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Patricia Moore

From Wikipedia, the free encyclopedia

Patricia Moore
Born (1952-10-21) October 21, 1952 (age 71)
Alma materRochester Institute of Technology, New York University School of Medicine, Rusk Institute of Rehabilitation Medicine, Columbia University
Occupation(s)Industrial Design and Gerontologist
Known forPioneer of Universal Design

Patricia Moore (born 1952) is an American industrial designer, gerontologist, and author. She is one of the founders of the universal design philosophy.[1]

Moore is a Fellow of the Industrial Designers Society of America and in 2016 was named one of The Most Notable American Industrial Designers in the history of the field.[2] ID Magazine selected Moore as one of The 40 Most Socially Conscious Designers.[citation needed] In 2000, a consortium of news editors named her as one of The 100 Most Important Women in America. In 2012, she was inducted into The Rochester Institute of Technology's Innovation Hall of Fame[3] and named an honorary Doctor of Fine Arts by Syracuse University for serving as a "guiding force for a more humane and livable world, blazing a path for inclusiveness, as a true leader in the movement of Universal Design".[This quote needs a citation] ABC World News featured Moore as one of 50 Americans Defining the New Millennium.[citation needed] Hasselt University in Belgium awarded Moore an honorary PhD in May 2019 for her efforts towards “Inclusion and Excellence.”[4] Moore is the 2019 Recipient of the Cooper Hewitt Smithsonian Design Museum's National Design Award as "Design Mind",[5][1] and the 2020 Center for Health Design's Changemaker Award.[6] In 2022, she was presented with the World Design Organization's World Design Medal.[7][1]

YouTube Encyclopedic

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  • Patricia Moore - 2012 RIT Innovation Hall of Fame
  • Visiting Artists & Scholars: Dr. Patricia Moore
  • RIT Creativity and Innovation Alumni Spotlight Symposium - Patricia Moore

