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From Wikipedia, the free encyclopedia

Ray Heindorf
Raymond John Heindorf

(1908-08-25)August 25, 1908
DiedFebruary 3, 1980(1980-02-03) (aged 71)
Resting placeSan Fernando Mission Cemetery
Occupation(s)composer and songwriter
Years active1929–1972

Raymond John Heindorf (August 25, 1908 – February 3, 1980) was an American composer and songwriter who was noted for his work in film.

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Early life

Born in Haverstraw, New York, Heindorf worked as a pianist in a movie house in Mechanicville in his early teens. In 1928, he moved to New York City, where he worked as a musical arranger before heading to Hollywood. He gained his first job as an orchestrator at MGM, where he worked on Hollywood Revue of 1929, and subsequently went on the road playing piano for Lupe Vélez.[1]

Hollywood Years

After completing this engagement, he joined Warner Bros., composing and/or arranging and conducting music exclusively for the studio for nearly forty years. Heindorf, along with Georgie Stoll at MGM, were jazz aficionados well known in the black entertainment community for employing minority musicians in their studio music departments.[2]

He undertook the musical direction of Judy Garland's comeback film A Star is Born (1954) and made a cameo appearance as himself in the premiere party sequence where Jack Carson's character congratulates him on a great score.

Among Heindorf's other screen credits are 42nd Street, Gold Diggers of 1935, The Great Lie, Knute Rockne All American, Kings Row, Night and Day, Tea for Two, A Streetcar Named Desire, The Jazz Singer, Calamity Jane, No Time for Sergeants, The Helen Morgan Story, The Music Man, Marjorie Morningstar, Damn Yankees, Auntie Mame, Finian's Rainbow, and his final musical for Jack L. Warner, 1776.

Academy Awards

Between 1943 and 1969, he was nominated for eighteen Academy Awards, 17 nominations for Best Score and 1 nomination for Best Song. Heindorf won three, in the category of Best Score of a Musical, for Yankee Doodle Dandy, This is the Army, and The Music Man. His wins for the former two films made him the first to accomplish consecutive wins in a musical category.[3]

Jazz Recordings

Heindorf was a friend and admirer of jazz pianist Art Tatum. For their mutual friends, he hosted two Tatum piano performances at his Hollywood home in 1950 and 1955. Heindorf recorded these private concerts, which were issued as Art Tatum: 20th Century Piano Genius on the Verve label.

Personal life

Census records from 1930 show that Heindorf lived with bandleader and composer Arthur Lange in the Hollywood Hills.[4]

Heindorf died in Tarzana, California, aged 71, and reputedly was buried with his favorite conducting baton.

Heindorf's son, Michael, was also a film composer.


  1. ^ Ray Heindorf at Archived October 8, 2007, at the Wayback Machine
  2. ^ Clora Bryant & Steven Isoardi (1999), Central Avenue Sounds: Jazz in Los Angeles, University of California Press, p. 68
  3. ^ [1][permanent dead link]
  4. ^ Fifteenth Census of the United States, United States census, 1930; Los Angeles, Los Angeles, California; roll 134, page 5A, line 13–14, enumeration district 0065, Family History film 2339869. Retrieved on February 28, 2014.

External links

This page was last edited on 23 August 2023, at 10:22
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