902592-42-2
  • 2009 Monk, Phillip (2009). The Saskia Olde Wolbers Files. ISBN 978-0-921972-53-2.
  • 2009 Automatic cities, The architectural image in contemporary art, Museum of contemporary art San Diego, Distributed by Distributed Art Publishers New York. ISBN 978-0-934418-71-3
  • 2008 Saskia Olde Wolbers, Mori Art Museum, Tokyo, Japan. ISBN 978-4-902819-19-9 C0071
  • 2008 The Cinema Effect: Illusion, Reality and the moving image, Hirshhorn Washington DC. ISBN 978-1-904832-50-8
  • 2003 Now that part of me has become fiction, Artimo. ISBN 90-75380-88-7

References

  1. ^ A Shot in the Dark at secession Archived 2011-08-21 at the Wayback Machine
  2. ^ Saskia Olde Wolbers at Maureen Paley Archived 2011-09-29 at the Wayback Machine
  3. ^ Kellaway, Kate (27 April 2014). "Does a house in Brixton hold the key to Vincent Van Gogh?". The Observer. Retrieved 1 February 2019.
  4. ^ Monk, Phillip (2009). The Saskia Olde Wolbers Files. ISBN 978-0-921972-53-2. Art Gallery of York University, Toronto Canada. Distributed by Distributed Art Publishers New York
  5. ^ Art News Saskia Olde Wolbers at  Mori Art Museum Tokyo

External links

This page was last edited on 25 December 2019, at 04:00
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