Ryan Walker (cartoonist)

Ryan Walker (December 26, 1870 in Springfield, Kentucky^[1] - June 23, 1932 in Moscow) was an American political activist and cartoonist. A prolific artist who published political cartoons in a variety of radical newspapers and magazines in the United States, Walker is best remembered as the creator of the recurring character "Henry Dubb", an American worker who ambled through life blithely being victimized by capitalism ostensibly as a result of his blind acceptance of the ideas of the ruling class.

A member of the Socialist Party of America during his younger years, Walker's political views hardened with the coming of the Great Depression in 1929 and he joined the Communist Party USA the following year, joining the editorial staff of the party's English-language daily newspaper in New York City. Walker died of pneumonia in June 1932 while on a visit to the Soviet Union.

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Are we the only living thing in the entire universe? The observable universe is about 90,000,000,000 light years in diameter. There are at least 1,000,000,000 galaxies Each with 100,000,000,000 to 1,000,000,000,000 stars. Recently, we've learned that planets are very common too And there are probably trillions and trillions of habitable planets in the universe Which means there should be lot of opportunities for life to develop and exist, right? But where is it? Shouldn't the universe be teeming with spaceships? Let's take a step back. Even if there are aliens civilisations in other galaxies, there is no way we'll ever know about them. Basically, everything outside of our direct galactic neighborhood, the so called, "Local Group" is pretty much out of our reach forever, because of the expension of the universe. Even if we had really fast spaceships it would literally take billions of years to reach these places, travelling throught the emptiest areas in the universe. So, let's focus on the Milky Way. The Milky Way is our own galaxy, it consists of up to 4 hundred billions stars. That's a lot of stars, roughly 10 thousands for every grain of sand on earth. There are about 20 billions sun-like stars in the Milky Way and estimates suggest that a fivth of them have an earth-sized planet in its habitable zone, the area with conditions that enable life to exist. If only 0.1% of those planets harbored life, there would be 1 million planets with life in the Milky Way. But wait, there's more. The Milky Way is about 13 billion years old. In the beginning, it would not have been a good place for life because things exploded a lot, but after 1 to 2 billion years, the first habitable planets were born. Earth is only 4 billions years old, so there have probably been trillions of chances for life to develop on other planets in the past. If only a single one of them had developed into a space travelling super civilization we would have noticed by now. What would such a civilization look like? There are 3 categories. A Type 1 civilization would be able to access the whole energy available on its planet. In case you are wondering, we are currently around 0.73 on the scale and we should reach Type 1 sometime in the couple hundred of years. Type II would be a civilization capable of harnessing all of the energy of its home star. This would require some serious science fiction, but it is doable in principle. Concepts like the Dyson sphere, a giant complex surrounding the Sun would be conceivable. Type III is the civilization that basically controls its whole galaxy and its energy an alien race this advanced would probably be godlike to us. But why should we be able to see such an alien civilization in the first place? If we were to build generations of spaceships that could sustain a population for around one thousand years we could colonize the galaxy in 2 million years. Sounds like a long time, but remember, the Milky Way is huge. So, if it takes a couple of million years to colonize the entire galaxy and there are possibly millions if not billions of planets that sustain life in the Milky Way and these other life forms have had considerably more time than we've had, then where are all the aliens? This is the Fermi Paradox, and nobody has an answer to it But we do have some ideas. Let's talk about filters. A filter in this context represents a barrier that is really hard for life to overcome. They come in various degrees of scary. One: There are Great Filters and we've passed them. Maybe it is way harder for complex life to develop than we think. The process allowing life to begin hasn't yet been completely figured out and the conditions required may be really complicated. Maybe in the past the Universe was way more hostile, and only recently things have cooled down to make complex life possible This would also mean that we may be unique, or at least one of the first, if not the first civilization in the entire Universe. Two: There are Great Filters and they are ahead of us. This one would be really really bad. Maybe life on our level exists everywhere in the Universe but it gets destroyed when it reaches a certain point, a point that lies ahead of us. For example, awesome future technology exists, but when activated, it destroys the planet. The last words of every advanced civilization would be "This new device will solve all of our problems once I push this button." If this is true, then we are closer to the end than to the beginning of human existence. Or maybe there is an ancient Type III civilization that monitors the Universe and once a civilization is advanced enough it gets eliminated, in an instant. Maybe there is something out there that it would be better not to discover. There is no way for us to know. One final thought: maybe we are alone. Right now, we have no evidence that there's any life besides us. Nothing. The Universe appears to be empty and dead. No one sending us messages no one answering our calls. We may be completely alone, trapped on a tiny moist mud ball in an eternal Universe. Does that thought scare you? If it does, you are having the correct emotional reaction. If we let life on this planet die, perhaps there would be no life left in the Universe. Life would be gone, maybe forever. If this is the case, we just have to venture to the stars and become the first Type III civilization to keep the delicate flame of life existing and to spread it until the Universe breathes its final breath and vanishes into oblivion. The Universe is too beautiful not to be experienced by someone. This video was made posible by your support. It takes at least 100 hours to make one of our videos, and thanks to your contributions on Patreon we are slowly able to do more and more of them. If you want to help us out and get your own personal bird for example, check out the Patreon page.

