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Saltram House, west front
Saltram House, west front
Saltram House, south (main entrance) front, with Parker arms in pediment
Saltram House, south (main entrance) front, with Parker arms in pediment
Saltram House, east front; The central block with Venetian window contains the drawing room
Saltram House, east front; The central block with Venetian window contains the drawing room
Saltram House circa 1832, by William Henry Bartlett
Saltram House circa 1832, by William Henry Bartlett
Drawing room, Saltram House
Drawing room, Saltram House

Saltram House is a grade I listed[1] George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon".[2] The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.

The present building was commenced by John Parker (1703–1768)[3] of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett.[4] It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.[5]

In 1957 Saltram House was donated by the Parker family to the National Trust in lieu of death duties, and is open to the public.

Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.[6]

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Origins and early period

The name Saltram derives itself from the salt that was harvested on the nearby estuary and the fact that a "ham", or homestead, was on the site before the Tudor period. The first recorded family to have owned is that of Mayhew (alias Mayes, Mayhowes, etc.) who were yeoman farmers in the 16th century. The family owned Saltram for about 50 years, their prosperity declining at the end of the century when they began to sell and lease parts of the estate. Their landholdings were considerable, for example a lease granted by them in 1588 granted the right to farm in Saltram Wood 'and all houses, quays and buildings adjoining or upon the same', and to have fishing rights at Laira Bridge Rock and Culverhole; to hold portions of a quay called Coldharbour; and to have the use of the Mayhowes' fishing nets. The next family to own Saltram were the Baggs, who were probably responsible for turning the farmhouse into a mansion. Sir James I Bagg, MP for Plymouth (1601–11) and Mayor of Plymouth, purchased Saltram in about 1614. On his death the house passed to his son James II Bagg (died 1638), Deputy Governor of Plymouth and a vice-admiral closely allied to the Duke of Buckingham, a favourite of King James I. He is believed twice to have embezzled funds from the Crown, the first occasion having contributed to the failure of Buckingham's attack on Cadiz in 1625. For reason unknown King Charles I twice defended him despite his seemingly obvious culpability. James II Bagg died in 1638 and was succeed by his son George Bagg, when Saltram was described as comprising "One great mansion house, one stable, three gardens, two acres of orchard, eight acres of meadows" and eight acres more. Despite inheriting his father's role as Deputy Governor of Plymouth, George Bagg did not share his father's luck, and having chosen the Royalist side in the Civil War, Saltram suffered at the hands of the Parliamentarian forces. Following the defeat of the Royalist cause, shortly after 1643 he was forced to compound in the sum of £582 to secure his landholdings.[7]

Despite having held on to Saltram through the Civil War, the Baggs lost Saltram in 1660, shortly before the Restoration of the Monarchy when the Commonwealth government transferred it to the former Parliamentarian captain Henry Hatsell in payment of a large debt owed by Bagg. However, after the Restoration of the Monarchy in 1660 Hatsell was stripped of the house and estate, which were granted to Sir George Carteret in settlement of a loan he had made to the King during the Civil War.

In 1712 George Parker of Boringdon Hall, about 2 miles north of Saltram, purchased the manor of Saltram, and created the Parker dynasty which reigned over Saltram until its days as a private estate were over.[8]

Development, embellishment and decline

John Parker inherited the house in 1743 and along with his wealthy wife, Lady Catherine Parker, (who largely funded the remodelling), clothed the building with symmetrical Palladian facades which cover the Tudor origins of the house. The interiors of the house were given delicate touches including Rococo ceiling plasterwork in the Entrance Hall, Morning Room and Velvet Drawing Room.[9]

John Parker the second, who was later created Lord Boringdon, succeeded his father in 1768 and a year later married Theresa Robinson. The Robinson family was of an artistic mind and advised on the embellishment of the house in the six years until Theresa's tragic early death. These six years are considered Saltram's golden age, epitomised by Joshua Reynolds' association with the house due to his close friendship with the family. The house owns ten portraits by Devon's greatest artist. Alongside Reynold's stands Robert Adam, who was approached by Lord Boringdon in 1768 to create a suite of neo-classical rooms along the east front which reaches its climax in the drawing room, perhaps the most iconic of all of Saltram House's rooms. Adam, who was the most fashionable architect and interior designer of the day, created everything from the door handles to the huge plasterwork ceiling. Not to be confined to the inside of the property, Boringdon also commissioned Nathaniel Richmond to lay out the present parkland which surrounds the house.[10]

The third John Parker, later known as Earl of Morley inherited the house just 20 years after his father and took longer again to make any major changes to the house. However, in 1819 he employed the Regency architect John Foulston to add the Entrance Porch and create the present Library out of two smaller rooms. His second wife, Frances, continued to develop the artistic legacy of the family by producing her own watercolours and Old Master copies which are on show in the house still. The Earl of Morley was ambitious and attempted to develop several industrial and engineering projects on the estate, but many of these were unsuccessful and the family fell heavily into debt.[11]

Money was so short that the third Earl of Morley was forced to leave the house between 1861 and 1884, and was only able to return after selling several of the estate's most valuable paintings. The family's fortunes picked up in 1926 when the 4th Earl of Morley inherited several other estates although the good times were short lived as the war brought damage from enemy bombing and eventually in 1951 the house and its contents were accepted in lieu of death duties by H.M. Treasury, which transferred them to the National Trust, which remains in charge to this day.[12]


The silting up of the Laira means that once the view to the west was of a muddy estuary for all but the top of the tide, however recent tree growth has created a visually pleasing landscape. The in-filling of the Plymouth refuse dump at Chelson Meadow is now complete, creating green space. Views of Plymouth Sound are possible from the first storey of the house and the castle folly in the gardens.[citation needed]


  1. ^
  2. ^ Pevsner, Nikolaus & Cherry, Bridget, The Buildings of England: Devon, London, 2004, p.710
  3. ^ Vivian, Lt.Col. J.L., (Ed.) The Visitations of the County of Devon: Comprising the Heralds' Visitations of 1531, 1564 & 1620, Exeter, 1895, p.588, pedigree of Parker
  4. ^ Vivian, p.588
  5. ^ The early genealogy of the Parker family as given in the heraldic visitations of Devon appears unreliable. A deed exists which records that in 1550 Edmund Parker, "gent" the son and heir apparent of John Parker of North Molton, Esquire, was granted by John la Zouche, 8th Baron Zouche (of Haryngworth), 9th Baron St Maur (c. 1486–1550), by deed of gift, the office of bailiff of the manor of North Molton and lands called "Legh" for the term of his life.(Plymouth & West Devon Record Office 69/M/2/93, dated 28 March 1550 [1])
  6. ^ Parrill, Sue (2002). Jane Austen on film and television: a critical study of the adaptations. Jefferson: McFarland & Company, Inc., Publishers. p. 6. ISBN 0-7864-1349-2.
  7. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
  8. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
  9. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
  10. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
  11. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
  12. ^ Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998

External links

This page was last edited on 16 February 2018, at 03:36
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