Transcription

♪ MUSIC ♪ MOORE: RIT WAS THE ONLY UNIVERSITY I APPLIED TO. I ASSUMED I'D HAVE A CAREER IN SOME FORM OF ART, BUT I HAD NO IDEA UNTIL I GOT TO RIT THAT THERE WERE THINGS OTHER THAN DRAWING PICTURES THAT COULD BE CLASSIFIED AS ART AND THAT'S WHEN I FOUND INDUSTRIAL DESIGN. TWIST: I THINK THAT SHE WAS GIVEN THE FREEDOM EARLY IN HER LIFE AND THROUGH HER EDUCATION TO DEVELOP HER CREATIVITY AND TO BE INQUISITIVE AND TO ASK A LOT OF QUESTIONS. MOORE: I RECEIVED PROBABLY THE BEST GIFT ANY STUDENT GRADUATING COULD HAVE AND THAT WAS AN INVITATION TO COME TO NEW YORK CITY AND WORK WITH RAYMOND LOEWY WHO WAS THE FATHER OF INDUSTRIAL DESIGN, PRODUCT DESIGN, IN THE UNITED STATES. I WAS VERY SURPRISED TO LEARN I WAS THE ONLY FEMALE AND THERE WERE 350 ARCHITECTS, DESIGNERS AND ENGINEERS AND AS THE ONLY WOMAN ON BOARD TO TAKE CARE OF PRODUCT DEVELOPMENT AND DESIGN, I HAD A VOICE THAT WAS NOT AS COMMON AS THE OTHERS IN THE ROOM AND I WAS THE ONE WHO WOULD BRAVELY RAISE MY HAND AND SAY, "WELL WHAT ABOUT PEOPLE WITH ARTHRITIS? WHAT ABOUT PEOPLE WHO DON'T HAVE FEET TO WALK BUT USE WHEELS TO MOVE? AND WHAT ABOUT, WHAT ABOUT WHAT ABOUT?" AND I WOULD CONSTANTLY HEAR, "PATTI, WE DON'T DESIGN FOR ‘THOSE' PEOPLE!" AND I DIDN'T UNDERSTAND THIS HIERARCHY BY DESIGN THAT SOME PEOPLE DESERVED GOOD DESIGN AND OTHER PEOPLE DIDN'T. AND I HAD NO IDEA WHY IT EXISTED BUT I KNEW IN MY HEART OF HEARTS WE HAD TO CHANGE IT. I REALIZED THAT I DIDN'T JUST WANT TO BE AN ACTRESS PRETENDING TO BE AN ELDER, BUT THAT WHAT HADN'T BEEN ACCOMPLISHED, AT LEAST WITH THE VARIABLE OF AGE, WAS A TRUE IMMERSION CHARACTER, AN EMPATHIC CHARACTER. SO WE DEVELOPED ALL THE PROSTHESIS THAT WOULD ALTER MY BODY; GIVE ME CURVATURE OF THE SPINE, TAKE AWAY MY VISION BY USING CLOUDED LENSES, PLUGGING MY EARS SO I COULDN'T REALLY HEAR AND WEARING NON OPERATING HEARING AIDS, TAPING MY HANDS, MY LEGS, USING SPLINTS SO THAT I COULDN'T RUN, I COULDN'T BEND, I COULDN'T RAISE MY ARMS. I NEEDED THE SUPPORT OF PEOPLE AROUND ME IN THE COMMUNITY TO HELP ME DO THE SIMPLEST OF THINGS BECAUSE I WAS LIVING IN THIS SHELL, A BODY CHANGED BY TIME. YOU COULD SEE THIS VERY SAD DISTINCTION THAT EXISTS IN THIS WORLD TODAY BECAUSE WE DID NOT DESIGN AND BUILD STRUCTURES, SERVICES, PLACES, SPACES FOR THE PRESENCE OF ELDERS AND FOR PEOPLE WHO DO THINGS DIFFERENTLY THAN THE NORM. REMINGTON: SHE IDENTIFIED EARLY IN HER CAREER A NEED AND A PROBLEM AND SHE STRUCTURED A DEFINITE RESPONSE TO THAT NEED AND I THINK WE'RE ALL VERY PROUD OF THAT ACCOMPLISHMENT AND I THINK THAT IS SOMETHING THAT STICKS OUT AS A RECOGNIZABLE BENCHMARK IN HER CAREER, EVEN THOUGH SHE'S GONE ON AND ON AND ON FAR BEYOND THAT POINT. TWIST: I WOULD HOPE, AND I WOULD THINK IT IS TRUE, THAT PATTI'S EARLY EDUCATION HAD SOMETHING TO DO WITH HER ATTITUDE AND HER VALUES AND ESPECIALLY HER RESPECT FOR ALL PEOPLE. MOORE: UNIVERSALITY JUST SEEMED TO BE THE MOST SENSIBLE COURSE OF DESIGN IN OUR EYES. WHAT WE WERE LOOKING AT WAS DESIGNING WITH EQUITY; DESIGNING FOR ALL PEOPLE AS EQUAL AND RECOGNIZING THAT THERE WERE NOT CONSUMERS THAT WE COULD CALL ‘THOSE' PEOPLE, BUT RATHER ALL OF US HAVE THE SAME DISCREET AND INDIVIDUAL AND UNIQUE NEEDS AND THE SAME COMMONALITIES. ONE OF THE PRODUCTS I'M MOST PROUD OF IS THE MAMMOGRAPHIC UNIT WE DESIGNED SO THAT WHEN OUR BREAST IS IN COMPRESSION, WHICH IS VERY PAINFUL, WE HAVE AN AUTOMATIC RELEASE ONCE THE X- RAY HAS BEEN COMPLETED SO ACTUALLY THAT'S ONE OF MY PROUDEST MOMENTS WAS FIGHTING AGAINST, SADLY, THE MEN WHO WERE FINANCING THIS PROJECT, WHO SAID THAT WE DIDN'T NEED TO SPEND MONEY ON THAT DETAIL. BUT I DON'T KNOW IF WE'LL EVER BE ABLE TO TALK ABOUT THIS WITHOUT EMBARRASSING SOME PEOPLE, BUT I SUGGESTED WE COULD PROBABLY USE SOME COMPRESSION ON THEIR BODIES AND THAT'S WHAT GOT ME THE BUDGET. THAT'S A VERY FAMOUS PATTI MOORE STORY (LAUGHING). A MORE GLOBAL STORY, OF COURSE, WOULD BE THE OXO GOOD GRIPS PRODUCTS AND BEING PART OF THE TEAM WITH SMART DESIGN, HELPING SAM FARBER AND BETSY FARBER JUST TAKE A LOOK AT SUCH A SIMPLE, INNOCENT DAILY PRACTICE OF PREPARING YOUR MEAL IS THE KIND OF THING THAT DESIGNERS LOVE TO SOLVE. REMINGTON: I USE OXO GOOD GRIPS EVERY MORNING OPENING A CAN OF DOG FOOD FOR MY DOG AND THINK OF PATTI EVERY MORNING, ACTUALLY (LAUGHING)! MOORE: DESIGN IS SUPPOSED TO EMPOWER PEOPLE; IT'S NOT SUPPOSED TO DISABLE PEOPLE AND THE ONLY TIME I EVEN USE THE WORD DISABLE IS IN CHIDING DESIGNERS AND SAYING, "YOU DIDN'T DO A GOOD JOB THERE. LET'S TRY AGAIN." PEOPLE AREN'T DISABLED. EACH OF US HAS SOME LEVEL OF CAPABILITY, SOME LEVEL OF ABILITY. DESIGN IS INTENDED TO MEET THAT LEVEL AND EXCEED IT AND SO IT GOES BEYOND COMPENSATION TO THRIVING, NOT JUST SURVIVING BY DESIGN. SO WHEREVER THERE'S A ROADBLOCK IN OUR LIVES IT'S BECAUSE SOMEBODY DIDN'T DO THEIR JOB RIGHT AND ON THAT POINT I'M ADAMANT. TWIST: I THINK CREATIVITY IS A GOD GIVEN GIFT. I THINK USING IT IS INNOVATION. MOORE: THOSE OF US WHO IDEATE ABOUT WHAT LIFE COULD BE ARE OFTEN IN A SITUATION WHERE SOME OF THE BEST IDEAS COLLECT DUST FOR A WHILE UNTIL THE RIGHT TECHNOLOGY, THE RIGHT MATERIALS, THE RIGHT SCIENCE IS IN PLACE AND IT'S SOMETIMES A WAIT AND SEE GAME. BUT YOU'RE ALWAYS BUILDING FOR WHAT IFS AND WHAT ABOUT TOMORROW AND WHAT COULD WE POSSIBLY DO AND WE CAN DO ANYTHING BY DESIGN. ♪ MUSIC ♪