Biography

Early years

Ryan Walker as he appeared in 1900, early in his career as a cartoonist.

Ryan Walker was born in Springfield, Kentucky, on December 26, 1870.^[2] His father, Edwin Ruthwin Walker, was a farmer who later became a lawyer and moved the family to the Midwestern metropolis of Kansas City, Missouri, where Ryan attended public school.^[3]

Showing a proclivity for art from an early age, submitting his first freelance cartoons to Judge in 1883, at the age of 13.^[4] These were not of sufficiently finished quality to appear in the pages of the magazine, but the ideas were accepted and redrawn into a two-page center spread and back cover cartoon by a house artist, for which Walker received a royalty check of $15.^[4] He received positive reinforcement from the magazine's editor to continue at the cartooning craft and to hone his drawing skill.^[5]

Upon leaving school Walker studied for a time at the Art Students' League in New York City,^[6] before working for a number of years in a series of manual jobs, refining his drawing in his spare time.^[5]

Walker's private portfolio grew until in 1895 he was finally able to land his first permanent artistic job, a position in the advertising department of the Kansas City Times.^[3] He showed aptitude with a pen and took an acute interest in political issues and he was shortly made an editorial cartoonist for that paper, remaining in that position until 1898.^[6]

In 1898 he moved to St. Louis, Missouri, to take a position as cartoonist for the St. Louis Republic, where he would stay until 1901, taking time to marry his Kansas City sweetheart, journalist Maud Helena Davis, in October 1899.^[6]

The year 1901 saw a move to Boston, where he did a stint as cartoonist for The Boston Globe, leaving after one winter.^[6] He subsequently worked as a freelance cartoonist, publishing work in a variety of prominent newspapers and magazines of the day, including the New York Times,^[3]Life, The Arena, and The Bookman.^[7]

Walker moved from freelance to syndicated work in 1904, joining with the Baltimore-based International Syndicate as a cartoonist.^[6] He would stay with that firm for the better part of a decade, contributing as many as 18 drawings a week during the Presidential election of 1912.^[8] His health broke down from the strain, however, and he resigned his position as a syndicated cartoonist to pursue political pursuits full-time.^[8]

Socialist years

Walker's first book, a 1902 cartoon pamphlet, *The Social Hell.*

During his Kansas City years, Walker approached the proprietor of a new socialist weekly, the Appeal to Reason, established there in the summer of 1895 seeking employment as the paper's cartoonist.^[8] Although Julius Wayland was not able to pay Walker at the time, he nevertheless published the first few of Walker's cartoons in the pages of the Appeal .^[8]

While making his living as an artist for the mainstream press, in 1902 Walker began to contribute material to a glossy socialist monthly published in New York City during the first five years of the 20th Century, The Comrade.^[3]

Walker turned a close eye to the social problems of his day and developed politically radical views, declaring in a 1905 interview that

"My aim, hope, and life-work is the betterment of my brother man. Nothing else counts. I believe the present economic system is cruel, unjust, and essentially wrong, and wrong is wrong, no matter how it may be disguised ... I am a Socialist because I believe that Socialism will lead to the development of the greater self, to the out-blossoming of all that is finest and highest in individual life, and that it will secure for all the people a measure of prosperity, happiness, and freedom ..."^[9]

It was through the pages of the socialist Appeal to Reason, a mass circulation weekly published in Southeastern Kansas to which he began regularly contributing in 1906, that Walker first gained popular fame. It was in those pages that he first introduced the character "Henry Dubb," an American worker who unthinkingly rejected the ideas of unionism and socialism, only to accept as inevitable his victimization by the violence and corruption of the social system around him.^[10] Exposed as a dupe and a fool by his worldly wife and somehow cognizant child, the oblivious and intractable protagonist would respond to his latest existential insult with an unblinking stare into space and the catchphrase "I'm Henry Dubb!"^[10] — an easy-to-understand depiction of the effects resulting from so-called false consciousness among the working class.^[10]

Walker would come to publish two collections of Henry Dubb cartoons in hard covers, Adventures of Henry Dubb (1914) and New Adventures of Henry Dubb (1915), testimony to the character's enduring appeal among American radicals during the decade of the 1910s.^[3]

In addition to a steady stream of cartoons, beginning in 1912 Walker toured the country as a stump speaker on behalf of the Socialist Party of America,^[11] Walker was effective in his role as a socialist lecturer, so much so that his abilities were lauded by party orator Eugene V. Debs, who called him "accurate and resourceful",^[12] and declared him a "great cartoonist" and "equally great" public speaker, who could delight and hold an audience of socialists and non-socialists alike.^[11] Walker was directly employed by the National Office of the Socialist Party as one of the touring speakers for its Lyceum Bureau from 1915 to 1916,^[6] working in close association with Lyceum director and future Communist Party leader L. E. Katterfeld.