Education

Moore earned her bachelor's degree from Rochester Institute of Technology, and completed her advanced studies in biomechanics at the New York University School of Medicine and the Rusk Institute of Rehabilitation Medicine. She earned graduate degrees in psychology and social gerontology from Columbia University.[8]

Research into design needs

Patricia Moore started her career in industrial design in 1974, working with Raymond Loewy International in New York City. In 1979, at the age of 26, she began an unusual sociological experiment to study the experiences of elders in North America. With the help of a makeup artist from Saturday Night Live, she disguised herself as an elderly woman and traveled throughout the United States and Canada, in guises that represented a range of health and wealth, to experience first-hand how elders manage their daily lives.[1] "Old Pat", as she called herself, wore specialized makeup prosthetics and her grandmother's clothes.[1] To simulate common physical impairments such as arthritis and hearing loss, she put wax in her ears, taped her fingers to make them stiff under her gloves, and taped lightweight balsa wood on her knees.[1] She had many positive experiences, such as people helping her, but many frustrations as well, such as trying to unwrap a piece of candy with stiffened fingers.[1] Once, while she was out in her "Old Pat" disguise, she was the victim of a violent mugging by a group of boys, resulting in permanent injuries.[1]

Her "Elder Empathetic Experiment" research project was completed in 1982, after visiting 116 cities in 14 states and two Canadian provinces.[1] She published her findings in the book Disguised in 1985.[9]

She has donated many of the artifacts from this research and the rest of her career, including her "Old Pat" disguise, to the Henry Ford Museum.[1]

Other projects

Moore was instrumental in developing Oxo Good Grips, a line of kitchen utensils that was developed to have larger, softer handles and are easier and more comfortable for people with arthritis to use, and which found a market much larger than people with severe arthritis.[1] Moore described the line as "an iconic project that defined, finally, what universal, inclusive design looks like”.[1] In 1994, the Museum of Modern Art put the Oxo Good Grips vegetable peeler in their permanent collection.[1]

She has designed many rehabilitation facilities.[1]

Moore was involved in the development of Depend incontinence products, which also found a market larger than originally expected.[1]

She also helped draft part of the Americans with Disabilities Act of 1990.[1]

Moore has also lectured at universities throughout North America, Australia, China, Europe, Korea, Japan, New Zealand, and Russia. She was the 1996 and 1997 Carnegie Mellon University Visiting Design Chair and is currently an Adjunct Professor of Industrial Design at Arizona State University.

MooreDesign Associates

Moore & Associates, now MooreDesign Associates, was established in 1980 in New York City and now operates in Phoenix, Arizona. The company specializes in developing new products and services for the lifespan needs of consumers of all ages and abilities. Moore does not see the design work as centering around old age or disability, because any person can benefit from inclusive design features, sometimes as a result of changed circumstances, such as a broken leg.[1]

Clients include: AT&T, Bell Communication, Boeing, Citibank, Corning Glass, General Electric, GTE, Herman Miller Healthcare, Honolulu Light Rail, Johnson & Johnson, Kimberly Clark, Kaiser Permanente, Kraft General Foods, Marriott, Maytag, NASA, Norelco, OXO, Pfizer, Playtex, Seoul Design City Project, Sky Train, Phoenix Sky Harbor Airport, Sunbeam, 3M, Valley Metro Rail, and Whirlpool.[10][11]

Professional associations

She is the co-author of the American National Standards Committee on Anthropometry.[8] She has been a member of the Board of Trustees of the American Physical Therapy Association, the Harrington Arthritis Research Center, the Herberger Center for Design Excellence at Arizona State University, the Advisory Board of CARF (Certifying Association of Rehabilitation Facilities), and The American Occupational Therapy Association Foundation.[8]

Moore is a Fellow of the Industrial Designers Society of America.[8]

Works

  • 1985, Disguised: A True Story
  • 2015, Ageing, Ingenuity & Design

Legacy and honors

Moore has received the following recognition:

  • 1996 Community Service Award of the American Rehabilitation Association
  • 1996, American Hospital Association's 1996 NOVA Award for the "Family Road" Care Centers
  • 1997, Professional Recognition Award by the Arizona Design Institute
  • ID Magazine named her as one of the "40 Most Socially Conscious Designers" in the world.
  • 2000, a consortium of news editors and organizations selected Moore as one of the "100 Most Important Women in America."
  • 2000, ABC World News featured Moore as one of "50 Americans Defining the New Millennium."
  • 2005, the American Occupational Therapists Association's annual Leadership Award
  • 2006, the American Society of Interior Designers annual Humanitarian Award
  • 2011, the Royal College of Art Inclusive Design Champion Award
  • 2012, Syracuse University bestowed Moore with an honorary doctorate for serving as a “guiding force for a more humane and livable world, blazing a path for inclusiveness, as a true leader in the movement of Universal Design.”
  • 2012, The Rochester Institute of Technology inducted Moore as a member of the “INNOVATORS Hall of Fame”.[3]
  • 2013, WTS presented Moore with their "Innovative Transportation Solutions Award" [citation needed]
  • 2016, Industrial Designers Society of America Most Notable American Industrial Designer[2]
  • 2019, U of Hasselt Belgium Honorary Doctorate in Architecture[4]
  • 2019, the National Design Award for "Design Mind"[5]
  • 2020, the Center for Health Design CHANGEMAKER Award[6]
  • 2022, World Design Organization's World Design Medal[7]

References

  1. ^ a b c d e f g h i j k l m n o p q Pandell, Lexi. "She Sacrificed Her Youth to Get the Tech Bros to Grow Up". Wired. ISSN 1059-1028. Retrieved 2023-10-25.
  2. ^ a b "Design Empathy : Our Ultimate Role". Innovation: the journal of the Industrial Designers Society of America. Vol. 36, no. 4. p. 6. Retrieved July 24, 2022.
  3. ^ a b "Innovation Hall of Fame". RIT.edu. Simone Center for Innovation and Entrepreneurship, Rochester Institute of Technology. Retrieved July 24, 2022.
  4. ^ a b "Honorary doctorate recipients". UHasselt. Retrieved July 14, 2022.
  5. ^ a b "History of Honorees & Jurors". CooperHewitt.org. Cooper Hewitt, Smithsonian Design Museum. May 17, 2014. Retrieved July 24, 2022.
  6. ^ a b Apuccinelli (August 26, 2010). "Changemaker Award". The Center for Health Design. Retrieved July 24, 2022.
  7. ^ a b Organization, World Design. "WDO names Patricia Moore as recipient of 2022 World Design Medal™". www.prnewswire.com (Press release). Retrieved July 24, 2022.
  8. ^ a b c d "2010 Speaker Biographies: Patricia Moore". Mayo Clinic Center for Innovation. 2010. Archived from the original on November 29, 2011. Retrieved February 13, 2012.
  9. ^ Moore, P.; Conn, C. P. (1985). Disguised: A True Story. Waco, TX: Word Books.
  10. ^ Kaplan, Melanie. "Universal design pioneer: Why design still excludes many". SmartPlanet.com. CNET. Retrieved May 20, 2012.
  11. ^ Westbrook, Lindsey. "Patricia Moore: Universal Designer, Undercover". CCA.edu. California College of the Arts. Retrieved May 20, 2012.
This page was last edited on 6 April 2024, at 05:12
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