In 1914, Walker participated in Upton Sinclair's picket of the Standard Oil building in New York City in the wake of the Ludlow Massacre, and — after Sinclair's arrest — led the other picketers when Mary Craig Sinclair was unable to be present.^[13]

Following a conservative turn of the editorial line of the Appeal during the years of World War I, Walker took his art and the Henry Dubb character to the pages of the New York City socialist daily New York Call and later to its successor, the New Leader.^[3] The left wing press being notoriously underfunded, Walker supplemented his socialist-related work with regular employment as the Director of the Art Department of the Evening Graphic newspaper in New York City,^[3] where he was employed from 1924 to 1929.^[14]

Communist years

In the fall of 1930 Walker joined the Communist Party USA and the John Reed Club,^[1] and assumed a position as a staff cartoonist for The Daily Worker, the party's New York City-based newspaper.^[15] In conjunction with his new role, Walker created a new regularly recurring character for his cartoons, a stolid proletarian known as Bill Worker.^[16]

Death and legacy

During a visit to the Soviet Union in the spring of 1932, Ryan Walker fell ill and was forced to be hospitalized. He died of pneumonia at Rotkinsky hospital in Moscow on June 22, 1932. He was 61 years old at the time of his death.

Footnotes

^ ^a ^b Ryan Walker's Life and Work Built Around Struggles of American Labor - Revolutionary Artist Was Known to Thousands of U.S. Workers, in the Daily Worker; published June 25, 1932; archived at Stripper's Guide, June 28, 2006; retrieved October 31, 2016
^ Michael Cohen, "Cartooning and American Popular Radicalism", in Marjolein t'Hart and Dennis Bos (eds.), Humour and Social Protest. London: Cambridge University Press, 2008; pg. 51.
^ ^a ^b ^c ^d ^e ^f ^g Solon DeLeon with Irma C. Hayssen and Grace Poole, The American Labor Who's Who. New York: Hanford Press, 1925; pg. 239.
^ ^a ^b B.O. Flower, "Ryan Walker: A Cartoonist of Social Protest", The Arena, vol. 33 (April 1905), pp. 399–400.
^ ^a ^b Flower, "Ryan Walker", pg. 400.
^ ^a ^b ^c ^d ^e ^f "Ryan Walker", in Albert Nelson Marquis (ed.), Who's Who in America: A Biographical Dictionary of Notable Living Men and Women of the United States: Volume 9, 1916–1917. Chicago: A. N. Marquis and Co., 1916; pg. 2563.
^ Flower, "Ryan Walker," pg. 402.
^ ^a ^b ^c ^d Louis Gardy, "The Making of a Socialist Cartoonist — 'Henry Dubb'", Northwest Worker [Everett, Washington], whole no. 239 (Aug. 5, 1915), pg. 1.
^ Quoted in Flower, "Ryan Walker," pg. 402.
^ ^a ^b ^c Cohen, "Cartooning and American Popular Radicalism," pg. 53.
^ ^a ^b "Ryan Walker," Clayton [NM] News, vol. 9, no. 6 (Feb. 5, 1916), pg. 7.
^ Homer Simpson Marches On Washington: Dissent through American Popular Culture, by Timothy M. Dale and Joseph J. Foy; published September 1, 2010 by University of Kentucky Press
^ Southern Belle, by Mary Craig Sinclair, first published 1957 by Crown Publishers; republished 1999 by University Press of Mississippi (via Google Books
^ "Ryan Walker's Death in Russia Reported," Brooklyn Daily Eagle, vol. 91, no. 177 (June 26, 1932), pg. 20.
^ "Ryan Walker is Dead: Revolutionary Cartoonist for 32 Years," June 24, 1932; reprinted by Strippers Guide, June 28, 2006.
^ Allan Holtz, "Ryan Walker, Part 2," Strippers Guide, June 29, 2006.

Works

The Social Hell. Rich Hill, MO: The Coming Nation, 1902.
Jim and James. Girard, KS: Appeal to Reason, 1906.
The Socialist Primer: A Book of First Lessons for the Little Ones in Words of One Syllable. (Illustrator.) Girard, KS: Appeal to Reason, 1908.
The Red Portfolio: Cartoons for Socialism. Girard, KS: The Coming Nation, 1913.
Adventures of Henry Dubb: Cartoons. New York: Ryan Walker, 1914.
New Adventures of Henry Dubb: Cartoons. Chicago: Socialist Party, 1915.

External links

Wikimedia Commons has media related to Ryan Walker (cartoonist).

Allan Holtz, "Ryan Walker, Part 2," Strippers Guide, June 29, 2006.

This page was last edited on 14 March 2023, at 06:27

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